Something Old, Something New

50% OFF ALL ORIGINAL PAINTINGS THROUGH MIDNIGHT APRIL 22nd

Horatio and I just finished one of our famous calls. He, too, is an artist [and film maker] and so I look forward to our all too rare and epic conversations. They are pot-stirring and life-giving. Today, among a host of other things, we talked about the necessity of letting go of the old story in order to move forward into the new.

Non-attachment. It is an artistic imperative (and spiritual practice). It is one of the reasons I love and appreciate Kerri’s total attachment to my paintings; I know my work is loved and in good hands so it frees me to continue stepping forward. I no longer walk this path alone. I have the same attachment to her compositions and trust my embrace of her work opens safe space for her artistic voyage to the edge.

Kerri treats the sale of my paintings more as a placement, a matching of hearts, than as a transaction. She’s helping me tell a new story even in the selling of my work. ” I hope you sell a lot of 50% off paintings,”  Horatio said.

“Me, too,” I thought. In my new story that would mean a meeting of many, many hearts.

 

Face Your Giant [It’s Flawed Cartoon Wednesday]

A spot of humor to get you over the hump from studio melange.

“I love the duck!” Kerri said.

“It’s not a duck!” I wrinkled my nose. “It’s the golden goose!”

“It’s a duck,” she said. “And I love it.”

I have no real explanation for this odd Flawed Cartoon so don’t ask. I can only offer that I’m generally fascinated by that-thing-in-people that says, “stand your ground” even when the flag they plant will cause them great harm. Smoking, for instance. Insisting, “I’m not creative!” Arguments for stagnation, as in, “But we’ve always done it this way!” “Argue for your limitations,” Richard Bach wrote, “and, sure enough, they are yours.” Imagined giants.

I’m also generally in awe of that-thing-in-people that says “stand your ground” even when faced with a real giant. Remember 1989, Tianamen Square, tanks and the man who stood his ground? March For Our Lives. #MeToo. Real giants come in many forms. So do Jacks.

This Flawed Cartoon cuts both ways.

The only other thing I can offer is this: it’s a golden goose. There is no duck in Jack and the Beanstalk. Read the story.

Kerri just looked over my shoulder and said, “Duck.”

FACE YOUR GIANT reminder/merchandise

society 6 info jpeg copy

2beanstalk duck SHOWER CURTAIN copy 2

a shower curtain!

face your giant IPHONE CASE copy

beanstalk duck IPHONE CASE copy

phone cases

 

beanstalk FACE YOUR GIANT LEGGINGS copy

‘face your giant’ LEGGINGS

beanstalk FACE YOUR GIANT BEACH TOWEL copy

BEACH TOWELS

read Kerri’s blog post about GIANTS

melange button jpeg copy

kerrianddavid.com

face your giant ©️ 2016 david robinson & kerri sherwood

 

 

 

KS Friday

andgoodnightjacket copy 2“It took me four years to paint like Raphael, but a lifetime to paint like a child.” ~Pablo Picasso

Every artist knows that technique is necessary but artistry is not the application of technique. Artistry is transcending technique. Technique is tangible. It is possible to practice scales and study color theory. It is possible to grasp that different brushes do different things. There are bottom lines in technique, reductions and rules and complications.

Artistry is intangible. It is flow. It is expansive. It is simplicity and simplicity is so hard to achieve. It is one of those paradoxes I love to write about, the zones where truth bubbles precisely because it cannot be contained.

The first night we met Kerri played her piano for me. I will never forget it. This slight woman stepped up to her piano (she rarely sits when playing) and all reality shifted. She grew. She filled the room. I swear I saw her send an energy-root into the earth and she opened. What came through was…enormous. What came through was simple.

This lullaby, Kerri’s original piece, I Will Hold You (Forever & Ever) from her album AND GOODNIGHT, could certainly be played by a technician and you would appreciate it. Now, for your KS Friday from the melange, listen to what an artist can do. Sit back and give over to the simplicity.

I WILL HOLD YOU (FOREVER & EVER) from AND GOODNIGHT (track 25) iTunes

also available on CDBaby

 

And because she couldn’t resist designing with this title for babies or weddings or anyone you love, I WILL HOLD YOU (FOREVER & EVER) products.

