In My Latent Maturity [David’s blog on KS Friday]

“The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake.” ~ Kurt Vonnegut

When I grow up I want to be Kurt Vonnegut. I used to want to be Leonardo da Vinci or perhaps Joseph Campbell but now I’m all in for the master of satire and dark humor. I could use some time taking myself less seriously and Kurt is a great model to follow. Laughing at the dark would be a refreshing character trait. I imagine Kurt cracked himself up all the time. Or rolled his eyes. Making myself laugh more would be good!

If you’ve noticed – or if you haven’t – I’ve almost made it through a week of posts without a rant about the politics-of-the-day. I swore off indignance last Sunday. At least for a week. I needed a break. It’s Friday and I will honor my swearing-off but have to mention politics to explain how I arrived at Kurt Vonnegut for my model of maturity. During this week of exile from righteous anger I’ve pondered a more healthy response to the cancer raging in the national body. My conclusion? Satire may be my savior. The times are dark so the humor must meet the occasion. I’d have gone with Mark Twain but wanted to shoot for someone whose lifespan crossed mine. So, Kurt Vonnegut it is! Plus, he knows what the arts are about. Soul growth. Making life more bearable. Shining light into dark places.

The sun poured through the blinds this morning. That might not sound miraculous but it has been a rare occurrence this summer. The shadow made stripes on the grasses. Kerri cooed and reached for her camera. That’s what soul growth looks like. Can you imagine being so moved by the sun-pattern cast upon the grasses in the tall basket that you coo and begin to compose? It’s a glorious thing to behold.

“Here we are, trapped in the amber of the moment. There is no why.” ~ Kurt Vonnegut

Soul growth is its own why. So is making life more bearable for people. All people. The previous two sentences are not political. They are a very human way to live if we so choose. I do. So does Kerri. The artist’s way. It’s why I believe to my core that all people – at their core – are artists. If only more people would listen to their cores!

“There is love enough in this world for everybody, if people will just look.” ~ Kurt Vonnegut

I mean, seriously! Who better to aspire to become in my latent maturity than Kurt Vonnegut?

AS IT IS on the album AS IT IS © 2004 Kerri Sherwood

Kerri’s albums make life more bearable. Find our for yourself on iTunes or get in the Pandora stream.

read Kerri’s blogpost about SUN AND GRASSES

“The arts are not a way to make a living.” HAHAHAHAHAHA! Likesharesupportandso-on!

For The Sake Of Beauty [David’s blog on DR Thursday]

“It is quite probable that the most original problem solving activity students engage in school is related to the invention of systems for beating the system.”~ Neil Postman, Teaching as a Subversive Activity

This just crossed my screen: rebellion is when you turn off the television and start thinking for yourself.

I was on a text thread with two friends, both life-long educators in the public schools. Both are brilliant teachers. One is retired. The other is nearing retirement and currently teaching math at an elementary school. He is struggling because, after a lifetime in the classroom, he’s not allowed to teach. His classroom “coach” demands that he be more concise, more regimented, that he transition on time…

It’s possible to turn off the television and not be allowed to think for yourself.

When I was a consultant my number one hidden agenda was to surface hidden agendas. How’s that for confessing hypocrisy! My favorite hidden-agenda-to-surface was a teacher’s: in contemporary education, control is much higher in import than learning. Don’t get me wrong, the teachers were always shocked-into-silence when their agenda was surfaced. They didn’t know. Their rebellion began the day they realized that they’d been duped into believing education was akin to force-feeding, that their job was to stuff context-free-answers into young minds according to a rigid schedule. To control. Note: the living, breathing, curious being, sometimes known as “the student” is nowhere in the equation. The living, breathing, caring, curious being, sometimes known as “the teacher” is also nowhere in the equation.

It’s possible to turn off the television and be afraid to think for yourself. In our current paradigm students and teachers face the same obstacle.

This brilliant Canna Lily brings David Hockney to mind. It’s a color found in many of his paintings. He was not afraid of color. He was a brilliant artist, an explorer. He once said, “The moment you cheat for the sake of beauty, you know you’re an artist.”

I believe that all kids are artists until the day that they are strapped into a desk and made to learn that control is more important that questioning and exploring and experiencing and expressing. The lucky ones keep the pilot light burning through the force-feeding until one day, they create beauty and it feels like cheating. And they know they will do it again and again and again. It’s a moment of rebellion, the moment when they unstrap themselves from the desk and the answers, turn off the television, and question…and wonder…and listen…and reach…and challenge…and discard…and willingly step into unknown territory. They begin learning.

