Dare To Read The Label [on Bonus Saturday]

I was awake much of the night staring at the ceiling fan and I had a mini revelation.

Earlier in the evening I had a conversation with my mother about medication and the need to check labels. The doctor had prescribed something for my father that would have been harmful for him to take. We discussed the need not only to be vigilant but your own advocate when dealing with healthcare.

And then our conversation wandered into the swamp of politics and current events. Tumbling out of her came a river of Fox News scare topics – “SOCIALISM” she cried! “MEXICANS WILL POUR ACROSS THE BORDER” she howled, “AND MY MONEY WILL HAVE TO PAY FOR THEIR HEALTH CARE!” “I WANT MY COUNTRY BACK!” she bayed. “WE GOTTA OPEN THIS COUNTRY BACK UP!” she yelped. “THEY’RE PAYING PEOPLE TO RIOT!” And, my personal favorite, “THERE’S EVIL POURING ACROSS THIS GREAT NATION!”

You’ll not be surprised to learn that I pushed back. Mexicans pouring over the border was her response to my question, “What do you mean by socialism?” Someday I will learn that it is impossible to reason with the absurd.

And so, I found myself staring at the ceiling fan, asking myself the same question over and over: why would someone be vigilant about checking the labels on their medication and not apply the same vigilance to the stories they consume? Why would they check the efficacy of what they put into their body but not check the truthfulness of what they infuse into their thought?

That is perhaps the single most important question we as a nation should ask. Why are so many of us so willing to swallow poison?

As I’ve previously written, Fox News will kill someone I love, so egregious is their dedication to misinformation. In a pandemic, it’s only a matter of time. Go here to read the label on their bottle. Here’s a snippet: strongly biased toward conservative causes through story selection and/or political affiliation. They may utilize strong loaded words (wording that attempts to influence an audience by using appeal to emotion or stereotypes), publish misleading reports and omit reporting of information that may damage conservative causes. Some sources in this category may be untrustworthy.

Misleading reports. Influence by appeal to emotion or stereotypes (in other words, scare tactics). Untrustworthy. It’s propaganda, brainwashing, hype, and (my personal favorite synonym) the big lie.

Why would anyone swallow the big lie when the warning on the label is written in big bold red letters? Or, more to the point, why work so hard to ignore the label?

My revelation watching the ceiling fan go round and round: I can’t possibly fathom why. Nor do I need to. I’ve pushed back again and again and whirl to nowhere just like the ceiling fan. I can let it go now. No one is forcing the angry fearmongering down their throats or coloring their sight with so much hate. It’s a choice, their choice, her choice to ignore the warnings so clearly printed on the label.

read Kerri’s Bonus Saturday Donkey Wowza-Paluzza

Reach The Moon [on KS Friday]

and goodnight copy

Today is Kirsten’s birthday. “My daughter is turning 30 today…” Kerri said, disbelief washing over her. In non-pandemic times we’d most likely have driven to Colorado to see Kirsten – even if it was only for a day or a meal. I’ve learned that motherhood knows no limits where love for a child is concerned. “She might as well be on the moon,” Kerri whispered.

Not being able to see Kirsten, Kerri hatched a plot that involved over 60 people, a kind of virtual surprise party. For weeks she’d secretly collected love and birthday wishes from friends and family from all over the country. She spent the entire day yesterday assembling the wishes into a slideshow. There was a second slideshow with virtual gifts.  They were the perfect projects for a mom trying to reach the moon.

I worked all day in the studio (staying out of the way – it was perfect for me, too) and could hear the giggles, the gasps, and the curses of slideshow creation. Every so often I’d sneak a peak and watch her building the rocket ship to carry momma’s love through space and time. It’s a paradox, this gentle intensity. This thing called motherhood. Composer of lullabies. Protector of babes. Dedicated traveler through space and time.

 

AND GOODNIGHT on the album AND GOODNIGHT…A LULLABY ALBUM is available on iTunes

 

read Kerri’s blog post about AND GOODNIGHT

 

MotherDaughter (full)

 

 

and goodnight/and goodnight…a lullaby album ©️ 2005 kerri sherwood

 

 

Leave Her A Note [on DR Thursday]

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my loves, mixed media, 24 x 48IN

I came around the corner just in time to see it. Kerri crawled onto the bed, resting her head on DogDog, she closed her eyes. BabyCat, not wanting to be left out of the snuggle, moved over and curled into the cuddle. I stood very still and memorized the moment.

My artistic well has been dry all winter. I believe dry spells are great opportunities to experiment, to make messes and learn again to be free, to not take anything on the easel too seriously. And so, in my emptiness, I began playing with my memorized moment [last week I published the rolling iterations this image passed through].

