Blatant Art Sale!

 

It’s a one-day pre-adventure painting sale. 50% off all the paintings on my site. The adventure is ours, a painting can be yours. Browse the site. Email us with questions or, better yet, a choice!

 

 

 

archeswebsitead copy

 

 

MayYou copy

yoga series: may you. 55 x 36IN

Plan For Surprise [on Not So Flawed Wednesday]

coffee cup dance copy

The best laid schemes o’ mice an’ men/Gang aft a-gley ~Robert Burns, To A Mouse

The best laid plans of mice and men often go awry. It is something we keep in mind as we wade into the planning phase of our next project [well, learning first. Planning, second].

Actually, in truth, the best laid plans always go awry. Life, circumstance, is a constantly moving and changing force that generally alters all well-conceived plans. Whether we acknowledge it or not. We plan but [you might want to sit down for this next bit of revelation]: we do not control.

The plan, at best, is an abstraction that assumes a perfect circumstance and completely ignores relationship dynamics. People are fickle. Everyone has a plan and many of the plans do not line up with my plan! There is weather. There are partycrashers.  Pick pockets. Tripping stones. The budget. The children get sick. The internet portals are tapped out. The bridge fails. There is a better idea.

If everything went according to plan there would be no happy accidents. No teachable moments. Most discoveries come precisely because the plan fails. It is a rule of change that if you know where you are going, you will recreate what you already have. The plan can only pretend to bring about change. Change comes when you veer off course. Change comes from time spent in the unknown lands. Oddly, so does learning.

The only plan that makes sense? Plan for surprise. You’ll never be disappointed or frustrated because everything will go according to the plan.

 

read Kerri’s blog post on THE PLAN

 

 

preadventure painting sale box copy

 

feet in ocean website box copy

Sort And Re-Member [on Two Artists Tuesday]

eileen's gloves copy

We often wander through antique stores. While Kerri shops for unique treasures, I find myself lost in the historical, the stuff-ness that lingers when the story is forgotten and only the artifact remains. Shelf after shelf, booth upon booth, of time gone by.  Former possessions awaiting a rebirth, a new story-maker to take them home.

We are helping 20 prepare an estate sale at his parent’s house which simply means we are helping him open drawers, clean out closets, sort what has meaning and worth for him, what will have meaning and worth for an estate sale shopper. It is impossible to do this for someone else without significant blowback. At home, we are opening our own drawers and closets and asking ourselves if we really need all this stuff. What no longer has value? What is still used and use-full? What carries so much story that we will never part with it?

There was a time when women wore gloves and hats. There was a time when people wrote letters with ink and paper, folded their note and put it into an envelope, licked a stamp and dropped the whole affair into a box for a postal pickup. There wasn’t an expectation of immediate momentary reply because it simply wasn’t possible. Things change and that changes us (not the other way around).

“Do you recognize those bowls?” Kerri asked. It is common for us to find duplicates of our stuff in the the antique store. We laugh and make the sound of dialing a rotary phone. Sometimes we hover over the bin of albums and reminisce. “Oh, I played this album over and over!” We ring the bell of a typewriter return. We wrinkle our noses at the musty-dusty smell of hardcover books, “My college library! The stacks!”

Artifact. Possession. Story lost and story found. Expectation. Change. Tom asked of the ranch and a treasured box of an ancestor’s artifacts, “What will happen to it after I’m gone?”

 

read Kerri’s blog post about GLOVES

 

preadventure painting sale box copy

Browse now. Buy Wednesday through Thursday

 

 

bistrochairs website box copy

 

Carry The Message [on Merely A Thought Monday]

*everyone is a messenger copy

Rick Stone, founder of the StoryWork Institute, began his workshops with this fill-in-the-blank prompt: I come from a people who___________, and from them I learned____________. Try it. You will be surprised by the characteristics that jump up, the things you don’t really think about that you hold dear or that you resist. The connectivity that, for better or worse, defines you. The seedling of the answer to “Who am I?”

Jean HoustonJean Houston called it the burning point: you are the living flame, the burning point, of an ancestral line. You carry those who came before you. You will live through those in your line who come after you. It is the greater story, “Where do I come from?” It is the greater story, “Where am I going?”

One day, I caught myself standing with my elbow bent, just as my father stands when he is thinking. It is the posture his mother took when she was deep in thought. I imagine it was how her father or grandmother stood. An entire line of elbow tension reaching back into dark history. My elbows connect me. Kerri said, “This DNA thing is real!”

With all the time, money, ego, and energy we spend in life trying to distinguish ourselves as individuals, as distinct, as separate, it is actually the opposite, it is our connective tissue that gives us definition. It is in and through our relationships – our stories – that we generate meaning. It is through our roots – our stories – that we understand who we are.

I come from a people who___________, and from them I learned_________. We are messengers, all.

 

read Kerri’s blog post about MESSENGERS

 

boardwalk shadow feet website copy

Look Up [on KS Friday]

it's real life sandheart shadows songbox copy

We read this morning that people are developing bone spurs or “horns” on the back of their skulls and spines from so much phone gazing. Next generation dentist hump.

