Embrace Orbisculate [on Merely A Thought Monday]

A family is trying to get ‘orbisculate‘ into the dictionary to honor their dad who died of Covid-19

Compromise. Accuse. Jaded. Dishearten. Tranquil. Swagger. Mimic. These are just a few of the over 1,700 words that William Shakespeare invented or adapted. Making up words, playing with sounds and meanings and clever twists of usage was appreciated in his lifetime. Audiences went to hear plays like we go to hear concerts. The sound of the word was more important than the visual on the stage.

During Shakespeare’s lifetime, Robert Cawdrey toyed with a thing that would someday be called The Dictionary though it wasn’t something Will had to consider. Spelling was phonetic. Teachers did not think to circle his words with red pencil. That bit of standardization was still a few centuries away. Spend time within the unedited-for-our-eyes First Folio and you’ll find yourself sounding out words just as the poet did. Tasting the sounds. Shaping meaning in your mouth en route to making meaning in the world.

Language is fluid. Each year new words come into being and others drop from sight. For instance, our word “google” is a “creative spelling of the word googol, which implies an unfathomable number. It was coined in the 1930’s. Our version is in the dictionary as a verb: to search for information. And, you’ve probably already heard that it’s also a company that facilitates the search for information. Which came first, the verb or the company? Some words, over time, come to mean the opposite of what they originally meant. The archaic meaning of the word “egregious” is “remarkably good.” From remarkably good to outstandingly bad is quite a journey!

Definitions are discoveries and agreements made according to how we use the tasty sounds we call “words.” Each word comes into being from necessity.

Orbisculate is a tasty word that William Shakespeare might have created and enjoyed. But, he didn’t. Neil Krieger did. It is a word for juice squirting in your eye. Neil died of COVID and, to honor this good man and his good life, his family is attempting to get Neil’s good word into common parlance and, ultimately, to the dictionary. They are appealing to poets and pedestrians alike to embrace their necessity and use Neil’s word. If you visit their site, check out their 50 Goals. Never was a single word so lovingly brought into the lexicon. Help them if you will. Will would have. He’d have used orbisculate in one of his comedies. Or many of his comedies.

I have a sneaking suspicion, if they are successful in their quest, that, over time, orbisculate will come to have another meaning: an act of familial love.

The Orbisculate haiku challenge! Here’s mine:

Now, it’s your turn. Make sure you let the family know.

read Kerri’s blog post about ORBISCULATE

Throw A Snowball At Poe [on Two Artists Tuesday]

With apologies to Edgar…

Read the real thing, THE RAVEN by Edgar Allan Poe

read Kerri’s blog post about THE SNOW CHAIR

Feel The Change [on DR Thursday]

And, in one day, a single day, it’s changed.

In general, we like to write our posts a day or two ahead. This week, we knew that we wouldn’t be able to write Wednesday’s post until after the inauguration. The Capitol was a military zone. There were looming threats of attack and violence. In recent months, the chaos-of-the-day often left us feeling that we wish we’d have written something different.

And, that is precisely what changed. Mayhem flew south and stability was sworn into office. Good intention (with a recognizable plan) took the helm. It’s as if a cleansing wind blew through and, in a moment, swept away the dark corruption. The adults are back in charge. Poetry stood strong and tall and spoke directly into the heart of the matter. Suddenly, after years of numbing reduction, words mattered again. Vocabulary was restored.

As we reviewed the day I told Kerri that there is only one thing more powerful than a dark wizard and that is a good man. A good person. Good people (side note: I confess to blubbering a bit when Kamala Harris was sworn in. Sometimes change is very hard to see and sometimes – like yesterday – it is impossible to miss).

This morning, for the first time in years, I did not dread to read the news. The sun was shining. BabyCat found a good spot and crawled into the warmth and purred. DogDog chewed contentedly on his bone. We sat in bed sipping coffee.

“You can feel it, can’t you,” Kerri said. “It’s palpable.”

Yes. Yes I can.

read Kerri’s blog post about THE SUN

at the door ©️ 2016 david robinson & kerri sherwood

at day at the beach ©️ 2017 david robinson

Sit In The Sun [on Merely A Thought Monday]

I made a third run at my Polynices & Eteocles painting. Brothers who kill each other over control of the kingdom. Reds and Blues. In the two previous attempts, the brotherly violence morphed into images of shared fatherhood. A quiet unity. On this, my third and last attempt, I grew bored with the image and the statement I wanted to make about these-un-united-united-states.

Kerri avoided my basement studio while the brothers, sketched in charcoal, were killing each other on canvas. With a few swipes of a rag and adjustments of line, the murderous brothers became an angel embracing a dejected soul. And, although Kerri was much happier passing through the studio en route to the laundry room with angels on the easel, I found that I was equally as bored with my feel-good statement as I was with my feel-bad statement. The rag cleared the offending charcoal angel.

