Ask A Simple Question [on DR Thursday]

It’s existential. What you see changes depending upon where you stand. That’s true when engaging any piece of sculpture. It’s true when engaging anything in life. Point-of-view is fluid and relational. This sculptural reminder is Olafur Eliasson’s Rainbow Bridge.

In another era of my life facilitating diversity and inclusion workshops, the same surprisingly simple concept was usually a revelation to people. What you call “normal” is merely a point-of-view. Most importantly, it’s not everyone’s point-of-view. Your “normal” is unique to you, not universal. Most hopeful: it’s not fixed in stone. It’s changeable. Relational. Capable of growth. A mature point-of-view recognizes that it need not, it cannot, be the center of the universe. A mature point-of-view necessarily asks an all important question: “What do you see?”

It’s not only possible to look at the same sculpture and see a myriad of differences, it’s necessary. It’s human. Sharing what we see is how we, together, create community. A common center is created by a circle of differing points of view. A common experience is borne of sharing disparate points-of-view of the same event. A common center is made functional when everyone in the circle is capable of asking with sincerity a simple question: What do you see? It is made vibrant when everyone in the circle expects the answers to be different than their answer.

Art is one way of responding to the simple question.

Instrument of Peace, 48x91IN, mixed media

read Kerri’s blogpost about RAINBOW BRIDGE

instrument of peace © 2017 david robinson

Buckle Up [on DR Thursday]

“Life is 10 percent what you make it and 90 percent how you take it.” ~ Irving Berlin

There’s nothing like flying in a plane to shake-up and challenge your perceptions. Board a plane on a snowy overcast day and, after a few minutes of lift, punching through to brilliant sun and the curvature of the earth. What was true on the ground is not true in the sky. And vice-versa.

The first time I flew I was 18 years old. I remember thinking that, of all the people who’d walked the earth throughout time, very few had seen the clouds from above. Most looked to the sky and wondered what it felt like to fly like a bird. During our recent flight, looking down at the clouds, I was taken by the fact that the population of humans-on-earth has doubled since the 18-year-old-me first looked out the window of an airplane. Something that has never happened in the span of a single lifetime. If I live an average lifespan, it will triple. The challenges we face, from the migration of people to the warming globe to the crisis of resources, can be traced back to this simple statistic. The stress levers get lost in the rhetoric-shuffle.

From the sky, it’s easy to see that we are one team, occupying one planet. From up there, the wrangling over red or blue, the movement of the fickle markets, the fist-pumping red-faced divisions, all disappear. It’s easy to punch through the dense fog and see a bigger picture. A more perfect union.

I chuckled after I wrote that last metaphor because my inner cynic rolled his eyes and muttered, “Yeah, but first you have to WANT to get on the plane.”

My inner optimist, not to be outdone, replied, “Exactly. It’s human nature to want to see what’s over the next hill or above the fog. Everyone wants to get on the plane.”

Well, there you have it. Scintillating perspectives from the cynic on the ground and the optimist in the sky. Creative tension at its finest. While my cynic and optimist work this one out, I think I’ll fasten my seatbelt and prepare myself for a smooth landing. As the saying goes: What goes up must come down.

read Kerri’s blogpost about CLOUDS

A Prayer of Opposites, 48×48, acrylic

a prayer of opposites © david robinson

Get Some Perspective [on Not So Flawed Wednesday]

“Oh, god…I feel a fit of moralizing coming on….” ~ Words to myself, uttered just a moment ago.

This would seem like a no-duh: perspective requires distance. Said another way: to see the mountain, one cannot be standing atop of the mountain.

Much to Kerri’s dismay, I think out loud about these things. A lot. She has to listen to my ruminating. Marriage requires her to be in the same space with me and I talk endlessly about the things rattling through my mind. Just ask her. Let’s just say she has no distance from my incessant blather so she lacks perspective. Or, her capacity to ignore my noise is the result of experience which provides her solid perspective. Don’t ask me. I am not in the position to offer an opinion.

When you dip your mind into the pool of information technology as I have, it’s nearly impossible to NOT think about the absence of perspective. Actually, if you read or listen to the news-of-the-day or take a swim in the social media cesspool, and are able to step back from it (thereby creating some distance), you’ll find that meaningful perspective has long ago fled the building.

