Break It [on KS Friday]

Breaking space with a line changes the dynamic of the entire composition. I played with those dynamics for years. Vertical breaks. Horizontal lines that read like confused measure bars, segments of inconsistent time. Sometimes the lines tilted and pulled to the past. Sometimes they leaned into the future, urging the image forward. All of those interpretations were, of course, in my mind; I have no idea how others interpreted the lines on my canvases.

We are in the season of fog. Sometimes it’s so dense that we stand on the rocks and cannot see the water. Lake Michigan is hard to hide! The fog is a worthy magician.

The fog-magician also has the capacity of pressing three dimensional objects into seeming flat two dimensional images. The sudden silhouetting of the world pulls Kerri out onto the deck every time. “Can you believe it?” she asks, grabbing her camera and stepping through the door and into the fog. Dogga and I watch. We are happy in three dimensions and resist the call of stepping into flatland.

When she returns to our dimension, she shows us her photographs. “I love this one because the wire made a line,” she says. “It breaks the image.”

I smile. Vertical breaks in the composition. I say, “It reads like an abstract painting.” Three dimensions becoming two, a line breaking space, capping or pulling or simply interrupting.

Jackson Pollock believed his paintings were recordings of movement. Paint dancing. Who really knows how others interpret his paintings. Beyond the curator or art historian, who cares, really? The relationship between art and audience is meant to be direct, pure. No third party interpretation necessary.

“What do you think?” she asks.

“I love it,” I say. “It makes me want to paint.”

kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about FOG

when the fog lifts/this part of the journey © 1998 kerri sherwood

See The Signs [on KS Friday]

Although it is not quite here, I know spring is coming. How do I know? The blinds are open on one side of the room. They are closed on the other side.

During the winter, the blinds are closed on both sides of the room. During the winter, we turn in. We close out the world. All of the energy goes to the root, beneath the soil, to recharge our lives. Hibernation. And then, one day, though it is still cold, the birds return, we wake to their song, the sun plays hide-and-seek. In the morning, well rested, we open the blinds to the east.

We’re watching the squirrels. They gather the fallen leaves in their mouths and adeptly climb the maples and oaks to high notches, deposit their load, and return to the ground to gather more. Up and down. Over and over. Preparing their nests. The birds are courting. It looks like a hearty game of chase but we know the females are dodging the insistent pesky males.

Life is returning from the deep. Preparation for Persephone’s homecoming. Restless buds appear on branches. It’s close, but not quite yet.

Not quite yet. The third covid springtime. We are not yet past it and are fidgety.

We sat in the car staring at the door to the store. “I’m so goddamn tired of putting on this mask, ” I said as I put it on. We know we’ll be among the few wearing masks as we shop. No matter. It’s not over yet, this long winter of pandemic. As much as we want it to be spring, as much as we can see the signs, it’s not here yet. Not yet. Blinds open on one side of the room. Blinds closed on the other side.

kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about BLINDS

that morning someday/blueprint for my soul © 1997 kerri sherwood

Gaze At The Seam (on KS Friday)

Some things are hard to grasp. When that’s the case, it’s a good time to look at the sky. You’ll not find many explanations up there but gazing at the seam between us and the infinite-universe can, in moments of clenched fists, bring some perspective. As Kerri says, “It just keeps rolling.” No problem can remain large when measured against the seam, that fragile ozone layer that makes breathing and every current dilemma possible.

Sometimes when I look at the sky I wonder how many people across the ages have engaged in seam-gazing.

I imagine, one day in Kansas, 1932, as his fields turned to dust, a farmer looked to the sky. All his appeals for rain exhausted.

I can’t imagine how many women looked to the sky over the 100 years of protests and parades before being afforded the right to vote.

Can you imagine how many African-Americans looked to the sky as slaves in a nation that boasted to the world about its freedom and equality?

I look to the sky every time another state in the union passes legislation prohibiting discussions about our history, so fearful are we of critical race theory and the equality that we profess.

I find nothing in the seam that explains anything, but the clouds remind me that it just keeps rolling and, since I believe we tend toward wholeness, I catch a whiff of hope in all the blue and moving puffy white.

Someday, somewhere down the historic road, someone will look to the sky, in a post-nonsense era, and will, perhaps, imagine me staring back. To them, from their perspective, my unanswerable questions will have found resolve. They will have questions of their own, no doubt, but won’t it be nice to have a new set of questions to thrust at the seam?

read Kerri’s blogpost about THE SKY

Little By Little (©2022 Kerri Sherwood featuring Dogga)

Turn Toward It [on KS Friday]

This is what he wrote. “The irony I feel is that the world is lost on the artistic temperament of these students.  They don’t seem awake to all that’s going on.” He’s directing teenage students in a play. He was my student thirty five years ago and reached out to me. We compared notes of the production I directed when he was a teenager, and the production he’s directing now. The world has changed mightily. His production will be viewed through a wholly different lens.

