Consider The Circumstance [on Merely A Thought Monday]

Easy Way Down. We laughed. The sign only makes sense in the context of winter and deep, ski-able snow. Just out of the frame of this photograph is a chair lift. There is an easy way down because there is an easy way up. Later, as we knew we would have to do, we matched our easy walk down with a breathless slog back to the top.

Circumstance is everything. Sense-making requires a context. Stories only make sense within a specific context. Plunk a choice or a story line into an unrelated context and it seems like madness. Or stupidity. Yank Romeo and Juliet from the context of a society deeply divided by conflict and there is no story. There is no obstacle. It becomes the story of two delusional self-absorbed teenagers. Their choices would seem ridiculous without their circumstance.

I’m certain that Captain Obvious is yawning at my pedestrian observation. Circumstance is everything to sense-making. “So what!” the good Captain sighs.

Well, stop for a moment and consider this: we are in the grips of a worldwide pandemic. That is our circumstance. On this day in these once-united-states, roughly 8 months into our pandemic circumstance, over 220,000 of our citizens have perished from the virus. More than 8 million Americans have been infected. There are 42 million cases world-wide with more than 1 million deaths.

I might agree that a mask mandate – absent the circumstance of a global pandemic – might seem like an infringement on my personal liberties. It would make no sense. However, within the context of a global pandemic, railing against simple public protective measures – mask-wearing, social-distancing, washing hands – seems like so-much-lunacy.

The pandemic is our circumstance. Despite whatever noise and misdirection is being circulated within the fox-bubble, the pandemic is our circumstance. Denying the existence of a pandemic while the rates of infection break records daily is the madhouse equivalent of dumping Frodo and his mission into a Hallmark movie [a Hobbit with a mission finds himself in Christmas town where nice looking citizens offer him hot cocoa and the opportunity to find love in a tree farm]. It makes those within the fox-bubble crying “HOAX!” seem angry, petulant, delusional, and self-absorbed. It makes their dedicated resistance to mask-wearing and social-distancing infantile. It makes their gun-toting, testosterone-riddled protestations puerile.

The pandemic is our circumstance. It is the circumstance of the world. Denying it does not make it go away. As Doug might have said, “Wow! Every goddamn country in the world is pretending to have a deadly pandemic just to throw an election in the USA! I’ll bet that took some serious diplomacy!” [note: his language would have been much more salty]. Denying our circumstance creates worldwide incredulity at our utter stupidity and, above all, facilitates the spread of the virus.

I’m certain that theatre companies across this land are planning productions of Romeo and Juliet set in America 2020. Romeo is a child of the Blues, Juliet is the child of the Reds. The two youngsters, for a moment, with hearts full of new love, transcend their circumstance. Their society’s dedication to division will, of course, kill them both. Remember, too, that other cherished family members die along the way. Mercutio. Paris. It’s an old story asking a current question: how many will have to die, what [or who] is the loss so great that it/they will finally and at last open our eyes?

The pandemic is our circumstance.

read Kerri’s blog post about EASY WAY DOWN

Turn Around And Look [on Merely A Thought Monday]

A few years ago, while swimming in the world of entrepreneurs, I wrote a short book entitled The Seer. It was in many ways a process summary of the work of my life to that point. All of my work – whether in the visual arts, the theatre, diversity and intercultural facilitation, systems change, teaching…driving a bread truck, shoveling dirt…all of it, has in one way or another orbited the moon we call ‘story.’ Occasionally, I pull my little book from the shelf and read what I once knew because it seems more relevant now than when I wrote it.

For instance, the white house recently pulled the plug on all diversity training in government agencies. The reason is simple and explicitly stated: they do not like the story it tells of these-once-united-states. The story, they claim, is “anti-American.”

I structured my book around 9 Recognitions. The first is this: You do not have a problem. You have a pattern. We don’t have a problem. We have a pattern.

Our pattern, generation after generation, is the lengths we will go, the violence we will suffer, to ensure that we exclude a significant part of our story from the national telling. It is untenable to maintain a nation-story built on the ideal of equality that began with, among other things, the institution of slavery and the annihilation of native peoples. To avoid the full story guarantees a schizophrenic national persona. It perpetuates division. Ours is a pattern of adamant story avoidance.