For years I’ve been reading about the pace of change. At some point – and we’ve arrived at that point – the event horizon (that which enables perspective) is no longer in front of us. We sit on top of it. Information comes too fast and without pause. And, often without substance. Without perspective, the context of our lives is as fleeting and changeable as “Breaking News” or the latest posts on social media. Since the algorithms are driven by the most “likes” not the most relevant, the ugliest and loudest noise-makers garner the most attention and dominate the air-time (thank goodness for cute pet posts providing some humor in the onslaught).

Attention-getting is not known for its grounding in solid perspective. Just ask the boy who cried wolf.

As we know, crying wolf works well – for a while. Attention-getting is addictive. Once hooked, people will do or say anything to keep their buzz going. Sitting directly atop the event horizon, the only way to keep the attention is, of course, to scream louder and louder. Escalate the outrage. A news cycle churns as fast as the social media stream. Remember: the algorithms are not based on meaningful substance but on the ability to grab attention. Louder/uglier wins the day.

Without perspective, escalating outrage – the loudest and nastiest train wreck – will always win the attention grab. It’s human nature. We sort to the negative. It’s why we share complaints with anyone who will listen but dribble-out the good news to a select few.

There is an important disappearance that accompanies the loss of perspective: crap-detecting. Awash as we are in a raucous bluster of vapidness, the only hope we have is to take a step back and question. To descend from the event horizon and ask, “Is this or that assertion true?” Or, is it meant to make me mad, fuel my anger? Is it tailor-made for my perspective-less bubble?

Stepping back, gaining perspective, asking relevant questions. Crap-detecting. If a better world is what we desire to create, dedicated crap-detecting is the necessary first step in being-the-change we wish to make.

read Kerri’s blogpost on PERSPECTIVE

Listen To The Zen Master [on saturday morning smack-dab.]

Let’s be clear: Dogga is infinitely smarter than I am. Occasionally I fall into the delusion that I am the master – I have thumbs, after all – but my fantasy is never long-lasting. I am here to do his bidding and I am well-trained.

In addition to being smarter, he is also wiser. No matter the enormity of my life-dilemma, he patiently listens to my fear and complaints. He allows me to spin my quandary into a full-blown-fruit-smoothie, to make my mole-hill into an Everest-sized-mountain, and then, usually in the form of a belly-belly, he brings me instant perspective. Nothing on earth could possibly be more important than loving on your pooch. “Be here now,” advises Dogga. “And, since we are here now, how about a good belly-rub?’

It’s hard to argue with a zen-master-in-fur. What could be more meaningful, what possible purpose could I serve other than loving life right now? The rest will take care of itself.

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Feel Their Hands [on DR Thursday]

A Melange Haiku

The woods, remember?

Feet shushing through fallen leaves.

Tree-fingers touch blue.

The trail yesterday was arrow straight, a line running to Chicago. I teased that we need never turn the wheel. The day before we walked by the river so the path snaked with the water course. On Thanksgiving, we walked twice around our yellow loop. It was cold and our finger tips complained. Arrow, snake, and loop.

We are restless and find balance in the woods. Peace-of-mind. We are restless so are searching for new trails. It’s a metaphor, I’m sure of it. We adore our known paths but feel as if we are shedding a skin or busting out of a cocoon. I said, ‘I’m tired of making the same old mistakes, of doing the same old thing.” She is patient and listens without rolling her eyes. She is kind to let my words of frustration dissipate in the cold air. The squirrels sound an alarm. She knows that no response is required.

The sun is down by 4:30. We are fooled again and again thinking it is later than it really is. “It’s too early for dinner!” we exclaim, chopping carrots, eyeing the level of wine remaining in the bottle. We look to each other and laugh.

On the yellow loop we decided to speak of gratitude. We called to mind our nuclear family members and in turn offered thoughts of appreciation. Love is a complex rainbow and I was reminded that much of what we see is by choice. Where we decide to place our focus. I had the sense that our ancestors walked with us on the trail that day. Their hands on our backs.

read Kerri’s blogpost about PERSPECTIVE.

Helping Hands, 53.5×15.25IN, mixed media

helping hands © david robinson

Stay On The Root [on Merely A Thought Monday]

I wrote a note to myself and put it on the stairs. Later, I’ll carry the note up to my studio/office. It reads: standing still in the sacrament of uncertainty.

I know well this sacrament of uncertainty, this thing of mysterious and sacred significance. I’ve been here before, many times. Standing still is becoming easier.

