Two Artists Tuesday

your thought for Tuesday from studio melange

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There are a few consistent thought-practices that cut across most spiritual traditions. ‘Just Shrug’ is our version of one of those universal practices. In some traditions Just Shrug it is called ‘detachment.’ Or, spun another way, it is known as ‘take nothing personally.’ Lilies of the field. Centering, grounding, presence, stepping back, quieting the mind,…, are variations on the theme. Practice not taking the bait of the crisis-of-the-moment. “There are 7 billion people on the planet,” Quinn used to quip, “and none of them are thinking about you.” Just shrug.

I laughed aloud when Kerri dashed off this Two Artists graphic because it looks like an operator’s manual illustration for detachment. The little arrows are diagram-perfect instruction for how to begin the practice. Just shrug.

JUST SHRUG reminder/merchandise [mugs and cards and pillows, oh my!]

society 6 info jpeg copy

justshrugCLOCK copy

justshrugMUG copy

just shrug GREEN LEGGINGS copy

justshrugIPhoneCase copy

justshrugFramedprint copy

 

read kerri’s thoughts about Just Shrug

 

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kerrianddavid.com

 

just shrug ©️ 2016 kerri sherwood & david robinson

Chicken Marsala Monday

whenyouarelost WITH EYES jpeg copy

Once, during a particularly dreadful  and seemingly eternal period of lost-ness in my life, fully indulging in my panic of not knowing what to do or which direction to go, Rob gave me some world-class advice. He said, “When you are lost in the woods the best thing to do is stop and sit still.” In other words, the first thing to do is to stop doing anything at all. Just stop. The first step in finding where you are is simply to stop trying to be somewhere else. I laughed out loud.

Be here. Now, you know where you are! The problem of lost-ness is solved. Breathe a bit.  Take in the unknown sights and listen. Direction and/or clarity are more likely to become available after a good still-sit.

SOMETIMES WHEN YOU ARE LOST… merchandise/still-sit reminders

society 6 info jpeg copy

lost sit still Chicken FRAMED PRINT copy

stop sit still LEGGINGS copy

stop. sit still LEGGINGS

lost sit still Chicken CARD copy

gift cards

lost sit still chicken PILLOW copy  sit still RECT PILLOW copy

 

read Kerri’s thought’s on lostness and sitting still

 

melange button jpeg copy

kerrianddavid.com

 

…it’s best to stop and sit still ©️ 2016 david robinson & kerri sherwood

Live Your Metaphor

2mayyoubepeace-jpegA view from 30,000 feet (a meditation on metaphor):

Joe used to say that the universe tends toward wholeness. “Tends” is a precarious word of movement, like a tree that leans. Still, to me, Joe’s sentiment – his metaphor – is hopeful. He might have said that the universe tends toward confusion.

Chris and Janelle are starting a new theatre company, The Seadog Theatre Company. They are dedicating their work to exploring stories of alienation and reconciliation. Both alienation and reconciliation are words of movement. The first, alienation, is a movement away from wholeness (toward confusion?). The second, reconciliation, is a movement toward wholeness. Push away. Reach across.

Chris and I agree that all stories, from the deepest mythology to the most whimsical lampoon, are explorations of alienation and reconciliation. It is the human journey, it is humanity’s journey. It is the human experience. Journey is a word of movement, from here to there.

The Big Bang is science’s great narrative of alienation and reconciliation. Out of nothingness (formlessness) in a violent explosion of energy, all forms took shape. Stars, meteors, planets, atoms and oceans and daisies and Dog-Dog. Energy expressed in form. And then, so the narrative goes, form returns to energy. Like the tides going out the energy of the explosion will eventually turn, exhausted, and fall back toward the center in the Big Merge.

The eye blinks open, a universe comes into being. The eye blinks closed, a universe disappears. The tide comes in. The tide rolls out. It’s a cycle of movement. Metaphor.