The story works well for the white aristocracy that created it. It’s an exercise in celebrating Doctor Jekyll while denying the existence of Mr. Hyde. Those good guy settlers had to eliminate those pesky “Indians” because they stood in the way of a destiny that was manifest. What is the story as told from the Native American point of view? Or from the point of view of the black American that, to this day, everyday, navigates institutions designed to repress them? They have lived this history – this story of slavery, Jim Crow, and new forms of institutional violence. They are located in the story as the obstacle or the bad guy. The less-than-human.

Diversity training is nothing more than an attempt to tell the full story from all points of view. It is only made necessary because we have a deeply ingrained pattern of either dismissing the full story or pretending that our inequality is in the past.

We cannot become whole until we look in the mirror and reflect on the full picture. It is as ruthless as it is hopeful. It is as dark as it is bright. The path to health for any individual is to first admit that they have a dis-ease. The same is true of a nation.

In the recent actions of the white house, the response to the BLM movement, we are witnessing the latest in our pattern to severely edit our story made the more violent because diversity is percolating its way into the halls of power.

The slogans “Keep America Great” and “Make America Great” only make sense or have appeal to those committed to the Jekyll part of the story. They are the pattern. They are a rally cry to those who feel that in real equality they have something to lose. It’s an “all hands on deck” siren that will tolerate all manner of violence, ugly rhetoric, shaming, dereliction of duty, undermining of judicial integrity to avoid admitting the full story entrance into the American narrative.

The good news is that it is possible, once the full story is realized and the pattern is seen and told, to change the story. The tension is, after all, between conserving what was and progressing toward the ideal.

America may one day become great.

First, we must tire of our schizophrenia, our commitment to division and a system that works for the few. Doctor Jekyll must turn and take a good honest look at Mr. Hyde and stop pretending that the horror that follows him isn’t really there.

read Kerri’s blog post about GRRRREAT!

Touch Nature [on Two Artists Tuesday]

“One touch of nature makes the whole world kin.” ― John Muir

Since we’ve exhausted every mountain climbing documentary ever made, we now end our days walking an epic trail. We’ve done some serious time on the Appalachian Trail, The Pacific Crest Trail, The Continental Divide Trail and, lately, our imaginary feet have, through the magic of hiker movies, walked every inch of the John Muir Trail.

In addition to our actual walks everyday, our end of evening film walks serve as our escape. It’s how we cope. Because my pals routinely tell me that they, like us, are exhausted or anxious or chronically unfocused, I’ve started the practice of asking them how they mentally get away amid the age of pandemic, social unrest, natural disaster, and pathological lie. My question is always met with a look (or sound) of surprise. Some read. Some play music. Some exercise. Some unplug from news and technology. All seek some time out-of-doors.

Mental get-a-way.

Hands in the dirt, feet on the path. The changing sky, getting caught in the rain or facing the sun, the smell of falling leaves or pine, those damn mosquitoes, cicada chorus, a hawk visitation…perspective givers, all.

Much of the madness chasing us through our days is nothing more than the horror story we unleash in our minds. Human beings are wildly creative and for proof look no further than the fear tales daily yammering through your thought. Amidst the presence of an actual pandemic, the imagination can let loose a full gallery of monsters.

We have legitimate monsters running rampant in our world. We also have imaginary monsters running roughshod in our brains. Sometimes it’s hard to distinguish between the two. Fortunately, there is a test that helps differentiate between them: the legitimate monsters, as a people (as human beings) we will always turn toward and face. The pandemic. Climate change. Injustice. The imaginary monsters we either run from or work hard to magnify. Ignore or amplify. Why is it that human beings argue so ardently for their fears?

The folks that deny the legitimate monsters have confused the legitimate monsters with the illusory. They believe the yuck that runs around in their minds is real. In order to validate the inner yuck requires an all out suppression of the actual threats like viruses, a warming globe, systemic racism. Conversely, dealing with the real challenges leaves no space for fantasy monsters like deep states and wild-hairy-democrats-drinking blood in under ground tunnels. That’s my theory.

A walk in the woods famously clears the mind of made-up-monsters. All of our devices and politics and power games seem silly when standing among the redwoods or on a beach with infinity breaking like waves and rushing the sand to meet your toes. There’s nothing like The Milky Way to make all those inner monsters seem trivial.

