Exhale [on Two Artists Tuesday]

When I was younger I had a dream. I was walking through an aspen forest in autumn. I was not trying to get anywhere. I was not lost nor did I need to know where I was – other than wandering through the forest. The dream was visceral. Real to me. And, I’ve never felt more peaceful or present or quiet.

Because of my dream I equate aspen forests with peace. If I am off balance and need to regain center, I think of aspen forests.

The leaves make a specific sound. It is completely accurate to say they “quake.” Quaking also describes how they move when the breeze catches the leaves on the branches. If the light is right, they shimmer as well as quake. They can be electric in yellow, pale green and orange. Their quaking and shimmering serves as a mind-cleanser. And, not just for me. I dare anyone with a troubled mind to hold onto their troubles when in the presence of an autumn aspen grove.

Before leaving Colorado, we drove into the mountains. People were flocking to see the leaves. We found our destination off the beaten path: the lake, surrounded by stands of brilliant quaking aspen. We thought we’d spend a few minutes there but hours passed before we realized it. That’s the thing about peace, it does not dance with time. We walked. We took pictures. We sat in the resounding, shimmering quiet. And, for the first time in days, we exhaled.

read Kerri’s blog post about ASPEN FORESTS

Hold The Vision Lightly [on Not So Flawed Wednesday]

“Тhe gentle overcomes the rigid.
The slow overcomes the fast.
The weak overcomes the strong.”

“Everyone knows that the yielding overcomes the stiff,
and the soft overcomes the hard.
Yet no one applies this knowledge.” ~
Lao Tzu, Tao Te Ching

If there is a metaphor on this day – or a lesson – it is that a plan or a goal held too firmly is…not useful. Tom Robbins wrote that stability is not rigidity. Stability, like all aspects of balance, is dynamic, constantly adjusting. How’s that for a paradox? Stability is fluid.

My clan is gathering. We are driving a long distance to attend so have plenty of time to talk, to think, to remember. Kerri has lost both of her parents so I have many questions about the river of complex feelings running through me. Joseph Campbell said in an interview with Bill Moyers that “No one lives the life they intend.” I wonder what life my father intended? I think he was more capable of rolling with his circumstance than I, at first, understood.

There are no straight lines in nature and it turns out that we humans, we storytelling animals, are a part of nature and not above it. Our story of dominion is just that, a story. My dad loved to be outdoors. He tried to be a school teacher but there was not enough air in a classroom. He couldn’t breathe so he made a life out in the elements. His skin, at the end, was so sun-baked that it was brittle. He achieved his desire and his desire was simple.

I am, at this point in life, ecstatic that I didn’t achieve what I set out to do when I was 20. I actually thought I was a train on a fixed track and learned through derailing (a few times) that I needed to let go of my notion of the track. I found my artist when I let go of my artist. On this drive, en route to the funeral, I fully appreciate my wanderer heart and my compulsion to step off of edges. I could have done with a bit less chaos but am now of the mind that life has given me a master class in balance. It continues to teach me to open my hand and not hold so firmly to my ideas, my beliefs.

I am currently working with software engineers. They are building a system. It has rules and boundaries and limits. It has a guiding principle. It will do what it is designed to do. And yet, it will never be finished. It grows and changes almost daily. There is a master plan, but the vision does not blind the visionary or the developers to surprises. To changes. They learn as the software emerges. On one hand it is a foreign land to me and on the other, I know intimately how this land works. There are no iron tracks. No straight lines. The movement is in cycles and circles and every time we try to force it into a line, we impede the process, we inhibit the growth.

The lesson is always the same.

We awoke this morning exhausted. And, rather than push our way back onto the road, we sat and sipped coffee. We watched the sunrise. We decided not to put our day on an iron track. We appreciated our moment. So, there is some hope, some small evidence – some – that the lesson is taking root.

read Kerri’s blog post about TRACKS

Be Difficult [on Merely A Thought Monday]

I confess that I’ve been struggling to form my thoughts around this prompt. It is a remarkably different task for me to write about women being seen as difficult than it is for Kerri.

I have, my entire life, been surrounded by powerful women. My first sweat lodge experience was with 11 women; I was the only male. It is not uncommon for me, when I take classes or join cohorts or enter groups, to be the single male in a gathering of women. I have been privy more than once to the conversation of veiled power. The necessity of eggshell-walking in a world of male expectations. Deep into the truth-telling, the women remember that I am present and invariably turn to me and say, “No offense.” I usually make light of it, “Don’t worry,” I say, “I know I’m an a**hole.”

What I want to say is, “You’re doing it again. Why should you apologize to me for being honest?”