This morning these words caught me so I underlined them in pencil: They are fully aware that their common ancestors, the Tairona, waged fierce but futile war against the invaders. In their mountain redoubt, lost to history for at least three centuries, they chose deliberately to transform their civilization into a devotional culture of peace.” ~ Wade Davis, The Wayfinders.

Deliberate transformation into a devotional culture of peace. Imagine it if you can.

She was so wise! Karola’s advice to the 30 year old version of me: let the glass go empty. That was terrifying advice to my younger self. At that age, I feared losing myself in the emptiness. At 60, having been empty (and emptied) more than a few times, her advice is sage. As she knew, empty is the only place that you have a chance of finding yourself.

I know now that I used to go into my studio to escape the noise. It was the only place where I could make sense – or find sense – of this crazy world. Studio as fortress. As armor. I will, at some point, re-enter my studio. I wonder what I will paint now that sense-making is no longer a priority. I wonder what I will imagine now that the armor is off.

I tell myself to “stay on the root.” Advice from Saul. That means to stay in the moment. Even in the intense discomfort of uncertainty I do not want to rush through a day of my life. Uncertainty and loss are life experiences, too. Colors on the palette. No less valuable than joy or conviction. When I listen to myself, when I sit solidly on the root, the circumstance remains but the discomfort disappears.

I’m doing what I’ve so often advised others to do: when you cannot see, ask those you trust to tell you what they see. Perspective requires some distance and I am sitting squarely atop my event horizon. I cannot see. These days I’m happily borrowing perspective. My friends have wise-eyes. They tell me – each in their own way – to stand still. Honor the sacrament. Listen. Empty and make space for imagination.

read Kerri’s blogpost about BEGINNING

Give It Perspective [on Not So Flawed Wednesday]

“Awe” is one of those complex words that contains its opposite. Wonder and dread. Astonishment and fear. Respect for the power of nature. Reverence. It’s a full-spectrum word.

Awe is what you feel standing at the ocean shore, knowing the waves will rush in long after you are gone. Water pulling at your ankles. Toes in the sand. Staring into eternity.

Awe is a perspective-giving word. It makes us both tiny-in-the-universe and fortunate-beyond-words, all in the same moment.

Once, I stood on a mountaintop in the bitter cold of dawn. The sun broke over the horizon and washed over me with a wave of warmth. Life-giving. Literally. I stopped shivering when the sun touched my bones. Filled with awe, I started to laugh and cry. Beautiful, magnificent and painful.

We stood on the deck and watched the cloud tower above us. Threatening and astonishing. She showed me the photo. “The wire makes it,” she said holding the screen so I could see it, “It gives it perspective.”

Perspective. Correct regard for the truly awesome power of nature.

read Kerri’s blogpost about TOWERING CLOUD

Reflect [on DR Thursday]

This reflection spiraled me into a fond memory. A long ago chance dinner in London with Jonathan Miller. He was kind and funny and took me upstairs to his studio to show me photographs he was readying for a gallery show. I could have talked with him all night. As I left he gave me a copy of his most recent book, On Reflection. Questions of reality and identity in the arts and beyond, explored through reflections. I had the book for years and lost it in a loan.

Reflections. I have crossed paths with many brilliant artists. Some, like Jonathan Miller, a single evening, a passing glance. Others, I had the good fortune to spend many years assisting and watching and learning from their work. James Edmondson. If I ever delude myself into the notion that my artistry is unique and truly individual, I only need stop for a moment and track the people who shaped me, who inspired me, who challenged me, who passed to me their traditions, who gave me an hour of their time to share their work and thoughts with me. I am a reflection of those many, many people.

My work in the world is made better by the reflections of Horatio and David and Master Marsh, people who give me their time by reading my work and sharing their thoughts. People who have jumped into my mad projects and made me and my work better.

I am the luckiest man alive. Each morning I get up early and sit next to my wife. We drink coffee and write. She edits my posts. We read to each other and offer advice or talk about word choices. I take her hand and bring her into my studio and ask, “Will you tell me what you see?” Lately, as I draw in pencil cartoons for work, she digitizes them, dumps them in Photoshop, cleans up my messes and makes them better. She makes suggestions. She offers reflections. She formats them for publication. They are transformed from my work to our work.

