Join The Receivers [on Two Artists Tuesday]

“…artists take delight in and care for their work, and we are thereby inspired to find delight in our own work.” – Alex Grey, The Mission of Art

Standing in front of the Atmospheric wave wall, an art installation at Willis Tower by Olafur Eliasson, I imagined how much fun he had creating it. Monumental. The colorful waves rolling up the side of a building. I wondered, if on visits to Chicago, he delights in watching the play his wave wall invokes in passers-by. I would. His work is spatial so it invites full-body engagement. I had to touch it and lean in against it. I had to put my face close to a wave and look up. The shock of vibrant red among the blue, purple and green made my eye dance across the vertical water.

It is one of the great joys of my life to be surrounded by artists: people who care for their work and find delight in it. David just completed a year-long project, a rewrite/updating of Six Characters In Search of An Author. He directed the first production of his new script. It was thrilling to witness his delight in the process. It was gratifying to watch how he navigated his doubt and fear. The delight and the fear go hand in hand.

It’s worth noting that caring so deeply for your work comes with a studied courage. There’s a very nice lie about bold artists throwing caution to the wind and creating without caring how their work is received. That, of course, is worthy of a press-release and works for image-branding but fully negates the point of artistry. In order for a work of art to be a work of art, it requires an audience. A giver and receiver. A loop of caring. The armor must come off. Expressing beauty or seeking truth is nothing if not a shared meaning and a shared truth. Artists may reach deep into themselves but the point is to engage and express meaning that comes alive beyond themselves and between others. Vulnerability is the secret sauce that connects the two into one.

I didn’t know about the Atmospheric wave wall until we rounded a corner and I saw people enthusiastically embracing it, standing back and craning their necks to take it in, gently moving forward to run their fingers along the wave ridges. The pull was immediate and I found myself joining the receivers of Olafur’s artistry. Armor down, hands planted firmly on the wall, we snapped a photo and I deeply appreciated his whimsy and moxie. Inspiration ripples to the sky!

read Kerri’s blogpost about THE WALL

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Make A Unique Mark [on Not So Flawed Wednesday]

Take a moment and write your name on a piece of paper. Your name, captured in lines made by your hand. No other hand in the universe will make those lines in exactly the same way. No other hand will have the connection to the scribbled name quite like you do. It’s yours. It’s you, expressing your unique signature, done so often as to be unconscious. Do you remember the first time you made those lines?

Expression. That connects. You.

My parents kept a box for me. It has samples of my first quaky lines. It has crayon drawings, scribbles that had yet to meet the notion of containment. No knowledge of should.

I have many, many times been asked to make a case for the arts. Make a case. Amidst the assumption of no-value. I ask the people sitting behind the big table if they have children or grandchildren. I ask them if they ever giggled with pleasure to watch their child smoosh paint with their fingers. Why? Did they tape the smoosh-mess to their refrigerator? Why? Did they store the first scribbles, the first crayon drawing, the first finger painting in a box? Why? Are they hoping that their someday-or-now-adult children will remember their march to unique expression? What price would they, sitting behind the big table, place on those little hands making prints on paper? What is the value of the infinity that those little hands find?

The freedom of expression. Yet unhindered by a life-message that your unique and personal expression must achieve some-thing. What is the value of finding that freedom again, as an adult? Expression sans hinder. No fences. No expectation. What is available when adult fingers are free-like-a-child to wildly smoosh through paint or sing with abandon? What is the value of expression?

I remember the first time I sat in the audience of a theatre and sucked back my sobs. I was so deeply moved by the performance yet aghast at how freely (and loudly) I was about to express my feelings.

I remember the day the woman came into the gallery, saw my painting, and stood before it as if slapped. She cried. And cried. And cried. I cried seeing her see me-in-my-painting.

Have you ever stood on a mountaintop and felt a part of something bigger? Have you ever closed your eyes and let the aria wash over you? Have you ever, driving to somewhere, turned up the volume and sang loud and passionately, the song stirring your soul? Have you ever watched a child play with abandon and feel with utter certainty life stretching beyond your time-on-earth?

