Face In [on KS Friday]

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“…gentleness can be a greater force for transfiguration than any political, economic, or media power,…” ~ John O’Donohue

Here is my utopian fantasy: The protesters put down their signs, the police put down their shields, the militia drops their weapons, the citizens of all races, creeds, colors, political identities and economic stripes come out of their houses and hold hands facing into a circle of their creation. Nothing need be said. What are we protesting FOR if not this?

We are excellent at pushing against what we do not want. We are practiced at screaming in rabid reactivity. Finger pointing and blame is among our most popular Facebook pass times.  We like to make noise and bluster about the violation of our rights and ignite fearmongering fires warning of imagined assaults on our amendments. Propaganda and lie make for good reality television ratings. They provide permission to smash glass, loot, denigrate “others” and give cover to murder in all its forms, but are lousy foundations for a civil and civilized society.

Truth is intentional, not reactive. It steps toward an ideal. It provides a national focal point, a guide-star that will not cotton with lie and propaganda.

We seem utterly inept, absolutely incapable at walking toward what we profess. Our ideal is printed on our dollar bills and chiseled into the facades of our buildings: e pluribus unum: out of many, one.  Our division is chiseled into our history.

My utopian fantasy is not so hard to realize but notice it requires a common first step: a putting down of weapon and rhetoric and dedicated division. The  second step is also not difficult: reach out, take the hand that is closest. Circle up with those who you most disagree. The third step may be the hardest: say nothing. Defend and justify nothing. Prove or claim nothing. Face in, not face off.  The greatest intentions, like the most profound truths, are often silent. Step four: live the circle.

We can figure it out. It’s no greater matter than walking toward what we want, what we espouse, instead of forever pushing against what we do not want. Perhaps our first truth is to admit that there is a lie built into what we chisel in walls and what we actually live. We need to intend oneness if we are to realize our central ideal.

Doc Rivers, a black man and coach of the LA Clippers said this yesterday: “It’s amazing why we keep loving this country, and this country does not love us back.” Love. Love back. There is no better or simpler statement of intention. Walk toward it.

He also famously said, “Average players want to be left alone. Good players want to be coached. Great players want to be told the truth.” His dictum applies to nations as well as players: great nations want to be told the truth. Average nations want to be left alone.

 

FIGURE IT OUT on the album RIGHT NOW is available on iTunes

 

read Kerri’s blog post about FIGURE IT OUT

 

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figure it out/right now ©️ 2010 kerri sherwood

 

 

 

Close The Distance [on Not So Flawed Wednesday]

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“Yesterday I was clever, so I wanted to change the world. Today I am wise, so I am changing myself.” ~ Rumi

John O’Donohue wrote that spirituality has to do with the transfiguration of distance. “At the heart of spirituality is the awakening of real presence.”  Here. Now. His message is about our busy minds that incessantly create separation. Busy minds create obstacles and keep us seeking. If we are lucky, as the old cliche’s goes, after the long search we learn that we had “it” all along.  Separation is the creation of distance. Presence is the elimination of distance. Love is the absence of distance.

The transfiguration of distance is the power and purpose of art.

On our walk through downtown we saw this message stenciled on a wall: You hate me. There is no greater distance-creating word than “hate.”  You. Me. Hate is the creation of distance between us.

One of the Hermitic Laws is the Principle of Correspondence: As above, so below; as below, so above. As within, so without; as without, so within. Applying the principle, if hate is the word you place between you and me then it is likely that hate is the word you place between you and you. It is nigh-on impossible to hate me without first hating yourself.

Doug used to tell me that health was determined by the distance between who say you are and how you actually live; the shorter the distance the healthier the person.  As without, so within. Applying Doug’s rule, our nation has been distinctly unhealthy for a very long time. We are currently witness to the illness (once again) breaking through the skin. Any physician worth their salt would tell us we have an acute distance problem and health will come when, as a nation, we close the gap and live what we espouse.

I am reminded of an exercise I used to facilitate. Step one: Walk about the space and point at the others in the group and say, “NOT LIKE ME.” Step two: Walk about the space and point at others in the group and say, “LIKE ME.” Step three: Walk about the space and point at others in the group and say, “ME.” Step one is a rejection. Step two becomes an appeal. Step three is a recognition. Step three always brought whispers and a profound shedding of distance.

Rejection. Appeal. Recognition. What is the distance between you and you? What is the distance between you and me?

“From a distance you only see my light; as I get closer and you see that I am you.” ~ Rumi

 

read Kerri’s blog post about YOU HATE ME.