And, that is the secret I learned from my many master teachers. A unique perspective, an artist’s eye, is the blossom of many, many wise eyes coming together, expressing through a single moment, an opportunity. It’s all collaboration. Artistry is nothing more than a hologram of reflection.

read Kerri’s blogpost about REFLECTIONS

pax © 2015 david robinson

See The Exact Center [on Two Artists Tuesday]

Kerri took this photograph a week ago. We’d set up our pop-up table in the middle of the woods. We had a small cooler with cheese and crackers, tabouli and chips and wine. It was cold. We needed to take off our gloves to eat a bit of our snack and then put them on again, fingertips stinging. Since she is a photography maven, I knew to stand back after setting up so she might take shots of our snack-laden table. She finished, sat, and then pointed her camera to the sky.

Despite what you see in the photo, the trees did not reach to a common center. That is an illusion. Perspective as taught in art school. The point of view of a lens. “Lookit!” she said, red fingertips holding the camera so I could see the image. “We must have found the exact center of the forest,” I thought and smiled.

I often feel like that these days. We must have found the center.

Last night, on an all-too-rare warm evening, we sat with friends on their deck. The Up North Gang. We ate dinner. We laughed. I had my first ever sip of salted caramel whiskey. Dessert as a drink. Time stood still for me and I studied the moment. I wondered if anyone on earth was as fortunate as Kerri and me.

Perspective as taught in art school. Points converge creating the illusion of distance. At one time in history, a crossroads of art and mathematics, this simple recognition was a revolution. Linear perspective. A unique point of view. The accurate portrayal of three dimensions on a two-dimensional surface was powerful – the creation of illusion, shape and distance, produced new intentions and mathematical rules.

It also changed forever the viewer. To see the illusion one must occupy the illusion of a unique center. A new psychology. It’s possible to draw a direct line of descendancy from the hard perspective of the Renaissance to our abstract expressionism. The artist’s point of view, unconscious expression without limit or rule, is all that matters. Two ends of the same pole.

I told Horatio that I am, at long last, learning to keep quiet. To share what I see when asked, and not before (he says as he writes a blogpost about what he sees). I have made a career out of too adamantly trying to get people to see what I see. My adamancy might be traced to the Renaissance and the notion that I occupy a unique center, a specific point of view that makes my illusion of shape and distance somehow privileged and necessary.

Age is helping me challenge and release my investments. It is also a grand teacher of movement and moments. Nothing stands still, especially time. The best we can do is savor the spaces between, always shifting and moving. Children become parents become grandparents. A warm night. A cold day on the trail. It matters less and less what I see and sense-make with my unique hard lines and more and more that I taste the tastes and see the colors, my lens aimed at a common center, sharing the passing moments with others.

read Kerri’s blogpost about THE WOODS

View The World [on DR Thursday]

Dogga is a wrecker of backyards. He’s a destroyer of pristine spaces. His joyful enthusiasm propels him in rapid circles and his circles have become etchings in our smallish yard. Initially, we tried to cover his etching path in stone. Were you to visit you’d find flat stones covering a wide spiral around the pond, his first velodrome. To no avail. He is a living Spirograph, a dervish of delightful circles. Viewed from the air, I’m certain our backyard smacks of alien visitation, mysterious crop circles.

We’ve learned. Rather than resist nature, attempt to control it or cover it up, it’s a much better plan to work with it. I knew we’d crossed a thought-bridge the day Kerri suggested we install a round-about sign. We had to be direction-correct so we bought one for right-sided drivers. The details matter. If Dogga was to suddenly switch and run in the opposite direction we’d have to issue a citation or get a new sign.

If there is a devil in the details there must also be an angel. As I’ve previously noted, I am not naturally a detail-guy; my head is at home in the clouds. I’m conceptual and can see great distances. It’s why metaphors are my currency, movement and pattern my friends. Please do not ask me to write a grant or make sense of the world through a spreadsheet. I can. I have, mostly out of necessity. But the cost to my soul is mighty. Luckily, as this great world spins, and the draw to a comfortable center is the force-at-play, I’m currently surrounded by teachers-of-detail, Kerri and Dogga are my favorite two but there are many in my circle. Angels, all.

Kerri runs to show me the photo she’s just taken. A close-in shot. A texture. A bud. An entire world in minutiae. See the beauty in the detail. For me, that’s the passage to the center. There’s entire universes to be found in the smallest detail. The up-in-the-clouds and close-in are relative terms. There’s a whole other worldview available from the grasses.

Lay on the ground and the Dogga will run circles of joy around you, his center point. There’s nothing better and that’s the kind of detail that’s not to be missed.

read Kerri’s blogpost about FROM THE GROUND UP

face the rain © 2019 david robinson