Wink With Piet [on Not So Flawed Wednesday]

My first thought was of Piet Mondrian. Not the colorful compositions but a never-before-seen shadow side. Abstract reduction into simple geometry. An artistic vocabulary concerned with spirituality and universal values. I used to ponder how a utopian pursuit of the spiritual landed on clean hard geometry; bold primary colors set inside hard black lines. I’m certain that, given a similar pursuit, my visual vocabulary would have been softer. Ethereal.

It was the first snow. I looked down at the aging planks of the bench. A criss-cross-apple-sauce of workmanship dusted with white. We’ve never painted the loveseat. After so many years, so many winters and summers, rain and snow and sun, the grain of the wood is alive with texture. An aged face.

One of my favorite rituals of spring is the first sitting. After another freezing winter, another year of age, will the wood continue to hold my weight, our weight? We hold hands and sit slowly, gingerly. Our knees creak before our weight finds the planks. Like a baton pass, the wood takes on the groaning as our knees pass our load to the seat. We sit for a moment with eyes open wide. And then, after a slight bounce-test, we relax. The wood will hold. Our loveseat is like a faithful friend.

The snow melted as fast as it arrived. That is the way of first snow. Blink and you’ll miss it. Except for the love seat and matching chair, we hauled all the other summer furniture into the garage. The table and umbrella. The small ladders that serve as end tables. The fire pit. The first dusting of snow is the cue. The pond freezes so we pull the pump and fountain. Soon, we’ll stack the plastic Adirondack chairs and they’ll take the last available spot in our tiny garage. We push the loveseat to the wall beneath the kitchen window.

We stand on the deck and sigh, feeling the weight of coming winter. The dark days. For a moment, the yard seems bleak. But then, the birds land on the wire. The squirrel highway is open for business. We hear the ancient croak of the cranes in the distance. A cold gust brings a blizzard of falling leaves. A wholly different kind of abundance. The energy moves underground. A time for sleeping and quiet rejuvenation.

Simple geometry. Reduction to cold days and hard lines. Brilliant blue sky. A wink from Piet Mondrian.

read Kerri’s blogpost about THE DECK

Call Attention [on Two Artists Tuesday]

I spent the past two years working with engineers. I was constantly amazed at what they could not see and what I could not see. They were blind to what was apparent to me and I was equally blind to what was obvious to them. It’s what made us a good team. Once, Scott sent a spreadsheet and I stared at it like it was an alien. And it was. Numbers in columns and rows become visual statements for me. I lose the data in the pattern. The information melts into a design on the page. It was beautiful and incomprehensible to me. I had to ask, “What does this mean?”

Yesterday, Kerri and I took a long hike on a trail that we hadn’t walked for a few years. It was a beautiful day. I was overcome with appreciation. I recognized that we do not walk like other people. We stop often to look. Kerri takes photographs of detail. She sees the smallest of miracles and, rather than walk-on-by, she stops. She engages. She calls my attention to it. While she snaps pictures, I close my eyes. I feel the air. I hear the cranes and geese flying overhead. I call her attention to it.

The crystals on the window stopped me in my tracks. Standing in the door of my office, I looked across the hall through a room and to the window. The ice-branches sparkled in the morning light. They were like a magic kelp forest frozen in time. I called to Kerri and she came running, camera in hand.

I cherished the moment, not because it was unusual, but because it is our ordinary. What happens on the trail also happens in our home. We are not in a rush to get “there.” We stop often to look. We call attention to what we see.

read Kerri’s blogpost about CRYSTALS

Stay On The Root [on Merely A Thought Monday]

I wrote a note to myself and put it on the stairs. Later, I’ll carry the note up to my studio/office. It reads: standing still in the sacrament of uncertainty.

I know well this sacrament of uncertainty, this thing of mysterious and sacred significance. I’ve been here before, many times. Standing still is becoming easier.

This morning these words caught me so I underlined them in pencil: They are fully aware that their common ancestors, the Tairona, waged fierce but futile war against the invaders. In their mountain redoubt, lost to history for at least three centuries, they chose deliberately to transform their civilization into a devotional culture of peace.” ~ Wade Davis, The Wayfinders.

Deliberate transformation into a devotional culture of peace. Imagine it if you can.

She was so wise! Karola’s advice to the 30 year old version of me: let the glass go empty. That was terrifying advice to my younger self. At that age, I feared losing myself in the emptiness. At 60, having been empty (and emptied) more than a few times, her advice is sage. As she knew, empty is the only place that you have a chance of finding yourself.

I know now that I used to go into my studio to escape the noise. It was the only place where I could make sense – or find sense – of this crazy world. Studio as fortress. As armor. I will, at some point, re-enter my studio. I wonder what I will paint now that sense-making is no longer a priority. I wonder what I will imagine now that the armor is off.

I tell myself to “stay on the root.” Advice from Saul. That means to stay in the moment. Even in the intense discomfort of uncertainty I do not want to rush through a day of my life. Uncertainty and loss are life experiences, too. Colors on the palette. No less valuable than joy or conviction. When I listen to myself, when I sit solidly on the root, the circumstance remains but the discomfort disappears.