 

 

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prayer of opposites ©️ 2003 david robinson

 

 

Shift [on Merely A Thought Monday]

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Shift is not an insignificant key. In a nanosecond it can take you from lower case to upper. It can throw your backslash into question. The simple finality of a period can be pitched into a statement of worth: greater or lesser.

Doesn’t it feel like a malevolent pinky just hit the universal shift key in our world? Of this we can be sure: it’s a new sentence and there’s no going back to what we once knew as “normal.”

In spiritual circles, shift is what happens when our otherwise cloudy consciousness becomes crystal clear. In circles of learning and growth, shift is what happens to our perspective when what was previously unknown becomes readily apparent. The penny drops and we can never again not-know what we now comprehend.

Perhaps the omnipotent pinky pushing our shift key is not malevolent. Perhaps it was long past time that we took stock of the gap between our rhetoric and our actions, our professed history and the full accounting? Perhaps we needed a boost from our lower case value-set to actually approach our upper case potentials.

In the great stories, as in life, there is a paradox associated with profound shifts. They come, not through pursuit or seeking, they come when the protagonist stops looking, surrenders and stands still. The shift always comes with the realization that what is sought has been readily available all along. The belief in separation creates the necessity to seek. The commitment to division creates the necessity to fight for dominance.

Shift words like “unity” or “common” or “harmony” or “accord” or “wholeness” or “integrity” arise when the seeking and fighting and pursuing cease. They show up when we stand still, when we stop looking for them. They become options when we realize that they have been available all along.

 

read Kerri’s blog post about SHIFT

Kerri is still in the Facebook penalty box so if you enjoy reading her thoughts please consider subscribing to her blog. I do – even though I get to read what she writes before she publishes. As her greatest fan it is always a pleasure to read the before-publish AND after-publish versions.

 

 

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an oldie but goodie: contemplation

 

contemplation ©️ 2004 david robinson

Allow A Glimpse [on KS Friday]

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One of the challenges arising in our Melange is what to publish on DR Thursday or KS Friday. After 130 weeks, we both feel the need to produce and publish new work and not draw from the archives. It’s a good sign.

Today, after reading Wade Davis’ must-read article about the end of the american era in Rolling Stone, Kerri decided to go into the studio, focus on a single word, in this case, “lost,” and improvise. It was thrilling. I cannot describe the feeling of watching her finally and at last do what she is meant to do on this earth. Standing at the open end of the piano holding the iphone to record, I can feel the vibration of her playing ripple through my body, the pounding rhythm through the wood floor enters through the soles of my feet.

There is a moment 15 or 20 seconds after she begins playing when the music takes over, when she is no longer playing from her thinking-mind but from the deeper place. Her face relaxes. Her posture changes. The piano hops. She merges with the music and I feel like weeping or laughing or both the handful of times I’ve seen it happen. When she merges, it opens the door for me to enter, too. That is the power and magic of an artist: access to the deep-beautiful.

I’ve never met an artist more resistant to their artistry than Kerri. I’ve met artists before  that feared their artistry because they get lost in it. They walk to the edge but fear the leap. That might be Kerri’s plight but I don’t think so. My New York girl routinely stomps on edges, shouts profanity into canyons and leaps into voids. She is no shrinking violet. No, I think she feels betrayed by her gift so she betrays it in return. I think she feels lost. It is why the word resonated with her this morning.

And now, add two broken wrists to this complexity. It’s six months since her fall and her right wrist, her melody hand, is not recovering. It’s limiting. Her motion is greatly impeded. I cannot hear it but my ears are not the ears that matter in this equation.

This morning she improvised a few different pieces. For me they were gripping. For Kerri they were frustrating. So, rather than give you the full recording, she chose to offer a short sketch, a phrase. A timely piece and appropriate metaphor on almost every level: lost.

 

Kerri’s albums are available on iTunes

 

read Kerri’s blog post about LOST

 

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lost (a sketch) ©️ 2020 kerri sherwood

all my loves ©️ 2020 david robinson

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Why Wait? [on DR Thursday]

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they wait, mixed media,  24 x 18IN

“Perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave.” ~Rainier Maria Rilke