“Your words are alienation and reconciliation,” I wrote to Chris, “mine are separation and unity. Same thing, yes?”

I’ve never been comfortable with religions because they often claim their metaphors as fact – and that freezes movement. For instance, Adam and Eve were Big-Banged out of the Garden of Eden for eating an apple from the tree of knowledge. One bite of the apple blew their minds open to differences. Separation. It is the experience of birth into this whacky world of duality and confusion. And just like all the stars and planets and oceans and daisies of the field hurtling through space and time, it is a story meant to help us seek wholeness as we stride though this field of opposites.

The universe may tend but we can intend. We can create. We can choose. We can point our ships toward alienation, we can cleave our world into us-and-them, run in fear and separation. Or, we can make conscious our stories (as Chris and Janelle intend in their theatre), we can walk the middle path (a potent metaphor), and recognize that the separation is at best temporary and arbitrary. Like the stars and planets and oceans and daisies, we will also exhaust the force of our explosion into form and fall back into the Big Merge.

products-may-you-be-jpegcool stuff like prints/mugs/pillows/cards/iphone cases/clocks

 

Peace.

kerrisherwood.com

PEACE on iTunes:  kerri sherwood – track 5 on AS IT IS

 

 

 

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Do Anything Else

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It occurs to me now that all along I’ve been asking irrelevant questions. Or, perhaps framing my questions too narrowly. For instance, years ago I went to graduate school to study systems because I wanted to follow a question that reached deep into my life and identity as an artist: can a mythology be rekindled once it has died? Art, after all, is one of the primary life-keepers of a culture’s story and the beating heart of the story is its mythology. And, according to all indicators, our mythology is mostly dead [as Joseph Campbell said, for evidence of our mythological demise, all you need to do is look at the news]. So, the younger version of myself wanted to understand the purpose of my life as an artist if, indeed, I was in service to a dead mythology. Heady questions, yes? Relevant questions?

In the early 1990’s I was invited to a photographer’s studio to see the “newest thing” in photography. The photographer had a new “program” called Photoshop. Before my eyes he “photoshopped” me into a picture, a place I’d never before visited. Today, all of this seems commonplace. Now, any 5 year old can manipulate an image but at the time a photograph stood for proof that something had actually happened. A photograph could not lie. It was evidence of truth. That day, standing in the photographer’s studio, I realized that the old reliable anchors for truth no longer existed. What was our anchor?

The truly significant events in our lives rarely come in with a roar.

We’ve been hearing a lot lately about fake news – as if this was a new phenomenon. It brings to my mind a terrific book written in 1985 by Neil Postman, Amusing Ourselves To Death. Here’s bit from the first page:

“Our politics, religion, news, athletics, education, and commerce have been transformed into congenial adjuncts of show business, largely without protest or even much popular notice. The result is that we are a people on the verge of amusing ourselves to death.”

I suppose fake news refers to something wholly concocted but I’d argue that when news agencies pander and promote themselves to conservative or liberal viewpoints, when ratings drive content, it’s all fake news. News with an agenda is…not news. It is, however, dangerous to a democracy and no longer free (as in free press, a cornerstone of our democracy). Historically, newspapers have always had a point of view but there was some attention paid to what was printed as news. Opinion was confined to an editorial page. When the line between true and concocted is blurred, when a populace cannot discern between entertainment and substance, it no longer has the capacity to make sound (read, “informed”) judgments. Worse, it is gullible, gossip-eaten and infinitely manipulate-able. It is, as Neil Postman wrote, entertaining itself to death.

I recently wrote about the absence of recognizable communal anchors (mythology) and the dangers of a community with nothing but the soft soil of belief and opinion as its driver. Is planting a personal-truth flag and defending its territory all that is left to us?

What else can we do? Now, there’s a relevant, open-ended question! Roger once told me that he would never be able to understand suicide. He said something like, “In that moment, rather than take your own life, why not do anything else? Why not make any other choice?” Another relevant question!

