Learn The DogDog Way [on Merely A Thought Monday

dogga end of day copy

DogDog is an Aussie and takes the job of herding his people very seriously. We are a tough bunch. Two artists (one A.D.D. and the other O.C.D) and a BIG cat are not easily collected or moved in a consistent or singular direction. It is not an understatement to say that DogDog was not given an easy task in this lifetime.

On top of the endless challenge of gathering the un-gatherable, he is a hyper sensitive boy; he knows what we are feeling before we do. He runs all of our emotions through his filters. The Dog Whisperer says that dogs are masters at reading energy and DogDog must have graduated at the top of his pooch class. Anticipating our every move is made more complex by his innate skill in surfing our full palette of turbulent and uninhibited feelings. Were he human, he’d be a nervous wreck.

His days are full, chaotic, and active. And so, at the end of the day, when we at last settle, when the perimeter is safe and we are secure, he collapses. It is almost as if someone disconnected the cable to his battery. He hits the floor. His sleep is immediate and sound (unless, of course, we move).

I realized, in watching his deep and peaceful sleep, the kind of sleep that I rarely experience, that he is teaching me to love the impossible task. In fact, he simply loves the task before him with no regard to its achievement. He engages the impossible with joy and a hearty wag-a-wag. He participates. He delights. He loves. He, therefore, has no need for either the possible or the impossible. Those are abstractions and he deals with the reality of the moment.

Neither does he resent the turbulence we toss in his path. He takes no ownership for how we feel and, so, is not compelled to control what we feel. He simple reads the color of our mood and loves accordingly. He does not deflect or dodge or manipulate. He does not ignore or pretend or deny. He stands without judgment in the daily bedlam of his humans as if there was no better place to be on earth.

I desire the peaceful sleep he experiences. He shows me the way everyday. Admittedly, I am a slow study but he is a patient and generous teacher. “Tomorrow,” I tell myself, “I will love the impossible task.” Or, perhaps, if I really learn the DogDog way, I will give up the notion of possible or impossible altogether and simply attend with joy to the task at hand.

 

read Kerri’s blog post about DogDog Sleeping

 

doggadeck website box copy

Love The Mud [on Two Artists Tuesday]

maturity with background copy

“It took me four years to paint like Raphael, but a lifetime to paint like a child.” ~ Picasso

It would seem to be a no-brainer. Mastery comes from a lifetime of doing. Trial and error. Malcolm Gladwell’s 10,000 hours rule: success is nothing more than practicing the task for many hours over many years. As the old joke goes, it’s how you get to Carnegie Hall.

Efficiency. Ease. Body knowledge. Body of Knowledge. Flow. Wisdom. The blossoms of a long-body of experiences. The farmer, over a lifetime of living and working the same plot of land, knows the signs that no one else can see. They sense the storm coming. They smell the time for planting. They waste no time; their 10,000 hours having developed a solid relationship, a kinship with their environment and work.

An artist, over a lifetime of living and working the same plot of music or paint or dance, knows the signs that no one else can see. Artistry is efficiency, a single line saying more than 20. A musical phrase capable of reaching deeper into hearts than was once possible. Like the farmer, their 10,000 hours becomes 20,000 and then 30,000. Their worth, their work, after so many hours of hands in the soil or fingers on the keys, is incalculable.

Awash in abstractions, organizations play by a different set of understandings. Bottom lines are blind to mastery. You’d be amazed (or not) at how many people I know who’ve been “let go” because a younger, less expensive person, might “fill the role” and “cost less.” Mastery as deficit. You’d  be astounded (or not) at how many people I’ve coached who were punished because they became highly efficient. Their life-of-experience made their work look too easy. They were either squeezed for more or released as unnecessary.

What happens when all of the organizational knowledge, the ease and efficiency that comes via experience, becomes a liability? Wearing my consulting hat I’d routinely shake my head at the standard folly of leadership – people in power suits and ties a hundred miles from the dust and grit of the boots-on-the-ground – determining with pencil and paper the time and worth of a task. Abstracting the worth of a life. Budgetary efficiency driving the carefully calculated undervaluation of experience. Actual efficiency red-lined by abstract efficiency. As John would say, “Penny wise and pound foolish.”