I flipped his phrase over in my mind. Artistry is to be awake to all that’s going on. And, awake is not a steady state. It’s not an arrival platform. It’s a relationship between the inner and the outer. What I know about that relationship is that sometimes you need to look away. His students have drilled for active shooters in the hall since they were in kindergarten. Mine couldn’t have imagined it. His students are navigating a pandemic, they’ve never known a world pre 9/11, they live in a country that is eating itself alive. My actors had easier access to what was going on. What was going on was closer in, more immediate and less abstract. They were not looking at a world-wide horror story or lost in the morass of social media. Cell phones were science fiction to my cast. My actors looked at each other and not at their screens.

Stories are about something. We just watched Erin Burnett’s interview with a Ukrainian husband who lost his wife and children to a Russian mortar attack. A month ago, violent death was nowhere on their radar. They were making dinner, going to school, doing homework, late for work. Erin Burnett began to cry and thank goodness. Humanity breaks through and we awake to what’s going on – really going on. We should all be weeping with Erin Burnett and this man.

Sometimes I feel as if I am looking for the small beautiful moments. I am trying to root my day in the explosion of color, the pastel sky, Dogga in the sun. Holding hands. Cooking dinner together. I am trying to be awake to what is going on, the anger and division and warmongering and carelessness as we soil our nest – without it frying my insides. Holding hands is just as real. Reaching toward our neighbors is also what’s going on.

Stories have to be about something and most often stories are about transcendence. Waking up to what is going on is less about waking up – we already know – and more about fully acknowledging it, facing the full picture and turning toward it rather than running away. But, before that final act, that moment of deciding enough-is-enough, before we are willing to blink open our eyes, we pretend the problem is non-existent or small. We ignore the obvious. 500 year storms every year. A family killed by a mortar shell. We bury our faces in our phones, we ban critical race theory, and toss our attention in a Twitter reality or a Tik-Tok diversion.

I wanted to write back and suggest that the world is not lost on the artistic temperament of his students, it’s simply too hard to look at the world so they are choosing to look away. That’s what their play will ultimately be about.

read Kerri’s blogpost about COLOR!!

Kerri’s albums are available on iTunes & streaming on Pandora

the way home/this part of the journey © 1998 kerri sherwood

Ready The Wings [on KS Friday]

“Yes, I’m being followed by a moonshadow/Moonshadow, moonshadow/Leaping and hopping on a moonshadow/Moonshadow, moonshadow” ~ Cat Stevens, Moonshadow

An appreciation of life, no matter what comes. It is the meaning of this lyric, this song – or so I’ve read. It seems obvious. I’m having many, many conversations about loss these days. This has been an era of loss and, so the cliche’ goes, with loss new opportunity arrives. It’s true though one must move through the loss in order to arrive at the new. On the way, there is weeping and fear and anger and disorientation. Chrysalis. The trick, we are told, is about focus placement. One day we shift our eyes and see what we have instead of what we no longer possess. We move toward rather than look back.

Kerri has, for years, surrounded herself with symbols of peace. They are on our walls, on rings that she wears, on chains draped on the corner of our bathroom mirror. She draws them in the sand on the trail. A prayer for the world she desires to create. Inside and out. Since she fell, my solo-piano-playing wife has lost more than mobility in her wrists. Strange stuff is happening. Fingers that sometimes refuse to respond. Pain that shoots, seemingly from nowhere. After a photograph – a wish for the world, a peace sign in shadow – she said, “Come look at this. Look how much my finger is bending!” Strange stuff.

What is most remarkable about this shadow is, a year ago, it would have been cause for frustration. A reminder of loss. Full of fear. Today, it was a curiosity. She looks back, she looks forward. Each day she writes lyrics and poetry and wisdoms. She hums the music running through her mind and heart and, sometimes, she dances. Standing at the crossroads of what was and what is to become. Peace replaces pain. All in good time. Good time. Wings readying to unfurl.

[peace. this is one of my favorite pieces of Kerri’s]

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about PEACE

peace/as it is © 2004 kerri sherwood

Trip And Trip Again [on KS Friday]

One of the advantages of having stepped in every pothole, tripped on every cobble, and made every mistake at least twice, is that I’ve learned about potholes, cobbles, mistakes, tripping and stepping where I ought not step. If I could boil down to the essence the single thing I’m beginning to grok it is this: life is not elsewhere.