Have you ever not given voice to your questions? Silenced your thoughts? Withheld your voice? What would you give, in those moments, to understand the power of playing the fool? The necessity of not-needing to-know-the-right-answer? What would you give to know the courage of taking a step simply because your footprint, your unique print, might help someone, someday, do as you are doing, take a new path that will guide them back to themselves? Back home? What would you give to smoosh your hands with abandon through the metaphoric paint?

What exactly is the value of making the unique mark on the page? Yours? Or the song played that lifts you out of your despair and fills your heart with light and hope?

read Kerri’s blogpost about ART

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Feel The Rumbling [on Not So Flawed Wednesday]

“We have to stop and be humble enough to understand that there is something called mystery.” ~ Paulo Coehlo

Kerri sprinted through the kitchen. “Dogga has a baby bunny in his mouth!” I reached the window the moment she said, “Dogga, drop it!” He did. The bunny hopped away. Dogga beamed with satisfaction. A new friend. And who wouldn’t want to take a gentle ride in a dog’s mouth?

The Mayapples are reaching through the devastation. The new green is slowly overtaking the broken brown. We wondered if anything survived the eradication. How foolish we were to doubt the power of life. The force of nature. Already this spring the chorus of the frog’s-re-emergence has blown us away. “We only think we’re in control,” I thought as Kerri knelt to capture the wrinkly green splendor.

We sat in the back. It’s our preferred spot when we attend a performance. We can’t help it. We study. The singers, a chorus comprised of women and men who’ve been touched by breast cancer, Sing-To-Live, made me think of the Mayapple. Resilient. Powerful. Reaching through the fear and devastation. Life reaching for life. Their final song of the night brought tears to my eyes. Why We Sing.

This is why we – human beings – make art. Life reaching for life.

I shared a painting from the deep archives with Horatio. He wrote, “You were bursting at the seams, amigo…Have you thought to paint the current iteration and see what that looks like?” Bursting at the seams. I feel the rumbling.

I dream of the day Kerri returns to her piano. There’s so much more music! I feel the rumbling.

Butterflies bursting from cocoons. Hardy green shoots breaching seed pods. Mayapples push through the crusty soil called by the warmth of sun. Bunnies emerge from their leafy nest. Courageous people singing to live. It’s everywhere. Feel the rumbling.

read Kerri’s blogpost about MAYAPPLES

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Restore The Heart [on KS Friday]

Last night I sat on the floor in the corner of the bathroom. It was very late and I couldn’t sleep. I said to no one, “Something, sometime, some way, has to tip in our favor.” I was disheartened after a day of exceptionally discouraging news.

“Disheartened” is an interesting word. Heart removal. An empty cavity where the energy should be. The thought made me laugh and laughter is always good for the disheartened. My laughter brought me back to my senses. I sat on the floor, shifted my focus from woe-is-me and placed it squarely on all that I am thankful for. The list is long and runs through creature comforts like hot showers and electric light to soul-comforts like a crazy Aussie dog to heart-comforts like an incredible wife. Also, there is wine on the deck. Walks in nature which imply good health, walks through imagination which imply an artistic spirit, walks with awe which imply an insatiable curiosity. Through the right lens, my life-view from the bathroom floor is remarkable.

My empty cavity filled to overflowing.

I find it’s a good practice, when fresh from a bout with self-pity, to wander the house slowly. To intentionally touch the stories that live in the furniture or the glasses or the plants. To step out of the fear-mongering and into the riches of the present moment. Laying on our dining room table is a bundle of branches Kerri gathered from a fallen pussy willow. The furry catkins glowed silver and caught my attention. They warmed me with a memory. A walk with dear friends on ground so muddy that we laughed and hopped in search of solid footing. It was cold. Trees were down; the day before the wind and rain was brutal. Finding the pussy willow branch on the ground made both Kerri and Jen giggle with delight. A treasure! So simple. Their excitement turned toward possibilities. Vases or ribbon?

Enhearten: to restore strength and courage to a saddened spirit. The memory was good medicine and sent me to bed where I fell into a deep sleep, paradoxically enlivened and peaceful. Heart restored.