“There is no learning if thought originates from conclusions.” ~ Jiddu Krishnamurti

“One way of looking at the history of the human group is that it has been a continuing struggle against the veneration of “crap.” ~ Neil Postman, Teaching as a Subversive Activity

Untitled, 18″x24″ mixed media on panel

read Kerri’s blogpost about VIBRANT COLOR

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Full Stop [David’s blog on Not So Flawed Wednesday]

“All colors are friends of their neighbors and lovers of their opposites.” ~ Marc Chagall

I was awake last night. As I stared at the ceiling I wondered if, after a lifetime of painting, I knew the first thing about color. Or brushes. Or surfaces. I wondered if I am shedding knowledge or never really gained it in the first place. I supposed that it probably does not matter either way as long as my eyes are open and I appreciate what I see.

Whether or not any knowledge sticks misses the point. Staring into the dark I managed to parse the difference between curiosity and information-gathering. I am and always have been a teflon-studier, a miserable retainer of detail. I like to roll up my sleeves and “see what happens”. I suppose I’ve made it a practice to regularly challenge what I think I know…

Staring into the dark I managed to laugh at the river of dross that regularly runs through my mind. It’s a wonder I can sleep at all.

The coneflowers nearly knocked me over. The orange with red against the green was so vibrant I almost had to look away. I like going to the garden center. Flowers are great teachers of color. So are walks in the woods. The garden center is a festival of color saturation while the woods are more of a quiet prayer.

I keep close at hand a National Geographic article about the color of human skin. We do ourselves a disservice to reduce each other to black-and-white. We are a full spectrum of color, glorious in the range of tint-to-shade. We could learn much from Marc Chagall’s observation of the color wheel. Rather than use our skin color to divide-and-conquer, to caste ourselves, to foment blather like eugenics and supremacy, we might open our eyes and see: “All colors are friends of their neighbors and lovers of their opposites.”

Together we are glorious. Separate we are without reference; flat and bland.

Full stop.

read Kerri’s blogpost about CONEFLOWERS

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A Shape In Nature [David’s blog on DR Thursday]

Staring at the tree in silhouette against the sunset I was struck how much of our written language is pulled from shapes in nature. the runes and glyphs en route to alphabets. A sound associated with a mark on paper. Black ink on white fiber.

For some reason this silhouette brought me to ensō, the Japanese art of ink circles. An open or incomplete circle symbolizes impermanence, the beauty of imperfection. Wabi-sabi. The beauty found in life as it is, not as we want it to be.

Impermanence is a theme of our conversations this week. We walk through the park at sunset and talk about the transitory in ever widening circles of experience, beginning with our own lives, moving out to the government and reaching further to the climate. Nothing is fixed.

I have been playing with shape/symbol as if it was en route to becoming an alphabet or perhaps a long lost written language newly discovered. Like all language symbols, I am making it up. These symbols hold no deeper meaning other than I find them beautiful and making them is mind-freeing and fun.

Sometimes I “write” from left to right and sometimes the other way around. Sometimes I do not pay attention to the direction and break the line. It is easy to paint my “runes” from left to right because I’ve had a lifetime of patterning to read and write in that direction. It seems natural even though I know it has nothing to do with nature and everything to do with acculturation. I’m trying to forget all the rules and, rather than create something, I hope to discover a new promised land: an open mind.

In pursuit of my open mind I’ve made new rules to break the old rules. No brushes allowed (except to wet a surface). Try something new every day, scrapers or sandpaper or rags. Use more paint (I have a poverty mindset where paint is concerned. It’s expensive so I have developed a lifelong dedication/necessity to-make-the-paint-last rather than working freely. To help bust my poverty I’ve purchased cheap-cheap-cheap craft paint in bottles and am using up old house paint).

The most useful new rule is Don’t Think About It. Let it be beautiful as it is, not as I want it to be. Ensō. Wabi-sabi. The beauty of imperfection, a mark on paper or board, maybe or maybe not associated with a sound but certainly inspired by a silhouette or some other shape in nature.

read Kerri’s blogpost about THE TREE SILHOUETTE

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Try It And See [David’s blog on Not So Flawed Wednesday]

If, like me, your were born without a green thumb and are adept at withering even the hardiest of plants, I offer this handy solution: grow basil and mint. Basil and mint are intrepid and prolific. They will grow beyond their borders even in the bumbling care of the below-average gardener. They will make any thumb feel green, green, green!