I laughed aloud when I at last I realized the absurdity of “practicing mindfulness” as if it was something to achieve. Mindfulness arrives when the practice stops. Of course. Meditating for self-improvement, I’ve read, is a uniquely Western oddity. “Trying” to be present is ridiculous if you think about it. You are present. What else? Because your mind is running amok does not actually magically transport you to the past or the future. You are present with a mind that is running amok. Minds are like puppies: chase them and they run away. Stand still and they will eventually come to you.

Is any of this pothole wisdom helpful? Absolutely not. Like mindfulness, wisdom arrives when the obsession with knowledge-for-betterment ceases. I’ll let you know what that looks like when I stop trying to attain it. There’s no end to the tripping stones. I’ve learned that, too. Again and again. And again.

The best things in life are not achievements. They are relationships. Me to you. Me to me. Me to the world I am passing through, one moment at a time. With you. Stand still in the moment – you might as well since it is where you are – and you’re libel to experience all manner of beauty.

read Kerri’s blog post about SNOWFLAKES

Kerri’s albums are available on iTunes and streaming on Pandora

kindred spirits…away/released from the heart © 1995 kerri sherwood

Constellate [on KS Friday]

Our 3am banana conversation was about cleaning out. The past few years have, as Skip is fond of saying, tipped the apple cart. Our life-apples are akimbo. So, as we pick them up, we are also sorting. It’s not just the stuff in our closets or the post-water-line-mess-explosion in the basement, it’s also the psychological/mental/spiritual/emotional debris. What bag of trash can we finally toss in the bin? What small treasure was unearthed that surprised us? What will we carry forward into the next chapter that informs who we’re now becoming?

I sat in the basement for a few minutes yesterday, staring at the canvas on my easel. Each day I see a little more of the painting that I will someday paint. I do not now have the time or energy to make it visible. This canvas is becoming a marker in time. It calls. My creative energy is dedicated to other projects and I am careful not to over-tap it. That is new. Knowing my limits. Honoring the creative well is part of who I am becoming. I am in no rush. That’s new, too.

“I’m certain these were my momma’s,” Kerri said, showing me the tic-tacs. She was cleaning out the pantry and found them in the way-back. Beaky was a fan of tic-tacs. Treasure. And, how did they get lost in the recesses of our pantry? No matter, they inspired some good stories, reminiscing. “It makes no sense, but I’m keeping these,” she said. Treasures do not need to make sense.

I learned a big lesson during the decade that it took me to complete and produce The Lost Boy: I started it as a project for Tom to perform and it became a project I had to perform for Tom. His passing was the final piece necessary to complete the story he wanted to tell. His passing made the play possible to perform. The lesson: we cannot see it all. We think we understand “why” but mostly our reasoning is constellation. Dots connected in the vast open sky.

The tipping of the apple cart. 3am bananas. Next chapter imagined and arriving. A tic-tac kiss from the past. Making space for constellation. We are in awe and not in a hurry.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about TICTACS

connected/released from the heart © 1995 kerri sherwood

Sit On The Fence [on KS Friday]

We have a small compost pile behind the garage that we call The Golden Corral. The squirrels line up like seniors at the buffet and scurry away with the good bits before they turn into soil.

When John texted a photo of the opossum on the fence, we ran outside to take a look. He – we named him Peter – was in no hurry to run away and hide. He was perfectly content to sit on the fence and gladly participated in our photo shoot. I suspect the word is out about The Golden Corral.

Our neighborhood has always been a lively haven for critters. Red fox and raccoons, skunks and rabbits, squirrels and hawks and chipmunks. In the summer months we sit out back and watch the animal escapades. We feel honored when the owl appears. We laugh when the turkey lands on our roof. The crows alert us to the comings-and-goings of predators.

Peter is a new addition. We’ve seen him or his kin down the street at Pam’s place. She scatters birdseed at the base of her tree and the furry nocturnal fraternity gathers there after the bars shut down. They stare us down when we come home late at night, their eyes red in our headlights.

Possums symbolize peaceful transitions, conflict avoidance, and cooperative effort. “We could use more of that in the world,” Kerri said. They also represent the development of insight and uncovering hidden truths. After the events of the past few years, surfacing a few hidden truths would be welcome. I could use an insight or two.

Peter posed. He definitely wanted us to photograph his good side. “He’s really beautiful,” Kerri said, snapping pictures.

kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blog post about PETER POSSUM

nurture me/released from the heart © 1995 kerri sherwood

Eat The Memory [on KS Friday]

You’d never know it by how we talk and write about food, but we have a smallish sweet tooth. We keep a bit of dark chocolate in the house. Sometimes we split a piece of flourless chocolate cake. Too much sugar is…too much. So, imagine my surprise last week in the grocery store when Kerri came to a full stop in front of the Entenmann’s Crumb Coffee Cake. Using her outdoor voice she exclaimed, “I CAN’T BELIEVE IT! THEY STILL MAKE IT! WE HAVE TO GET IT!”

