Harvest Tales [on KS Friday]

We sat on the back porch of the farmhouse. Columbus stared across the fields and told stories of his youth, working on a farm. He never talked about that time in his life, at least I didn’t remember hearing about the harvest times.

We rented the airbnb to take him back to his hometown. He wanted to see it one last time. He was slipping deeper into dementia and knew this visit would be his last. Earlier in the day, I found him in the kitchen. He was lost. He couldn’t remember how to make coffee. I’m not sure he knew who I was. We made coffee together and pretended all was well.

I was surprised that he didn’t want to spend more time in the little downtown. He wanted to walk the cemetery. He wanted to tell stories of his friends. He knew where every headstone was located. He knew right where his friends were and I listened, gathering more stories from his life. Sometimes I asked questions, prompts, to keep the storytelling going.

After the cemetery, we found the little house his grandfather built, the little house where my grandfather was born. It was being used as a storage shed because it was no bigger than a storage shed. It was in someone’s backyard. There wasn’t a fence and no one was home so we crossed the yard and walked around it. Holy ground for my dad. Now, it is sacred ground for me, too. He was a salmon swimming upstream returning to his origin. He was planting stories in us, reaching deep into his beginning tale. I was quiet, now. Listening.

We ended the day on the farmhouse porch. Staring across the field. Harvest tales.

read Kerri’s blogpost about HARVEST

Kerri’s albums are available on iTunes & streaming on Pandora

millneck fall © 1997 kerri sherwood

Tell The Story [on KS Friday]

The last time I saw Emily she was showing her simple watercolors in a coffee shop in West Seattle. She sat at a table, her head wrapped in a scarf. Emily was not shy. She was wildly alive and would have had no problem revealing her bald head, a result of the treatment. She wore the scarf because she loved it.

At the time, I was telling stories. At conferences. At facilitations. With symphonies. Pulling people together through a story into a shared metaphor. I did a full stop in front of Emily’s piece, The Storyteller. I knew it was coming home with me. Artists love it when one of their creations speak-out-loud to you. I told Emily about my full stop and she confessed that she loved The Storyteller, too.

After I paid for the small painting, we talked about her treatment. We talked of her hope for remission. Recovery. She was upbeat. Laughter-full. As always. In recounting this memory, I remember that she had no health insurance. It was years before the ACA. We talked about her path through experimental treatments, the only route open to her. She was selling her paintings, everything she had, to try and defer the bill collectors.

I left the coffeehouse art gallery with a new treasure and filled with Emily’s bright spirit. How could she be so vibrant against such a monumental wave of adversity? You already know the next chapter of this tale. Emily died less than a month later.

The Storyteller has lived in my studio. It reminds me of many, many things but mostly of Emily’s lesson: I am not my circumstance. Life is vibrant. This little watercolor is among my greatest treasures.

Dan recently gave me this do-rag: Snap-on, Socket-to-Breast-Cancer. It came at the perfect time as my sister-in-law was entering treatment. I wore it for her on the day of her first treatment but I also wore it for Emily. I wore it for Beaky. I wore it for Beth. I wore it as a wish for a someday cure, for anyone who has or will have to sit at a table and hear a doctor say, ‘You have breast cancer.”

This month is Breast Cancer Awareness month. Be a Storyteller and help pull people together.

This is a piece Kerri wrote and sang when she was working with oncologists raising awareness for Breast Cancer Research

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about BREAST CANCER AWARENESS

i am alive © 2005 kerri sherwood

Stumble Forward [on KS Friday]

I stared at the print in our Airbnb. It made me smile. A happy sloth sitting for a portrait. My children’s book-story-imagination ran amok with the possibilities. This sloth might be pals with Pooh.

The image is by Simon Te Tai. He’s a photographer and manipulates his images using other technologies. He alters the personality. He sometimes adds human characteristics.

I’m paying attention to the uproar in the art community over text-to-image software, like Dall-e. Type a simple phrase into the generator and it will produce an image. “It’s the end!” frightened artists cry!

It’s curious to me. A camera is a technology that, when first introduced, produced the same cry from artists. “It’s the end.” And then artists worked with it. The world would not have a Van Gogh or a Matisse without the camera. The camera freed artists from the necessities of realism. It opened paths to other vibrant explorations.

