Join The Receivers [on Two Artists Tuesday]

“…artists take delight in and care for their work, and we are thereby inspired to find delight in our own work.” – Alex Grey, The Mission of Art

Standing in front of the Atmospheric wave wall, an art installation at Willis Tower by Olafur Eliasson, I imagined how much fun he had creating it. Monumental. The colorful waves rolling up the side of a building. I wondered, if on visits to Chicago, he delights in watching the play his wave wall invokes in passers-by. I would. His work is spatial so it invites full-body engagement. I had to touch it and lean in against it. I had to put my face close to a wave and look up. The shock of vibrant red among the blue, purple and green made my eye dance across the vertical water.

It is one of the great joys of my life to be surrounded by artists: people who care for their work and find delight in it. David just completed a year-long project, a rewrite/updating of Six Characters In Search of An Author. He directed the first production of his new script. It was thrilling to witness his delight in the process. It was gratifying to watch how he navigated his doubt and fear. The delight and the fear go hand in hand.

It’s worth noting that caring so deeply for your work comes with a studied courage. There’s a very nice lie about bold artists throwing caution to the wind and creating without caring how their work is received. That, of course, is worthy of a press-release and works for image-branding but fully negates the point of artistry. In order for a work of art to be a work of art, it requires an audience. A giver and receiver. A loop of caring. The armor must come off. Expressing beauty or seeking truth is nothing if not a shared meaning and a shared truth. Artists may reach deep into themselves but the point is to engage and express meaning that comes alive beyond themselves and between others. Vulnerability is the secret sauce that connects the two into one.

I didn’t know about the Atmospheric wave wall until we rounded a corner and I saw people enthusiastically embracing it, standing back and craning their necks to take it in, gently moving forward to run their fingers along the wave ridges. The pull was immediate and I found myself joining the receivers of Olafur’s artistry. Armor down, hands planted firmly on the wall, we snapped a photo and I deeply appreciated his whimsy and moxie. Inspiration ripples to the sky!

read Kerri’s blogpost about THE WALL

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Turn Around And Look [on DR Thursday]

One little line gives reference to the whole. The horizon line. It is how we naturally – visually – orient in space. It is a baseline of perception. It’s the beginning of discernment.

It is a line that disappeared.

Among other things, art is a reflection of its time. In the past century, art leapt into the abstract. We are “post-modern”. Expressions of personal fantasy rule over community truth, a breaking apart of shared ideals, instant doubt of objective theories…we are mirrored in post-modern art. What is art? What is it not? There’s not a whit of agreement to be found.

General distrust is the beating heart of the post-modern ideal. Division, aggression, tribalism, conspiracy…are its blossoms. Our children perform active-shooter-drills in school; a performance we shudder to attend while our leaders smile and look the other way. Post-modernism at its finest. The absence of a baseline.

Shared truth, group trust, community…requires an undeniable horizon line.

What is up? What is down? What has value? What does not? What has merit? What is undeserving? There is a line. Where is it?

Walking through the antique mall, Brad and I discussed chatGPT. I’m playing with it; he’s using it in his work. It’s raising some very big questions. The questions are not new. They are the next step in a series of questions people have been asking for the past 30 years: what is true? A photograph was once proof that something happened. That hasn’t been true for a few decades. A video was once proof an experience occurred. That is no longer true. News – a word that once implied the accurate reporting of an event. No more. No horizon line.

Brad and I turned our discussion to a sorely missing quality in our times: discernment. In the absence of a horizon line, people will – and do – believe anything. We speculated that, with the introduction of chatGPT into our world, perhaps discernment will once again become important. Perhaps the complete absence of a truth-anchor will turn us toward a common center and require us to look at each other, to seek and restore general trust. The post-modern tide will someday turn and we will draw an old/new line in the sand: we’re-all-in-this-together.

I know, I know. Pie-in-the-sky. However, I’d like to point out that shared dreaming brought us here. Shared dreaming is how we stood on the moon. It is how we can talk to someone across the planet using a small device that fits in our pockets. When a dream becomes shared it becomes powerful. Manifest. A shared dream is a form of a horizon line.

If a shared dream isn’t powerful enough to establish trust, try remembering the other one; the original line of discernment. The line that invites curiosity. It need not be debated. Turn around and look. The horizon line is everywhere.

