Do The Opposite [David’s blog on Merely A Thought Monday]

I am not a Gnostic nor do I identify as Christian but I very much appreciate a bit of text from the Gospel of Thomas: The Kingdom of the Father is spread upon the earth, and men do not see it. I pulled it up on my magic computer to find what comment the AI master might offer: “…divinity is staring us right in the face in our daily lives, but our earthly preoccupations, illusions, and dogmas make us blind to it.” 

It is right in front of us. We do not see it.

When I was younger I learned to meditate. I was chasing presence. More than once I came to the hysterical realization that my chase was in fact doing the opposite of what I intended. Presence is not something that can be chased. Rather, it is experienced when stopping the chase. Stand still and breathe. Feel. See.

I recently had a conversation about connection and control. It brought me around again to what I learned in the folly of my chase. There are so many things I thought I could control – many that I didn’t know that I was trying to control – and my efforts to control brought me a mountain of frustration and nothing more. I found it an exercise in futility, a seemingly impossible task, to try and control my illusion of controlling. Just as presence cannot be chased, controlling cannot be controlled. One day, in a flash of no-duh, I understood that all I need do is the opposite: connect to the moment instead of trying to control it.

It was right in front of me all along. Control is born of fear. It is to erect a barrier, to contract. Connection is the opposite. It expands. It releases. How many times have I learned that the heaven I seek is available and visible if I simply stop, let go, or turn around and look? How many times have I learned that what I sought was right in front of me, patiently waiting for me to open my eyes.

read Kerri’s blogpost about HIDDEN IN PLAIN SIGHT

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A Growing Up [David’s blog on Not So Flawed Wednesday]

“The role of the artist is exactly the same as the role of the lover. If I love you, I have to make you conscious of the things you don’t see.” ~ James Baldwin

It’s always been dangerous to be a jester. It’s akin to working on electrical lines in the rain. Rarely does power like to be contradicted or hear the truth or be the target of a joke – but it is never-the-less the role of the comedian, the artist, to strip away the illusion. To tease forward the truth. Throughout time despots have tried in vain to silence the voice of the jester, the song of the composer, the vision of the painter. Hitler. Pol Pot. Stalin. Kim Jong Un. And now? Sadly, we have produced one of our own. Take heart: artists are servants of love while despots are prisoners of rage, and, in the end, love is always bigger than hate. It is possible for a period of time to silence the individual artist but the love of truth always transcends the volcano of hate. “Truth will out.” (William Shakespeare, The Merchant of Venice)

Stephen Colbert and Jimmy Kimmel will be making us laugh long after this rage has burned itself out.

A truth? Our nation, my nation, refuses to grow up. It turns its back on its history. It runs from its shadow. It is like the spouse of an alcoholic pretending that all is good. It is akin to a parent who abuses a teacher who dared give their child a well-deserved failing grade. Appearance is all.

Love is substance.

Proof of our Peter Pan nation lives in the White House. He has surrounded himself with a band of lost boy pirates. The despot-wanna-be is not an aberration, he and his pirates are the ultimate expression of entrenched immaturity. They are boys who swear the dog ate their homework, responsible for nothing, responsible to no one. They do not care to compete, earn or work for betterment yet desire every trophy for their shelf. They gild themselves like the ballroom. They celebrate the vapid and court superficiality. They somehow believe 19th century nonsense that whiteness makes the man. They build their clubhouse high in a tree and post a sign: No Gurls Aloud! Their skins are thin, their intentions self-serving.

It is why artists are such a threat. They see the childishness and make fun of the lost boys vapid antics.

In such an immature playpen, there is no love, there is no capacity for love: only a competition for toys. “Mine, mine, mine!”

“Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.” ~ James Baldwin

read Kerri’s blogpost about HEART LEAF

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Number Matters [David’s blog on Two Artists Tuesday]

I took a week off from political commentary and general ranting about the current kakistocracy and my stats took a dive. I derived two conclusions. First, studies ad nauseam show that complaining is much more attractive than satisfaction. If a human being has a bad experience at a Disney theme park they will tell at least 18 people. If they have a good experience they might tell 3. Blame is like candy. It’s the reason fox news is so successful: victimization (blame story) is yummy and a great organizing principle for a club or a cult. Blame is delicious and once eaten, people can’t stop talking about it. It’s a great abdicator-of-responsibility which is why it fits maga and the fox-mind like a glove.

Second, it is a marker of the current era that even the least among us – someone like me – has stats. I have blog stats and weekly screen time stats. The steps I take on planet earth are recorded, compared to previous steps and offered back to me as stats on my health. We moderns locate our successes and failures through numbers. If I felt it important to chase blog stats I’d find it necessary to rant on a daily basis. As Kerri can report, I need no encouragement in that department.

The numbers are useful but the challenge with reducing everything to a number is that it simplifies the complex, it sanitizes the unconscionable. We’ve read that 13 servicemen and women have been killed in the war with Iran. We know that at least 160 school girls were killed by a US bomb during the first days of the war. The number allows us to distance ourselves. Violent death reduced to a stat. I can be outraged at the number while not having to deal with the actual savage death of a school child, let alone a school full of children. Faces and names and hopes and dreams. I’ve been a teacher. What if the 160 students were mine? What if the soldier killed was my son or daughter? Would the number matter?

A number is easier to swallow. Blame is terrific hand sanitizer.

I have a friend who intentionally keeps herself close to the margins. She doesn’t want to sleepwalk through life. Chasing comfort too often cultivates complacency. She wants to be awake. It’s akin to taking a cold shower to wake up. It’s the reason that when we walk our trails I often leave my phone and my stats behind. Kerri draws my attention to the living things, the smallest of buds, the trout lily bowing its head. A field of trout lilies. It’s visceral and wakes me from the numbers. It opens my eyes and ears and heart to the beauty and the inevitable roll of seasons.

It reminds me not to become what I hate, not to reduce myself and others to a data point, not minimize my life to the numbers. It reminds me to create a rich conscious life, to stand in my experiences, eyes and heart wide open and not measure the worth of my days by the number of people who know about it.

read Kerri’s blogpost about TROUT LILIES

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It Follows [David’s blog on Two Artists Tuesday]

In our house it is possible to accidentally lock yourself into the bedroom. It is simple, really; there is an old doorknob on the outside of the door but the matching inner knob is missing. Close the door too hard and the door will latch just as the old knob falls. Instant bedroom prisoner. We used to keep a screwdriver in the bedroom for face-saving escapes but I looked for it after the last lock-in and couldn’t find it.

It is useful to keep in mind that our house is nearing its 100th birthday and is alive with the quirks and issues of age. I admit that we could fix the bedroom door problem but we see it less as a problem and more of a character trait. Besides, it gives the person on the outside the satisfying opportunity to play the role of rescuer. Note: the rescue always comes with the mixed message of a smirk and an admission. We’ve both been on the inside in surprise lock up.

We keep a knob on the kitchen shelf. It is placed near the antique coffee pots that serve as tea containers. The knob is beautiful so it serves as a decoration. Another glass knob sits in the hole next to the kitchen faucet that once was a soap dispenser. The dispenser was problematic so it was retired but that left a hole. One morning I found a knob plugging the hole and knew Kerri was trying it on as a solution. It catches the morning light and occasionally casts a rainbow on the backsplash. Kitchen performance art; it’s a keeper.