Maturity in season of life. It comes from a job description that came across Kerri’s desk. Maturity as a job requirement! A search for someone with the experience necessary to paint like a child. Seeking the mastery that results from years and years of plowing the same fields.

I wonder if the hiring committee merely tossed out flowery language or actually understood that their ideal candidate would come through the door with boots made muddy from a lifetime of walking the fields?

 

read Kerri’s blog post about MATURITY IN SEASON OF LIFE

 

buffalo adirondack chair website box copy

 

Reflect On It [on KS Friday]

her palette - the piano copy

I so loved Kerri’s post yesterday that, today, I’m reflecting it back to her.

Do we ever really know what it takes to do someone else’s job? We don’t know the tools used, the research done, the years of training and experience, how someone perceives their own work. We can only guess and, most often, fall desperately, arrogantly, audaciously off the mark.

Kerri’s piano dominates her studio. A black 6’7″ Yamaha grand. It is not a show piece, it is a workhorse. Littering the music stand are stacks of composition notebooks, idea journals, sketches (she is visual) and pile after pile of church music – old hymnals, new downloads of pieces she’s considering for her ukulele band, choir or handbell choir. On the floor are several heavy binders arranged in alphabetical order with the music already played, binders from the 30 years of experience as a minister of music. There is yet another stack reserved for pieces she’s considering playing with Jim, her brilliant guitarist. Lining the walls are ukuleles, a few guitars, a cello, a keyboard, several music stands, more stacks of the original recordings of her albums (note: they are not stored as sacred artifacts. Rather, they are piled willy-nilly for easy reference). My wife is a Yamaha artist (look it up) and her constantly shifting studio topography (ever-moving piles) is testament to the music in her soul, her very-long history of artistry.

Now, I’ve sung a song or two in the shower. When I met Kerri I told her that I didn’t sing and she fairly quickly called my bluff. I sing in her choir. I delight in singing with her and Jim. They are kind and pretend that I add something to their mix. Nowadays I can even pick out a slow tune on the ukulele!

All of this, however, does not make me capable of really understanding how Kerri plays or composes. I can pluck a note. I can warble a song. I will, however, never have mastery of all the instruments, I will never approach her capacity to transpose on the fly, or compose poetry and melody. I will never hear the nuance she hears, the music of silence. I do not have a natural gift of music nor an entire lifetime to exercise and explore it.

I do not know the tricks of the trade she has accumulated over decades of honing her expertise. Nor do I know the knowledge base she brings about other artists, other musicians and compositions, the instrumentation, the way she ‘feels’ an audience and adjusts, the very technical details and the very heart-based intuitions she has learned through many, many years of study and practice. I can’t understand or even try to predict the amount of time it takes (or doesn’t take) for her to conceptualize, to explore, to create, to review, to assess, to adjust, to re-create. I can respond to her work but I cannot define it, nor would it be credible for me to even try to do so. Out of respect for her work, this ‘music’ that is one of the essential things that define her, I know that I really have no idea. I will never approach all that she knows. What I can do is appreciate the enormity of her talent, the endless hours of study, pursuit, practice, passion, experimentation, frustration, rehearsal, writing, performance, teaching, research, recording, pondering, pounding and playing and playing and playing – a lifetime of experience – that has brought her to this place where she creates beautiful music that seems to take no effort whatsoever.

Making it look easy. It takes a lifetime. The woman who delivers our mail has been a postal carrier for 30 years. It is hubris to think I know what that takes. It is utter arrogance to think I could pick up a mailbag and simply know what she knows, do what she does. Experience is invisible. Value is too easily reduced to dollars and cents. As Kerri wrote yesterday, with regard to anyone, the work they do, the life-path they bring to their work, we have no idea. It is both humbling and respectful to take a step back and consider the invisible, to remember that what appears easy comes from years and years of very hard work.