I remember the first time I saw Photoshop. “The end of truth as we know it,” I thought. A photograph was no longer proof that something happened. It was a shock. Disorienting. Now, I sit next to Kerri everyday as she manipulates our cartoons, produces our blog-boxes, and tweaks photos. It is common, everyday. Liberating.

There isn’t an art form that hasn’t been fundamentally altered by technology. Amplification of sound made it possible for us to attend a concert in a stadium of people. The swirling lights, the moving images playing behind Elton John were sophisticated and an integral part of the experience.

Our language is being altered by technology. The text. The tweet. The emoji. The pendulum is swinging back toward the image, the symbol, and away from the written word. Pictographs on screens rather than chipped into the walls of pyramids.

It’s a push-me-pull-you, this dance we do with technology. Something is rendered obsolete while something gained is not-quite-understood. Change is like that, especially the rapid changes introduced by technology. We stumble forward like a drunken sailor, never quite knowing where we’re going because we understand ourselves by where we’ve been.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE SLOTH

bridge/as it is © 2004 kerri sherwood

Stop And Rest [on KS Friday]

At the height of the pandemic she recorded music on her phone and posted it for the community. It was a warm blanket, a comfort sent to people separated by the virus. Yesterday, she stumbled upon the recordings. There are hundreds. She played one for me. Pressing pause, she looked surprised and said, “These were good.”

I appreciated her honesty. I smiled at her surprise. Having been taught that it’s not nice to brag, she rarely acknowledges the scope and depth of her gift. Her pat response when I genuinely gush about her latest composition: “It’s okay.” It is good medicine for a gifted artist to say to herself, “My work is good.”

Also yesterday, she had a “talk” with me. She advised that I be less hard on myself. “Hold yourself softly,” she said. She was spot on. She can see it in me because she can see it in herself. She was telling me that, like her, my work is good. I swallowed my immediate response, “It’s okay.”

“Okay” is a hard word. It comes from a long road of vulnerability and a dedication to getting better and better. Minimizing is both armor and a practice. The path of artistic passion runs through, “Love what you do.” Yes, love it, but don’t get lost in it.

A life of mastery is built upon a mountain-range of mistakes and a dedication to never arriving. Keep walking. Keep growing and opening. Keep discovering ways to say more with less. Every once in awhile, it’s nourishing for the artistic soul to stop for a rest and crawl under the warm generous blanket of, “My work is good.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about QUILTS

and goodnight/and goodnight…a lullaby album © 2005 kerri sherwood

Imagine The Shadow [on KS Friday]

“I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.” ~ Grandma Moses

Among the many reasons I love autumn is the color of the light. Looking out of the kitchen window this morning I was bowled over by plants resplendent in orange and pink. I was so taken by the color that I forgot I was cooking and nearly burned breakfast.

We hiked yesterday. The trail was steep and rocky but, thankfully, the trail wound under the canopy of the forest. It was a hot day and the shade made our path bearable. We stopped often to breathe and enjoy the remarkable shadows cast by the trees. The leaves glowed and waved, backlit by the sun.

Imagination. The capacity to make images in the mind. It is the most basic of human capacities. We spend our lives imaging ourselves in tragedy and in triumph. Yearning and fear are both shades of imagination. “What if…?” is a question borne of imagination.

“Wait!” Kerri suddenly instructs, stopping me in my tracks. When the sun is low in the sky and our shadows make us skinny giants, she likes to capture our distortion. Shadows do not resist the curvature of the earth. They do not try-to-be. They simply conform to the circumstance and, inevitably, moving through a festival of color changes, blend into the purple dusk.

While she focuses her camera on our shadow, I appreciate the glow of the negative spaces, the yellow-autumn warmth heightened by our grey-blue silhouette. I giggle imagining we are as skinny-tall as the shadows we cast. “Hold still,” she whispers, not realizing my giggle is making the shot impossible. While stilling my shadow, in my mind, we reach and pluck the reddest of leaves from the tippy top of the maple tree.