Last night 20 introduced us to a new term: deepfake videos. Artificially intelligent face swap videos. Seeing is no longer believing or, more to the point, any word can be made to seem to come out of any mouth. It just proved my late grandmother to be a foresighted genius when she cautioned, “Take it all with a grain of salt!” Believe nothing. Question everything.

I suppose it was always true that the age of information must come hand-in-hand with an evil twin. As E.O. Wilson said, “We are drowning in information, while starving for wisdom.”

What is real? What is real life? I think it must be the question that defines our age.

We just spent a few  days on island. Our technology didn’t work there. Not a signal to be found anywhere. So, we put down our phones, ceased looking at our apps for the latest weather or news. In lieu of seeking constant connectivity, we stopped searching for what we already possessed, what we’d always possessed. We held hands. We sat on the steps of the deck, faces to the sun. We listened to the birds cry, the waves lap on the shore. We talked with the people who were directly in front of us. Tangible.

Kerri chose this song for the studio melange before we went on island. Before we ‘lost our signal’ and found our moment. That makes her a foresighted genius, too! As she reminds us in her song, it’s not the ideal or imagined or vogue or concocted that makes life grounded and rich. It’s the day to day. The stuff you can actually touch in this sea of information detritus.

It’s real life. It’s the day to day. That’s where the love is found. Just ask grandma. Or Kerri.

 

IT’S REAL LIFE on the album AS SURE AS THE SUN is available in iTunes & CDBaby

 

read Kerri’s blog post about IT’S REAL LIFE

 

feet on grass WI website box copy

 

it’s real life/as sure as the sun ©️ 2002 kerri sherwood

Continue To Learn [on DR Thursday]

Studio Shot copy

Last week we helped our dear 20 pack his late father’s paintings. His dad, Duke Kruse, was an exceptional and prolific artist. As we wrapped the pieces, preparing them for storage, I couldn’t help but study them. Duke was free and bold. His color palette was precise. His technique was impeccable. And, a few years after his death, his work has nowhere to go. No gallery. No museum. After the estate sale, we will catalogue it. 20 will store it.

It was bittersweet. I got to spend time with the work of an extraordinary painter. It was inspiring and thrilling. I learned. I also got a glimpse of what will most likely happen to my work after I am gone. It will be catalogued. It will be stored.

My work is similar to Duke’s: I have fine technique and my subject matter is not widely accessible. Like Duke, I have individual buyers. My paintings are in collections across the nation. But, also like Duke, no collectors seek my work. At this late stage, like Duke, I have no greater gallery representation. No one, besides me, is actively promoting my work. I paint. I take a photograph of the new piece, catalogue it, and then throw it onto the stack. It begs the question, ” Why do it?”

Horatio is a gifted artist. During his recent visit, we descended into my studio and we waded into the stacks. I was delighted to pull out and show him my paintings. I value his thoughts and opinions. He rarely shows his work. He doesn’t paint to show. He paints for himself. He paints, like Duke and like me, because he has to. He paints because the paintings work on him, too. They paint him. They challenge and change him.

This afternoon we will move the final load of Duke’s work. I doubt if Duke would care much that his paintings will disappear into storage. He did his work and the paintings served him well. They made him soul-rich and laughter-filled.

And, so, from Duke, – and Horatio – I learn. From my paintings I also continue to learn. It begs the question, “Why not?”

 

read Kerri’s blog post about THE STACKS

 

 

wineglassesthreehands61 website box copy

 

 

Take A Wrong Turn [on Not So Flawed Wednesday]

CO to WI copy

As a wanderer, I am sometimes envious of those rare people in my life who have always seemed to know their destination and have appeared to walk a clear path to it. They have lived life according to a road map. Director, doctor, producer. Sometimes I want the comfort of a straight line but then I come to my senses. I remember that straight lines do not occur in nature.

I am given to taking side roads. Exploration trips. As Master Marsh once asked, “Why do you need to take a run at every cliff that you see?” Curiosity makes for a more colorful path than the taupe-existence of ‘knowing.’ It is more honest, too.

When I was a teacher it always irritated me when the adults placed enormous pressure on their students to “know where they were going.” Over-serious adults pretending that life required hard, unflappable predetermination. “The decisions you make today will impact you the rest of your life!”  Well…when is that not true? Tom used to roll his eyes and mutter, “Why is it that adults feel the need to threaten young people with advice that they could not, when young, take themselves?”

Things change. Hurricanes come. Minds go. We age. We discover ourselves or, as Kerri likes to say, “We become more of who we are.” It is comfortable to believe in our powers of control but it’s rarely our destiny that we actually command. The Greeks wrote more than a few good plays about the I-control-my-destiny-confusion. So did Shakespeare.

It is nice to have a map. It is great to have an intended target. It is worth mentioning to young people and old that life is not found in the target but in the walk toward it. Targets change. And, how rewarding would it be, when young, if all of the old walkers admitted that their paths were rarely straight, known, or easy. In fact, when I hear the tales and tell my own, it is the unseen forces, the happenstance, the wrong turn, the accidental bumping-into that gave the walk its riches.

 

read Kerri’s blog post about MAPS

 

big red & little baby scion website box copy