Sometimes playing with an image feels like wrestling with an angel. It has the upper hand and is toying with you, the mere mortal. One day, after wiping the latest iteration off the canvas, I had a very mortal thought: this might be the last painting I ever paint. Pandemic thoughts reach deep.

And, what if this was my last painting? What if? I would want my last painting to be a love note to my wife. I would want her to know that one day, as she laid her head on DogDog and BabyCat curled against her, I stood in absolute adoration and appreciation of my family, my wife, my moment. My life. My loves.

 

read Kerri’s blog post about MY LOVES

 

 

pumpkinfarm website box copy

 

my loves ©️ 2020 david robinson

*this painting is not yet up on the site. the paint is still drying.

**there’s another canvas on the easel with a painting already in process! (phew).

Tuck In [on KS Friday]

i will hold you forever and ever copy

In all of the English language, you’d have to scour the dictionary to find a word more pleasing than ‘lullaby.’ It’s a magic word capable of making hard faces soften with sweet memories. Footie pajamas. Security blanket. Night light. Teddy Bear.

Lullaby is a warm word-cup brimming with the purest intention: a gentle song sung or played to send a child to sleep.

If I could grant a single wish to the children-of-all-ages populating this big chaotic world in this angry and scary time, it would be to take a time out, slip into soft footie pajamas,  zip-up and tuck into bed with a blankie, and give over to a gentle lullaby, a safe and peaceful sleep.

Actually, my wish would be this: that we awake from our quiet sleep, refreshed, with less hard faces and begin our new day, our next era quietly, with an intention as pure and warm and life-giving as Kerri’s lullaby. Being the blanket of security for each other. [a boy can dream…].

I WILL HOLD YOU (FOREVER AND EVER) on the album AND GOODNIGHT…A LULLABY ALBUM is available on iTunes.

 

read Kerri’s blog post about I WILL HOLD YOU

 

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i will hold you (forever and ever)/and goodnight…a lullaby album ©️ 2005 kerri sherwood

Hug The Pain [on Merely A Thought Monday]

you're my favorite copy

Put on your seat belt. I’m going to indiscriminately fling stereotypes at myself and my wife and that requires me to indiscriminately snag other fish in my broad net of oversimplification. To make you feel safe in reading further, please note that this a not so cleverly disguised survival guide for two people living together in this age of stay-at-home-orders.

We are both artists. I often wonder if the universe put Kerri and me in relationship as some kind of whacky psychological experiment. Imagine the laughter on Mount Olympus! If you are an artist or know any artists, please join me now in making a list of adjectives: volatile, hypersensitive, moody, procrastinating,.. Now, multiply that times two. Let’s just say that we do not cancel out each other. We are certain that our friends invite us to dinner for the sheer entertainment value of hearing about our latest train wreck. We are both good storytellers so we take comfort knowing that at least we make our mayhem amusing.

True story: yesterday I apologized to DogDog that neither Kerri or I was an engineer. “You have hard duty this time around,” I said, patting him on the head. He didn’t disagree.

Since we are already standing at the edge of chaos I can see no reason not to jump. It was too late in our developing relationship when we realized that, not only were we both artists but we are diametrically opposed in our approach . Kerri is so detail-oriented that it makes my head hurt. I am such a big-picture-generalist that she regularly has to run screaming from the the room so as not to get lost in my thought.

Kerri organizes through piles. I organize by eliminating piles. I seem incapable of learning the lesson that what-looks-like-a pile-to-me-looks-like-order to her. I’ve probably set her back a decade by imposing my idea of order to her system of filing. We’re still looking for the project notes she lost the day I moved in and decided to help out by cleaning up the piles. Last week I attempted to hang up her snow pants and her icy glare melted my good intention; I let them slip to the chair where they remain to this day.

She is easier in the world than I am. If I begin a project or a painting it is nearly impossible for me to stop thinking about it until it is complete. I dream about it. I ponder and muse. Okay, go ahead and think it: he is obsessive-compulsive. I cannot deny it. In my defense, by bride is incapable of holding on to a thought or completing a single task. She works in circles. Attention deficit. Now, imagine, if you can, the process we’ve developed in working together. If we were a band, our name would be Creative Tension.

DogDog walks in circles around the house. I used to think it was a trait of his breed but I’ve come to believe that circle-walking is what happens to an over-sensitive dog when one of his parents is obsessive and the other is ADD. He simply can never relax since we are such a danger to ourselves.