 

society 6 info jpeg copy

forever and ever FRAMED ART PRINT copy

forever and ever SQ PILLOW copy   forever and ever RECT PILLOW copy

forever and ever LEGGINGS copy

‘forever and ever’ leggings

forever and ever MUG copy

 

read kerri’s blog post about I WILL HOLD YOU (FOREVER & EVER)

melange button jpeg copy

kerrianddavid.com

 

i will hold you (forever & ever), and goodnight ©️ 2005 kerri sherwood

KS Friday

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Always With Us (track 14)

Kerri and I had a few days off. I’d never seen Door County so we jumped in the car and headed, as the folks around here like to say, “up north.” On our way back we stopped to say hello to Hans the music producer. Kerri and Hans have been for years dancing around producing an album together. Hans is also an amazing cellist. He gave us a tour through his recording studio and invited Kerri to give his studio piano a try. She sat and began to play. He sat at his cello and joined her. My mouth dropped open and I started to cry. Artistry, when it is pure, does that to me. I found myself standing in a sacred space created by two consummate musicians who were simply doing what they were born to do. They had no idea I was stunned to tears. They were playing around. They were having fun. They played together for about an hour, Hans dashing in and out to get different instruments to noodle around with, Kerri playing whatever came through the channel. I sat in the corner and tried to keep breathing.

AWU v1 jacket copy 2

Always With Us [solo piano version, track 2]

No recording exists of that day. I would listen to it every day if it did. It was spontaneous and as holy and temporary as a sand painting. On the drive home I tried to describe my experience to Kerri and asked her why she and Hans had never recorded together. “It costs a lot of money to record, ” she said, adding, “and, nowadays, with people streaming music instead of buying it, there’s almost no way to recoup the investment. It’s better to enjoy the process, to have fun playing with someone like Hans.”

I remembered that day with Hans when we chose Always With Us for this week’s melange. It turns out that our melange conversation this week has been all about artistic process: stepping blindly, having faith, landing in pot holes, making bold offers, capturing moments, and most importantly, treasuring the relationship with “something bigger” that comes through when the artist(s) step out of the way and something sacred happens.

ALWAYS WITH US from the album AS IT IS (track 14) iTunes

ALWAYS WITH US from the album AS IT IS (track 14) CDBaby

ALWAYS WITH US from the album ALWAYS WITH US (track 2) iTunes

ALWAYS WITH US from the album ALWAYS WITH US (track 2) CDBaby

PURCHASE THE PHYSICAL CD: ALWAYS WITH US v. 1

 

KS DESIGNS on society6.com

society 6 info jpeg copy

always with us LEGGINGS copy

always with us FRAMED ART copy

always with us COFFEE MUG copy

always with us TOTE BAG copy

read Kerri’s thoughts on ALWAYS WITH US

melange button jpeg copy

kerrianddavid.com

ALWAYS WITH US from AS IT IS, ALWAYS WITH US v.1 ©️ 2004 kerri sherwood

 

DR Thursday

cropped II earth interrupted with frame metal square WALL ART jpeg copy 3There is a lesson for me in this week’s morsel. It is a lesson I’ve learned over and over again. It is a basic, a fundamental and perhaps that is why I am once again revisiting this lesson: Focus (perception) is like a narrow flashlight in the night. Where you point it will determine what you see. And, most important, you choose where you point it. And, even more important, what you see is narrow, what you don’t see is vast.

Kerri chose this morsel. I marvel at what she sees and what she chooses for our melange and how it blows back and impacts what I see. This morsel, she calls it, “held in process,’ is a snippet of a painting-in-process. At Skip’s prompting a few years ago I started taking process shots and nowadays Kerri regularly dashes into the studio to make sure I’m taking my shots (“What do you have for me?” she asks, striding down the stairs). I delight in this particular morsel because, when seen in the greater context of the finished piece, it captures perfectly the lesson. It is like a popcorn trail of perception, an exercise in focus-choosing. Enjoy this morsel from the melange.  Follow the trail to the final piece. Have fun shining your light on the morsel, Held in Process and on Earth Interrupted II.

 

real1

the beginning layer, the under painting.

real2

the second layer

pix#1   pix#2

#3

this one

next layers – my favorite: paper sack!

#4

EarthInterrupted2 copy

the finished painting: Earth Interrupted II, mixed media 48×34.5 in

 

HELD IN PROCESS merchandise

society 6 info jpeg copy

II earth interrupted FRAMED ART PRINT copy

wall art

II earth interrupted LEGGINGS copy

kerri designs all of our leggings and apparel

II earth interrupted IPHONE CASE copy

okay, so, kerri designs ALL of our products. Cool iphone cases…

II earth interrupted RECT PILLOW copy

…and throw pillows! and more….