Four-by-Four, 48x48IN, acrylic, (sold)

read Kerri’s blogpost about THE HORIZON

4×4 © 2007 david robinson

See The Cycle [on Not So Flawed Wednesday]

I want to re-read Hermann Hesse’ book Siddhartha. Lately I’ve been thinking about cycles of nature, cycles of growth, cycles of life. Chaos-to-order and back again. Daylight-to-dark-night and back again. Nature, Hesse writes, is a self-fulfilling continuous cycle.

In the book, Siddhartha “achieves” illumination when he realizes the lesson of the cycle: that inside every “truth” is the potential for its opposite. Arrival is departure. Birth is death. Both/And.

The demands of language necessitate slicing single moments from the cycle. Isolating a “truth” from its opposite thereby fragmenting the wholeness inherent in the cycle. Slicing the cycle stops the fluid motion and calcifies the “belief,” making it hard, rigid in separation.

And then there’s this, the reason I want to re-visit the book. At the end of his life Siddhartha, as the ferryman, watches the river in full knowledge that what he sees moment-to-moment is never the same river. In the cycle, the moment is always unique. Both/And.

Standing on our trail, having stopped and witnessed many, many sunsets, the thought was so pure it swept the dullness from my eyes. This sunset is Siddhartha’s river. I’ve never seen THIS sunset or this forest or lived this moment. Quietly electric, I watched Kerri, caught in the beauty of the moment, point her camera as if for the first time toward the trees and the setting sun.

read Kerri’s blogpost about SUNSET

Ask A Useful Question [on Merely A Thought Monday]

“Answers are reassuring, but when you’re really on to something useful, it will probably take the form of a question.” ~ David Bayles & Ted Orland, Art & Fear

We read in the morning news about the exodus of teachers from the classroom. One paragraph in the story made me choke on my coffee. “In addition to having to deal with low pay, high student-to-teacher ratios, poor working conditions, post-pandemic learning loss, school shootings and social or emotional issues with students, teachers across the nation are also grappling with culture wars over what they can and cannot teach in the classroom.” (Rene Marsh, CNN, February 3)

If you’re like me, that short paragraph inspires a host of useful questions. To cite a “spurious”quote attributed to Thomas Jefferson, “An educated citizenry is a vital requisite for our survival as a free people.” One of my useful questions: why are we so fearful of an educated citizenry? The collapse of our public schools and teaching as a valued profession is not an accident. It takes a dedicated effort to undermine something so completely.

An educated citizenry asks good questions of its leaders. An educated citizenry would not be so easily duped by entertainment-posing-as-news. An educated citizenry would not fear its history or its future.

When we rounded the corner in the Milwaukee airport and saw the meditation room, it was like a magnet. It pulled me inside. An intentional place of peace! A quiet space for reflection. How rare in a place dedicated to hustle and bustle.

I was struck by the quote from the Talmud and carried it with me for days. To create peace, to experience peace, truth and justice must be not only be valued by the community, they must be lived by the community. Truth must be shared. Removing books from classrooms, gagging teachers from teaching the fullness of our history, does not change our history a whit. It does, however, soil our future, perpetuate the race to the bottom, and intentionally obfuscates truth. It creates discord by ignoring injustice.

As the Talmud quote instructs, in such a world, where truth is not valued, there can be no justice and, in the absence of justice, there is no capacity for peace.

Sustaining ourselves, surviving as a free people. Teachers are the stewards of our core values; theirs is a sacred obligation. And, the teachers are walking out of the schools. Here’s a useful question: Who could blame them?

read Kerri’s blogpost about THE MEDITATION ROOM

Both/And [on KS Friday]

“When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.” ~ Kahlil Gibran

Dwight sent a book to me: From Strength to Strength by Arthur C. Brooks. Several months ago at dinner we talked about how to make this next chapter of life the best chapter. As is my practice lately, I am reading it slowly, taking my time. I used to read like a hungry man eats; I gobbled information. Now I savor. I take one bite at a time and taste all of it. Someday soon we will talk about what I am discovering in the book. I’m only a few chapters in and already I’m rethinking my choices, considering different paths moving forward.