She’s a New Yorker.  I am from Colorado. I was taught that talking over someone else was rude. She was raised in a part of the world where it is essential. Our conversations are sometimes hysterical but mostly shattered language fragments and hesitations. If only I were a better playwright!

Now, flip all of this too-much-information over. Perceptive, deeply felt, intuitive, adventurous, improvisational. Sometimes mystic. We crawl out the window to drink our wine on the roof. Our life is never routine, never dull. We cultivate surprise whether we intend to or not. Her artistic eye makes mine better. She pulls me from my obsessive mind so that I might breathe and relax. I help her step back from the detail and see another perspective.

The moral: there is no better collaborator, no more treasured companion, than the pain-in-the-ass pushing back on your idea, the one talking over you, the one challenging your choices, the one that you love and trust with your most vulnerable life & artistic decisions because (you begrudgingly admit to yourself) they see things differently. This equal and opposing force that shares space with you is the very reason you are capable of expanding your mind, your perspective, and your heart.  They are what you mean when you utter this word: together.

 

read Kerri’s blog post about PAIN IN THE ASS

 

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Hear The Whisper [on Two Artists Tuesday]

a house copy

A house remembers.

We took my dad back to his home town. It was a pilgrimage. He wanted to see it one last time. We walked through the cemetery. He pointed to headstones and told stories. He looked for people and grew frustrated when he couldn’t find them. He’d breathe a sigh of relief when, after walking row after row, we finally found them.

The pilgrimage was not to the cemetery. It was to a tiny little house that his grandfather built that he needed to return. To touch. Nowadays it is being used as a shed. His dad grew up in that tiny house. It was the center of his universe when he was a child, his cathedral.

Standing before the tiny house, he told the story of how his grandfather split open and pried apart the rafters, making a second story. He built on a small kitchen. He added a small bedroom on one side. There was a porch.

To our eyes, it was now barely standing. To my dad’s eyes, it was the most beautiful home on earth.

As we walked the perimeter I couldn’t help but feel that the house needed to see him as much as he needed to see the house. It remembered, “You came back!” It seemed to sit up straight, remembering the days that it housed a family, that meals were cooked within its walls, that children slept there. As my dad told the stories, I was overwhelmed with the notion that he wasn’t just telling us, he was talking to the house. And the house was nodding, smiling, “Yes, I remember…” The children ran free. Everyone worked hard.

As we walked away he knew he would never see it again. But he’d shared the story. He’d introduced us to this house, his-and-now-my sacred place. “This is where you come from,” the house and my dad whispered together, “Remember.”

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read Kerri’s blog post about A HOUSE REMEMBERS

 

 

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Hold On And Smile [on Not So Flawed Wednesday]

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I do not know the full history of the Ernie straw. I only know that he holds a place of reverence in our odds-n-ends drawer. And, when Ernie makes an appearance, there is general celebration, photos taken and texted, and laughter-rooted-in-deep-memory swirls like the straw through our kitchen. I watch and appreciate their glee.

I do not share the lived history that Kerri and our children share. They are, as Michael Perry taught me to say, rather than my step-children, they are my given-children. At Kerri and my wedding, my newly given-children shook my hand and said mechanically, “Welcome to the family.” And then they laughed and hugged me tight. Our memories together are new and have tender, shallow roots. We are early in the creation of our history together.

This summer, I was on Island and Kerri made a trip home to see Kirsten. During our late in the evening phone call, Kerri was thrilled that Kirsten had found the Ernie straw and was using it everyday! She sent me pictures. Kirsten posing with Ernie joyfully spiraling out of her cup. I heard Kirsten laughing in the background. Kerri joined her laughter and they giggled me through their history with Ernie.

Ernie is out of the drawer every day since Kerri broke her wrists. He fits nicely into the lid of her Hydro Flask, the only safe coffee-delivery-system. Ernie has been seen rocketing out of her wine glass, too. These days he does duty on both ends of the day.

Mostly, I’m delighted to be making memories with Ernie. The next time he comes out of the drawer I will be more than an passive watcher, a mere listener to the stories of the Ernie straw. I now have real experiences with Ernie. I am slowly entering the weave of story, the fabric of participation. And, like Ernie clutching tight to his corkscrew straw, I couldn’t be more pleased to be winding my way into this part of the tapestry.

 

read Kerri’s blog post about the ERNIE STRAW

 

 

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Take Another Step [on KS Friday]

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We spent some time last week talking about our beginning. We’d written a post and it prompted us to remember. It was surprisingly necessary to recount our story. To revisit our genesis.

