Mix It [on DR Thursday]

palette copy

True confessions: I never clean my palette. I like the messy build up of color. I like the chunky texture. It serves as a gunky history of my work, a genealogy of paintings past. And then, over time, it becomes a tactile work of art in its own right. Unfettered by any of the mental gymnastics or over-ponderous considerations that plague my “real” work, it is the closest to child-mind that I will achieve. It is accidental. It is free.

This might be a stretch but it is, for me, nevertheless true. I love my palette because it is the place of alchemy in my artist process. It is the true liminal space. I begin with pure color. I smashed the pure color together with another color and transform it into a third color, the hue I intend. On a palette, color becomes intention. And then, once transformed, with a brush or knife I lift the color-intention from my palette and in an action that is often more responsive than creative, I place it onto a canvas. It transforms yet again relative to all the color it touches. An image emerges. More color is called for.

And, somewhere in this call and response of color, I become like the palette. The pass-through of alchemy, the door that color passes through en route to something beautiful. And, in the process, perhaps I, too, in my messy build up of life/color, grow closer to that child mind. Unfettered. Accidentally interesting. Free.

“You never know what is enough until you know what is more than enough” ~ William Blake

 

read Kerri’s blog post about my PALETTE

 

roadtrip reading website box copy

 

Horses FullSize copy

untitled, mixed media 48 x 48IN

 

 

 

 

Yawn! [on Not So Flawed Wednesday]

wide mouth babycat copy

As I’ve mentioned before, BabyCat is not a stealthy kitty. When he jumps off the bed it sounds like someone dropped a cannonball on the wood floor. Mice feel particularly safe in his realm because they can hear him coming from a mouse-mile away.  That, and BabyCat can’t be bothered to actually chase mice. He prefers to yawl while watching them skitter (note: a yawl is a two-masted sailing vessel but I think it is also a near perfect match for the sound BabyCat makes when not-mousing. My apologies to sailors worldwide for my cat-sound-co-opt-yawl-onomatopoeia).

Often, we write these posts from the raft with BabyCat snoozing at Kerri’s side and DogDog chewing his bone at the aft of the raft. When the posts are written, prior to posting, we read them aloud to each other. Inevitably, in mid-read, BabyCat yawns a mighty yawn. Commentary? Oxygenation? Both, most likely. He is not a fan of having his post-breakfast snooze interrupted by our blather.

After his mighty yawn he yowls at us (we are not mice so the vowel is different), and hops off the raft (cannonball drop) and thump-thumps off to find a quieter spot, a place to take his pre-lunch nap.

 

read Kerri’s blog post about WIDE MOUTHED BABYCAT

 

babycatContemplating website copy

Release The Peace [on Two Artists Tuesday]

prayer flags copy

Peace. Compassion. Strength. Wisdom. The idea is that prayers and mantras symbolized on the flags are blown by the wind, spreading their peace, compassion, strength and wisdom into the world. It’s not a bad idea. It’s not a bad reminder.

We pass beneath our prayer flags everyday. It is our version of the Balinese split gate. A symbol of bigger things. Coming or going we pass through a moment of meditation, a fluttering reminder of the path that threads through time’s center. The place of presence. It is the place where divisions fade – even for a moment. The place where the drama-of-the-day and turmoil – all expressions of separation – fall away.

The flags quiver and dance. We stop and listen to the quiet flapping, the release of peace into the wind. The basic elements of compassion, strength, and wisdom. Water, fire, earth and sky. A renewed focus.

 

read Kerri’s blog post about PRAYER FLAGS

 

archeswebsitead copy

 

Bust Yourself [on Merely A Thought Monday]

something wrong with me box copy

As you know, I am a lover of the paradox. Among my favorite incongruities in this American culture is the hyper-celebration of the individual amidst the hyper-pressure to swim in the mainstream. To belong by standing out. To be distinct by shopping the brand stores. Within our national schizophrenia, we are, each of us, a festival of quirks, a riot of split intentions.

I laughed out loud when 20 told us his grocery store story. Standing in an aisle of hundreds of soap brands; ice-blue, blossom-pink, orange-orange, lemon-yellow, cool lilac… stacked taller than most people can reach, 20 carefully scrutinized all of the bottles. He gasped! He spotted a bottle of dish soap that seemed to have an ounce more in it! Elated, he looked left and right to make certain no other shopper had yet seen what he saw. With stealth, he reached way to the back of the shelf to snag his prize. The hunter trapped his game and wrestled it into his basket. He quickly sped from the aisle putting distance between him and other dish-soap-hunters. “There must be something wrong with me!” he exclaimed laughing at himself.