What else can we do? In the face of our own entertainment-driven suicide, why not do anything else? Turn off the blather, go outside, meet your neighbor, tell stories of your children or your ancestors. If common ground can’t be found it can certainly be created. Inhabit something bigger than opinion. It’s less entertaining but certainly more useful. Great art – no matter the form- lives in those bigger fields.

 

MAKE ME AN INSTRUMENT OF PEACE – GIFTS

to kickstart your peace, listen to this:

for PEACE on iTunes, go here (track 5 on the album AS IT IS)

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Have A Conversation

my quick sketches of two of the stained glass window panels

my quick sketches of two of the stained glass window panels

Yesterday I learned that my conversation with the stained glass window was only on hiatus. Several months ago we simply stopped talking. In the silence I thought the conversation was complete. For almost two years we had a weekly chat. I took lots of notes.

I recognize that one is not supposed to have chats with windows – at least not admit to it. Master Marsh teased me saying, “There’s help for things like this.” I’ve decided that my conversation with the window is more ordinary than odd: plenty of people around the world talk to statues. Most of us have had silent reckoning with the sky. I’ve witnessed mechanics talking to their tools and bakers wooing their dough. Who hasn’t cursed the object of a home fix-it job-gone-wrong (plumbing regularly gets a tongue lashing from me!) or praised a project done well? Traffic gets a regular talking to. In this region, at this time of year, more than a few brides make deals with the weather. A soul in exchange for sunshine.

Who hasn’t, in a moment of turmoil, looked inside themselves and asked for help? Who hasn’t uttered a quiet thank you or asked for guidance or made an appeal? Call it prayer, meditation, epiphany, catharsis, intuition, gut instinct, reading the signs, hearing the call, or communing with nature, it’s a conversation.

I’m not the only artist – or scientist for that matter – that, in moments of flow, feels as if something bigger is coming through. In that sense, all of my paintings might serve as the record of a conversation with something bigger. Writers often speak about having the experience of the characters writing themselves, of following rather than creating. Following, surrendering, allowing, listening, responding, getting out of the way. Play the chords long enough and you no longer need to think about them. In the land beyond thinking about it, music becomes possible. It’s a conversation.

Sitting on the chancel, listening to Kerri play, I stared as I often do at the morning light pouring through the colored glass. I studied the symbols. Birth and death. Tree of knowledge, Tree of Everlasting Life. The Grail standing between two flames. It’s a repetition in symbol of the same idea. Born into an experience of duality and distinctions, a world fighting over its differences, we have the opportunity to walk the middle path, the unity consciousness, the “something bigger.” “Between the two, one,” I the heard the window whisper. “It’s simple, really.”

a quick sketch of all three panels: birth, death, and the middle way.

a quick sketch of all three panels: birth, death, and the middle way.

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Taste It Fully

ice circles on the lake

ice circles on the lake

We heard the angry barking of crows before we saw them. They were haranguing an owl. It flew into a tree only a few yards in front of us. For several moments, through the ruckus of the crows, we stared at the owl and it stared at us. Time stopped. Nothing else existed. The owl’s eyes, our breathing, the crow’s chorus.

For our wedding gift, H and Teru sent several collections of poetry, “Manuals on marriage,” they wrote in the note that came with the poems. Kerri and I are savoring the poems, reading one or two aloud to each other every day. They are a source of warmth and inspiration during these cold dark winter months. A poem cannot be rushed or read merely. It must be slowly tasted. It is meant to be entered like a meadow; to be experienced. Try to make sense of a poem and you will miss it. Just like life.

She said, “inner quiet is low maintenance,” and I laughed. Yes it is. The trick is in getting quiet. It is not something that can be found or achieved. It is not a place or a state-of-being. It is what happens when you stop looking for it. Like the hermit says to Parcival when the Grail Castle suddenly reappears, “Boy, it’s been there all along.”