I’m doing what I’ve so often advised others to do: when you cannot see, ask those you trust to tell you what they see. Perspective requires some distance and I am sitting squarely atop my event horizon. I cannot see. These days I’m happily borrowing perspective. My friends have wise-eyes. They tell me – each in their own way – to stand still. Honor the sacrament. Listen. Empty and make space for imagination.

read Kerri’s blogpost about BEGINNING

Whirl The Dervish [on saturday morning smack-dab.]

I’m sure I’ve previously written that Kerri does nothing in straight lines. Dogga runs circles and I tell him he comes by it naturally. He’s just like his momma.

The first time I watched Kerri vacuum I felt as if I was watching and episode of I Love Lucy. She whirled the Shark in a rapid circle, a mad-cleaning-ballet, and was soon tangled in the cord, looped to a chair, and tied to the machine. The knot of Kerri, vacuum and wicker chair teetered and tumbled to the floor. “Do you need some help?” I asked.

These days, when the vacuum comes out, Dogga runs to the backdoor. He wants nothing to do with what is about to happen. I’m driving. I believe in straight lines.

We’ve agreed that it’s my job to use the cleaning appliances with cords. Her natural dervish isn’t dangerous when she’s not plugged into the wall. A Swiffer is safe. A broom. But, like any untethered tornado, it’s probably best to stay out of her way.

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Join [on KS Friday]

“I wouldn’t mind turning into a vermillion goldfish.” ~ Henri Matisse

To say we were out of place would be an understatement. Two crows in a seagull bar. The Fat Seagull, to be exact. Two artists step into the watering hole of a lumberjack town. The beginning of a joke.

There was a table of ladies playing a rowdy card game. Big guys leaning into the bar, a row of suspenders and worn baseball caps. Bottles of Miller beer. They wrinkled their brows when they caught sight of us. We sat at the only open table. A high bar table pushed into the walkway. Two stools. We knew we were outliers when we ordered wine. The waiter returned a few minutes later having found an unopened bottle. He explained that the only two wine glasses in the bar were broken. We sipped our wine from tiny cups.

We drove two hours north to see a special show. The last performance of a duo. This bar would be their punctuation point. They began to play and slowly the magic happened. Together, people leaned in to listen. Bodies swiveled and danced on stools. Hands clapped at the end of each number. The musicians wove a spell that brought everyone together. Two crows were no longer aliens but integral to the shared experience.

Our waiter refilled our tiny glasses and stayed to chat. He invited us to come back and try the burgers. We smiled and talked to those sitting nearby. Without inhibition, Kerri took photographs of the crowd, the musicians, the coolers, and the ceiling.

The punchline? The power of art. The magic of music. The easy recognition of common center. It is no less potent in a dive bar than in a stadium or auditorium or gallery. The place is incidental when the performance is pure.

read Kerri’s blogpost about THE FAT SEAGULL

Kerri’s albums are available on iTunes & streaming on Pandora

take flight/this part of the journey © 1998 kerri sherwood

Peel Open [on DR Thursday]

The pods peel open at just the right moment. The fine fluff catches the wind and carries the seed. Nature’s dispersal system. Hope on a sail. The destination is determined by the direction and strength of the wind, not the intention of the seed.

In the United States of America, today is a day of thanks giving. Families gather. Traditional recipes prepared. A pause in the fast moving river for a moment of gratitude. Stories shared; recipes, smells and tastes like seeds are planted in the next generation.

Sitting at a card table with cousins, the adults packed around the kitchen table. Cranberry in a dish, shaped like a can. Blue blue Colorado sky. The crisp air dancing with the sun’s warmth. Coffee. Pumpkin pie. My memories rise from my senses.

Last Thanksgiving, Covid kept us isolated. Our families are far away. Despite our best plans, we will, once again, give our thanks together yet alone. We will walk a trail. We will love on the Dogga. We will make a special meal and tell stories of gratitude. Rob came through for a visit. Dwight called. Mark remains a rock. We heard from Kate. There is no lack of love or laughter in our house.

This pod will peel open at just the right moment. We are burgeoning with hope. In the meantime, we prepare our fine fluff, knowing full well that, despite our best intention, our destination will be determined by the direction and strength of the wind.

read Kerri’s blogpost about THE SEED

Tango With Me, 39x52IN, mixed media

tango with me © 2018 david robinson

Cross The County Line [on Not So Flawed Wednesday]

Drive west from our house near the lake for a few miles and you’ll come to the interstate freeway that runs north to Milwaukee and south to Chicago. Cross under the freeway, continuing west and you enter what we call “the county.” Rich farmland. The freeway serves as a dividing line from urban to rural.

Sometimes it feels like crossing the line into another culture. Blue to red. The county redness puzzles me but that’s a topic for another post. We drive into the foreign culture with the same curiosity we might bring to Tunisia or India. “I wonder what they see…” is a common refrain.

