Restore The Heart [on KS Friday]

Last night I sat on the floor in the corner of the bathroom. It was very late and I couldn’t sleep. I said to no one, “Something, sometime, some way, has to tip in our favor.” I was disheartened after a day of exceptionally discouraging news.

“Disheartened” is an interesting word. Heart removal. An empty cavity where the energy should be. The thought made me laugh and laughter is always good for the disheartened. My laughter brought me back to my senses. I sat on the floor, shifted my focus from woe-is-me and placed it squarely on all that I am thankful for. The list is long and runs through creature comforts like hot showers and electric light to soul-comforts like a crazy Aussie dog to heart-comforts like an incredible wife. Also, there is wine on the deck. Walks in nature which imply good health, walks through imagination which imply an artistic spirit, walks with awe which imply an insatiable curiosity. Through the right lens, my life-view from the bathroom floor is remarkable.

My empty cavity filled to overflowing.

I find it’s a good practice, when fresh from a bout with self-pity, to wander the house slowly. To intentionally touch the stories that live in the furniture or the glasses or the plants. To step out of the fear-mongering and into the riches of the present moment. Laying on our dining room table is a bundle of branches Kerri gathered from a fallen pussy willow. The furry catkins glowed silver and caught my attention. They warmed me with a memory. A walk with dear friends on ground so muddy that we laughed and hopped in search of solid footing. It was cold. Trees were down; the day before the wind and rain was brutal. Finding the pussy willow branch on the ground made both Kerri and Jen giggle with delight. A treasure! So simple. Their excitement turned toward possibilities. Vases or ribbon?

Enhearten: to restore strength and courage to a saddened spirit. The memory was good medicine and sent me to bed where I fell into a deep sleep, paradoxically enlivened and peaceful. Heart restored.

Kerri’s music is available on iTunes or streaming on Pandora

read Kerri’s blogpost about PUSSYWILLOWS

watershed/as it is © 2004 kerri sherwood

Choose A Double [on Merely A Thought Monday]

The storm that blew through last night was ominous. The thunder shook the house. I lay awake, marveling at the force of nature. And, while I lay awake, counting the seconds between flash and boom, I also counted myself lucky. I rolled gratitudes through my mind, enumerating all the things I was thankful for in the previous 24 hours. There were more than I could count.

It is very easy to get lost in despair. It’s very easy to count all the things that don’t work, go wrong, hurt a lot, and didn’t-go-my-way. It takes a bit more intention and effort to turn the eye toward the good stuff. Counting gratitudes requires aiming focus.

It reminds me of an exercise I used to do with groups, revealing to them how easy and fun it is to blame-the-universe or other people for our woes. Blame is like sugar. It’s addictive. The groups would tell outrageous blame stories and laugh. Blame lightens the load. It’s an easy answer to the mysterious question, “Why?”

It’s much harder to see and embrace participation and choice in a life path. Ownership comes with responsibility. There is circumstance – that which I can’t control. There is what I do within my circumstance – that which I can control. The moment I suggested to the groups that they transform their blame-story into a story-of-choice, they fell silent. Every group. Every time.

Blame requires allies and layers of story; it happened to me. Choice needs no audience. It is the story. I made this happen.

On any other night, between flash and boom, I might have tossed and turned and counted my woes. I am more than capable of diving into dark holes and indulging my blame story. I have and will again drown my sorrows in pity and it’s-not-my-fault denial. But, on this night, during this storm, I was filled with awe for the power of nature, for the abundant good that boomed through my life, for the chance to live another abundant day. A double double of appreciation.

read Kerri’s blog post about A DOUBLE

See The Frame [on DR Thursday]

The lake was angry. Had you dropped me in from outer space I’d have sworn I was standing on a beach of the stormy Atlantic Ocean. “I just can’t capture it,” she said, after snapping several photographs. The roiling waves hit the shore with thunderous power and intensity. I felt it in my chest. Distilling the energy within the frame of a photo sublimated the dramatic waves to an everyday image. The frame successfully abolished the fear and eliminated the awe.

On the trail this past Sunday, he quipped that the world as we knew it began its decline when CNN invented the 24 hour news cycle. It’s a lot of time to fill and, to keep people hooked (ratings), the importance has to be exaggerated. When everything becomes ‘Breaking News,’ the really important stories are lost amidst the manufactured dross. Scrolling through our news app this morning I felt as I once did while waiting in line at the grocery store check-out surrounded by the screaming headlines from The National Enquirer. Sorting to the grotesque. Manufactured awe has successfully amped up our fear. A very strange frame, indeed.

The real power of a frame-of-reference is that it is mostly invisible yet it determines the potency of the composition. Focus is largely a function of frame. I’m in the habit of taking “snippet” shots of my paintings. Altering the frame of what I see helps me…see. It promotes inquiry.