There’s nothing like cresting a mountain to affirm that we are – if nothing else – united in our smallness and passing lifetimes. It is only in our minds that we are possibly bigger than the mountain or more important than the seas.

read Kerri’s blog post about NATURE TRAIL

Take It In [on KS Friday]

The morning air was cool and crisp. When I let Dogga out I stood by the back door and breathed in the hint of fall.

I laughed as I lingered by the back door because I had the revelation. It’s the revelation I have every year, the revelation that signals not only the change in season but a truth I wish I could hold onto throughout the year. It’s simple: life is a circle, not a line.

It’s useful, when so much of our unease is about “getting there,” about being some place other than where we are, to realize that it is not a line we walk, but a loop. Hurrying to “get there” when looping is nonsensical. Life as a cycle is much more amenable to presence-in-the-moment. It cracks the hard bark of desire and allows space for insight, gratitude, and appreciation.

Yesterday I read that this year, 2020, has been a decade long. I reminded myself, standing at the back door awash in my yearly revelation, not to wish a moment of my life away. To stand in it – all of it. This is certainly a time of disruption and the fatigue that comes with loss of balance and the comforts of the known. This IS the experience. This is life. This is what change feels like. Pattern disruption is meant to be a slap into awareness.

And, as it turns out, for me, that hint of fall in the air comes as a gentle seasonal slap. Slow down. Do not rush to get through it. This is precious life – all of it – no matter the circumstance. As Chris wrote months ago, “So, this is what it feels like to be in a pandemic.” Yes. This is what if feels like. We are in it.

It is the call of Kerri’s Millneck Fall. Stand still. Take it in.

Dogga races with great zest around the yard, protecting us from marauding squirrels. The frogs in the pond sound out, morning roll call. The smell of coffee pulls me to the kitchen. There will be plenty of time as we cycle around to make meaning of these days.

Millneck Fall on the album Blueprint For My Soul is available in iTunes

read Kerri’s blog post about MILLNECK FALLS

millneck fall/blueprint for my soul ©️ 1996 kerri sherwood

Dissolve The Image [on Not So Flawed Wednesday]

We watched a live stream of the protests yesterday. The streamer interviewed many people. He chatted casually with others. What became abundantly clear was the myriad of issues driving people to the streets. The catalyst may have been the shooting of Jacob Blake or the president’s visit but the deep matter that drove each person to the street was utterly individual, personal. Unique. All trying to give substance and voice to their deep matter.

So many people alone together. I was witnessing a part of the Sisyphus saga that I’ve written about repeatedly. A boatload of souls arrive in the underworld, disembark, and wander along the beach. Each is completely unaware of the other souls. So wrapped in their story, they think they are alone. Finally, their stories play out, and in the silence they begin to see each other, and in coming together, dissolve, and blend into a single bank of mist. From separation to unity.

A quote from Krishanmurti roared into my mind: “You say that if the mind has faith in the image, then the image will give power to the mind. Obviously; the mind creates the image and then derives power from its own creation. That is what the mind is everlastingly doing: producing images and drawing strength, happiness, benefit from those images, thereby remaining empty, inwardly poverty stricken.”

The mind creates the image. The mind gives power to the image. The mind creates the story. The mind gives power to the story. It’s a fantasy feedback loop. We are mistaken to call our image, our story, “normal” or believe it to be “truth.” The protesters stand toe-to-toe and shout into the faces of others, a screaming match of conflicting images. A story collision.

“But the mind cannot create truth. What it creates is not truth, it is merely an opinion, a judgment.

Even as I write this I think, “Who cares?” The shouting, de-friending, families dividing and plunging into right-or-left-media-madness that matches the image-of-the-mind is escalating. The tug-of-war for story dominance is vicious and it seems Ethic and Moral have packed their bags and fled to a safe house.

Despite warning and wailing and prediction, the streets were silent last night. So still. Perhaps in our silent moments we will begin to see each other, and like the souls in the story, be drawn together, dissolving our individual images into a single bank of purpose. Perhaps.

read Kerri’s blog post on this Not-So-Flawed Wednesday

Step Into The Dark Wood [on Not So Flawed Wednesday]

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Midway through one of our favorite hikes, the trail cuts through a section of dense tall reeds. I feel as though I could run and jump at the wall of tightly knit green and it would reject me outright. No entrance. I always imagine there must be a magic door, a secret phrase that will unlock passage to the wonders awaiting on “the other side.” Narnia will open if I know which reed to press.