You might be asking why we use the extra knobs as decoration or as sink-hole-fillers instead of fixing the bedroom door – and it is a fair question. Neither knob works as a knob; the inner threading is stripped. They have no internal grip so have transcended mere function and live beautifully in form. You know the old saying: form follows function. Isn’t it glorious when the function of a form evolves finally to become beauty in the world? Or, maybe it is better to ask, isn’t it glorious when we evolve and see beyond mere function and at last are capable of seeing the beauty available in our lives?

read Kerri’s blogpost about KNOBS

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If I Look For Them [David’s blog on Two Artists Tuesday]

If I look for them, there are signs of normalcy in these abnormal times. This week the striped squill popped up in the front yard. They are always the first comers, the flower-harbingers of spring. I am grateful that the plant life does its best to maintain nature’s routines. As far as the squill and day lilies are concerned it’s business as usual.

It’s a surprisingly powerful phrase: If I look for them. The striped squill would run amok in the front yard whether or not I decided to see them. They bring their promise of warmer times with or without my appreciation. Most years I look for them. I watch the patch of grass where they always first show themselves. I like to witness the pioneer squill, the early risers that poke through the winter grass and unfurl their striped-hope-petals. “Spring’s-a-comin’!” I sigh.

This year they surprised me. Lost in the daily crazy, the national nightmare, I simply forgot to look. In fact, I didn’t see them until the full striped squill chorus had arrived. There were so many that I couldn’t miss them. “Hello, old friends”.

This year, instead of being the augury of spring, they served a different purpose, perhaps a far more important purpose: a reminder of an age old lesson: I have the power to focus on hope just as I have to capacity to focus on all that is amiss in this nation. Both are necessary and it is far too easy to miss the hope in the onslaught of abuse. The assault on our democracy may be immediate but hope is by far more powerful.

If I look for them, I see the bearers of hope everywhere. I see them in the No Kings protesters, I see them in the volunteers at the food pantries, I see them in Marc Elias and Heather Cox Richardson, I see them in my friends and neighbors. Everyday I see multiple acts of kindness – but only if I decide to look for them. They are easy to miss, especially in the multiple acts of violence that dominate the media, the ubiquitous language of violence that permeates our politics. And yet, if I paid attention, if I counted and compared, the hope and kindness far outnumbers the ugliness.

The striped squill put me on notice: it is far too easy to get lost in the horror show. It is, indeed, important to pay attention to the arsonist’s fire burning through our democracy but it is equally important to keep sight of the many hundreds of thousands fighting the fire, the legions of people supporting the firefighters, calling out the lies, lending helping hands, stepping up to help in any way they can. They are everywhere, bearers of hope, believers in goodness, guardians of decency, heralds of the coming spring.

read Kerri’s blogpost about SQUILL

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The Naked Truth [David’s blog on DR Thursday]

Watching a time-lapse of the vine you’d swear it was a conscious creature. Tendril arms search for supports, stretching. seeking and grasping, it knots itself around leaves and stems of competitors, twisting to strengthen its grip, competing to secure its place in the sun. It begs the question, how might we humans be in the world if we understood that plants were conscious, like us, awake and aware of their surroundings? Would we be more awake and aware of our surroundings? Or would we fear green consciousness and fill our mythos-minds with a Little Shop of Horrors? Feed Me!

This vine evokes The Gordian Knot. It is a tale in three parts. The first is the existence of an impossible problem. The second is the ease of the unforeseen solution. The third is the fulfillment of promise and prophesy. It seems in these times we have in these un-United States a substantial Gordian Knot. I am anxiously awaiting the unforeseen solution.

A Gordian Knot suggests that bold action is necessary to cut through a complex problem. In our case bold action is not a sword but the voices of innocence: in the story an innocent punched through the chorus of enablers by telling the emperor the truth. He is, in fact, naked. His majesty is make-believe. Our emperor already knows he is naked but surrounds himself with loud sycophants and bullies his fear-driven court to sing the praises of his imaginary cloak. The decades-long rape of innocents, the recent bombing of innocents, is a sharp sword cutting through the illusion.