And, so, we wait. We sit in our homes for the benefit of all. I’ve heard from my pals that time has seemed to warp, twist, and fade. Routines are broken. Patterns scattered in the new necessity. It begs the question, as we wander from room to room, where can we go if cannot go from here?
I’m fond of a thought from Eckhart Tolle: Presence is when you are no longer waiting for the next moment, believing that the next moment will be more fulfilling than this one.
In our daily walks, we often end up in the cemetery at the end of the street. It is the only place we can go and not cross paths with other people. Cemeteries are good for perspective. There are birth dates and death dates and nothing in between. Whole lives lived, loves lost and found, fortunes made and lost.  ‘Imagine all the crap this person worried about that didn’t really matter,” I say. Kerri nods. I imagine each and every one of these souls would give anything – anything for a single moment of precious life. Any moment would do, but I suspect they’d want back all of those moments that they branded as “waiting.” Moments wanting to be somewhere else and completely missing what was right before them, rich and beautiful.
Presence is one of those easily abstracted and often misunderstood experiences. It can be found in the drawer labeled ‘spiritual things.’ It is loaded with paradox. One cannot strive for presence. Striving for presence is the ultimate oxymoron. Presence is actually very practical. Stop striving to be elsewhere. That’s it. Simple. Yet, that is what makes it so hard to embody. It requires a bit of surrender.
And, so, in this time of pandemic, we wait. We sit in our homes for the benefit of all. Time twists. Assumptions turn to dust. Tomorrow cannot be planned. We writhe for entertainment, places to go. We grouse for something to fulfill us, distract us. We make up things to fill time.
Strolling through the cemetery, I ask myself, “How much of my life am I willing to give away to waiting?”

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they wait ©️ 2018 david robinson

Leave It At The Door [on DR Thursday]

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There is a simple exercise that I am particularly fond of but less than terrific at practicing. It goes like this: don’t drag yesterday’s trash into today. See this day as it is: new. Live this day without the control fantasy of believing that you know what will happen, that you know or can control what other people think. Recognize that the burden you carry is exactly that – something you carry. Put it down for a spell. It will be there when you are ready to pick it up.

It’s not an exercise in denial. It’s actually the opposite. It’s an exercise in dealing with the real moment rather than the imagined monster. You’ll be amazed at the world of light, color, and possibility that opens when yesterday’s trash stays in yesterday, when the weighty story wrapped around the past-moment drops away.

I used to tell my actors, when entering the rehearsal hall, to leave their day at the door. Rehearsal halls, like artist studios, are sacred places. The art of the theatre is the mastery of presence and it’s a necessary skill to tuck the story-of-the-day into a safe keeping box before stepping onto the stage. And, what if, as master Will wrote, all the world is a stage? It seems to me that the art of living is the mastery of presence.

I call it the “garbage layer,” those moments when I am first coming out of sleep. Coming up from the bottom of the slumber-ocean there is a surface layer where all the trash floats. It is coming through the garbage layer that I have the option of leaving behind or picking up yesterday’s flotsam. The nagging to-do list, the contention, the worries, the fears and fights can all be scooped up and hauled into the new day or the story-of-yesterday can be left at the door.

And when I leave yesterday’s garbage in yesterday? An entirely different set of experiences and assumptions become available. Awe at the light in the trees. Awe at the smell of coffee brewing. Awe at the sun and the enormous cat that purrs when I sit close.

[Chicken Marsala was one of our cartoon creations. He tickled the syndicates but never got picked up. We love him still. We designed all manner of cool prints, cards, cups and other stuff that you can find here]

 

read Kerri’s blog post about ASSUME AWE

 

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chicken marsala ©️ 2016 david robinson & kerri sherwood

 

 

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face the sun, mixed media, 18 x 24IN

 

chicken marsala ©️ 2016 david robinson & kerri sherwood

face the sun ©️ 2019 david robinson

 

Give Over To The Music [on KS Friday]

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Kerri earns her daily bread as a Minister of Music. Each week she plays two services. The early service is “traditional” and she plays the organ. The second service is “family friendly” and she plays the piano with her band. Music, I’ve learned, serves as the great mountain range between the traditionalists and those seekers who are friendly as families. Just try and play contemporary music to a traditional crowd. I dare you [wear protective gear].

Partially, I suppose, the great divide makes sense. Music opens the door to the inner life, to memory and musings. It can reach beyond reason and language to the heart.  In other words, if you associate your spiritual life with pews, the pipe organ and a hymnal, then even a hint of a guitar provides reason to snap a lock on your door.

Navigating musical entrenchment is, I think, the hardest part of Kerri’s job. There are a few dedicated complainers dug in on both sides of the divide. They miss the greater experience. Lying in wait to find offense they actually miss the music. The divide, after all, is never in the music. It is the creation of the listener.