Kerri’s music is available on iTunes or streaming on Pandora

read Kerri’s blogpost about PUSSYWILLOWS

watershed/as it is © 2004 kerri sherwood

Reach Back To Move Forward [on Two Artists Tuesday]

I wrote with great derision of the day I went to the Museum of Modern Art in NYC and watched people line up to take selfies with Van Gogh’s Starry Night. So, more than 15 years later, I howled with laughter at myself when Kerri beckoned me to stand with her so we might take a shadow shot with Diebenkorn’s painting, Ocean Park #68. “We’ll call it ‘Richard and Us!” she smiled.

Kerri recently challenged me to let go of my figurative work, release the image and paint my feelings. The moment before she beckoned me to take the shadow shot, I was having a minor revelation. There’s a reason I have stood in front of this painting for hours. There’s a reason it “talks with me” about simplicity and courage. Early in his life Richard Diebenkorn was a figurative painter. Even earlier, his work was abstract and resembled the paintings of the masters he admired. As his work matured it circled back to abstraction. He didn’t “let go” of his figurative work; he grew through it. He reached through it. In Ocean Park, he fulfilled his unique voice.

I read that his Ocean Park series was greatly influenced by the work of Henri Matisse. I imagined Richard Diebenkorn standing in front of his favorite Matisse, having a quiet conversation about simplicity and the courage to explore. In the gallery light, his shadow cast upon the painting as he moved forward to study the brushstrokes. He leaned in. He reached back to Henri to move forward. Had he lived in the age of cell phones and easy shots, I’m certain he’d have taken a shadow-selfie so he might remember the moment his shadow touched Henri’s.

We were alone in the gallery when Kerri took our shadow-selfie with Richard. We had him all to ourselves. We leaned in. I thought it especially poignant, our shadows cast upon a painting, an artist, who has cast his long shadow upon me. We caught the moment our shadow touched Richard’s. Reaching back to move forward,

read Kerri’s blogpost about RICHARD AND US

Scribble With Purpose [on DR Thursday]

Henri Matisse said, “Creativity takes courage.” I suppose that is true when considering the enormous pressures to conform to a style or standard. To create what is acceptable or expected. To suss-out what will be rewarded with approval and/or profit. In this context, it takes enormous courage to deviate. To explore. To surprise yourself by breaking form and risking ridicule and rejection and poverty. In this context, it takes courage to show up. It takes courage to punch through.

On the other hand, creativity is the most natural thing in the world. Ask any child. On second thought, please don’t ask any child since it will only confuse them. They have no idea that creativity – to an adult – is a separate thing. What’s scary and vulnerable to the tall people is commonplace to the little critters. There’s help for the older folks: allow the child-inside to scribble with abandon. Recognize that the story of, “I’m not creative,” is a creative act. The story of “It’s scary to create,” is also a creative act. It’s a story.

Creativity runs like wild horses through every day of our lives. Our perceptions and interpretations and fears are pure storytelling. The real challenge is not the absence of creativity but the conscious appreciation of our rampant creativity. The squeeze to conform serves as a heavy curtain obscuring our vibrant expressiveness.

The courage that Henri Matisse references is borne of the tension between the desire to be appreciated (to fit in, to succeed) and the yearning to break new trail or sail into undiscovered lands. To risk. To intentionally and publicly scribble outside the lines. To say aloud what needs saying.

Creativity is the most natural thing in the world. As it turns out, so is conformity. We are, after all, like wolves: animals that run in a pack. Humans die in isolation so serving the will of the group is a high priority. The wrestling match between creativity and conformity is necessary.

The progressive impulse. The conservative impulse. A bowstring drawn taut between these two poles provides the necessary tension to send the arrow of our ideas and dreams sailing toward the distant target. Children scribble with abandon. Grown up children, those telling themselves the story of “I’m a creator,” learn to scribble with purpose.

read Kerri’s blogpost about PUNCHING THROUGH

shared fatherhood, 25.5X40.5IN, mixed media on panel

shared fatherhood 2 © 2017 david robinson

chicken marsala/just scribble © 2016 kerri sherwood & david robinson

Take The First Step [on Two Artists Tuesday]

“That is what marks out the warrior: the knowledge that willpower and courage are not the same thing. Courage can attract fear and adulation, but willpower requires patience and commitment.” ~ Paulo Coelho, Aleph

And so begins my tale of two quotes.