In the guest room in Kerri’s parent’s house was a wall of family photographs. Many were pictures of weddings. A proud man in a uniform about to leave for the second war to end all wars, arm-in-arm with his bride in her wedding gown. A generation back in time, stiff collars, seated brides. There were more recent grooms and brides, too. Kerri’s sister and Bill. Wayne and Jan. Wendy and Keith. Heather and Brian. Beaches and rains of rice. When we stayed in that room, I’d sit on the bed and study the pictures. People standing together on the threshold of a new life. All of the unknowns, the triumphs and tragedies, the obstacles and stories of overcoming, waiting to be lived. But, in this one photographic moment, the vow, the unsullied togetherness, shines: we will walk hand in hand through thick and thin. I promise.

I loved looking at those photographs. The people in them are focused on all good things. There is not a hint of future fear. It’s as if the camera crew at the edge of the mystery was taking snapshots of the bold adventurers on the day the expedition set sail. Anticipation. Hope.

Our photograph is on a wall now. Not Beaky and Pa’s, but on our wall. In our picture, we stand toe to toe. In another, we are skipping out of our ceremony just as we skipped out of the airport the day that we met. Ours, we remembered last week, is a story that began with skipping. With wine on a roof top. With burgers and champagne. With a mystic Taize.

Kerri wrote this song for her niece’s wedding a decade ago. So much life is being lived! So many roads walked. So many adventures ahead.  What would the camera crew at the edge of the mystery capture in their photographs today, at this stage in the adventure? Anticipation? Hope? Holding hands, squeezed in affirmation. Let us take another step together, my best friend.

 

 

the single, MY BEST FRIEND is available on iTunes & CDBaby

 

read Kerri’s blog post about MY BEST FRIEND

 

wedding pic with website copy

my best friend ©️ 2010 kerri sherwood

Read The Symbol [on DR Thursday]

daisy framed copy jpeg copy

When I was flying in to meet Kerri for the first time, she told me that I’d recognize her because she’d be the one holding the daisy. Consequently, were you to scrutinize my paintings these days, you’d find more than a few daisies.

Her daisy-greeting-idea cemented what I suspected before I met Kerri. She is special. This was my thought process/reasoning: This woman has 15 albums in the world.  Her picture is everywhere in the Google-sphere. Yet, it never occurred to her that I should or would know what she looks like. She’s humble.  Also, point #2, I did my research. The maker of extraordinary pianos, Yamaha, consider her a “Yamaha Artist” or [translation] a modern master who performs almost exclusively on their pianos. With that kind of resume, with that size of gift and notoriety, you’d think she’d have mentioned it during those many months of conversation that preceded our meeting. She didn’t. She’s an unassuming artist (the best kind).

Humble. Unassuming.

The second time I flew in she greeted me at the gate with a veritable bushel of daisies.

My paintings are filled with symbols. Some conscious. Most not. I discover them after the fact [like those *#@^! three spheres that populated most of my early work. Jim had to pull out my paintings and point them out to me…] The daisies? I know exactly what they represent. I know without doubt when and why a composition requires a daisy.

 

read Kerri’s blog post about DAISY

 

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daisy – all of them ©️ circa 2013

Love Your List [on KS Friday]

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I lost track of Dwight. For years. He  was dear to me and his loss was profound.

And then, after moving to a new city, on a very foggy Easter morning, just after sunrise,  driving a bread truck to work my way through school, I almost hit a man who appeared out of the mist. He was running across the road. I slammed on the brakes, bread flew everywhere. Standing directly in front of my bumper was Dwight. I got out of the truck. In the middle of the road our friendship was restored.

After more than a decade I lost him again. 5 years passed. And then, one day, the phone rang. He was coming to Chicago. The circle returned as I hoped it would. Our friendship is renewed. His presence in my life is a deep generous river.

I am of the opinion that I am rich beyond measure. In my world there is Master Marsh and Horatio, Brad and Jen, Master Miller and Dwight, Arnie, 20 and the up north gang, Judy, Skip, Linda and Jim, John and Michele… Old friends (and new). They stir my thinking, they challenge me to be a better person, they feed my body and my soul. They show up for me when I call. And, I am always grateful when they call on me – that’s how I know we are friends. We want to participate in each other’s lives.

I am now long-lived enough to know that this life is not about the things I do, the achievements, it is about the people I do it with.

 

OLD FRIENDS on the album RELEASED FROM THE HEART is available on iTunes & CDBaby

 

read Kerri’s blog post about OLD FRIENDS

 

wineglassesthreehands61 website box copy

 

old friends/released from the heart ©️ 1995 kerri sherwood