More than a few times I have opened the door to the organ and stepped inside while Kerri plays. It’s a very big instrument and there is literally a door on either side. If, like me, you desire to be inside an instrument while it is playing, seek a big organ. You will vibrate with the music (…well, you vibrate with every note you ever hear but the intensity of the inner-organ experience makes it obvious). I used to have pals that played the didgeridoo and standing within a pipe organ has a similar feel. Ancient. Deep rumble. It shakes the gunk from your soul.

And then there is the piano. There is the player. And, in Kerri’s case, the piano becomes an extension of the player. Playing the piano is how she shakes the gunk from her soul. I’ve written about this before so my old-guy-apologies for telling the same story again and again: the first time I heard her play I was standing next to the piano and the energy that came through her almost knocked me down. She is little and she became a giant. Vast. Deep. It was so powerful I had to hide my weeping. The irony is, of course, that, being in the center of all that power, she has no concept of what happens when she plays. These days, all she really knows is that when her heart hurts or she is hurtling into despair, the only parachute available is to stand at the piano and play. It breaks her fall. The magic comes through and provides lift. The gunk falls off. Her personal divides disappear. That is art.

And, that’s also the greater point. Give over to the music, let it come through, and the dedicated divides disappear. The gunk falls off. The door to the deeper place opens. We vibrate.

 

read Kerri’s blog post about THE PIPES

 

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find all kerri’s albums on iTunes

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Return To Base Camp [on KS Friday]

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Among my wife’s quirks, one  of my favorite is that she is obsessed with watching films about mountain climbing. If there is a movie about scaling Everest, a documentary about climbing K-2, free climbing, extreme climbing… we’ve seen it. And, here’s where my full adoration comes in: she likes to watch them right before sleeping.

Usually, she is asleep five minutes into the film but she ALWAYS awakes at the moment the climbers summit. She is fully awake for the triumph [she also opens her eyes if there is a tragedy. I tease her that the only reason she likes watching the films is to see climbers fall off mountains. For this sentiment I get punched].

Reinhold Messner speaks about climbing as an inner journey. An expansion of spirit and self. Making it through is about grasping a greater sense of self. The accomplishment, standing on the summit, is not a goal as much as finding a personal edge and stepping over it. And, as I’ve learned in my midnight viewing of climbing films, the real challenge, the greatest danger, is in the descent. More climbers perish on the way down than on the way up. Making it through is more about the return than it is about the mountain top.

It’s the hero’s journey. It is the course we all climb in this life. There is a call to adventure. For some it is a mountain. Somewhere along the way we can all expect an abyss, a reduction to dust, the void, the belly of the whale. Whatever the variation, it is always transformational. And then comes the journey home.

In the films, there is the moment when the climbers see the base camp, a different kind of thrill than the summit. People bang pots in celebration. Exhilaration infuses exhaustion. The realization floods the transformed climber: I made it through. Kerri’s eyes, blink open for just a moment. She whispers, “See. I knew it.”

 

MADE IT THROUGH on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

read Kerri’s blog post about MADE IT THROUGH

 

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made it through/this part of the journey ©️ 2000 kerri sherwood

Drive [on KS Friday]

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Very early in my career I drove from Kentucky to California, an epic drive that the current version of me is utterly incapable of considering. The younger version of me reveled in the drive. Windows down, music roaring, sunrise to sunset, I passed through thunderous storms, coasted down the western slope, the temperature rising as I descended. Snow, salt flats and canyon lands. I’ve rarely felt more alive and carefree.

I’m certain Kerri wrote All You Can as the soundtrack of my drive. The miles of adventure, the wildly varied landscapes rich with color and transcendent. Plains to mountain to high desert. Farm land, ranch land, no-man’s land. And the epic and endless sky! Mostly, the joy of the drive. All you can feel. All you can experience. All you can see. All you can live. It’s all there in her joyous composition. Listen. Discover the magic place, memory or not, where All You Can transports you.

 

ALL YOU CAN on the album AS IT IS available on iTunes & CDBaby

 

read Kerri’s blog post about ALL YOU CAN

 

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all you can/as it is ©️ 2004 kerri sherwood

Stand In The Enormity [on Not So Flawed Wednesday]

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When Kerri first showed me this photograph, it read to me like a minimalist painting. A subtle field of color with two splashes and a brushstroke. So much said with so little. A meditation of movement and the immovable.

The lake is different every day. Its color palette is as changeable as its moods. Each day upon awaking, Kerri walks onto the deck and snaps a picture. So far, no two days are alike. So far, no two hours are alike.

Once I stood in La Sagrada Familia and the enormity of it made me quiet. The lake is like that. Immense to the point of stillness.

 

read Kerri’s blog post about TWO BIRDS AND AN ISLAND

 

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