In stories, the dense woods and murky places are to be avoided. They are where the monsters lurk, the bandits hide, where witches offer poison apples to little children. The community cautions against going there but the protagonist, usually to save the community, must enter that place, the place where no one is supposed to go.

The light must turn and see the shadow. Great power is always found there. Wholeness is never experienced by standing safely in the light but is brought back into the light from the dark side of the moon.

Jonah must go into the belly of the whale. The young wife must seek the Crescent Moon Bear. Luke Skywalker has to enter the dark cave on Dagobah. Adventures are not adventurous without a step into the scary unknown. Growth and new knowledge is not accessible from a safe seat on the couch. What we find in the dense wood or dark cave is often upsetting and unsettling. Revelation creates movement. That’s the function of the shadow. The ring of power is dark and dangerous and must be thrown into the volcano if middle earth is to survive. Who will take it?

Stories are there to help us both understand and navigate our personal and communal journey through this life. They help us know what to do when we have no idea what to do.  They help us know that the answers are not easy and usually arise after a step off the lighted path. They will come after a good bit of struggle, mess and misstep. The answers are rarely at first welcome because they challenge our smallness and will inevitably crack our safe denial.

Today, sitting in our city on fire, another night of protests looming, scary rumors running rampant, I can only hope that we – as a nation – listen to the great stories, that we step with shaky legs into our dark woods and face our dragon once and for all. The great stories assure us that what we find will not be easy or welcome. It guarantees that we will make messes and mistakes. But, it reassures us that our vulnerability and willingness to go through the dark passage will one day make us strong.

It will certainly transform us. I find that intensely hopeful.

 

read Kerri’s blog post about DENSE

 

 

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Read The River [on Merely A Thought Monday]

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The great gift of writing this blog is that I now have ten years of recorded ramblings and ruminations. I have an almanac of my thought patterns, a rolling document of what really matters most to me. I  periodically revisit what I wrote five or ten years ago. My visits to the past never fail to surprise me.

I’m chewing on the same stuff. I’m rolling around the same ideas. You’d be shocked – as I am – at how many times I’ve had the same revelation, thinking it was the first time. Yet, since my writing serves as a map to my revelation cycle, I can also see how the man having the old-revelation-anew is not the same man. I have the old revelation through new eyes. Perhaps that is why I have these revelations again and again. Discovery as rediscovery. New perspective makes the old revelation vital again.

As I’ve written before, I feel as if I am living the Parcival story. When I was young I failed in The Grail Castle.  I didn’t speak my truth. Rather, I did as I was taught, practiced my good social training, and withheld my voice as a proper knight should. Should. I started writing my blog when I was wearing armor, riding around the kingdom attempting to slay dragons and fight ogres to make up for the wasteland I’d created. I won my battles but lost my war – just as the story prescribed.

Now, I read about my battles sitting in the forest, having dropped my armor. Having mourned my defeat. Having lost my way. Having passed through the frustration and fear and anger that comes with lost-ness. Having relaxed into chopping wood and carrying water. Having the same old revelation again and again.

The story, this life story that we live, is a story of letting go, of paring down. Dropping the “shoulds.” Simplifying to the point that recognizing who we are is of much greater import than who we should be. Inhabiting the present moment is most often the abolition of “should.”

One of the greatest lessons I taught but failed to grock is, “suspend your judgments and learn.” ‘Should’ is a judgment by another name. A self-judgment. Armor. Mechanisms that separate. What story do I tell that separates me from this moment? What story do I tell that separates me from delighting in my self just as I am – and not as what I think I should be? What limits do I impose on my story and why?

Life, I’m learning, is one long lesson about the illusion of separation. We spend the first half of our days creating distance and the second half closing the gap-of-our-own-creation.

So, this morning I sit with my blog. I read the chronicle, this old river, and laugh at what I’ve apparently always known but refused to learn. The old story comes with a consistent bit of wise and useful advice: let go. No one but you tells the old story. No one but you misses seeing the Grail Castle that, as the hermit-in-the-woods giggles when it appears a second time to Parcival, “Boy, it’s been there all along.”

