Open, Open, Open [on Chicken Marsala Monday]

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“I found that I could say things with colors and shapes that I couldn’t say any other way – things I had no words for.” ~ Georgia O’Keefe

The first time Jim, one of the most brilliant actor/directors I have known, played the role of King Lear, he told me that he didn’t have enough colors in his paint box to do the role justice. He had more to learn.

It is the common thread and what I love about all the great artists. mentors, and teachers that have had so much impact on my life – they know there is always more to discover. They know that ‘it’ – whatever ‘it’ is – is unachievable. So they look, engage, experiment, play, expand, reach, open, open, open…. Artistry is a life-long practice. It is a relationship with life.

“No one sees a flower – really – it is so small it takes time – we haven’t got time – and to see takes time, like to have a friend takes time.” ~ Georgia O’Keefe

 

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there aren’t enough crayons in the world ©️ 2016/18 david robinson & kerri sherwood

See The World How? [on Two Artists Tuesday]

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 see the same thing on Kerri’s blog post

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Rise In The East [on DR Thursday]

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When I first began writing this blog I wrote everyday. I did not identify myself as a writer. It seemed an outrageous commitment to write every day and I wondered if I would be able to sustain it. I quickly learned that the opposite was true. I found that I had too much to write about. I found that the act of writing required me to pay attention. There was something to write about everywhere I looked. I was not only learning to write. I was learning to see.

I have always been a painter. Seeing is central to any art form but especially useful in the art of painting. You’d be amazed at the multitude of colors in everything you see that your brain blends into a single color. Yellow. Blue. If you can open your eyes and see beyond the dullness of expectation, the numbing of your mind, you will gasp at the riches of it all. This life is complex, intimate, moving.

I’m working on the seventh painting of my earth interrupted series. Prussian blues and ochre, reds and sienna. I laugh each day that I step into the studio and begin work on this series. “What am I doing?” I silently ask and laugh. The answer is obvious. I am sailing toward the edge. I am trying to find what exists beyond my horizon, my comfort zone.

thesunrises product BOX copyThese morsels, snippets of my paintings, are doing what my blog challenge did for me so many years ago: opening my eyes to new and unexpected possibilities. They are asking me to see something new and unexpected in something known. Or something I thought I knew. Kerri calls this morsel The Sun Rises In The East. It is under-painting, a layer of Earth Interrupted VII, which may or may not ever be completed. Voyages of discovery are like that. We’ll see.

 

read Kerri’s blog post on THE SUN RISES IN THE EAST

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the sun rises in the east/earth interrupted vii ©️ 2018 david robinson & kerri sherwood

Choose Your Way [on Two Artists Tuesday]

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One of the ideas behind the melange was to invite you into our studio, to offer a peek behind the curtain into the messy art piles and chaotic processes that spark and give fuel to our creative lives.

We make it a practice to walk through life noticing things, appreciating moments. It is a muscle we consciously exercise. It is the reason we write. It is the reason we take photographs of the food arranged on our plates or the evening sunlight topping the trees or the funny sign posts on the paths we walk. Kerri recently said – and I think it is true – we are inspiring ourselves and perhaps, through our art, words, and designs, helping others live appreciative lives.

In a past incarnation, when working with teachers or corporate types or artists, I said again and again, “See what is there, not what you think is there.” Try and see beyond what you think. A full spectrum of beauty bubbles brightly right in front of our noses but largely goes unnoticed through the mind chatter that dulls our perceptions. It renders us sense-blind.

On this Two Artists Tuesday, a not-so-subtle reminder to slow down, choose a piece of quiet, open your eyes and appreciate your moment. Take a stab at seeing what is bubbling out there just beyond your oh-so-important-thinking. It just might take your breath away. Or, more to the point, it might bring you a deep creative breath. It just might give fuel to your creative life.

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Chicken Marsala Monday

thismomentunique WITH EYES jpeg copy 2“What do I see?” It is, perhaps, the most important and fundamental question any person can ask. Seeing is never passive. It is never pure. Interpretation begins the moment you open your eyes. The ‘see-er’ stories – gives meaning to – what is seen. It is a simple truth: the very act of opening your eyes is a creative act.

Every moment of our lives is new. What else? You have never lived this moment before. You will never live it again. We blunt ourselves when we tell ourselves the story of ‘same-old-same-old.’ We dull ourselves when we weave the belief that this day is routine, that this moment of life is nothing new.