It’s true, I have not been very courageous in this lifetime. I’ve run from most of my demons until circumstance or readiness required me to turn and face them. Left to my own devices I’d be running still.

“I learned long ago that in order to heal my wounds I must have the courage to face up to them.” ~ Paulo Coehlo, Aleph

Luckily, life ran me into a dead-end. It was not courage but conditions that stopped the run and necessitated the turn. Demons are never as big as fear makes them out to be. In fact, turn and face them, and they will often shrink to nothingness. Their job is to make you run.

The real work happens after the demons shrink. Standing in your dead-end, the race from your life now complete, an obvious and disconcerting question arises: now what? Actually, there’s a deeper question implied: in the absence of running away, what will you choose to walk toward?

The deeper question is one of willpower. The deeper question cannot be answered by anyone else and can only be found in the space once occupied by the demon. Facing the demon was merely a prerequisite. Standing still in your dead-end, reaction transforms to intention.

Breathless and vulnerable, it is willpower (perhaps a kind of courage?) that is needed to take that first timid step toward…

read Kerri’s blogpost about THE CANOPY

Tell The Full Story [on Merely A Thought Monday]

If you Google Harriet Beecher Stowe you’ll come across a confounding question: Did Harriet Beecher Stowe cause the Civil War?

Think about it. Tease it apart. If the question doesn’t make you shudder ever so slightly, you’re not paying attention to the happenings in our day.

A woman in 1851, a full seventy years before women in our nation had the right to vote, wrote a book depicting “the harsh conditions experienced by enslaved African Americans.” She did not write a fantasy. She wasn’t concocting a circumstance. She wrote a book “which highlighted the evils of slavery.” She called attention to a moral horror story.

The question jumps the long and legislated history of slavery in the land of all-men-are-created-equal. It ignores the economic engine that made enslavement of human beings an institution in our nation. It suggests that shining the light, calling attention to the immorality, not the immorality itself, caused the war. The slavery wasn’t the cause, the industry and economics and political drivers had nothing to do with the war. Looking at slavery, calling attention to it, was.

If we close our eyes it doesn’t exist. If we ban the books it will not be part of our history. It’s a game we play with infants. It’s the puerile mentality of Fox news.

“Since January of 2021, 42 states have introduced bills or taken other steps that would restrict teaching critical race theory or limit how teachers can discuss racism or sexism, according to an Education Weekly analysis.”

To be clear: “Critical race theory is an academic concept that is more than 40 years old. The core idea is that race is a social construct, and that racism is not merely the product of individual bias or prejudice, but also something embedded in legal systems and policies.”

Why do we work so hard to cover our eyes and plug our ears? The path to health begins with admitting and taking a good hard look at the disease. Slavery is a part of our history. As is Jim Crow. The Civil Rights Movement. Red lining,…Black Lives Matter. A clear narrative path.

Isn’t the frenzy to introduce bills restricting discussion about our history yet another example of racial bias embedded into our policies? We are watching critical race theory in action.

Talking about what ails us isn’t the cause of our division. Our inability to fully look ourselves in the mirror and acknowledge all aspects of our story – perpetuates our dis-ease. We would do well to revisit the Serenity Prayer and muster our courage.

According to Harriet, there is hope. There will someday come a place and time that our tide turns, a time when we can without fear or shame or legislation, look at each other and tell our full story.

read Kerri’s blogpost about THE TIDE TURNING

Climb The Ladder [on Merely A Thought Monday]

Very few images are as potent as Tom Mck’s story of finding his 90 year old aunt Bunty on the roof of the farmhouse. There had been a storm. She’d hooked her cane on a rung and climbed the rickety ladder to make sure the shingles were intact, “Papa put a fine roof on this house,” she said, staring down at her alarmed nephew. Bunty was a farm woman. She saw no reason why she should not be on the roof. As the elder of the family, she was the keeper of the legacy. The house and ranch were the tangible creations of her ancestors and she was the steward.