 

read Kerri’s blog post about AN OLD RIVER

 

 

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Pick Up [on Merely A Thought Monday]

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I fell into the word “providence” because of a contradiction. Its synonyms are fate, destiny, kismet and predestination. No surprise there. Yet, also mingling among the synonyms list are these words: chance, circumstance, luck, and accident. As if that was not contradiction enough, also on the list is the winner of the most-foreboding-word prize: nemesis. The inescapable agent of your downfall.

What if your destiny is also your nemesis? That Loch Ness monster of words, “curse,” rises to the surface.

I’ve coached many, many people in my life. The majority were attempting to identify their “purpose” or somehow reach beyond an obstacle to fully inhabit “what they were meant to do.” They felt providence was calling and they couldn’t get to the phone. Or, they felt providence was calling and were afraid to answer the phone. Sometimes the dream arrives and the dreamer runs for cover. What if the dream rips off the cover and exposes the truth-of-me? And, why would destiny call if I couldn’t pick up? Is destiny cruel?

Providence or chance? Are we supported in this vast universe or is it all a matter of happenstance? Or, peel the paint from the question and it’s possible it’s not about kismet at all. It’s about the desire to control or at least an explanation that makes sense. Who doesn’t want to feel in control their destiny? Who doesn’t want to believe that they are supported, blessed, guided, or destined? And what happens to that dedicated belief when the hurricane comes or COVID?

And, what if none of that matters? Aesop reminds us that curses might be blessings and vice versa. Perspective reveals both faces so why get wrapped up either way?

What if that hard puritan word, purpose, was softened just a bit by the equal but more-to-the point-phrase: follow your heart. Purpose is a head-word. A true calling or yearning never comes from that head place. A heart calls. Purpose likes to be sought.

Listening to my clients, I wrote these two sentences more times than I can count: The actions we need to take are almost always easy. The story we wrap around the actions make them seem difficult. The steps are simple. The story wrapped around the simplicity is often full of shame, fear, and that most mighty horror-of -horrors: failure. What if I fail? Better not answer that providence phone or dare to dream! Look to the actions. Take one.

Hearts call. That often looks like caring and caring almost always begs for an action. One  simple action. And another.  A step toward a true heart-call promises abundant surprise but never-ever comes with a guarantee.

 

read Kerri’s blog post about CARING AND FAILURE

I’m baking Kerri a cake with a file baked in it so that she might escape the Facebook jail. In case the FB guards eat the cake (and, therefore, detect the file) before it makes it to my dainty duck, it might be a good idea to subscribe to her blog. Unless I can bust her out, she might be in lock up for sometime to come.

 

 

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Love Your Words [on Not So Flawed Wednesday]

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I have grown fond of words. No one is more surprised by this statement than me.

A decade ago I did not consider myself a writer. Nowhere in my limited identity structure did I harbor thoughts of writing. This is an admission of my utter unconsciousness since I was writing and performing stories at conferences, with symphonies, and during facilitation. Tell a good story and even the most disparate-and-divided group will inhabit a common metaphor. Tell a good story in cliffhanger segments and even the most resistant conference-goer will greedily return to the general assembly to gobble up the next bit of story.  Stories are powerful magic and I loved telling them. At the time, it never occurred to me that I first had to write them.

The Buddha said, “The mind is everything. What you think is what you become.” I’ve also found the quote modified to read, “What you think is what you are.”  We think in words. We think in stories. Mostly, we are unconscious to the stories we tell ourselves and, more to the point, we rarely recognize that the river of words running through our mind is not truth. It is not fact. It is interpretation. It is story. We are storytellers all and the stories we tell define the moments we live. The stories we tell determine what we see or do not see, how we see or do not see.

That recognition brought me to my love of words. I started paying attention to the stories that I tell myself. I have a Hall-of-Grievances. I have a Complete-Book-Of-Rules for how I ought to live. I have a Jukebox-Of-Greatest-Hits, a entire collection of  stories and conversations that I replay again and again and again. I’m fond of the debate records I play because I win every time! There’s even a special long play set of recordings of things I SHOULD have said and, guess what? In my mind I say the SHOULD-HAVE-SAID words every time! I especially enjoy being witty and quick (in my mind).  It is a wonder that I have any space for new thought given the story-grooves I play over and over ad infinitum.