I don’t want to make statements.

I know I am in an artistic growth phase when I find myself at cross-purposes. Sit still. Get busy. Get Quiet. Say something. The sitting still and the getting quiet are what’s really required. Germinate. Listen. The getting-busy and saying-something are puritanical overtones. Fear of…

A few years ago, Jonathan told us that a tree must split its bark in order to grow. It seems my bark is splitting.

Yesterday, while moving through my david-yoga practice, I had a wee-epiphany. Every yoga pose is a study of oppositions. The stretch, the balance, comes from oppositional reaching. Inner-space, flexibility, equilibrium are intentional contrast. Contrast need not be combative. I think I am out of balance.

Angels and dejected souls. Brothers warring for control. Combat and consolation. No wonder I’m bored. My statement-subjects are as dusty and old as humanity itself. I think the truth floating to the top in my silent sitting is that I have had too much of darkness. There is a lighter side to poetry and human nature.

I just might need to cross over and sit in the sun for a while.

read Kerri’s blog post about TWO PATHS

Get To Work [on Two Artists Tuesday]

On page one of the despot’s handbook is this instruction: silence the artists. Mute the intellectuals. Authoritarians have power only when people become sheep. Silence in the face of abuse is tacit agreement. Permission to bully.

If I had a nickel for every time I’ve stood before a school board and explained that art is supposed to be powerful, that it plays a very important role in a healthy society, I’d have a lot of nickels. I was generally called to speak when a play or a painting upset the apple cart, when the art made the community confront a truth or look at a reality. Brecht’s Epic Theatre or the plays of Artaud were/are meant to shake the irrational in people, force them into discussion and revelation.

Art can be beautiful, poetry can soothe, but that is only one side of the coin. It can also shine a light and expose an ugly truth. It can give voice to what is not-being-spoken. It can work out problems on the stage instead of sending the violence into the streets. It can ask us to take a hard look at ourselves and our motives. Picasso’s large painting, Guernica, a response to horror wrought by fascists on the people of a town in Spain, is a powerful art-mirror.

The conscience of a community, like the conscience of every individual that comprises the community, lives beyond the superficial, it bubbles in the place beyond words. An artist’s job is to reach into that place, pull the veil for a moment, root or re-root the community in its values.

A despot’s job is to secure a unanimous vote, no questions asked. Sheep.

Art is not superficial. It is not the image or the words on the page. It is what the image, the words, the dance, the music, touch. Hearts. Souls. Conscience.

Without it, what remains is propaganda. Propaganda is never news, it is the opposite of art. It snuffs the question, it prevents the quest for meaning and deep-felt-truth. Without it, communities flatten, lose their center, wither, and fall apart. Silence, eyes downcast or sideways glancing. Permission to bully. Sheep.

It’s time for the artists to get to work.

read Kerri’s blog post about ARTISTS

Stand Still And Listen [on Two Artists Tuesday]

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~Beloved by Sam Magill, from his collection of poems, Fully Human

Today my thoughts return again and again to Sam, a secret poet, a bard, a believer in the goodness of humanity. Sam knows that a wound, when properly honored, can lead to something far greater than mere healing.

He would look, as we do, with awe at the ferns. He would giggle at how quickly they change color with the light. He would delight in the frog that magically took up residence in our pond. He loves, as we do, the things of this life that live beyond explanation.

If you asked Sam what we need do as our cities burn, as a pandemic rages, as leadership fails and the face of inequity stands naked and unmasked, he might tell us to do nothing. To stand still and listen. “The hard crusty soil is cracking open,” he might say, “there is new growth struggling to push through.”

 

read Kerri’s blog post about FERNS

 

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Slow Down And See [on Two Artists Tuesday]

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There is a theme emerging in my posts this week. Substance vs. the appearance of substance. The flattening of importance.

During an exceptionally stressful and contentious period this summer, we streamed the entire run of Parenthood. Six seasons of escapism!  “Let’s go to  California,” we’d say, all too ready for a leap out of reality. And then, in a moment of horror, the episodes of Parenthood ran out. Our escape hatch closed with a bang. In desperation we surfed and landed in Schitt’s Creek. It was a series a bit too relevant to our circumstance and we howled when one of the characters, in the face of kindness, said that she’d been raised to see that “kindness is a sign of weakness.”

“That’s our problem,” Kerri said, “we see kindness as a virtue.” She was raised to be kind.

That night we had a long discussion about kindness and its general absence in public discourse.