Years later, when Bunty was gone and Tom was the ancestral steward, his task was untenable. The city was spreading like a fire, gobbling up farm land. He knew it was only a matter of time before the ranch was consumed. A Walmart was being built and he could almost see it from the porch. “What am I going to do?” he asked, knowing that he was the end of the line. His question was rhetorical. Sometimes the steward’s job is to close the door on an era. He knew what he had to do.

After Tom passed and the ranch was sold, I imagined him, like Bunty, standing on the roof of the farmhouse. He made sure that, as the land was lost, the legacy remained intact. He was strong, like Bunty. His ladder was rickety but he climbed it none-the-less. He made sure the shingles were intact. He met his task without self-pity.

I learned from him that life can forge you into strong metal or, if you choose, if you feel sorry for yourself, it can break you into tiny pieces. Jonathan told me that a tree must split its bark to grow and I understood that as a metaphor for aging. The bark splits because the spirit outgrows the body’s capacity to contain it. Beaky was like that. And, Dorothy. Mike. Grandma Sue. H. I admire them. Bodies break down. Aging hurts. Spirits, on the other hand, need not wither.

I’m told that, in her elderhood, Margaret stopped what she was doing each day to go out back and watch the sun set over the desert. She was made hardy by a hard life. She was made kind by how she chose to live within her hard life. Drying her hands, stepping out on the back porch, the sky electric with peach and pink, she met each sunset with gratitude. Intentional thankfulness for the day.

Gratitude is not a soft thing. It is an attribute of the strong. Hard won from a long life of choices. Bitterness is easy, a lazy thing. Climbing the ladder, standing on the roof, feeling the aches and the loses, facing the running sands with a smile and admiring the day’s end, celebrating the shingles that held fast through the storm and those who placed them, that takes grit. Courage. And, an understanding of the connected power and responsibility of standing in the long line of ancestry.

read Kerri’s blog post about STRONG WINGS

Celebrate The Metal [on KS Friday]

Quinn used to say that Dodo, his mother-in-law, was a warrior. This slight gentle woman was a quiet post of stability. Her daughter, Ann, inherited her mother’s metal. Both women held their worlds together even when it seemed irreparably fractured. Gentle, graceful, kind. Both avoided the limelight and required no accolades. They were strong and made stronger in hot water.

Marcia was the sturdy foundation that Tom McK and Demarcus built their artistic careers upon. Neither would have succeeded were she not stabilizing and elevating their work. Her life has been a study of adversity and she’s met every new tsunami with deep-river-courage-and-clarity.

My first impression of Melissa was of a quiet mouse. What I didn’t know, what I was grateful to witness, was the utter audacity that roared to the surface in her struggle to bring real learning opportunities into her classroom when the system was hell-bent on strangling education. She was a lion-of-possibility and, to this day, inspires me.

My grandmother was a tiny joyful woman. She might have weighed 90 pounds soaking wet with bricks in her pockets. And, she was a force to be reckoned with. Our metaphor for her mischief, our defining story of her, was the day the neighbor sold his horse to the glue factory. She knew the truck was coming for the horse. She ran to it, led it from its pasture (i.e., she stole the horse). She hid the horse in her kitchen. Once, I attempted to grab the check for lunch and she pinned my hand to the table with her fork. And then she laughed.

Laughter. Joy. It’s what binds all of these stories, these remarkably strong women, who reveal the depth of their strength only when circumstance demands it of them. The hotter the water, the more potent their response. The hotter the water, the greater their laughter. Compliment them on their brass and they’ll wave it off, deny they are doing anything special. Honestly humble and humbly honest.

In the past two years, the water that Kerri and I have found ourselves in has been steaming hot. Kerri is, like Dodo and Ann, Marcia and Melissa, my grandma Sue, a warrior. She inherited her mother’s metal. The hotter our water, the greater her capacity to stand still, to find light, to laugh at our (my) spinning foibles. She melts down, to be sure, but push her to her boundary and you’ll find that your horse has gone missing. And, while you stand perplexed in your pasture, you’ll hear a certain hearty laughter coming from the kitchen in the house next door.

Boundaries on the album Right Now – and all of Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post on WOMEN LIKE TEA BAGS

boundaries/right now ©️ 2010 kerri sherwood