A mountain of choices, an ounce of triumph. Do you recognize it? Life lived in the paradox. It is in our national dna.

It makes for a festival of beautiful quirks. A riot of split intentions. We laugh when we bust ourselves standing in the paradox. You’ll know you are there when through your amusement you exclaim, “There must be something wrong with me.”

 

read Kerri’s blog post on SOMETHING WRONG

 

 

closeup at jonathans website box copy

 

 

 

Listen To The Heart [on KS Friday]

MISSING song box copy

This morning, sitting to write about this piece, I find that I have too much to say. Too much to say about missing and memory and delight and yearning. In trying to choose a thought-path I realized that all of my blah-blah would simply get in the way. My words will get  in the way of this heart composition. I will only offer that this MISSING will lift you. It will bring a knowing smile. It does for me.

I will let this beautiful composition speak for itself. It is MISSING from Kerri’s first album RELEASED FROM THE HEART. Truly, it is from the heart.

MISSING from the album RELEASED FROM THE HEART is available on iTunes & CDBaby

 

read Kerri’s blog post about MISSING

gate f8 website box copy

 

missing/released from the heart ©️ 1995 kerri sherwood

Bring Peace [on DR Thursday]

PAX morsel copy

a morsel of PAX

Coming out of a deep sleep I pass through the flotsam layer at the bottom of consciousness. I call it the ‘garbage layer;’ the place where fears fester and worries lurk. It is the monster layer, the place where Grendel lives. When passing through the garbage layer I’m careful not to hook any of those thought-demons and bring them to the surface with me. Give them light and they will eat your day.

Just as I broke through the garbage layer, feeling the pull of a new day, my eyes not yet open, I was warmed by this thought:

Bring peace to your day and you will experience a bit more peace. Bring joy to your day and you will experience a bit more joy. Bring anxiety to your day and you will experience a bit more anxiety. Bring fear to your day and you will experience a bit more fear. Bring hope to your day and you will experience a bit more hope. What will you bring to this day?

My eyes popped open and I was floating on a raft of hope. A raft of my own choosing. A raft I could share.

This painting is called PAX (the kiss of peace). Like the thought that awaited me above the garbage layer, it is a meditation on the power of what you bring to your day. It is a meditation on the raft you choose to create.

It’s a simplicity. Bring peace. Experience peace. Bring hope to your day. Experience a bit more hope in your day. Share a bit more hope in your life.

 

PAXunframed copy 2

PAX, 24 x 24IN, mixed media

read Kerri’s blog post about PAX

 

slow dance party cropped website box copy

PAX/PAX morsel ©️ 2015/18 david robinson

Paint The Can [on Not So Flawed Wednesday]

duke's painting copy

I imagine this still life is a painting that Duke merely tossed off. It was an exercise, something he painted because, well, he wanted to paint but wasn’t awash in inspiration. He looked around for a subject, any subject, and laughed when it occurred to him that the coffee can stuffed with brushes and tubes of paint lying willy-nilly on his table would make a sufficient study. When it was complete, he liked it enough to hang in the hallway of his house. It hung there for years. I imagine he and his wife, Eileen, looked at it everyday – to the point that they probably stopped seeing it. It was the norm. Part of the hallway.

It remained in the hallway after his death.

A few weeks ago Kerri and I helped Duke’s son, 20, move his mom into a nice assisted living apartment. After the furniture was moved in and the dishes and lamps, the final piece was Duke’s painting of brushes in a coffee can. It is the piece that made Eileen’s new apartment feel like home. Before we hung it on the wall we took some time and studied the painting. Duke was great painter!  I imagine that he had no idea on the long-ago-day that he decided old brushes in a coffee can would make a nice study, that his coffee can, like the Velveteen Rabbit of paintings, would come to mean so much. That it would carry associations like “home” and “Duke.”

It’s probably good that an artist cannot know the destiny of their work.

I imagine he put on the final touches of paint, the highlights, stood back and thought, “It’s good. I like this one.” He dropped his brush in some turpentine and made his way upstairs the get another cup of coffee.

 

read Kerri’s blog post about DUKE’S PAINTING

 

 

k&dbw backs website box_ copy