Kerri just read me her post. It is honest. After she read to me she said, “Do you think it’s too much? Do you think I need to tone it down?”

“You’re doing it,” I replied. “The very thing this prompt is about: questioning yourself because the prospect of speaking your truth will probably make you appear difficult.”

I considered asking her to do an experiment: swap posts. What might we discover if I publish her words as mine? If her words come from a male voice will they be considered offensive? Too emotional? Un-reasonable? Would I be applauded where she would be vilified? Probably. Luckily, I didn’t speak my wacky idea. I realized that we’d be, once again, finding a way to veil her words.

Over the weekend we watched a short film of elder women speaking about the need to return this earth to some semblance of balance. Women’s voices meeting men’s voices as equals. Yang AND Yin.

There’s a hysterical scene in My Big Fat Greek Wedding. The strong women of the family want something done but, in order to make it happen, they must convince the patriarch, Gus, that it’s his idea. Making it appear to be his idea is the only way. Actually, it’s a theme and happens more than once in the story. “The man may be the head of the household.” Maria tells her daughter, “But the woman is the neck and can turn the head whichever way she pleases.”

It’s funny and poignant in the film because it rings so true in life. Powerful women cloaking their power to make the man think the idea is his. Sometimes it is the only way to get things done. It is the path of least resistance.

Perhaps a little resistance is what is called for. Powerful women refusing to veil their strength, willing to be vilified and branded as difficult. From my seat in the corner, listening to the conversation of these incredible women, they understand something that the boy’s club has never understood but clearly fears: power and control are often conflated but they are not the same thing. Power is something created together. Control is something one does to another.

read Kerri’s blog post about DIFFICULT WOMEN

Read A Tiny Note [on Two Artists Tuesday]

I was still in shock. It was late, beyond midnight. The roosters were watching for the sunrise. The ritual I’d witnessed that night blew the metaphoric wheels off my car. Wave after wave of knife-wielding priests ran at the Rangda, a priest chosen for the evening to wear the mask, to enter the trance and become the demon. The priests stabbed the Rangda but to no avail. The blades bent. They were repelled. Eventually, all entered the trance and turned the knives on themselves, taking the energy, the protection of the Rangda, into their bodies. Into the community. No one was injured. Peace was made with the Rangda. Balance was affirmed.

I held one of the knives after the ritual was complete. It was not a stage prop. I could not have bent the blade on my chest without doing injury to myself.

Budi explained it all to me. I had so many questions. In his culture, the dark forces are not to be resisted or banished. There is no hell separate from heaven. Evil and good are not compartmentalized. There are energies, some dark and some light. There is no need to make peace with the light. The necessity is to face and make peace with the dark. Balance is created, an intentional relationship with a dynamic whole. It’s a dance of responsibility, a balance of dark and light. The middle way.

Balance.

I loved this photo when Kerri showed it to me. Clover. You can’t tell but it is tiny. It is bursting from beneath the stone that serves as the step onto our deck. It made we wonder if the fairy people were close at hand. They serve, in the western tradition, a similar role to the Rangda in Bali. Nature spirits. It was most important to keep in the good graces with the Fairies. Honor their places. Respect and maintain the balance. According to tradition, they went into hiding, they left because we assaulted their spaces; we came to value the path of resources, mining, deforestation, fracking, damming…over the path of balance.

This tiny breath of clover. I sat on the stone last night. The air was cool after a humid and hot day. DogDog was doing his rounds. I had not thought of the Rangda in years. A tiny community on a tiny island. The “mayor” of the town introduced the ritual to us as their art. “We have so little to offer you,” he said in his broken English, “but we bring you our most prized offering, our art.”

Art. A prized offering. The dance of energies, an intentional relationship with the dynamic whole. An ongoing ritual of balance. It was the first time I witnessed a community that had yet to exorcise its art from the sacred. It bent knives. It restored balance. It belonged and gave deep meaning to every member of the community.

Tiny. Like the Fairies or the community on the island. A simple respect for what is good for the whole. Balance is expressed in the tiny things, the choices of where to walk, what to say. What helps in the long run. What does not. What gives meaning and cohesion to a community. What does not.

Budi would caution us with COVID and guns and a globe that is weirding and warming, “Rangda is ignored,” he’d say.

“Yes,” I’d reply, “the fairies have gone into hiding.”