A fluid frame is like an open question. It facilitates engagement. A fixed frame does the opposite. It closes the question options: yes or no. A 24 hour news cycle necessarily defaults to a fixed frame. It pretends to be inquiry while promoting dogma. If you wonder why we are at each other’s throats, why we’ve reduced ourselves so severely to a community defined by two primary colors instead of the full palette available in our color-full nation, do an experiment: pay attention to the story-frame you are being fed.

Ice crystals formed on our kitchen window during the latest storm. Kerri rarely takes a single close-up. She takes many shots of the same subject. In a digital age, she is also able to pull a single photo into several different focuses and takes screenshots of the possibilities. A fluid focus. She composes. She questions. She asks. It’s a pure artist’s action. Turning to me she never asks, “Which is better?” Instead, knowing the power of a frame and with full respect for the difference that I might perceive, she asks, “Which do you like and why?”

joy. 50x56IN mixed media

Two frames. Can you see them? [the new site is like a good wine…taking its time to mature]

read Kerri’s blogpost about ICE

joy © 2014 david robinson

Feel Their Hands [on DR Thursday]

A Melange Haiku

The woods, remember?

Feet shushing through fallen leaves.

Tree-fingers touch blue.

The trail yesterday was arrow straight, a line running to Chicago. I teased that we need never turn the wheel. The day before we walked by the river so the path snaked with the water course. On Thanksgiving, we walked twice around our yellow loop. It was cold and our finger tips complained. Arrow, snake, and loop.

We are restless and find balance in the woods. Peace-of-mind. We are restless so are searching for new trails. It’s a metaphor, I’m sure of it. We adore our known paths but feel as if we are shedding a skin or busting out of a cocoon. I said, ‘I’m tired of making the same old mistakes, of doing the same old thing.” She is patient and listens without rolling her eyes. She is kind to let my words of frustration dissipate in the cold air. The squirrels sound an alarm. She knows that no response is required.

The sun is down by 4:30. We are fooled again and again thinking it is later than it really is. “It’s too early for dinner!” we exclaim, chopping carrots, eyeing the level of wine remaining in the bottle. We look to each other and laugh.

On the yellow loop we decided to speak of gratitude. We called to mind our nuclear family members and in turn offered thoughts of appreciation. Love is a complex rainbow and I was reminded that much of what we see is by choice. Where we decide to place our focus. I had the sense that our ancestors walked with us on the trail that day. Their hands on our backs.

read Kerri’s blogpost about PERSPECTIVE.

Helping Hands, 53.5×15.25IN, mixed media

helping hands © david robinson

Call Awe [on Merely A Thought Monday]

“The love you take is equal to the love you make.” ~ The Beatles, The End

Last week was unusual in that I had a sneak-peek at my end-of-life-review. When a trusted doctor looks at you and says, “This is bad,” when tests that ordinarily might be scheduled a few weeks out are rushed into the next few hours, when the palette of available options are mostly shades of black and all include the word “dire,” the life-movie-reel begins to roll. Mine did.

I’ve known for years that among the few choices we really have is 1) where we choose to focus, and 2) where we choose to stand as we focus. Point-of-view, labels slapped onto experience, the story we tell is a story we project onto the world. Rolling through the CT-scan doughnut, I looked at the story I’ve called into the forest. I listened for the story it reflected back at me, as me.

“Take a deep breath,” the machine instructed, “and hold it.” Holding my breath, I saw a single story comprised of many, many chapters. There are the life-pages that I lived in confidence, and pages that I wrote confusion. The shattering, the story of the pieces of my life scattered in four directions. Kintsugi. The pages of the phoenix. Pages written running from my art and the matching pages of running toward it. The chapter of standing still. The pages of betrayal and the balance pages of being betrayed. “Release your breath,” the machine chirped. “Breathe naturally.”

The forest will show me fear. The forest will offer grace. The forest will reflect back to me peace if peace is what I bring to it. Someday, rather than project onto the forest, I will walk into it, become it. A reflector of projections.

Take a deep breath. I’ve never been so appreciative of breath. Hold it. What a gift. Breathe naturally. Call awe into the forest.

read Kerri’s blogpost about THE FOREST

Look Out [on Two Artists Tuesday]

Perhaps the most useful and profound lesson I’ve learned happened under the water. I was doing my first night dive. I was scared. I was not yet a confident diver. As we descended the world became inky black. All I could see was where I pointed my light.

It was that simple. I can see where I point my light. That’s it. And, more to the point, I choose where I point my light. I have the capacity to choose what I see. I can…and have…chosen to focus on hardship and lack. I can…and have…chosen to focus on what I love. On any given day my focus bounces full spectrum between complaint and appreciation. And then I remember: it’s my light, where do I want to aim it?

