Mark It [on KS Friday]

millneck fall songbox copy

I am marking the coming of fall. Each day on our walk I see a bit more red, yellow and burnt orange. A week ago I pulled on a sweatshirt. There was a chill in the air that penetrated the afternoon sun.

The fall brings a sweet melancholy, an inward look. We are moving slower on our walks. We can see deeper into the woods. The deer are everywhere. The apples are down. Last night at dinner, Steve had a fire in the stove. I sat beside it and let the warmth find my bones.

It is my favorite time of year. We make soup with friends. The air sharpens. I yearn for my studio. I write really bad poetry. I remember vivid yellow quaking aspen leaves. I secretly look forward to raking the front yard.

Tradition awakens with the harvest. The fruit and leaves have had their time, now the root gets its nourishment. Reaching down. Letting go. The wind encourages the resistant to release. It’s this deep ritual of return that beckons in Kerri’s Millneck Fall.

 

MILLNECK FALL on the album BLUEPRINT FOR MY SOUL is available on iTunes & CDBaby

 

read kerri’s blog post about MILLNECK FALL

 

 

shadow bristol woods website copy

millneck fall/blueprint for my soul ©️ 1997 kerri sherwood

Drive [on KS Friday]

all you can songbox copy

Very early in my career I drove from Kentucky to California, an epic drive that the current version of me is utterly incapable of considering. The younger version of me reveled in the drive. Windows down, music roaring, sunrise to sunset, I passed through thunderous storms, coasted down the western slope, the temperature rising as I descended. Snow, salt flats and canyon lands. I’ve rarely felt more alive and carefree.

I’m certain Kerri wrote All You Can as the soundtrack of my drive. The miles of adventure, the wildly varied landscapes rich with color and transcendent. Plains to mountain to high desert. Farm land, ranch land, no-man’s land. And the epic and endless sky! Mostly, the joy of the drive. All you can feel. All you can experience. All you can see. All you can live. It’s all there in her joyous composition. Listen. Discover the magic place, memory or not, where All You Can transports you.

 

ALL YOU CAN on the album AS IT IS available on iTunes & CDBaby

 

read Kerri’s blog post about ALL YOU CAN

 

feet on dashboard website box copy

 

all you can/as it is ©️ 2004 kerri sherwood

Persevere [on KS Friday]

holdingsteadfast songbox copy

To me, the album cover is like a time capsule. The woman who would become my wife looking through a camera lens into a future unimaginable.  Over twenty years later, I look back, peeking through that triangular keyhole, the impish woman, the near smirk. Does she know the path she will walk, the mountains she will climb? The falls she will take? The sturdy resilient woman she will become?

The impishness remains intact. The brat with the wicked laugh I adore even when – especially when – I am the object of her rascal-nature. The kind of perseverance developed over a lifetime. Clinging to the cliff, against all odds, holding steadfast through the storm. This mettle must have already existed in her blueprint! And, look what life built from that blueprint! A ferocious and very kind soul. An artist.

 

HOLDING STEADFAST from the album BLUEPRINT FOR MY SOUL is available on iTunes & CDBaby

 

read Kerri’s blog post about HOLDING STEADFAST

 

gate f8 website box copy

 

holding steadfast/blueprint for my soul ©️ 1996 kerri sherwood

 

the way home songbox 2 copy

In mythic journeys, coming home, arriving back at the place where the adventure began, is sweet and sour. There is nothing better than returning home to comforts, patterns, and relationships that previously provided solid identity and definition. However, no one goes on an adventure without being changed by it. In other words, you arrive home but you are not the same person who left. Home didn’t change. You did.

Today, so far from home, navigating the dark woods and dark forces that come with every adventure, I especially appreciate Kerri’s gorgeous composition THE WAY HOME. It reminds me that the gift of the adventure is to open my eyes, to feel and revel in the ocean’s spray as we sail toward the edges of the earth.  The dark woods, the unknowns, the trials and tribulations, are, after all, the transformers. They are the agents of change. To step beyond a comfort zone, to seek adventure, is to invite…discomfort (I know, a no-duh).

In our uncharted waters I am, on this day, most grateful for my wife’s captivating and inspiring reminder that, even this shaky-ground-discomfort, is a solid step on THE WAY HOME.