 

read Kerri’s blog post on KS FRIDAY

 

 

their palettes website box copy

 

Follow The Path [on Chicken Marsala Monday]

thepathforward WITH EYES jpeg copy

Rule #1: When a path announces itself it will make no sense. Trying to understand it will make stepping onto the path problematic. The order is clear: Step first. Make sense second.

Rule #2: A path is a living thing, a relationship. A path requires engagement, experience. If you confuse yourself into thinking that the path is about achievement then you are most certainly off the path. Achievements are fixed, like trophies. Paths are fluid, like friendship. Achievements are finite games. Paths are infinite games.

Rule #3: Paths do not speak in loud voices. They whisper. To hear the path’s announcement it is often necessary to get quiet. A path is patient. It will know you are ready to listen when it sees you turn away from the chatter.

Rule #4: A path requires a single action: pick up the paint brush, preferably the big brush, dip it in the bucket of paint, and start. The need is not to know where you are going. The need is not to be right or best or wise or clever. The path merely needs you to start.

if you'd like to see more CHICKEN... copy

 

read Kerri’s blog about PATHS

 

www.kerrianddavid.com

 

sometimes the path forward announces itself ©️ 2016 david robinson & kerri sherwood

Look To The Living Thing

my latest, as yet un-named, painting

Kerri looked at this painting and told me it captures how she feels when our daughter is hurting and calls home. “Describe that feeling to me?” I asked. She pointed to the painting, and said, “Just like that.”

Some things are universal and understood regardless of political affiliation or religious belief. What does a mother need to know to support her child? The political investments and religious doctrines are abstractions, separations. Motherhood is direct; it lives beyond the capacity of language to capture and articulate. It is the impulse to unity. It transcends all divisions. It knows nothing of conceptions like the rational and irrational.

Jim and I just had one of our famous phone calls. Our discussion romped through many fields but we returned again and again to the notion that the important things in life cannot be rushed. For instance, relationship takes time. Relationship takes attention and tending. It is fluid and dynamic so it is nearly impossible to slap a single word-label on it. It changes. It grows. In a single day it can pass through many descriptors. Dog-Dog can drive me crazy in one moment and melt my heart the next. The important stuff, like relationship, is not static or containable. It is not a concept. It is a living thing.

So What?

The best language can do is point to the living. Language can describe experience but can never be experience. Language, of necessity, reduces while the important stuff – like relationship – like love – expands. Language, as a tool of abstraction, can never be true. It can only point toward truth. Language separates. Truth is like relationship. Truth is a living thing, dynamic and changing. To be known, it must, like motherhood, be experienced directly.

Again, so what?

Direct experience is always (obviously) personal. Truth is not so easily captured. Is it exclusively liberal or conservative? Is it Christian? Buddhist? Is it unique to Islam, Judaism, or the Tao? Leave the city lights some night, take a good long look at the stars, and realize what you are staring into.

Last week we rushed 20 to the hospital. He couldn’t breathe. He walked to the edge of the abyss and looked into it. We watched him teeter on the edge. As we watched, all other concerns, pursuits, bills, frustrations, news,…, dropped away. The stuff of separations and abstractions went to dust in the face of the actual. Ask me what I experienced watching 20 grasp for life? There are no words. Ask him what he experienced in those long hours and he will shrug his shoulders. There are no words – but it is clear in his eyes.

The important stuff, the stuff beyond words, leaps the boundaries of separation and abstraction; all else falls away. The important stuff always leads to a universal place, a common ground. It is a beautiful paradox.  As a test, try this: if language can reach it, ask this very important and often absent question: Is it really true or merely another entrenched point of view?

a detail

Chase The Butterflies

a detail from my painting, John's Secret

a detail from my painting, John’s Secret

Wisdom butterflies that have recently fluttered across my path:

Soaking up the morning sun and drinking coffee from the deck of Common Grounds, 20 said, “You’ve heard this one, right? There are three sides to every story.”

Standing on the side of the road peering into Judy’s car, she gave us some sage relationship advice. She said, “That’s the secret to life, you know: listen before you talk.”

Kerri was composing a song. I asked her how she starts, how she knows where to start. She said, “I don’t know. Sometimes you just need to put your fingers on the keys and follow the music.”

