Choose Your Meditation [on Not-So-Flawed Wednesday]

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We found Peace Marbles in a basket at the door of Leap Of Faith, a small shop in Cedarburg. It’s one of our favorite shops for obvious reasons. Many faiths are represented in the shop so translate the accompanying lyrics/prayer/meditation accordingly.

The idea is ancient. What fills your mind-space, your meditation, is what you will create. Meditate on hate and that is what you will see. Focus on lack and that is what you will experience. Although it might not seem like it, what you think, what flows through your noggin on a daily basis, is a choice.  It is a placement of focus. It is a prayer. A meditation.

Peace comes when people collectively focus on peace. A community chooses where to place its focus as readily as does an individual. It’s all in the narrative, the stuff flowing through our conversation, our storytelling, on a daily basis.  It is a creative act – not something that ‘happens to us.’

It seems we could use all the help we can get. And, you never know, a fleet of little blue marbles rolling around in pockets and purses as reminders might be just the thing to help us choose to place our focus on the better things. It certainly couldn’t hurt.

 

 

 

 

read Kerri’s blog post on BLUE MARBLES

 

 

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Enjoy The Chase [on Chicken Marsala Monday]

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It’s always an interesting exercise to revisit past work and see it through eyes of the present. It ‘opens’ in ways that were unavailable when the work was first produced. That’s true of my paintings and Kerri’s music. It is also true of our Chicken Nuggets. We created most of these single panel “nuggets” two years ago – along with a full cartoon strip for proposals to syndicates.

My present-day eyes see essences. For instance, this Nugget perfectly encapsulates the the work I do with most of my coaching and consulting clients. The growth happens when the sheer enjoyment of the chase takes precedence over the obsession on the catch. The catch is temporary, passing. The chase is infinite. It’s the chase that matters.

Shift your focus. Said another way: It’s not the achievements. It’s the relationships that matter. It sounds like so much hoo-ha, a Hallmark card philosophy. Yet….

Joseph Campbell said that people think they are looking for the meaning of life but in truth they are looking for the experience of life. The experience of life is found in the moment, in the relationship, in the chase. Meaning is always found in the experiences, not the other way around.

On this Chicken Marsala Monday, shift the focus of your eyes. Embrace a simple dose of hoo-ha, enjoy the chase. It is what matters.

 

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read Kerri’s blog post on IT’S NOT THE CATCH, IT’S THE CHASE THAT MATTERS

 

www.kerrianddavid.com

 

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it’s not the catch, it’s the chase that matter/products ©️ 2016/18 david robinson & kerri sherwood

Unify

a watercolor from 2003, House On Fire

a watercolor from 2003, House On Fire

Stay with me. I actually have a point.

If ever I teach actors again, or coach people in any endeavor, or communities/businesses seeking betterment, I will only have two things to teach: 1) Grounded-ness and 2) Focus placement on the unifiers. These two concepts are really  one looping concept but for ease and the sake of being understood, I will offer them independent of one another.

As focus placement goes, an actor on the stage has two options and depending on the focus placement they choose, they will either create the play or destroy it. A focus on how they look or sound or feel destroys the play. It is a self-focus in an art form of relationship (all art forms are made vital in relationship). A self-focus breaks the relationships and effectively locks the audience out of participating in the story. It makes the actor giddy with fear, easily distracted, alone. Conversely, the actor can focus outside of themselves, on the other actors on the stage, on the energy between, on their pursuit. An outer-focus creates relationships and serves as a magnet that pulls audiences into the story. It facilitates participation, creates relationship, and shared experiences. It unifies. Literally.

The actor who listens to him/herself pulls up their root. They unground themselves. The actor whose focus is outward, who is actively pursuing relationship, creates grounding. In fact, they must be grounded to create vital relationships. It is a first principle. Grounded-ness begets grounded-ness; it unifies. It strengthens. It invites. It clarifies truth.

The same principles apply off the stage or out of the studio. It is, however, more complex off the stage. It is much, much, more sticky.

And here’s the point: It has been said that nothing is better at uniting a community than having an enemy. It’s true. A common enemy provides an outer focus. It provides another team to defeat. It works so well that leaders across the ages, leaders who would otherwise look insipid, leaders who, like a bad actor, have a self-focus, a control need, have concocted all manner of enemies. It is a deflection. It works for a short while but what starts as false unity strips a community of its true binder. It separates and splits. It diminishes. It destroys.

Here’s the sticky part. One of the oldest tricks in the book for controlling a community is to split them, to locate the enemy within the community. And then, for good measure, magnify the split. In the early colonies – that ultimately became The United States of America – it was a strategy known as The Giddy Masses (see Ronald Takaki’s excellent book A Different Mirror). Make the people giddy with a false enemy. Uproot them. Deflect them so they cannot join in relationship and be strong as a community. Self-focused leaders cannot survive a unified, healthy populace. It is a strategy: separate the people so they cannot see the movement of power.

Today I started to read the news but stopped after only a minute. Building walls. Expelling Muslims. Enemy creation everywhere! Fox news and MSNBC are great giddy creators. It’s a bad story poorly told. It weakens all players. The primary actors do harm to their audience. Grounded-ness, a first principle, can only come to all when the actors choose to focus on the relationships, see the unifiers, to create rather than destroy. Groundedness comes when the audience engages, questions what they are being told and open (rather than close) their minds.

Grounded-ness. Focus placement on the unity. The principles that make great art also make great society. Fear, the province of the bad actor, the lot of a passive audience, although temporarily effective, can only destroy the play.

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