 

THE WAY HOME on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

read Kerri’s blog post about THE WAY HOME

 

 

arches shadows k&d website box copy

the way home/this part of the journey ©️ 2000 kerri sherwood

Taste The Dream [on KS Friday]

each new day songbox copy

I just finished reading The Hundred Year House by Rebecca Makkai. There is an image in the book that I adore. A fish dreaming of a root beer float. In fact, the root beer float is the fish’s greatest dream, a seemingly impossible one to achieve. A little girl offers a solution. The fish should be in the root beer float, eating the dream from the inside.

Living inside the dream rather than chasing it. Language matters. Dreams are notoriously ethereal, very difficult to grasp. Impossible to chase. Wrap your fingers around a dream and it changes shape.

But, to stand within the dream, to live inside it, savoring each moment lived as a bite from life. A taste of the dream. No chase necessary. A fish in a root beer float. Each new day a bite to be relished. Each new day a taste of the dream.

 

EACH NEW DAY on the album RIGHT NOW is available on iTunes & CDBaby

 

read Kerri’s blog post about EACH NEW DAY

 

vailKdotDdot website box copy

 

each new day/right now ©️ 2010 kerri sherwood

Harness The Energy [on KS Friday]

boundaries song box copy

Lately, in my new role as co-managing director of a performing arts space, I find myself repeating the same simile/metaphor over and over and over and over… (insert Kerri’s eye roll). This week, my favorite-simile-repetition goes something like this: communication is like a river, it needs proper banks if it is going to flow. Without banks, it spills out all over the place flooding basements and creating havoc.

Needless to say, our job thus far is largely about placing proper banks on this flood plain of communication. Placing proper banks, at first, creates consternation and resistance. No one likes a limit until the limit works in their favor, until the constraint makes life easier.

Boundaries. Limits. Constraints. It is what I adore about the arts: freedom of artistic expression is the result of discipline, technique, and practice. And, the heart-desire of discipline, technique and practice is unfettered play. It is a paradox. It is boundaries placed on a rushing torrent so it can flow. The harnessing of creative energy. Communication is an intentional art and art is communication with an intention.

Kerri’s BOUNDARIES is a bubbling brook, bright with the morning sun, tumbling and playful within its banks. It seems so easy, her flow. But I know the truth. This ease and flow, this call to put your feet in the brook and rest for awhile with the sun on your face, comes from the years and years of hours and hours and hours of practice. Boundaries. A riverbank, a limit that will work in your favor. It is the creative flow through a heart that desires to play and play and play.

 

BOUNDARIES on the album RIGHT NOW is available on iTunes & CDBaby

 

read Kerri’s blog post about BOUNDARIES

 

tpacwebsitebox copy

 

boundaries/right now ©️ 2010 kerri sherwood

Play Again Please [on KS Friday]

nurture me songbox copy

I just broke the first rule of the melange. I peeked over Kerri’s shoulder to see what she was writing. It’s true, she misses her piano. It’s true, last night, as we were closing the theatre, after a day of high anxiety, she walked onto the dark stage, opened the 9 foot grand piano delivered for the chamber music festival currently performing from our TPAC, and began to play. I sat in the dark and listened. Her anxiety and frustration transformed. She nurtured herself into artistry. And, once again, as I always do in these moments, I thought what a pity it is that I am the only person on this planet privy to the full breadth and depth of her artistry.

Streaming services, although great and free for listeners worldwide, have filled artists like my wife with a gigantic Why Bother. The streaming services are making a great living off of her music. More than a million people each year listen to Kerri’s compositions. She profits not at all. The streaming services stand between her and the money her music produces. They toss her less than a bone.

She just wrote that she misses her piano but I think it is more than that. I think she misses the vitality, the good heart that grows inside an artist when they produce, when they challenge themselves, when they explore new territory and bring what they find back for the rest of us to hear. It nurtures the artist. It nurtures the audience. Left unexplored, an artist’s heart fills with anxiety and depression, it closes against the pain.

Last night, after the chamber music had died, in a dark theatre, I listened to a second concert. It was more powerful than the first because it was pure. It was an artist talking to herself, reaching through the Why Bother door and touching, even for a moment, the answer: because it nurtures you to play. It nurtures you to create. I know it nurtures me to listen.

 

NURTURE ME on the album RELEASED FROM THE HEART  is available on iTunes & CDBaby

 

read Kerri’s blog post about NURTURE ME (and don’t tell her I peeked)

 

cropped head kiss website copy

 

 

nurture me/released from the heart ©️ 1995 kerri sherwood