Sometimes crossing the freeway line feels like an escape into open space and a breath of fresh air. Once upon a time we took Sunday drives; the point was to go get lost in the county. “Left or right?” Kerri would ask. Both choices leading to the unknown.

We are avid freeway avoiders. It doesn’t bother us to take extra time traveling to Chicago or Milwaukee on the backroads. Less aggression. We relax and enjoy the ride. Often, especially during rush hour, our backroads travel proves faster than the traffic jam.

Last week, en route to the hand specialist in Milwaukee, we traveled our usual backroad path, winding through the county. There was no snow at our house when we left. We crossed the freeway into another landscape, blanketed with white. It was as if we crossed the line into another season. We entered an alternate reality.

“That’s so odd,” I said.

“No,” Kerri replied. “That’s the county.”

read Kerri’s blogpost about THE COUNTY

Cope! [on Two Artists Tuesday]

Let’s just call it a coping mechanism. Job loss came fast and furious. The news came on the coldest, greyest week of the year. Hollywood could not have provided a better scene. Job loss. Freezing rain.

Escapism, for us, often looks like a long drive and on our long drive we had a sudden hankering for french fries. Escapism provides an open invitation for all the foods you normally avoid. The rules of escapism also allow for over-indulgence. At the Culver’s drive-thru, we didn’t order the human-sized fries. We ordered the family pack. They had to use a forklift to bring the fries to our car. And, we ate them. Almost all of them.

The rules of over-indulgence require deniability. We left ten fries in the tray so we might in good faith tell the food police that we didn’t eat the whole thing. We didn’t over-indulge! We didn’t eat the whole truckload of fries! Who would do such a thing! Not us, certainly.

I’m giggling a bit since our topic yesterday was choice. In the way of all perfect hypocrisy I claim the choice of deniability. I’m following the rules. We ate them, maybe, but we had to do it, if we ate them – and I’m not saying that we did though they might have been good – but I can’t remember. There may or may not have been a food coma.

Good heavens! French fries have made me a politician! I’ve always wondered why on earth anyone would become a politician…

Politics. A new career, perhaps? Not a chance. I want to escape my escapism, not make it a way of life. Though, from here, there may or may not be a few more fries needed to get to the other side. I’ll keep you posted. However, I can say with certainty that, in the short term, you can’t believe a word I write.

Now, who wants to go for a drive?

read Kerri’s blogpost about FRIES

See Your Choices [on Merely A Thought Monday]

He began with silence. He looked them all over, one fox at a time, and his eyes looked deep into theirs. Lucy wanted to hide when his eyes came to her but instead she fell into his gaze. He seemed to be listening. Then, he made up his mind, and in a voice that was both powerful and quiet, he said, “Words are strong magic, misused they are tragic, but handled with care they bring insight and good cheer. So listen, dear friends, listen with care.” ~ Lucy & The Waterfox

“Choice” is a very powerful word. Perhaps one of the most powerful.

Lucy was a story I told many years ago at a conference of healthcare workers. Actually, it wasn’t the primary story; it was an addition. The organizers asked if I had a second story in my bag o’ tricks and I’d just written Lucy.

After the conference I illustrated and self-published it. It was the early days of self-publishing so the layout is wonky. I’ve never really liked how the book looks. I’d turn Kerri loose on it if we were bored and didn’t have other things to do. We’re not bored.

Lucy makes two choices in the story. The first is to hide her special talent. To conform. The second is to own her special talent. To take flight.

She achieves both choices through the intervention of others. The first choice was made with the help of social pressure; who doesn’t want to belong, to fit in! To conform. This choice nearly kills her. The second is made with the help of a storyteller, a role model. Who doesn’t want to fulfill their passion! Follow their bliss? This choice fills her with life.

I’d write a sequel but it’s already imbedded in the first book. What happens to Lucy when she chooses the left hand path? She becomes, as all artists do, the carrier of the story, the mythologist and mythology of the pack.

Sometimes it doesn’t feel like a choice. To hide your fire. Bend to pressure. To burn brightly. Follow an inner imperative. Yet they are choices, both.

“Lucy was a red fox who lived as other red foxes do, playing in the fields and forests. But Lucy had a secret. She could fly. Not a run-and-jump-to-this-rock kind of fly. No! She could fly like a bird…”

read Kerri’s blogpost about CHOICE

Lucy & The Waterfox © 2004 david robinson

Rest In It [on saturday morning smack-dab.]

Each morning, after breakfast, Dogga retreats to the kitchen and sprawls near his bowl. It is the rendezvous spot, the place where he and BabyCat met each morning to snuggle and snooze. Every day, Dogga returns faithfully to their meeting spot. He doesn’t snooze. He waits.

BabyCat has been gone for over a year and a half. In our old house, at night, when a floor board upstairs creaks or thumps, I still think, “There’s that BabyCat!”

BabyCat was a BIG cat so there was lots of him to love. Like Dogga at the rendezvous spot, we know that big love never goes away. It’s always there – he’s always there – even if we can’t see him. We feel the love. It feels so good to find the right spot in the house, rest in it, and drink in that big warm wave of BabyCat love.

read Kerri’s blogpsot on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com