Memory runs through and is master of all of the senses. “I grew up eating Entenmann’s Crumb
Cake!” she said, returning to her indoor voice. The cake was in the cart and anticipation was on the rise. “Did you have Entenmann’s Crumb Cake growing up?” she asked, barely able to contain her excitement.

I’d never heard of it. She looked at me as if I was to be pitied, a poor waif raised in a cave without running water or crumb cake. Anticipation became a mission. “You have to have it!” Her eyes grew wide, intense. “You won’t believe it!” and then, the narrowing disclaimer, “I hope it’s as good as I remember.”

There is a rule in Kerri’s family and she carries on the tradition. It is a ritual of delayed gratification. Satisfaction constraint. For instance, when Kerri buys clothes, a new pair of jeans, she can’t wear them for at least six months. There is a magic moment, something I’ve never been able to identify, that signals the purchase is ready to exit its quarantine and can be worn. Or eaten. We have a new rug purchased last June that remains rolled and stored behind the door in the living room. Home decor, I’m learning, has an extended waiting period. We call it The Beaky Rule.

The cake came home. It went somewhere. A closet? A cabinet? A drawer? I’ve learned not to ask, “Where or when?” Had I shouted in excitement in the grocery store, that box would not have made it to the car. I’d have been covered in crumb cake before the keys came out.

A few days later, in the middle of the morning, Kerri called up to my office. “Do you need a break?” Up the stairs, like a precious treasure, came a memory from Long Island, a piece of crumb cake and a cup of coffee. The magic moment. The cake released and revealed. We savored it. And, I can report in my quiet indoor voice, it was definitely worth the wait.

read Kerri’s blogpost about CRUMB CAKE!!!!!!!

Kerri’s albums are available on iTunes and streaming on Pandora

the way home/this part of the journey © 1998 kerri sherwood

Feed It [on KS Friday]

“The devaluation of music and what it’s now deemed to be worth is laughable to me. My single costs 99 cents. That’s what a single cost in 1960. On my phone, I can get an app for 99 cents that makes fart noises – the same price as the thing I create and speak to the world with. Some would say that the fart app is more important. It’s an awkward time. Creative brains are being sorely mistreated.” ~ Vince Gill

I am the first in line to tell you that everyone has a creative mind. Everyone. That river of ridiculousness running between your ears is nothing other than creativity-run-amok. What else? Telling yourself that you are not creative is, in itself, a creative act. Seeds planted early in life grow into mighty obstructions. Creative wastelands are created. If you want to hear a terrific appeal to educators to nurture rather than stifle the creative mind, listen to Sir Ken Robinson’s 2006 Ted Talk. It’s appropriately titled “Do Schools Kill Creativity?”

I’ve listened to numerous school boards tell me how much they truly value the arts – until it’s time to pay for it. Sadly, it’s not a question of whether or not they value the arts; it’s that the arts, the creative minds, do not fit any of the standards of valuation against which all things are measured. They do not know how to value the creative minds that they steward. Arts organizations and artists, mostly, are not money makers. Creative minds, creative acts, do not fit in the boxes and are not measurable on standardized tests. Thinking outside of boxes is, after all, the point of a creative mind. Metrics and goals stop a creative mind and heart in its tracks. The cruelest thing you can ask any artist to do is write a grant.

And yet, an artist has to make a living. Yaki asked me if I had to choose between making a living and making my art, which would I choose? I answered, “Art, of course,” but that it was really a question of Maslow’s hierarchy: it’s hard to make art when you are not surviving. What I didn’t say is that his question perfectly captured the reason schools kill creativity and creative brains are sorely mistreated: it is assumed one must choose between. Making a living and thriving creativity are understood as oppositional.

How many parents have tried to dissuade their children from following their passion for the arts? How many times have I heard Kerri say of the stacks of music on her piano waiting to be recorded, “What’s the use?” How many times have I sat in my basement studio looking at my stacks and rolls of paintings and wondered, “Why bother?” We do it to ourselves, too.

And then, the phony metric falls and we breathe, pick up our brushes and sit at our keyboards. There is a river of riches that runs deeper than money. It is, after all, a creative act to kill a passion. It’s also a creative act to feed and nurture an artistic soul. Both. It’s what the school board doesn’t understand: the choice is not between making a living or living as an artist, the choice is between feeding inspiration, expanding a creative mind, or smothering it.

read Kerri’s blogpost about CREATIVE MINDS

Kerri’s albums are available on iTunes and streaming on Pandora

watershed/as it is © 2004 kerri sherwood