There are rippling benefits to the illusion of green-thumb-success brought about by basil and mint. They incite belief that I, too, might someday be a better gardener than I previously understood. Basil and mint help assail the idea that green plants are a mystery never to be solved. If I can grow basil, maybe I can grow tomatoes, too! Or jalapeno peppers! And, if I am successful with a vegetable or two, maybe I will green-thumb my way into flowers! I might bring forth some color and beauty into the world!

What if this is not a one way street? What if, as I tend basil, mint, peppers and tomatoes, they tend me, too?! (Let’s face it, some questions deserve double punctuation even if Ms. Hardesty would have circled my double-punctuation and drawn a frowny-face next to it.) Maybe basil and mint are like the kindergarten teachers of the garden. Maybe their whole job is to instill the thought, “Yes I can!” – in every thumb. “You can do it!” chirp my basil and my mint.

“Maybe I can do this,” I think as we harvest the basil and tomatoes for our pizza, the mint for our sun tea.

It occurs to me, as I rub a basil leaf and savor the scent, that all of those years directing young actors new to the stage, that my job in life might have been the same as basil and mint. How many times did I say, “You can do it.” How many times did I watch the vibrant blooming of a “Yes I can!”

“It’s all a laboratory,” I used to say. “Try it and see what happens.”

And isn’t it lovely that this wise old universe tossed me into a garden and suggested I take my own advice? Isn’t it profound that, as a first step to address my dedicated-disbelief-in-my-capability, some wise soul suggested that I start this life-experiment with basil and mint?

*****

(a note about the current state of the nation and the world: today I simply do not know what to say. There is fire. The ocean’s are heating. River’s are drying. Crops are dying. And, “Shell reported a massive surge in profits, posting second-quarter 2026 adjusted earnings of $9.84 billion, more than double the amount from the same period last year.” What is there to say about people setting fire to their neighborhood and then finding pleasure in profiting from it?)

read Kerri’s blogpost about BASIL

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What Do You See? [David’s blog on Two Artists Tuesday]

In this cloud Kerri sees a dragon. What do you see?

34 years ago Dave bought one of my paintings. It was so new that I’d neglected to sign it. In fact, I’d hung it on my living room wall because I wasn’t certain that it was finished. I was studying it. It was at best a happy accident that he even saw the painting. He loved it and bought it. I boxed it up and shipped it. I didn’t even have a proper photograph of it. Recently, out of the blue, he contacted me to ask if I might issue a certificate of authenticity. I was delighted to whip up a certificate for him but even more delighted to finally have a photo of the painting.

During our email exchange he asked me a question that is commonly asked of artists: “Maybe you could help me with a conversation I have had countless times with my wife and friends over the years.What is going on in the painting?” I smiled, knowing that he was going to hate my answer.

The first rule of artistry, as it was pounded into me, is to never answer the question, “What’s going on in the painting?” Or the song. Or the dance. The reason has nothing to do with keeping it a secret or whipping up a mystery. The reason is that “the art” happens in the moment of direct engagement, the moment when someone (not the artist) sees something in the painting, something personal. Something they bring to it or pull from it. They re-create the painting as theirs. That moment is a moment of creation. It’s the reason I get cranky at curators who feel the need to tell an audience what a painting means or what is going on in the composition; the curator steps between the viewer and their direct experience. They interrupt the creation. It’s like a priest inserting himself between a worshipper and their direct personal communion with their higher power. Some things need no interpretation.

Art is meant to open people to personal insight, to evoke questions or a deeply personal response to what they perceive. To spark conversation and lively debate.

When an artists tells someone what they intended, they are closing down the possibilities, stopping the moment of re-creation.

Dave wrote, “I have had people say it’s a panoramic of a hectic bar scene complete with a dog. Others say it’s showing an individual struggling with themselves, or a metaphysical exercise with multiple persons showing multiple emotions. Any light you can shine on the subject of the painting would be very helpful.” I adored every interpretation he shared.

Many years ago, at my very first art show, during the opening, I followed two old guys around the gallery. They did not know that I was the artist. I followed them so I could eavesdrop on their very lively conversation. They speculated about the meaning of each piece. I was amazed at what they saw. They had fun debating the sanity of the artist. They finally concluded that I must be insane BUT wrapped in their conclusion was the single best compliment I have ever received. After determining that I was insane, one of the gents leaned into his friend and said, “All of the good ones are, you know.”