I’ve been thinking much about our conversation since we found ourselves meditating on kindness in Schitt’s Creek. This is my observation: mean is easy. It is fast. Like all forms of reactivity and thoughtlessness, meanness and contention are elementary.

We are surrounded by friends who are kind.  They are kind because they cultivate kindness, thoughts of others, as essential to their character. That’s why we are attracted to them. We are the recipients of unbearable gifts of kindness through our friends. They break us open. They make us bigger.

Kindness is a virtue. It is also a strength. And, it takes time. Kindness is like poetry. It takes development and some higher order thinking.

Lions eat zebras for food. People hurt people for a lesser reason.

In a world obsessed with speed, it is all too easy to run past substance in pursuit of the superficial. Slowing down, taking some time to see, exposes all manner of beauty.

 

read Kerri’s blog post about KINDNESS

 

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Hold It Lightly [on Merely A Thought Monday]

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Roll this description around in your thought-bowl:

“The Spoon River Anthology, a sequence of free verse epitaphs spoken from [the occupants of] the cemetery of the town of Spoon River. When the collection first saw publication in 1915, it caused a great sensation because of its forthrightness about sex, moral decay, and hypocrisy…”

We saw a snippet of Spoon River performed last week at our new artistic home, TPAC. It’s almost impossible to see even a bit of Spoon River and not realize how fragile and temporary is life. It’s a not-so-subtle poetry-reminder that most of what we think is sooooooo important is, in fact, a tilt at windmills. In its forthrightness, its perspective on hypocrisy and moral decay, we found Spoon River to be remarkably contemporary.

Tom told me that he always used Spoon River to teach his beginning actors. “It’s all there,” he said, “All of it!”

He read a piece from the anthology at his great aunt Bunty’s funeral. It takes life to love life. After Tom’s death, Kerri and I performed the same piece in my play THE LOST BOY, a script derived from interviews with Tom. Words that end the first act. Words that described Bunty. Words that Tom adored:

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It’s the best of paradoxes. Kerri and I remind each other everyday that our work, our artistry is not nearly as important as we think it is. We remind each other to hold it all lightly. And in holding it lightly, we open the door to experience it richly. To laugh rather than resist. To know, that we will, one day, populate a plot on the hill, and the only thing that will have mattered is that we paid attention and participated in our moment, that we loved the little bit of life that we had.

 

read Kerri’s blog post about DUST

 

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Bend It [on DR Thursday]

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The terminology in art reads like so much poetry. Zero point perspective. Chiaroscuro. Foreshortening. Rococo. Image plane. Vanishing point. Oblique projection. Intaglio. It goes on and on, these tasty and magical words.

They should be poetry. They describe fields of possibility. They attempt to codify the making of illusion or the impulse of an explorer. Bending space. Deconstructing and reconstituting. Perceptual distinctions. The visual language of cultural norms.

There has been for centuries a mathematics of art. Optics and relativity, movements in science that have their conjoined artistic twins. Rebellions. The maintenance of form. Rules and rule breakers.

I sat in on a class taught by a master artist. He was a lover of landscape (another yummy word) and taught his students an earth-shattering lesson: reality, like time, cannot be caught. It’s a fools errand to try. Painting is a conversation. It is an infinite game. Bend space. Move the tree. Color is fluid, moving, never fixed.  Be like color. Play. Discover. Transform.

I do not consider myself a landscape painter. And then I remember the master teacher and I remove the word ‘landscape’ from my vernacular. And then, suddenly, there is a universe of movement, color, light, and shapes to bend.

 

read Kerri’s blog post about a LANDSCAPE SKETCH

 

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newborn. deconstruction. reconstitution.

 

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newborn /landscape sketch ©️ 2019 david robinson

 

 

Let It Catch You [on DR Thursday]

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a morsel of Earth Interrupted IV: shadow of division

Sometimes you have to stand still to let what you seek catch up to you. Kerri said that to me one day. Her words found their way into me and then became a poem and then the poem found its way into a painting, Earth Interrupted IV.

This week the painting found its way into a morsel for Studio Melange. A wisdom inspired a poem, became a painting, became a morsel called Shadow Of Division. Today, it becomes a post. Which, I am sure, will inspire another poem or a song (anything is possible in our house).

Art begets art. The well of possibilities is bottomless. And, rather than chase the possibilities as was once my strategy, I am learning to stand still. A wisdom, a poem, a painting, a morsel, a post about cycles and all things life giving.

 

read Kerri’s blog post about SHADOW OF DIVISION

 

shadow des plaines river trailwebsite box copy

My favorite thing about shadows? They blend divisions. They make cool new and surprising shapes out of seemingly separate things. Transformation is so simple and just a small shadow away.

 

shadow of division/earth interrupted IV ©️ 2018 david robinson & kerri sherwood