Words matter. The words I choose matter. I learned in school that William Shakespeare had a working vocabulary of approximately 26,000 words. If we are average, you and I top out at around 1,800 words. William either made up or was the first to put on paper roughly 10,000 of his 26,000 word vocabulary. We tell shorter, less articulate stories. Less poetry and more “get-to-the-point!” He didn’t have commercial breaks shaping his attention span.

I story other people as much or more than I story myself. The annoying little secret about the-story-I-tell-myself-about-others is this: it is not a story about them at all. It’s my story about them which makes the story I tell not about them, but about myself. “Words, words, words,” Hamlet replies to Polonius.

My world can be beautiful. My world can be ugly. My world can be safe. My world can be violent. My world can be kawaii. My world can be fugly. My world can be fearful. My world can be love-full. My world can be. I can be my brother’s/sister’s keeper. I can be concerned only for myself. Yes. No. Just words. Not just words.

 

read Kerri’s blog post about KAWAII

We are still in the Facebook annihilation zone. It is possible that Kerri’s posts may never reappear so, if you enjoy reading Kerri’s blog, consider subscribing to her blog. I know we publish waaay too much but, with the minor exception of us, no one reads everything that we write – except Horatio and for his dedicated perseverance, we are grateful.

 

chicken and perseverance website box copy*look at this website box on Kerri’s post. She added pupils to the eyes. Originally, I drew Chicken Marsala without pupils and that creeps Kerri out. She always adds pupils to Chicken!

 

 

 

Unify The Rabbits [on Merely A Thought Monday]

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If you chase two rabbits, both will get away ~ Chinese Proverb.

In the theatre, the double-rabbit chase is called a split intention. An actor cannot both play well the scene AND try and please the audience. It’s one of the fundamental lessons an actor must learn; play the scene purely and the audience will enter the story. Trying to please an audience is a fool’s errand and will throw everyone out of the story.

The lesson is not what it might at first seem. The lesson is to recognize that, in truth, it is not an either/or choice. The only way to “please” the audience is to play well the scene. The only way to “please” them is to forget about them. The job is not about “pleasing.” The job is about the performance of a play.  It’s a lesson in priority of focus. In recognizing and attending to the first principle, all other concerns fall into their proper place. The magic is in unifying what might at first look like a two-rabbit chase.

It’s a lesson that has great usefulness far beyond the stage in every walk of life. Either/Or framing is usually a warning sign that two rabbits are on the run.

A split intention is always resolved through a focus priority.

In our pandemic time, in these states-once-united, we’ve managed to cleave our intention. Health or economy? The chase is on and both are getting away. Trying to reinvigorate an economy by ignoring the health implications is akin to an actor trying to please an audience – it is a fool’s errand. People will not go out if they do not feel safe. Although each day we are plied with scenes of packed bars and beaches, we also read an ever-mounting roll call of bankruptcies, job losses, impending evictions, rapidly shrinking GDP, etc.

It’s a pandemic. Roughly 1,000 people a day are dying. In five months over 150,000 people who otherwise would have seen 2021 have ceased to live. The infection rate is doubling [a gentle reminder to those who make me shake my head in wonderment: just as pregnancy is not caused by the test, COVID-19 testing does not produce cases. Testing identifies cases and someday will provide the opportunity to contain the spread.]

Attend to the play. Prioritize the focus. Public health and economic health are not at odds. They need not split and run in opposite directions. Economic health is not possible if people do not feel safe. It’s a basic rule of survival, a fundamental requirement of the play-of-life. Protecting public health, attending to public safety, is the first principle. Wearing masks. Testing and tracing. Social distancing. The rabbits will unify when the message aligns, when the audience-pleasers realize that, by ignoring the first principle, they are literally throwing people out of the life-story.

Focus on the priority and all other concerns will fall into their proper place.

It is palpable when an actor stops splitting their focus. It is magnetic when they fully enter the scene. The play crackles with life and possibility. It pulls audience and actors alike into the same story. Together, all move to the edge of their seats. When it really sparkles, hearts sync and beat in a unified rhythm (no kidding).

I see signs of a single-rabbit-chase everywhere. Checking out from the store a week ago, the cashier said through her face-covering, “I like your mask!” I smiled. I’m certain she knew I smiled even though she could not see it. “Where did you get it?” she asked.

Mask-fashion is arising. In mask-envy I find tiny glimmers of hope.

 

read Kerri’s blog post about MASK ENVY

 

 

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three graces ©️ 2010 david robinson