Pondering my next steps has also been an exercise of looking at where I’ve been. A lyric from Dan Fogelberg just ran through my mind [The Last Nail, by Dan Fogelberg]:

I left a trail of footprints deep in the snow
I swore one day, I would retrace them
But when I turned around, I found that the wind had erased them
Now I’ll never replace them

With distance it’s easy to see that some of the worst choices I’ve made in my life have also been the best choices I’ve made in my life. I can see that my desperation brought innovation. I can see the prison I made of my judgments and the hard truths necessary to unlock my cell door. I can see I needed a broken heart to arrive at an open heart.

With distance, I’m beginning to understand that no single experience lives in isolation. No day is either “good” or “bad.” No single period of my life defines the worth or wealth of my time on earth. No title, like “artist,” can wrap its fingers around the totality of my time. I am all of those things and none of those things.

On Monday, we interred Beaky’s ashes. She is with Pa in the national cemetery. We sang a song and then an attendant closed the niche. A journey’s end. Later that day I jumped off the back of a couch into a pile of pillows with a two year old, laughing, wiggling our toes. This wild-child is in full discovery mode, everything an adventure. A journey’s inception.

This life is achingly beautiful, each and every moment.

The entire album: Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about HEART DIVOTS

Remember This Vivid Moment [on Merely A Thought Monday]

When we first met, we sat on the living room carpet staring into the fire, and talked the night away. The sound of the birds at dawn surprised us. I remember the coming light and sweet birdsong like it was yesterday.

A few days ago we sat on the living room carpet in the sun, and talked the afternoon away. Our quiet conversation reminded me of that very first night. Our topic in the winter sun: letting go of too-tightly-held-ideals. “Truth will out,” wrote Master Shakespeare in his Merchant of Venice. Our truth was out in quiet voices that brought affirmations of better days.

A story I once loved to tell was The Crescent Moon Bear. The heroine, a young wife, must go on a journey. She must leave all that she knows in pursuit of her purpose. Leaving all that you know is easier said than done. It doesn’t happen in a moment; it requires some sweet visitation of the past. “What was” as launching pad to “What will be.”

Before I left my studio in Seattle, I had to touch the walls, run my fingers along the sill. I knew I would never be back. Even in that moment, all I could remember was the goodness I experienced in that space. The refuge. The sanctuary. The creative fulfillment. The hard times I’d known there dissipated like mist.

What was. Krishnamurti wrote, “You can only be afraid of what you think you know.” I marvel that the hardships of my past soften into pastel remembrance, translated into useful lessons, while my future fears are as sharp as broken glass, monsters around the corner. Acute imagination.

I marvel that the generosities heaped upon my life are vivid and bring tears to my eyes just as they did the day that I first experienced them. Keen remembrances.

Sitting on the carpet, the low afternoon sun warming us, I realize that I will always remember this vivid moment. The day we opened our hands and let fly illusions. We both took a deep breath. New air rushed into the open space, Not knowing where we might now go or what we might now do, we sat in the waning light, surprised that the sun was setting so soon.

read Kerri’s blogpost about REMEMBERING

Ask A Better Question [on Merely A Thought Monday]

I just erased the post I’d written for today. We often write a few days ahead so we have time to reflect on or edit what we’ve written. We’ve learned that it’s a good practice to consider what you are about to spill into the world.

It’s a good practice because it affords us the opportunity to ask, “Is this what I mean to say? Is this what I really want to say?” The post that I’d initially written was bothering me. A lot. Sipping coffee, I confessed my discomfort to my chief editor and life-collaborator (Kerri) and we followed the trail until we found the source of my chagrin.

There is a question, a much more important question, behind and beyond clarifying what I really want to say. It is this: “Is this who I want to be?” My post was making me uncomfortable because it was the opposite of what I profess to be. It was the opposite of who I understand myself to be. Of who I want to be.

I’ve often written and taught about “the spaces between.” Relationship. Intuition. Heart. Facts and data require interpretation and live on the spectrum at the farthest point away from wisdom. Focus on the spaces between, the movement rather than the noun, and an entirely different life opens. Wisdom is more like water than stone.