For years Sam the poet was afraid of his poems. Like all great art, his poems, his art, revealed the artist, and so he kept them locked up, un-tasted. He came alive and supremely dissatisfied when he finally unleashed his poetry. He let himself want more but also refused to let himself experience more; one foot on the gas, one foot on the brakes. To taste fully one must be willing to be tasted.

A snippet of a poem (a koan imbedded in a poem), RELAX by Ellen Bass:

The Buddha tells a story of a woman chased by a tiger.
When she comes to a cliff, she sees a sturdy vine
and climbs halfway down. But, there’s also a tiger below.
And two mice – one white, one black – scurry out
and begin to gnaw at the vine. At this point
she notices a wild strawberry growing from a crevice.
She looks up, down, at the mice.
Then she eats the strawberry.

Taste your moment. Taste it fully.

I wrote in my black and red notebook a simple recognition. The field of possibilities cuts both ways: in your despair you must remember that anything is possible. In your joy you must remember that anything is possible. Tiger above (the past), tiger below (imagined future). Do not reject your moment or attempt to hold on to it – both are methods of missing the moment. Taste it regardless of the circumstance. Taste it fully.

 

 

 

Put Down The Hammer

photo-3[continued from BE WE]

The woman behind the counter at Starbucks, someone I’d never seen before, leaned forward, and chirped, “David! I loved your wedding!” She laughed at the look of confusion that must have crossed my face and added, “No, you don’t know me.” One of our invited guests brought her as a date. “Best wedding ever!” she exclaimed as Kerri joined us. Because the day is a blur, Kerri and I enjoy hearing people’s accounts of our wedding day and she enthusiastically told us of her experiences. It was nice. It was personal.

We took our coffee to a table and joined some friends. After a few moments, the woman behind the counter came to our table. She brought some samples, some health supplements and cosmetic products, “I only do this Starbucks job for the health insurance,” she said, “This is really my business,” she said, sliding the tiny packages in front of Kerri. “You never know who might be interested,” she chirped and blushed before making an exit. It was awkward. It felt awful. We went from personal to prospect in one inelegant step.

There is an old saying that came to mind: When the only tool you have in your box is a hammer, everything looks like a nail.

Many years ago, in a time of great financial desperation, I worked with some financial folks who recruited me to sell their stuff. I learned their processes, got my licenses in record time, and for a few horrid months, tried to sell their wares. I hated it. The work was highly profitable but the cost was highly destructive. Everyone looked like a prospect. To every social encounter, every friendship, every casual meeting, I brought an agenda. For a few months I looked through a lens that made every person, every circumstance, a commodity-opportunity. It reduced life (my life) to an ugly basic. It was toxic. Anna taught me the very appropriate word for what I felt: vampiring. It was a great lesson. It made me pay attention to the intention I bring to my life.

It’s what the woman at Starbucks felt, too. She was desperate. She, like a former version of me, sold the greater need to satisfy the lesser. Vampires are insatiable and stuck in an untenable lifeless-lens: everyone looks like a food source. Desperation is like that. It is easy when desperate to sacrifice friendships for prospecting. No one likes to be a food source.

As I perused this years bountiful crop of ugly images of Americans fighting and crushing each other for cheap toys and electronics, the annual product-stampede/people-crush-and-fist-fight on Black Friday (formerly known as Thanksgiving), I couldn’t help but think about the Starbucks lady. Desperation wears many masks but always makes others look less-than-human. Communities thrive when they feed each other and die when they feed on each other. This is not a mystery.

Commodity is supposed to service community, not the other way around. Vampiring is the only visible path when community loses itself to commodity; it inadvertently tosses away its many tools and leaves itself with only a hammer. It’s a question of order as much as a question of values. There is nothing wrong with commodity when the order of value is respected. Without a WE there can only be a very confused, desperate, and lonely I. It should not come as a surprise that desperate and lonely people do desperate and lonely things.

This is the season of the return of the light. We need do nothing more to create the miracle than put down the hammer and look at others as if they are more than nails.

[to be continued]