Waiting (from Joy)

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about SHADOWS


waiting/joy © 1998 kerri sherwood

Speak In Softer Tones [on KS Friday]

On stormy days the sound of the lake greets us in the morning. If we didn’t know better, we’d think it was the Atlantic Ocean. And then there are the days when the lake is glassy smooth. The silence of the lake invokes silence in us; we speak in softer tones.

We are on the road this morning. The sounds that greet us are different. New. In this small town there’s a cricket symphony that accompanies the sunrise. I stood for a moment on the balcony and enjoyed the performance. Masterful. Pink and purple sky.

In a few hours we’ll be back on the road. Unlike yesterday, we’ll drive the backroads. Lately, we are resistant to the frenetic freeway, the angry trucks, the anxious sedans. Sometimes the freeway is unavoidable. Knowing there will be quieter sounds today – and a slower pace – makes us breathe easier. Sound and pace are cousins.

Today is a “we’ll-get-there-when-we-get-there” day. I learned years ago that pace and frenetic energy are a team sport. People feed the frantic in each other. People are also capable of creating quiet in each other. Sometime, for an experiment, try and slow walk down a busy-business-walker street. To remain slow you have to ride your inner brakes.

The same is true with sound. We seek the thumping clubs and concerts when we want to amp up. We seek the slow-walk meadows when we want to gear down.

Today is a gear down day. The crickets must have known. They set a perfect starting tone for a backroads intention. We’ll speak in softer timbre, just like the lake.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about THE LAKE

adrift/blueprint for my soul © 1997 kerri sherwood

Learn How To Use It [on KS Friday]

The young man came to our house to bid on a job. He is days away from becoming a new dad. We talked about becoming a parent, his hopes, dreams, and his fears. He and his wife have decided to homeschool their son; the very real possibility of his child being shot in a classroom was a major factor in their decision.

Having spent much of my life working in and with public schools, it broke my heart. Kerri and I acknowledged that, were we new parents, we’d probably make the same choice. “Every man/woman for him/her self” is winning the day over “I am my brother/sister’s keeper.”

Who hasn’t seen the video of a mother teaching her son what to do in the event of an active shooter at school? She purchased a bullet-proof backpack to help keep her child safe. Who hasn’t heard the description of what the bullet from an assault rifle does to the body of a child?

About the budding new democracy called The United States of America, Alexis de Tocqueville wrote, “There are many men of principle in both parties in America, but there is no party of principle.” He also wrote, “The American Republic will endure until the day Congress discovers that it can bribe the public with the public’s money.” And so it is.

As I’ve previously written, as a child in school, our safety drills were about atom bombs. Outside threats. This generation, this young artisan, about to become a new dad, knows his son will have to drill against an internal threat. A country that refuses to protect its children and opts, instead, to protect its gun lobby, its money.

“Nothing is more wonderful than the art of being free, but nothing is harder to learn how to use than freedom.” ~ Alexis de Tocqueville.

Freedom is an art form. A practice. It’s an ideal that a community practices and creates together. No one does it alone. And, therein, lies our problem. Every man/woman for him/herself is not freedom. It is chaos. Anarchy. It has our children ducking under desks and carrying bulletproof backpacks. Or, avoiding school altogether.

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about LIGHT IN THE DARK

transience/right now © 2010 kerri sherwood

Turn And Look [on KS Friday]

Sometimes in the middle of the night the monsters come out and dance through my mind. Last night was one of those nights. I’ve learned not to take them seriously. I’ve learned that their visit is meant to inspire gratitude. Rather than fight, forgive. Rather than run, turn and look.

I’ve always felt deeply connected to birds of prey, especially hawks. Many years ago, during an “art as transformation” class, an elder came to teach us how to make medicine shields. We gathered and designed our symbols, bent willow, stretched hide. I was visited by a hawk as I walked the mountain so the sun side of my shield includes a hawk. I keep it in my studio.

There’s a hawk in our neighborhood. We know it’s around when the crows explode in alarm. To see the hawk, follow the crows’ relentless assault.

While planting pampas grass against the fence, Kerri gasped and whispered, “Turn around slowly.” Before I could reposition, the hawk disappeared. It had perched on the fence above our heads. A ghost. No crow alarm. Kerri and the hawk looked each other in the eye. “It was huge!” she said.