But, all is not lost. They left a tiny note at our back door. Balance, it reads, is a relationship, an intentional act. It is an ongoing ritual, a tiny sacred thing.

read Kerri’s blog post about CLOVER

Balance The Opposites [on Two Artists Tuesday]

Skip told me that the only problem Kerri and I would face is that we are both CEO personalities but come at it from entirely different directions. Truer words were never spoken! For instance, when we walk, my eyes are generally in the sky pondering the greater meaning of the universe while Kerri’s eyes are on the ground looking for a cool photo op. I see big pictures and she is a master of detail. I am easily lost in thought and she is snagged in nuance. Most of our wranglings are hysterical arguments for the same thing but from diametrically opposed points of view; we are quite capable of making agreement sound like dissent. Word magic.

Our walks, with my eyes in the sky and hers on the ground, have become a metaphor for why we are so good for each other. She pulls my eyes to the ground. I pull her eyes into the sky. I’ve recently been awed by a nurse log covered in ice crystals, the lines running through a tiny rock, the composition of a fallen pine branch in undisturbed snow. She helps me see in life what I easily miss. It’s a paradox – from my view at 30,000 feet – pulling my eyes to the ground is expansive. I see more. I appreciate more. I stop and look. It is my favorite paradox that, in our house, I’m considered the visual artist but she is teaching me to see.

Balance. It comes from opposition. Like a yoga pose, energy sent in opposite directions creates stable grounding. It creates space, creative tension. Center.

When Terry was teaching me to scuba dive he often instructed me to “get neutral.” He was Buddhist and his teaching was as much spiritual as it was practical. “Getting neutral” meant not to struggle. Maintain or change depth with breathing. Inhale or exhale. “Getting neutral” meant not to swim through the dive like a tourist but to be in it. Be in the enormous power of the ocean. Balance the opposites. Begin with your breathing.

On the trail, Kerri often stops, kneels close to the ground, focusing her camera. “I love this,” she whispers. “This is beautiful.” She carefully frames her shot. “Do you want to see?” she asks, standing after taking a few shots.

“Yes.” I say. “Yes, I do.”

read Kerri’s blog post about UNDISTURBED

Create A Comfort Ritual [on Two Artists Tuesday]

Our rituals of comfort in the time of COVID are many and sweet. Coffee in bed as the boys, DogDog and BabyCat, snug tightly on either side of Kerri’s legs. At the other end of the day we sip wine at our “pandemic table” – purposefully placed in the sun room so we can watch the sunset, covered in candles, special rocks-from-our-travels, happy lights, and tiny pine saplings growing strong in small pots.

In between the coffee-in-bed-comfort-ritual and the wine-at-the-pandemic-table-ritual, we enjoy other comfort rituals meant to keep our spirits light. We write and read to each other. We visit our respective studios and sit in the silence. We let the dog in-and-out-and-in-and-out. We lace up our boots and walk a trail. We make meals together. At the end of every day, late at night, all tucked in, we watch documentaries of people through-hiking trails or climbing mountains.

Yesterday, a very difficult day, I appreciated how rooted we’ve become in our rituals of comfort. The intentional creation of ease and center amidst a whirling world of gunk.

The violence of the storm has washed us overboard more than once but we’ve been wise to create so many safety rings. Even submerged with my mouth full of water, I know I need not struggle or panic. I need only relax. I need only reach and comfort and safety will be there. We’ve made it so.

There is, in every moment, a hand reaching, a place calling, a walk impending, a dog wagging, a cat purring, that will restore me to center, refocus my eyes and quiet my mind.

read Kerri’s blog post about SNUGGED

Go Spelunking [on KS Friday]

Arnie is among my team of wise-eyes. In response to a recent post, he wrote that he was relieved that I was stepping back into the light. “Darkness,” he wrote, “has never been the place from which I observed you to start.”

I am also relieved to be stepping back into the light. And, I am most grateful for my foray into darkness. It was necessary. It was useful. “The anger burned off a resistant layer of the onion.” I wrote in reply. “It burned away many of the resentments I was carrying, opened a channel to the voice I was withholding. Nature is not balanced in a world that makes room for light alone.” I was out of balance and needed to walk into that dark cave. Again. There is great power to be found at the dark center of the earth. After defeating the monster Grendel, Beowulf had to go into the dark forest and dive into the dark bottomless swamp to confront a more dark and terrifying monster, Grendel’s mother. He emerged victorious and forever changed.

“This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.” ~ William Shakespeare, Hamlet.

As the night the day. The day the night. Darkness is necessary to perceive the light. It is not possible to thy self be true without a good grasp of the whole truth, including the bits we ignore and deny. I’m only now understanding that this dance in the dark has been central to my lessons and my non-stop-pondering these many months. It is neigh-on-impossible to be true to yourself, to be whole, without embracing the full spectrum of your self. Without both sides of the moon. Self love, it seems, requires a love of ALL parts of your self. Dark and light. There’s plenty of room at the table.