Most cliches touch a truth-root and today that is the case for me: We teach what we most need to learn. Thank goodness my editor was around to gently slap open my eyes and help me ask myself a better question.

read Kerri’s blogpost about THE SPACES

Locate The Center [on Two Artists Tuesday]

“The very center of your heart is where life begins. The most beautiful place on earth.” ~ Rumi

What, exactly, is the heart of the matter?

If you listen, what does your heart tell you?

What does it mean to “Follow your heart”?

Heart land? Heart song?

This weekend the question was asked, “Do you think there is an absolute truth?” I amused myself thinking of the oxymoron in the terms ‘absolute’ and ‘truth’. I am almost certain – but not absolute – that the question was really about the location of the center of heart. Is there a heart center? Where is the center of the universe? Here. And everywhere else.

Kerri pitched the small piece of chain onto the counter, saying, “This goes in the special box.” It landed in the shape of a heart.

“Hi, Pa!” I thought, and we laughed.

We wear pull chain as bracelets around our left wrists; the original pieces came from her father’s workbench. They are connective tissue to him and to each other. Heart chain. They periodically break so we are many generations from the original. The current chain is symbolic. This heart-piece was from my most recent chain break.

“What are the odds?” she asked.

Yes, indeed. What are the odds that a piece of pull-chain could so quickly bring us to the heart of the matter?

read Kerri’s blogpost about HEART

Take A Closer Look [on Two Artists Tuesday]

“Knowledge is rarely completely divorced from power, and interpretation is too often an expression of convenience.” ~ Wade Davis, The Wayfinders

Discussing our project, Yaki and I agreed that we needed to step lightly. “We wouldn’t be allowed to perform this piece in Florida,” I quipped. Yet, sadly, it’s true. The piece is Beethoven. Nothing controversial there! I’ve written and will perform the narrative, an update of the piece from 2008. Yaki asked me to rewrite the narrative to speak to the issues of 2022.

It’s odd. Were we to perform the new script in the world of 2008, it would be benign. No one would deny or take issue with the fact that slavery is part of the history of the United States. It would have been laughable to challenge the era of Jim Crow or that the struggle for Civil Rights was and is a part of our story. Our division is not new. It’s institutional, systemic. Yet, in 2022, in red states, the dark side of colonialism is being scrubbed from curricula. They’re attempting to rewrite our nation’s history as a Hallmark movie.

Things are rarely what they appear. It’s one of the reasons why art is so powerful and necessary in a healthy society. When a community goes off the rails, claiming truth is fiction while aggressively promoting fiction as truth, the truth deniers always attempt to shut down and/or shout down all conversation. The theatre, the arts, during turbulent times, can reach into dark fiction, and resurrect the soul of truth.

Things are rarely what they appear. Staring out the kitchen window I was amazed that the bird perched on the wire fence was so still. It was so uncanny that I walked out back to get a closer look.

It’s the only way for people, for ideas, for communities, for nations, to grow. To question. To be curious enough to have a closer look. To laugh at themselves when the bird is discovered to be a leaf. To not be afraid to have their illusions popped, their history unpacked, or to welcome another point of view.

read Kerri’s blogpost about THE BIRD

Discover It [on Not So Flawed Wednesday]

The mist from the falls danced with the sunlight. Waterfall aura. Waterfall halo. We stood in the bands of color and laughed. Full body color tickle.

And then, a hush of utter appreciation. We listened to the chamber music of rushing water over the edge of rock. It was so beautiful there was nothing to be done but to close our eyes. Drink it in. Mist on our faces.

And then, we continued upward. The trail was steep so our steps were slow.

Krishnamurti wrote that, “To find out what is truth there must be great love and a deep awareness of (hu)man’s relationship to all things – which means that one is not concerned for one’s progress and achievements.”

In his book, Siddhartha, Hermann Hesse wrote that for every truth there exists an opposite truth. We humans are largely resistant to grasping both sides of wholeness. We like to be right so we tend to “fix” our half-truth in white-knuckled abstractions. Lost in our minds and paging through our rulebook-for-living, we miss the fullness of our relationship to all that surrounds us.

Standing by the waterfall, slowly climbing the mountain, it was easy to love our relationship to all things. The trail brought quiet to our minds. Each step, moment to moment, a full vibrant discovery of truth.

read Kerri’s blogpost about WATERFALL HALO