Moments later, the planting complete, the hawk flew through and landed in the neighbor’s tree. Squirrels froze in place. The crows, sleeping sentinels, awoke. The alarm went out. The hawk paid it no heed.

A visit. A monster in the dreams of squirrels and chipmunks, I felt nothing but awe. The hawk remained in the tree for a long time. We looked at it. It looked at us. Gratitude.

kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE HAWK

take flight/this part of the journey © 1998 kerri sherwood

Sing With Pooh [on KS Friday]

Why does a song suddenly pop-up in your mind and beg you to hum along? Yesterday, for no apparent reason, out of the blue, Loggins and Messina’s song, The House At Pooh Corner, washed over me and forced me to maul the lyrics. At the time I was writing a business blogpost about assembly lines (uff-da). House At Pooh Corner was released in 1971, it’s a bubble from the deep-deep archives.

It changed my day. I made such gumbo of the lyrics that I pulled it up on YouTube. I sang along so I might refresh the muddied words in my mind. In addition to word-recall, it lightened my spirits. Writing about spirit-stripping manufacturing processes, command-and-control structures, had my brows knitted and my brain squeezed. Maybe that’s why Pooh decided to visit. I had a honey jar stuck on my nose. I sang along and laughed.

By the end of the sing-along I was dedicated to taking myself less seriously. I suspect that’s the message and gift A.A. Milne released upon the world with Pooh and Piglet. None of it is as serious as we pretend. Will my knitted brow blogpost about new systems illuminate the world? Yawn. Probably not. Did it feel good to write? Absolutely. I love thinking about a better world. Pooh lives in one – and maybe that’s yet another reason he jumped a bubble and rode to the surface of my thinking. He came as a song. A lovely light-hearted wish. A seed pod of silly presence.

“…So I sent him to ask of the owl, if he’s there, how to loosen a jar from the nose of a bear…Help me if you can I’ve got to get back to the house at Pooh corner by one, you’d be surprised there’s so much to be done….” Kenny Loggins & Jim Messina

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about WISHES

i will hold you (forever & ever)/goodnight: a lullaby album © 2005 kerri sherwood

Extend The Peace [on KS Friday]

Most of my life I’ve been an apartment dweller. A studio liver. Since moving to Wisconsin, into a house, I’ve had a yard to tend. I’m not very good at it but I confess to enjoying the work. I like being outside. Pulling weeds has, I’m slightly worried to admit, become a meditation.

Since Dog-Dog is a gifted destroyer of backyards – digging holes, wearing multiple velodrome paths in the grass – tending the yard has mostly been reactive. My actions are determined by his actions. Let’s just say I don’t worry too much about winning the lawn Olympics. I doubt that I’d qualify.

In the past year, in addition to the inside of the house being wrecked by interior waterfalls and other surprises, outside our yard, front and back, has also been blown to smithereens. We are slowly digging out. We are slowly putting the pieces back together again. And, we’re doing it at a time that Dog-Dog is slowing down. These days he’d rather sit in the shade than cut a new velodrome.

So, we’re designing our space. We’re extending the peace we created in our sunroom into the yard. Last year, our peace spilled out onto the deck. Now, with the addition of the back fence, our peace is pressing the lot line.

I was surprised to learn that Kerri has hosta preferences. She’s not a fan of the variegated variety that lined our yard. Bert and Sue gave us those plants from their yard. We were trying to get something – anything – to grow. Sally gave us ferns and day lilies. We rolled those down third avenue in a wheelbarrow. Now, with everything in disarray, we have a blank canvas.

With tall grasses as the center of her design, she pulled me across the nursery to see “the right hosta.” There’s a certain shape of leaf. A certain color of green. “Look,” she said, pointing out the differences. “Don’t you love that?”

What I love is the specificity of her compositional eye. She tells me that the grasses will dance and pop against the white fence. The green – not any green – but the specific green of the hosta will sing next to the swaying grasses.

Hosta singing. Grasses dancing. Out of the ashes…design, and peace that reaches all the way to the fence.

read Kerri’s blogpost about THE RIGHT GREEN

Kerri’s albums are available on iTunes & streaming on Pandora

longing/as it is © 2004 kerri sherwood