Imagine how disappointed they’d have been if I had tagged along and told them what each piece meant to me. Trust me, their interpretations were infinitely more interesting than my intention just as, for Dave and his friends, a hectic bar scene with a dog or an internal struggle or a metaphysical exercise…are wildly more satisfying than any light I might shine on the painting. My light would kill the fun and the power of their re-creation.

What do you see? Kerri sees a dragon in the clouds…

Untitled, circa 1992, approx. 36″ x 112″, acrylic, house paint, animation cell paint on canvas

read Kerri’s blogpost about DRAGON IN THE CLOUDS

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Just That [David’s blog on DR Thursday]

My favorite email of the week comes from Horatio. In last week’s post I included a new painting, an experiment. Horatio wrote, “Wow! Keep digging into that.” Later he added, “Dive in, amigo. That is the earth and the sun and moon all talking to you.” My painting is resonate of runes. Joking, Horatio asked, “Can’t you read runic code?”

“What a great idea!” I exclaimed to myself. I Googled runic code and found several runic translators. For kicks, I typed into the translator, “To be or not to be, that is the question.” This is what Shakespeare looks like in runic symbol:

ᛏᛟ ᛒᛖ ᛟᚱ ᚾᛟᛏ ᛏᛟ ᛒᛖ, ᛏᚺᚨᛏ ᛁᛋ ᛏᚺᛖ ᛩᚢᛖᛋᛏᛁᛟᚾ

Every written language is sound translated into line so we might translate the line back into sound. Musical notes also represent sound in a visual symbol. It is so fundamental, so ubiquitous, that we forget the miracle of it all. We scratch lines on paper to capture ideas, to remember dreams, to record symphonies. We’ve created a code, an alphabet, a limited yet specific number of symbols, developed a set of rules that make our scratches uniform, common and understandable. We created a “dictionary” so the sequencing of the symbols would not be individualized but uniform, shared.

In our nation we insist that we are divided, irreconcilable in our differences, but need a shared language, the most common of common grounds, to do so.

And now we text. The symbols newly created and used, emojis, are pictorial abbreviations, short cuts in a medium servicing the reduction of the message. I❤️U. WTF! 😂 Pictographs and phonetics. In the name of progress we revisit the ancients and now write like Egyptians. We communicate in hieroglyphs.

In these times, difference of language, difference of alphabet, is less of a barrier than difference of opinion. Language translators populate our devices. They are not perfect since culture is non-translatable, but we at least approach the ballpark of understanding. Yet, we are learning, even when our language is shared, that no amount of translating can build a bridge of understanding between maga and the rest of us. A shared language is most useful when facts are also shared.

I am a fan of Wade Davis, an ethnobotanist, a studier of culture and language. He tells a story of indigenous people in the Amazon rainforest, mixing rare plants, grown in different regions, for medicines. He asked them, “How do you know what plants to use?” Incredulous at his question, they laughed and replied, “The plants tell us.”

The plants tell us. “There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy.” – Hamlet (1.5.167-8)

The lines we draw that carry the sounds that give shape to words are ultimately all drawn from our conversation with nature. Where else? The earth and the sun and moon all talk to us. When we engage with lines meant to carry meaning, like a runic code, we ask, “What does it mean?” When you look at my painting of lines that seems to carry a message, it is natural to ask, “What does it say?” And that – just that impulse – to know, to understand; it is the hope of humanity, the thing we all share, the desire that brings us together, the yearning to understand IS the desire, the most basic of desires, to join, to reach, to connect.

Untitled, acrylic on board

read Kerri’s blogpost about CHIVES AND SUN

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Hand It To Chance [David’s blog on Not So Flawed Wednesday]

“Mark the mark on purpose, hand it to chance, and see what comes back.” ~ Nicholas Wilton

Quinn always said, “Cultivate your serendipity.” Allow luck to greet your ability. Or, as I am learning again (and again and again…), to grow, ability needs to let go of control.

The final lesson learned by a performer, perhaps the hardest lesson of all, is to let go of the work. All of the rehearsal, all of the study, all of the repetition, the preparation, the quest for perfection…needs one final action to fulfill itself: the performer has to get out of the way. Hand the good work to chance. Let it go.

After weeks and weeks of research, she chose the peony that she wanted to plant. The root arrived with specific instructions. She chose the best spot in the garden and the right day in the right season and planted the root at the right depth facing the right direction. And then she waited for spring. She fretted the prescribed amount, no more, no less.

The little green stem broke through the earth and seemed to stall. She studied appropriate amounts of water, she studied angles of the sun and questioned her planting placement. We put up a tiny fence to protect the tender shoot from critters and our Dogga who digs. I believe, although I do not know this for a fact, I believe she offered daily prayers to the peony-powers-of-the-universe. Her little stem, like the little engine that could, struggled and produced one tiny blossom.