 

read Kerri’s thoughts on Held In Process

melange button jpeg copy

kerrianddavid.com

held in process/earth interrupted II ©️ 2018 david robinson, kerri sherwood

Chicken Marsala Monday

A Chicken Marsala thought-nugget from the melange to help you start the new week

sometimesfaith WITH EYES jpeg copy 3

Faith is one of THOSE words. So, as is my practice when wading into one of THOSE words, I look it up before writing about it. And, as is always true when writing about one of THOSE words, I find beautiful ambiguity within the proffered definitions.  1) complete trust or confidence, 2) strong belief based on spiritual apprehension rather than proof.

Complete trust. Spiritual apprehension.

My life has taught me that truth (another one of THOSE words) can only be found within the paradoxes. If you can reduce something to a singularity, a black or white concept, something graspable, then it may be a rule or law but is never a container of truth. THOSE words point to deep experiences, the mysteries that cannot be fully grasped or squeezed into a container. Love is one of THOSE words, too.

We designate the first week of spring by a heavenly marker known as the equinox. Equal night. We look to the sky to understand the happenings on this earth. I’m happy to report that my first sighting of tiny green shoots breaking through the crusty earth in my backyard happened this week. The first sign of spring. The resurgence of green life after months of root-resting hibernation.

I couldn’t help myself. For kicks I also looked up the definition of the word apprehension. It smacked to me of being yet another one of THOSE words. Yep. 1) anxiety or fear, 2) understanding, grasp. Anxiety. Understanding.

Standing before a blank canvas I often feel as Chicken Marsala. I tie on the blindfold and step. Sometimes I step boldly with complete trust. Sometimes I step timidly with great apprehension. It is a full spectrum of faith. And, because I can never know (another one of THOSE words) the best I can do is practice.

cool FAITH TAKE PRACTICE merchandise [wall art, gift cards, tote bags….]

society 6 info jpeg copy

faith takes practice FRAMED ART PRINT copy

faith takes practice LEGGINGS copy

‘faith takes practice’ leggings

faith chicken iphone case copy

faith takes practice SQ PILLOW copy

 

read Kerri’s thoughts on FAITH TAKES PRACTICE

melange button jpeg copy

kerrianddavid.com

sometimes faith takes a little practice ©️ 2016 david robinson & kerri sherwood

Two Artists Tuesday

A thought for your Tuesday from studio melange

MASTER vintage type copy 2

The dividing line was approximately around the age of 40. It was a figure drawing session and those of us over the age of 40 came to the studio carrying pads of newsprint, drawing boards, pencils, pastels and vine charcoal. The artists under 40 came with a computer and stylus. It was a beautiful collision of the first order, both sides of the divide saying to the other, “I could never do that.” The younger artists referred to us seasoned (covered with charcoal dust) artists as ‘vintage.’

I am vintage. For me, making art is a physical activity, a full body dance. I need paint that splashes, brushes that drag across a surface, the smell and feel of the process. My canvases have always been large simply because I need to move. Art making, for me, is necessarily kinesthetic. It’s like splashing in puddles and playing in mud. The virtual equivalent is not visceral enough.

As vintage I will never be efficient or fast. I’ll never have the variance or range that digital process allows. That’s okay with me. I was born and oriented into the artist’s way looooong before digital wizardry. My parents provided me with a large wall and buckets of paint. That wall was a magic place, the portal to another dimension. Unlike the younger artists in the figure drawing class, I find a stylus and tablet physically limiting. The action is too small. What sets them free feels like a shackle to me. I love the dance, the mess, and the danger of not being able to insta-correct or click back to an earlier version.

To my digital descendants, my dust free successors, I AM the earlier version. We enter our magic place through different doors. And, that’s okay with me.

I AM A VINTAGE TYPE merchandise [leggings, totes, pillows, mugs, gift cards…]

society 6 info jpeg copy

vintage type FRAMED ART PRINT copy

Vintage tyoe LEGGINGS copy

vintage type FLOOR PILLOW copy

vintage type TOTE BAG copy

read Kerri’s thoughts on I AM A VINTAGE TYPE

melange button jpeg copy

kerrianddavid.com

i am a vintage type ©️ 2018 kerri sherwood & david robinson