Nature, your nature, is not corrupt or bad. It is nature. There is no judgment in nature, just interrelationship. Cycles and dances. Seasons of growth and rejuvenation. Birth and death. Rather than applying a scalpel it is more useful to go spelunking.

There is no denying we are living through a very dark time. It is the understatement of this young century to suggest that we are finding – again – a host of monsters in our very dark cave. We can, as we have in the past, run from the truth that we find, or, we can at long last pull up a chair, sit with our monsters, and have a chat. Monsters tend to transform when given some time and attention. When light is brought into darkness and darkness is led into light.

It is symbolically perfect and appropriate – deeply human – that the darkest night of the year is the time when many traditions celebrate the return of the light. It is natural, this progression into darkness. It is natural, this journey into light. Roots gather energy during the cold dark months. We rest, knowing that, with the return of the light, there will be much work to do. New crops to plant. New thoughts to harvest and share.

read Kerri’s blog post about NATURE SETTING THE STAGE

find all three of Kerri’s HOLIDAY ALBUMS on iTunes.

Sit In The Sun [on Merely A Thought Monday]

I made a third run at my Polynices & Eteocles painting. Brothers who kill each other over control of the kingdom. Reds and Blues. In the two previous attempts, the brotherly violence morphed into images of shared fatherhood. A quiet unity. On this, my third and last attempt, I grew bored with the image and the statement I wanted to make about these-un-united-united-states.

Kerri avoided my basement studio while the brothers, sketched in charcoal, were killing each other on canvas. With a few swipes of a rag and adjustments of line, the murderous brothers became an angel embracing a dejected soul. And, although Kerri was much happier passing through the studio en route to the laundry room with angels on the easel, I found that I was equally as bored with my feel-good statement as I was with my feel-bad statement. The rag cleared the offending charcoal angel.

I don’t want to make statements.

I know I am in an artistic growth phase when I find myself at cross-purposes. Sit still. Get busy. Get Quiet. Say something. The sitting still and the getting quiet are what’s really required. Germinate. Listen. The getting-busy and saying-something are puritanical overtones. Fear of…

A few years ago, Jonathan told us that a tree must split its bark in order to grow. It seems my bark is splitting.

Yesterday, while moving through my david-yoga practice, I had a wee-epiphany. Every yoga pose is a study of oppositions. The stretch, the balance, comes from oppositional reaching. Inner-space, flexibility, equilibrium are intentional contrast. Contrast need not be combative. I think I am out of balance.

Angels and dejected souls. Brothers warring for control. Combat and consolation. No wonder I’m bored. My statement-subjects are as dusty and old as humanity itself. I think the truth floating to the top in my silent sitting is that I have had too much of darkness. There is a lighter side to poetry and human nature.

I just might need to cross over and sit in the sun for a while.

read Kerri’s blog post about TWO PATHS

Direct Your Gratitude [on KS Friday]

Skip wrote, sharing some of Braiding Sweetgrass by Robin Wall Kimmerer. It was a breath of fresh air in a week that’s been chock-a-block with disrespect, deceit, and hypocrisy:

Skip wrote, “I love her discussion of what the tribe does each morning:

Here the school week begins and ends not with the Pledge of Allegiance, but with the Thanksgiving Address, a river of words as old as the people themselves, known more accurately in the Onondaga language as the Words That Come Before All Else. This ancient order of protocol sets gratitude as the highest priority. The gratitude is directed straight to the ones who share their gifts with the world. 

All the classes stand together in the atrium, and one grade each week has responsibility for the oratory. Together, in a language older than English, they begin the recitation. It is said that the people were instructed to stand and offer these words whenever they gathered, no matter how many or how few before anything else was done. In this ritual, their teachers remind them that every day, “beginning with where our feet first touch the earth, we send greetings and thanks to all members of the natural world.” 

Today it is the third grade’s turn. There are only eleven of them and they do their best to start together, giggling a little, and nudging the ones who just stare at the floor. Their little faces are screwed up with concentration and they glance at their teacher for prompts when they stumble on the words. In their own language they say the words they’ve heard nearly every day of their lives. 

Today we have gathered and when we look upon the faces around us we see that the cycles of life continue. We have been given the duty to live in balance and harmony with each other and all living things. So now let us bring our minds together as one as we give greetings and thanks to each other as People. Now our minds are one.* 

There is a pause and the kids murmur their assent.