There is an aging pink post-it note stuck (permanently) to the desk. It reads, “Make The Adventure.”

On a recent phone call, Skip offered wise counsel about how I see my role in a new business, “Find your own metaphor,” he said. ”What is the metaphor that will keep you energized, that taps into your 10,000 hours?”

Sitting behind his drum set, waiting for rehearsal to begin, John said, “Our job is to make the art, not to determine its reception.” And then he said, “What do you think?” and laughed.

Josh took a belly punch from the universe yesterday. He said, “I want to be angry but anger does me no good. I have better things to do with my life than get angry.”

A detail from my painting, An Instrument of Peace

A detail from my painting, An Instrument of Peace

P-Tom weighed in with this: “Faith is scandalous,” he said, “It pushes back against everything we experience.”

Dog-Dog raced across the yard in hot pursuit of a butterfly. I’m wagering that he knew he would never catch it, but the chase was glorious.

Look Beyond The Box

one of my paintings (untitled) from the Yoga series

one of my paintings (untitled) from the Yoga series

[continued from SEE THE BOX]

Craig’s question is bigger than a single post can accommodate. He’s both reflecting and asking several questions about the boxes people construct around themselves, about building personal “stages” and what becomes visible to us when we open ourselves to life without editor or inhibition. He’s asking deep river questions about the assumptions we make when we look at others through the lens of our own experience. He asked about what I see from my stage and when did I know to create my stage. And, here’s the kicker question, “When was the last time you stepped up and saw something you didn’t know was there?”

I want to start with the last question first because I believe it colors all of the other questions. At this point in my life, there isn’t a day that passes that I don’t see something surprising or new. I know that sounds like a superficial dodge until you consider that it wasn’t always the case. Like everyone else, I was schooled in a long series of mistaken notions: 1) that people need to know where they are going before they go there, 2) people need to know what they are doing before they do it, 3) knowing is something that happens in the head, and 4) that truth is singular and knowable; believers in right/wrong paradigms are especially fond of this point.

It took a few years (okay, decades) to realize that “knowing” is a process and not an arrival platform and, therefore, no body knows. People build boxes around themselves because they think they must know what is unknowable. People build boxes around themselves because they think they must look a certain way or think what others want them to think. People build boxes around themselves in an attempt to control what they can never control. No one really knows where they are going (well, everyone knows where they are going but dying is an existential question – a topic for another post). No one knows what tomorrow will bring. As Marshall McLuhan wrote, people step into the future with their eyes in the rearview mirror. We make sense of today through yesterday’s eyes so we can only “know” what happened, not what will happen. The day before September 11, 2001 people walked into airports to greet their friends and relatives at the gate. And then, the very next day, like millions of people, I sat in front of a television and watched a plane fly into the World Trade Center. That day I understood that what I thought I knew was basically useless.

Each of us has, at one time or another, had a personal September 11th. People learn. They grow. They have experiences and then make meaning of their experiences. People change. Life is a moving target. At one point in my life I started my own school within a school. It was experiential and filled with filmmaking and theatre and performance art. At the beginning of that era of my life I thought I would run that school until I the day I died. Three years later, I was done with my exploration in education and I surrendered my cushy tenured position and ran for the air of uncertainty. People story themselves according to inner imperatives through lenses of past experiences. The idea that we are primarily rational and reasonable is…not rational or reasonable.

At some point, when you cease thinking you know stuff, your eyes open. You see beyond what you think. Everything is surprising beyond the dull-wit of thinking. Thinking (a language-based activity) will always be an abstraction. Put a word on something and you delude yourself into thinking that you “know” what it is. This is especially heinous when applied to other people. People build boxes around themselves because of the words placed on them or the words they place on themselves.

Mostly, people build stages for the exact same reason. Saying, “I’m not going to be influenced by others; I’m going to act independent of others” is also a delusion constructed from notions of “knowing” or trying to determine how others will see you. Most stages are constructed from the desire to control. Sometimes the biggest box looks like a stage.

When you no longer need to know anything, you see surprising things everywhere you look.

[to be continued]

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