There’s a second aspect of the lesson. My focus is a beam. My light is not all encompassing. Each of us looks at life through a soda straw. None of us has the big picture. That’s why the commons is so important. In order to know what to do, we need to bring our many perspectives together to approximate something close to a full picture. Rather than fight about disparate points of view – who is right – it’s more useful to try and assemble all of those differing views, like the pieces of a jigsaw puzzle, into a bigger picture. No one wins when the pieces refuse to interlink.

With two broken wrists the cello became impossible to play. It has sat in her studio, the case unopened, since her fall over two years ago. I remember the day we bought it. We were early in our relationship, not yet married. I knew she was having cello dreams. We went to the music store for some other purpose, I can’t remember. The cello was sitting in the corner. She sat. She began to play. It was a perfect fit. And, although we could not afford it, we also could not leave it behind. It was a perfect fit.

Our lives these past two years have been a descent into dark water. We’ve worked hard to shine our light at our good fortune in a dark and inky landscape. As we make our way back to the surface, we are cleaning out. Taking stock. “The cello needs to be played,” she said, deciding to sell it. “I’ll never be able to play it, now.” She took photographs of her cello. Sent out a message through the network.

At the end of the day she showed me the photo. Edges. The view from inside the empty cello case, looking out. A slice of the world visible outside the case.

What’s “out there” is rarely clear. We see a small slice. It tickles our curiosity. The cello dream moves on making space for…? Who knows? We can’t see that far. In the meantime, we keep our eyes and hearts uplifted as we slowly kick our way back to the surface.

read Kerri’s blogpost about EDGES

Reseed [on Merely A Thought Monday]

We pulled everything off the walls of the office. The photographs and posters of plays I’ve directed, Kerri’s first album, framed, a gift. Our poster announcing Beaky’s Books. “I don’t think the office should be about the past,” she said. “It’s time to make this space about our current work and the future.”

She chose a painting, Nap On The Beach, one of many created from our experiences together. She’s making a poster of Smack-Dab, our cartoon. Turning our eyes from what we’ve done, where we’ve been, who we were. We’ve changed. We want different things now. We work in different ways now.

She’s slowly cleaning out the house. I can’t help. This is something she must do by herself. Purging closets, the laundry room, the storage and work rooms. The year of water upended our house. Several times. It continues in the front yard, all the way to the street. When the ground settles, we’ll reseed the lawn. How’s that for a metaphor? When the ground settles, we will reseed.

It takes time for the ground to settle. It can’t be rushed. It should not be rushed. The same is true for cleaning out. We have new piles forming: what goes, what stays. I climb the stairs to the office each morning. When I come down again, she shows me the new space that she’s created from the day’s purge. It’s true on many levels. She’s creating space. Old baggage and burdens are going out with the old clothes and broken appliances. I can see it in her eyes. Space. Light. Like the house, she is beginning to breathe again.

She told me about the dream, her father was setting up microphones. “What are you doing?” she asked.

“Working for tomorrow,” he said.

I had to work hard not to weep. She’s had a rough few years. “Your daddy’s talking to you,” I said. “Sage advice.”

She nodded. Her eyes turning from the pain and constraints of the injuries. Letting go of the past. “Work for tomorrow,” she smiled.

read Kerri’s blog post about WORK FOR TOMORROW

Ready The Wings [on KS Friday]

“Yes, I’m being followed by a moonshadow/Moonshadow, moonshadow/Leaping and hopping on a moonshadow/Moonshadow, moonshadow” ~ Cat Stevens, Moonshadow

An appreciation of life, no matter what comes. It is the meaning of this lyric, this song – or so I’ve read. It seems obvious. I’m having many, many conversations about loss these days. This has been an era of loss and, so the cliche’ goes, with loss new opportunity arrives. It’s true though one must move through the loss in order to arrive at the new. On the way, there is weeping and fear and anger and disorientation. Chrysalis. The trick, we are told, is about focus placement. One day we shift our eyes and see what we have instead of what we no longer possess. We move toward rather than look back.

Kerri has, for years, surrounded herself with symbols of peace. They are on our walls, on rings that she wears, on chains draped on the corner of our bathroom mirror. She draws them in the sand on the trail. A prayer for the world she desires to create. Inside and out. Since she fell, my solo-piano-playing wife has lost more than mobility in her wrists. Strange stuff is happening. Fingers that sometimes refuse to respond. Pain that shoots, seemingly from nowhere. After a photograph – a wish for the world, a peace sign in shadow – she said, “Come look at this. Look how much my finger is bending!” Strange stuff.