 We are thankful to our Mother the Earth, for she gives us everything that we need for life. She supports our feet as we walk about upon her. It gives us joy that she still continues to care for us, just as she has from the beginning of time. To our Mother, we send thanksgiving, love, and respect. Now our minds are one. 

The kids sit remarkably still, listening. You can tell they’ve been raised in the longhouse.”

*****

A legacy of respect and gratitude. A duty to live in balance and harmony. An orientation of responsibility both to self AND other. Can you imagine – will you imagine – the members of our red team and blue team meeting on the streets and joining hands with protestors of all colors and religions and sexual orientations, starting each day, together, speaking The Thanksgiving Address, “Today we have gathered…” Directing their gratitude straight at the ones who share their gifts with the world. Gratitude set as the highest priority.

It is a legacy to be admired. Words that come before all else. It is a legacy to be desired.

*The actual wording of the Thanksgiving Address varies with the speaker. This text is the widely publicised version of John Stokes and Kanawahientun, 1993.

LEGACY on the album RELEASED FROM THE HEART is available on iTunes

read Kerri’s blog post about LEGACY

legacy/released from the heart ©️ 1996 kerri sherwood

Hug The Pain [on Merely A Thought Monday]

you're my favorite copy

Put on your seat belt. I’m going to indiscriminately fling stereotypes at myself and my wife and that requires me to indiscriminately snag other fish in my broad net of oversimplification. To make you feel safe in reading further, please note that this a not so cleverly disguised survival guide for two people living together in this age of stay-at-home-orders.

We are both artists. I often wonder if the universe put Kerri and me in relationship as some kind of whacky psychological experiment. Imagine the laughter on Mount Olympus! If you are an artist or know any artists, please join me now in making a list of adjectives: volatile, hypersensitive, moody, procrastinating,.. Now, multiply that times two. Let’s just say that we do not cancel out each other. We are certain that our friends invite us to dinner for the sheer entertainment value of hearing about our latest train wreck. We are both good storytellers so we take comfort knowing that at least we make our mayhem amusing.

True story: yesterday I apologized to DogDog that neither Kerri or I was an engineer. “You have hard duty this time around,” I said, patting him on the head. He didn’t disagree.

Since we are already standing at the edge of chaos I can see no reason not to jump. It was too late in our developing relationship when we realized that, not only were we both artists but we are diametrically opposed in our approach . Kerri is so detail-oriented that it makes my head hurt. I am such a big-picture-generalist that she regularly has to run screaming from the the room so as not to get lost in my thought.

Kerri organizes through piles. I organize by eliminating piles. I seem incapable of learning the lesson that what-looks-like-a pile-to-me-looks-like-order to her. I’ve probably set her back a decade by imposing my idea of order to her system of filing. We’re still looking for the project notes she lost the day I moved in and decided to help out by cleaning up the piles. Last week I attempted to hang up her snow pants and her icy glare melted my good intention; I let them slip to the chair where they remain to this day.

She is easier in the world than I am. If I begin a project or a painting it is nearly impossible for me to stop thinking about it until it is complete. I dream about it. I ponder and muse. Okay, go ahead and think it: he is obsessive-compulsive. I cannot deny it. In my defense, by bride is incapable of holding on to a thought or completing a single task. She works in circles. Attention deficit. Now, imagine, if you can, the process we’ve developed in working together. If we were a band, our name would be Creative Tension.

DogDog walks in circles around the house. I used to think it was a trait of his breed but I’ve come to believe that circle-walking is what happens to an over-sensitive dog when one of his parents is obsessive and the other is ADD. He simply can never relax since we are such a danger to ourselves.

She’s a New Yorker.  I am from Colorado. I was taught that talking over someone else was rude. She was raised in a part of the world where it is essential. Our conversations are sometimes hysterical but mostly shattered language fragments and hesitations. If only I were a better playwright!

Now, flip all of this too-much-information over. Perceptive, deeply felt, intuitive, adventurous, improvisational. Sometimes mystic. We crawl out the window to drink our wine on the roof. Our life is never routine, never dull. We cultivate surprise whether we intend to or not. Her artistic eye makes mine better. She pulls me from my obsessive mind so that I might breathe and relax. I help her step back from the detail and see another perspective.

The moral: there is no better collaborator, no more treasured companion, than the pain-in-the-ass pushing back on your idea, the one talking over you, the one challenging your choices, the one that you love and trust with your most vulnerable life & artistic decisions because (you begrudgingly admit to yourself) they see things differently. This equal and opposing force that shares space with you is the very reason you are capable of expanding your mind, your perspective, and your heart.  They are what you mean when you utter this word: together.

 

read Kerri’s blog post about PAIN IN THE ASS

 

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