Truth-telling in the face of rampant pathological lies is a bold action. It fits the bill. Truth-telling is, after all, surprisingly easy and, in time, always slices the hard knot of misinformation. It is now the only way for us to protect and fulfill the promise of our democracy against the would-be-fascists (republicans). The sharp truth, the voice of the innocents, calling out and cutting through the Gordian Knot of the Epstein Class and those who are afraid of shining light on the naked truth.

read Kerri’s blogpost about THE VINE

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Jiggle The Eyes [David’s blog on Two Artists Tuesday]

I inverted the canvas. Turning a canvas upside down jiggles the eyes and loosens the grip of a mind that is fixed on seeing what it wants to see. It helps to pop the assumptions and see what is there and not what I think is there.

If the United States was a canvas it is a fair assertion to make that we’ve been inverted. Our eyes are jiggled. Our assumptions are popped. We can clearly see what has been here all along and it’s not what we thought. Power protects the pedophiles and threatens the lives of those abused. The Justice Department refuses to seek justice and, instead, covers-up the crime. Thugs in masks brutalize citizens, invade homes and kidnap people from the streets, all the while claiming that they are making our cities safer.

We are upside-down so we can see it.

We clearly see the lies of those who insist that all is as it should be. They stand and applaud the liar. They attach themselves to the lie and so create a very low bar to jump, wrecking democracy and giving rise to authoritarianism. The enthusiastic embrace of an obvious lie. Huzzah! The felon convicted of over thirty counts of fraud concocts a “war on fraud” to distract from his ongoing titanic swindle. His party pumped their fists and cheered. And then he started an actual war, Operation Epstein File Diversion.

Have you ever for a moment mistaken the sun for the moon? The disorientation is temporary but inspires an immediate question: What time of day is it? Later it might seem a silly question but it is, in the moment, necessary for reorienting in space and time.

As a nation we are upside-down. We were momentarily disoriented. Now, it’s only a matter of time before go to the polls and remind the liar and his sycophantic tribe that we see what is there, that we reorient to the Constitution, the rule of law, and give boot to the clown-car-cult of the would-be king.

read Kerri’s blogpost about SUN/MOON

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Take The Time [David’s blog on DR Thursday]

My mind tells me this photo is a study of black and white but if I really look at it – really look – there are purples and blues and greens and browns. It is, in fact, a festival of color. There is very little white. We don’t often see. We think we see or, better, we see what we think.

We see the world through a lens made mostly of confirmation bias: the tendency to interpret new evidence as confirmation of one’s existing beliefs or theories. It’s black and white – unless you take the time to really look. It takes time to see what’s there beyond what we think is there.

If your confirmation bias tips toward the maga, it makes you easy to gaslight. Believe what I tell you; do not believe what you see.

Gaslighting: the practice of psychologically manipulating someone into questioning their own sanity, memory, or powers of reasoning.

The antidote to gaslighting is the same as sorting through a dedicated confirmation bias. Take time. See what is there beyond what you think – or are told – is there. Take the time to look. Take the time to check. Take the time to challenge or question. Take the time to see all the colors. A manipulator, an authoritarian, will insist that the entire world is black and white. Their goal is to reduce all things to two choices: Us or Them. Their goal is to hardwire the populace to be reactive rather than thought-full.

But, if we look – really look and question – we’ll see that there is an expansive palette of choices, a rich and colorful world available if we only take the time to see what’s actually there, to see beyond what we think – or are told to think.

Eve, 48″x48″, acrylic on panel

read Kerri’s thoughts about THE RAIL

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Unconditionally [David’s blog on Not So Flawed Wednesday]

We spent the morning watching dog adoption videos. There’s nothing like watching the explosion of love from a forlorn and forgotten pooch finding a home to remind us of the good in the world. It was an intentional diversion. We were exhausted from the immorality and incompetence of the current administration, the blatant lies sold whole cloth as truth.

Last night Mark Elias cautioned his viewers to stop pretending that we are on the road to authoritarianism. “We are already there,” he said.