We blur our seeing and muddle our moments by asking the wrong question(s): how do they see me? what do they think of me? These are impossible crazy-making questions to answer. They generate a directional challenge. It is not your superpower to determine what the world sees when IT looks at YOU – mostly because you can’t. The world is not looking at you. You are seeing it.  IT is not giving meaning to you. You are giving meaning to IT. That is your genuine superpower.

The thought for today from the melange: open your eyes. See the new-ness. Create this moment as unique in every way.

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this moment unique in every way ©️ 2016 kerri sherwood & david robinson

DR Thursday

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Kerri calls them “morsels”: snapshots of a portion of one of my paintings. May You Be Peace is a morsel. I love watching her take the shots. I delight in how she helps me see my work anew. I appreciate how each morsel is a complete work of art in itself.

Shift the focus. Pull in the frame of reference. We live in a world of cameras and microscopes and telescopes and compartments; what we see and believe is very much determined by where we place our focus. Georgia O’Keeffe knew it; she was a master of the close-up.

A few years ago I began taking photographs of my paintings-in-process. The camera helps me sees aspects of the painting that would otherwise remain invisible. It’s odd. I stand before a canvas stapled to the wall and see one thing. I aim a camera at the canvas stapled to the wall and see a wholly different painting. Just imagine the infinite perceptions and perspectives at play in our world!

My photo-painting-practice is a constant reminder that my perspective, my perception is mine alone. You are most certainly looking through a different set of lenses.

Peace, I think, has nothing to do with sameness and everything to do with the celebration of  difference, the capacity to help each other see our lives anew.

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may you be peace and may you ©️ 2016, 2015 david robinson & kerri sherwood

 

 

 

Look For The Two Points Of View

My latest. As yet untitled. It’s about dreams and angels.

It is the time of thanks giving in these United States and this week when I say my quiet thanks I will include Horatio in my list. Our conversations are life-giving and art-inspiring. And, best of all, tracking Horatio’s thought path is an utter delight. He is an expansive thinker! Here’s an example from our recent call:

“I’m the last person to really see my work,” I said. “Kerri routinely stops me from ruining paintings. She forces me to leave them alone until I can actually see what I’ve painted.”

Horatio said, “You have a parallax problem.”

I thought to myself (who else would I think to?): Parallax is a great word! The last time he flung that word at me I looked it up. In essence, divergent perspectives when looking at the same thing from two different points of view. You might say our political parties have a parallax problem.

Horatio continued, “All religions say, ‘Love your neighbor.’ All religions say it. Love your neighbor.”

What!? I thought. How did we get to neighbor-love from parallax? Grab the reins and hold on!

“The fundamental human problem is to know yourself.” Horatio said. “And artists confront that problem every moment that they stand in front of the canvas or sit down at the piano. Every moment is an exploration of the self, what you see, what you believe.”

From parallax to loving your neighbor to knowing yourself.

“Self. Other. That’s it!” Horatio continued: “That’s all there is! Isaac Bashevis Singer said that the purpose of literature [he was a writer but you can insert any art form] is to 1) entertain and 2) to educate. IN THAT ORDER! You cannot educate first! Playing matters! Fun matters! You must engage the heart first. It opens the path to the other thing.” [take note all ye test makers and proponents of head-driven education].

Parallax: differing points of view. Love your neighbor: a universal aspiration amidst the raging parallax. Know yourself: the fundamental human problem and the singular pursuit necessary to approach the universal aspiration. Heart first: the only route to all of the above.

“An artist has to play. Experiment. Step across the knowns into the unknowns. Question all of those assumptions. Doubt what they see,” he said.

It’s a beautiful paradox, isn’t it? The route to knowing yourself, the route to loving your neighbor, is to doubt what you think. In fact, it is to realize that the river of nonsense incessantly running through your mind is nothing more than a deflection from actually coming to know your self. It is not to be believed. It is the ultimate fake news. It is a great day when you recognize that your inner monologue is entertainment and not education! It’s a great day when you recognize that you need another person’s perspective in order to know your self. You need it precisely because it differs from what you see. Clear vision requires two points of view. It’s called perspective.  Having two points of view opens the door to questioning. It makes probable the birth of a possibility.

“It’s all about relationship.” Horatio concluded, “Now, the only real question surrounding the artist is, in the midst of all of this navel gazing, in the thick of all of this dedicated pursuit of the self, boundary-crossing-questioning, will your neighbors want anything to do with you? Will they want to have you around at all?!”

Oh, yes. Parallax.