She studied when and how much to cut back her peony, what to do over the winter months – namely, nothing – but sometimes arriving at nothing requires copious amounts of study. At some point, feeling as if there was nothing left to be done, nothing left to investigate, somewhere between the dark of winter and the return of the light, she surrendered. She gave over. The little peony was on its own.

Ability met luck. A wet spring with warmer than usual days had peonies a-poppin’! The little stem returned with some serious chutzpah, producing not one but many vibrant beautiful blossoms. It now stands in our canon as the single most photographed peony plant in our entire peony history. “I can’t stop taking photographs,” she said, “It’s so amazing!”

And, so it is. A performer’s lesson as played in the garden. And just look what came back!

read Kerri’s blogpost about THE PEONY

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Play And Walk Away [David’s blog on DR Thursday]

This is the season of vibrant color. The muted tones of winter have traveled through the pastels of early spring and stepped boldly into full saturation. The greens are not holding back. The magenta of the peony is unabashedly electric. The purple and blue blossoms on the trail demand an audience. Nature’s color wheel abandons the monochrome of the cold months and proudly and loudly performs in full contrast.

Breck-the-aspen-tree grows a few inches every day. “I wonder if we stared at Breck would we see her growing?” she asked.

We are on peony watch. It was only a few days ago that the tiny buds appeared and then like old-fashioned Jiffy pop they visibly swelled and are now bursting open. The peony flowers have a very short life-span so we give them our undivided attention and appreciate every eye-popping minute that they give us.

I bought a full color spectrum of cheap craft paint. I am in the mood to play and don’t want the expense of the paint to be a barrier. I don’t want taking-myself-too-seriously to be an obstacle. I have several small canvases and some panel pieces just waiting to be splashed. Master Miller sent me some cool painting tools so I’ve made a single rule that no brushes are allowed until the final washes – and the only brush allowed is a cheap 3″ house painting brush. Only the cool tools, scrapers, wipers, palette knives, crayons, my hands…and anything found on the shop floor. No thinking is permitted, just playing, impulse and intuition. Play and walk away. There will be plenty of time for serious study in the fall.

I want to take full advantage of the fearless energy of spring.

Kerri calls this little ditty “Primary.”

read Kerri’s blogpost about COLOR

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Done! [David’s blog on DR Thursday]

I am losing the recall of words and names. It happens. I threatened to take a brain booster and the notion sent us into gales of laughter because, we concluded, I am a more likable person with a less-sharp brain. I will do better in the world now that the edges are rounding. It is best to walk into the future without the booster and a few less facts-at-my-fingertips.

I confess that with my diminished capacity I have experienced greater contentment. Knowledge was armor and with less access to weaponry I’m having to exercise a different set of skills: keeping my mouth closed, listening, not-knowing…the things I’ve pursued my entire life but am now able to achieve because I have to practice them. Life is funny.

I’m splashing paint. I have a plethora of old canvas and odd shaped boards. Simultaneous to my new less-than-sharp brain, when in the studio, I’m experiencing the deep desire not to think about anything. To paint with no other purpose than to see what happens. Experiment. Art as life in the laboratory. Twice in the last week Kerri has come into the studio to see what I’m working on and said, “I like this one.” When I ask her what she sees, she squints her eyes, approaches the easel, and flips the painting over. Up is down and down is up. It is my clue that the painting is nearly complete.

“What would you call this?” It is always my second question: Without hesitation she gives it a name. I marvel at what she identifies in the splashes. I call the painting, “Done!”

Inevitably on the trail, she “Ooooohs” and kneels to capture the tiniest of blossoms. It is the time of year that nature gives her too much to photograph. We stop every few feet. And, although she has told me several times the names of each flower, the names never stick. That is not new. When I was auditioning actors I asked them to wear the same clothes during callbacks since I’d better remember their work by what they wore, not by their names. Visual memory. For me, the tiny blossoms are like actors. I recognize them without their names getting in the way of my appreciation.

Perhaps my recent word-recall-struggles are merely a matter of me becoming more of who I have always been? I’d pose the question to Kerri but she’d squint her eyes, flip me on my head and tell me that I was “Done!” Make no mistake, I’d be very careful NOT to ask her my second question! I do not want to know what title she’d affix to me, especially flipped over, with all the blood finding its way back to my brain.

After The Storm

read Kerri’s blogpost about TINY FLOWERS

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