During the summer months we walk the bridge spanning the Des Plaines River so we can watch the turtles. They crawl onto the banks and fallen trees to soak up the sun. At first glance they are not easy to spot. We know where they congregate so we take the time necessary to locate them. In the winter we visit the bridge to marvel at the changing contours of the frozen river. Stand on the bridge long enough and what seems barren soon reveals abundant life. Actually, the signs of abundant life don’t magically appear, rather, our eyes adjust, moving beyond our barren expectation so we can see what was actually there all along.

In her latest installment Heather Cox Richardson recounts how Abraham Lincoln met the near authoritarian takeover of the nation by the Southern Democrats. “We’ve been here before,” Kerri said, adding, “We seem incapable of dealing with the problem,” I thought but did not say, “It seems we just kicked the can down the road.”

I am lately haunted by a quote from Jiddu Krishnamurti:It is no measure of health to be well adjusted to a profoundly sick society.”

I wonder what it would take for us, for this generation, to deal once-and-for-all with the ugly white supremacy, a remnant of colonialism, so tightly woven into our nation’s history? It is our disease and we are currently testing whether or not our disease is fatal or can be treated. Can we be cured in mind, body and spirit? Can we grow beyond our dedicated and persistent division? What if we refuse to kick the can down the road?

What is required to close the gap in our rhetoric so that when we utter the word “equality”or speak the phrase, “Freedom and justice for all” – we actually mean ALL THE PEOPLE. Unconditionally. Is it so hard to imagine that the words, “We The People,” so sacred in our story, might apply equally to ALL of the people?

read Kerri’s blogpost about THE RIVER

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Magic Things [David’s blog on KS Friday]

“The world is full of magic things, patiently waiting for our senses to grow sharper.” ~ W.B. Yeats

Standing at the back of the theatre watching a performance of a play that he’d directed, Roger whispered a frustration that most artists whisper at some point in their career: the audience will never get all of the layers of story. Very few will appreciate the totality of the hard work, the heart, the intention, the nuance…So much goes unseen, un-felt.

There is, of course, only one response to his whispered frustration. They may not get it all but you – the artist – does. Sometimes I think the skill of the artist is to slow the world down so that they can more fully see it. Or, more accurately, slow down so they can see the magic in the world. And then their work is to help their community see it, too. The great gift of artistry is that the work is never finished. The process – the capacity to perceive and share more of the magic – is never ending.

I regularly ponder the impact of the pace of work and life in the age of the internet. It’s a raging river of information that never slows. In fact, “progress” is understood as an increase of speed. We worship at the business alter of efficiency-and-effectiveness; people are rewarded for striding at an ever faster pace – so anything, like artistry, that suggests slowing down might be beneficial, is radical. There is a reason that an audience might not “get it”.

I’ve been aware this week, as we deal with the impacts of the snow and cold on our house and car, that we’ve mostly unplugged. Necessity has made us present. It is not an accident that the prompt-photos for this Melange week are mostly close-ups. Detail. We’ve been staring at the miracle of the icicles. The patterns in the snow clusters on the Adirondack chairs have captivated us.

Yeats knew only pen and ink. He stared at blank pages and not at flickering dynamic screens that pulled his attention this way and that and filled his mental bucket with information. He did not sort through hundreds of emails each day or navigate the mind numbing onslaught of social media. Yeats took walks and stared out windows to clear his mind. He sought other poets and thinkers, he spent time with them so he might challenge and expand his ideas, his perceptions, his capacity to see and feel.

The world of magic things, patiently waiting for our senses to grow sharper, knows that our senses are so inundated with information and noise and stimulus that we are less and less able to sense anything at all, especially the magic things. We are distracted, often misinformed and thoroughly entertained – and less and less capable of sustaining a span of attention, let alone sharpening our senses.

Sharpened senses – otherwise known as presence – opens the door to the ubiquitous magic things, things that patiently wait for us to slow down enough to fully appreciate them.

BLUEPRINT FOR MY SOUL © 1997 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about SNOWFLAKES

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