What is most remarkable about this shadow is, a year ago, it would have been cause for frustration. A reminder of loss. Full of fear. Today, it was a curiosity. She looks back, she looks forward. Each day she writes lyrics and poetry and wisdoms. She hums the music running through her mind and heart and, sometimes, she dances. Standing at the crossroads of what was and what is to become. Peace replaces pain. All in good time. Good time. Wings readying to unfurl.

[peace. this is one of my favorite pieces of Kerri’s]

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about PEACE

peace/as it is © 2004 kerri sherwood

Hold A Greater Space [on Merely A Thought Monday]

The sun was setting as we drove away from the memorial service. A celebration of life. We were quiet, lost in our thoughts. “I don’t know if I’ve ever before been to a celebration of life where I LEARNED something about life,” Kerri said. I was thinking the exact same thing. I’d just received a master class on how to live a good life. I just learned about the untenable nature of love.

It was Nancy’s service. Her husband of many years spoke. Her daughters spoke. Her stepchildren sang and read poetry. She was a longtime member of the church so the pastor told stories about her. The service was alive with laughter and with tears. Both. People applauded at the end of the slideshow, a photographic journey of a life that began in 1933.

We are inundated with notions that ‘the good life” should have no pain. It should be above hardship. Nancy’s life did not support that half-narrative. She experienced canyons of loss. As her daughter said, “She could have become hardened and bitter.” But, she didn’t. She didn’t ignore her pain or deny it, she allowed it. It was part of the color of her life. She did as the Buddhists recommend: joyfully participated in the sorrows of the world. She participated. She chose. She decided. She created.

She surrounded herself with flowers and loved her garden. She made her table a magnet for family and friends. She did not sit and complain, she had no time for woe-is-me. She found opportunities to give and engage. Story after story of a woman, even in the heat of cancer, while awaiting the results of the latest scans that would determine the number of days she would have on earth, turned trips to the doctor into opportunities to shop with her daughters. Lunches. Expeditions to a beloved bakery. Create the extraordinary in the simple moment, regardless of the circumstance. We heard again and again these companion phrases, “She chose love.” The pain and the love, “Both belong,” Heidi said.

In an intentional life, one does not negate the other. Tragedy and triumph. Devastation and joy. It’s a decision. Where we focus will determine our experience of life. Nancy stood in her pain and uncertainty; she had every opportunity to become bitter. Instead, she focused on love. She created it. Nurtured it. Grew it. Offered it. She didn’t deny her pain. She held space for it in a greater container.

It was apparent in the laughter evoked in the stories told, it was apparent in the generosity of the service we experienced. This was not a Hallmark movie. It was a celebration of a life of texture, of impossible mountains to climb and of enormous blessings. It was the lesson Nancy lived because it was woven through every story told about her. “It’s what she taught me,” Heidi said, “Both belong.”

read Kerri’s blog post about BOTH BELONG

See The Dance [on Two Artists Tuesday]

“You can only push the truth down for so long, and then it bubbles back up.” ~ Cassandra Clare

“Oh, for the wonder that bubbles into my soul.” ~ D.H. Lawrence

Last night we made a fire in the fire pit. We decided to have a pop-up dinner by the fire so we set up our table, lit candles, poured some wine, and brought our dinner out under the stars on a chilly October night. There wasn’t a cloud in the sky so we looked at the stars. We wondered if the brightest lights were planets.

There are many, many works of art from a genre in the Middle Ages known as the Dance Macabre. Dance with death. The scary images were meant to remind people of life’s fragility, its passing nature. They were also meant to point out the obvious: we are all united in our final destination. No one is better or worse than any other in the grand scheme of things, in the Dance Macabre. In the Middle Ages, the allegory was meant to suggest it was best to aim your focus at the afterlife. Do good works as an investment in your future or go to the fiery place below.

Were I to paint a series of Dance Macabre images today, my intent would be the exact opposite: aim your eyes at this moment. There is nothing more precious or wonder-full than this moment. If there is a heaven, it is now. And, it will go unnoticed if the dance is not acknowledged. There is no sadder phrase on earth than, “Same-old-same-old.”

According to some cultures, I am now in sacred space. I’m seeing all things relative to my dad’s recent passing. Sitting by the fire, our dinner complete, we talked about his death and my inability lately to invest too much emotional energy in anything. Things that would have upset me a few months ago barely register. I’m watching the usual list of anxieties and worries drop off. Why would I give an ounce of my wonder to something so…small? Perspective is the gift of the dance macabre. Clarity of sight and intention comes with this kind of perspective.

We clinked our glasses, the cold night and the heat from the fire colliding around us under the stars. DogDog slept on the deck, a few feet away. We realized our moment. Fully. Magic was alive, bubbling everywhere.

read Kerri’s blog post about BUBBLES