Circle [on Not So Flawed Wednesday]

circle copy

Perhaps the most true phrase I’ve read about The Circle is that its symbolism is inexhaustible. It is universal and the ultimate cross-cultural sign. No beginning, no end.

Wholeness. Unity. Infinity. It points to the mystery. Cycles of life. Endless movement.

It also has a meaning-making-flip-side. It can be as vicious as it is virtuous. A closed community. The shape that distinguishes us from them. Loops of reactivity. An energy eddy. An inescapable whirlpool. A widening gyre.

Ask a circle, “What does it all mean?” and the circle will ask in return, “What does it mean to you?”

It is a radically different action to search for meaning than it is to make meaning. And, most likely, the search for and the assignment of meaning are dancing partners. All of us seek. All of us assign meaning.

We can’t help but ask, “Why is this happening?” A few curious scientists and seekers go beyond their circles of understanding and look for answers. They inevitably find more questions. Another loop.

The artists always live on the edge of the circle precisely so they can see in. When the community asks, “Why is this happening?” they scribble lines, make music, write poems, and dance. Communing with what is on the other side of the known. Making meaning. Perhaps incapable of approaching an answer to the question, “Why?” but certainly opening the circle of possibilities to what we might come to understand together. Creating a commons. Another loop.

 

HH heart in sand website box copy

 

 

 

Read The Symbol [on DR Thursday]

daisy framed copy jpeg copy

When I was flying in to meet Kerri for the first time, she told me that I’d recognize her because she’d be the one holding the daisy. Consequently, were you to scrutinize my paintings these days, you’d find more than a few daisies.

Her daisy-greeting-idea cemented what I suspected before I met Kerri. She is special. This was my thought process/reasoning: This woman has 15 albums in the world.  Her picture is everywhere in the Google-sphere. Yet, it never occurred to her that I should or would know what she looks like. She’s humble.  Also, point #2, I did my research. The maker of extraordinary pianos, Yamaha, consider her a “Yamaha Artist” or [translation] a modern master who performs almost exclusively on their pianos. With that kind of resume, with that size of gift and notoriety, you’d think she’d have mentioned it during those many months of conversation that preceded our meeting. She didn’t. She’s an unassuming artist (the best kind).

Humble. Unassuming.

The second time I flew in she greeted me at the gate with a veritable bushel of daisies.

My paintings are filled with symbols. Some conscious. Most not. I discover them after the fact [like those *#@^! three spheres that populated most of my early work. Jim had to pull out my paintings and point them out to me…] The daisies? I know exactly what they represent. I know without doubt when and why a composition requires a daisy.

 

read Kerri’s blog post about DAISY

 

drc website header copy

 

gate f8 website box copy

daisy – all of them ©️ circa 2013

Feel Them [on Not So Flawed Wednesday]

heartlights copy

This is a symbol and as symbols go, this one is arguably the epicenter. It is universal. It transcends all other symbols, religious and otherwise. The others deal with energies, vertical and horizontal, masculine and feminine, spiritual and secular. They are symbols of polarities, separation ends that point to a center, a unity. This symbol is the unity. Heart. The meeting ground. The commons. The push-me-pull-you of life.

Try an experiment and think back on these past weeks running up to the solstice (no matter your tradition of celebrating it); re-member the moments that you felt heart. Kerri’s song. A bonfire at midnight. A walk in the woods at sunset. Dogga buried in gift wrap. Craig’s face when we opened the package with smart bulbs. Kirsten clutching the sloth. There are too many to count. None are abstractions. All are experiences. Feel them.

Yearning can be filled with heart. Loss can be heart-full. This symbol is all inclusive. It does not discriminate. It’s bigger than any single desire, any hot pursuit. It, in fact, requires no seeking. It is ubiquitous. It everywhere and nowhere all at the same time because it has nothing to do with time. It asks little more than paying attention to the many faces it lives through, the many moments it simply waits for you to notice, to see/feel/hear/taste/sense what is already here.

 

read Kerri’s blog post about the NEON HEART

 

milleniumparktree website box copy

Listen For The Splash [on DR Thursday]

I’ve shown this painting more than a few times and it always generates interest. More people have considered buying this painting than any other in my catalogue. Yet, it remains the bridesmaid. Angels At The Well.

What a crazy title! I can’t remember why I painted it or why I thought angels at a well was such a compelling subject. In fact, I chose it for this week’s Studio Melange because I pulled it out of the stacks and thought, “Really, what a bizarre subject! What was I thinking?”

In mythology, wells are sources of rejuvenation, places of fate, the future can be read in the waters, omens uttered, they are holy, cursed, or a place where wishes are cast. Spirits get caught in them. Stories begin or end at the well. They reach into the earth, the element of  water disappearing deep into the element of earth.

Angels are messengers (remember that the next time the postal person delivers the mail). They are liaisons between gods and people, between the vertical and the horizontal realms. They meet you at the crossroads. They stand watch. They announce. They fall.

Perhaps symbol collision is why Angels At The Well piques so much curiosity but is consistently left behind? What kind of well? What kind of angel? And, maybe that is why I found it compelling enough to paint. Or, it occurs to me that it might be this: drop a pebble into the well. Listen how long it falls. With the splash will come new knowledge, an answer to a wish, a question, or there may be no splash at all. Then what?

 

read Kerri’s blog post about ANGELS AT THE WELL

 

drc website header copy

Happy Thanksgiving (for all of you USA-based angels)

 

pumpkinfarm website box copy

angels at the well ©️ 2004 david robinson

Say It Over And Over and Over…[on DR Thursday]

IMG_1824 copy

While Kerri plays the service, I often sit in the choir loft and scribble images on the back of old bulletins. On the left side of this sketch (not visible in the crop) is a running stream of words, ohpleaseohpleaseohpleaseohpleaseohplease…

I’ve been playing with words as images a lot in the past few years. The words become pattern, the repetition renders the symbols meaningless-as-language but potent-as-design. I love pattern for this very reason. Too much repetition dulls the eyes and mind and in the dulling, something new emerges. It is how a good ritual works: dance fervently the pattern until you drop. Exhaustion opens the door to let in the spirit.

Pray hard enough and often enough and the words become meaningless. It is exactly at the point of meaninglessness, that perception shifts and something new rushes in. Saul-the-Tai-Chi-master would say it this way: wrestle with the obstacle long enough and you will eventually give up. In giving up, in your defeat, you just might glance beyond the obstacle and, at last, see the field of possibility.

 

InstrumentofPeace copy

read Kerri’s blog post about SCRIBBLES

 

drc website header copy

 

blackwalnut website box copy

 

the sketch is a sketch and not useful and may be pirated and spread widely all over the world so feel free to insert it into your recipes or instagram or populate the cover of your technology with it or send it to china without guilt.

 

instrument of peace ©️ 2015 david robinson

Be Iconic [on DR Thursday]

Watercolor-Tree copy 2

I’ve learned that much of my work traffics in ideals. A quiet picnic beneath a tree. A mother holding her child. A nap on the beach. Over time, the elements of my ideals congeal into patterns and symbols.

This watercolor painting was a study. It was one of the first paintings that this tree, circles of broad leaves, wispy floral shapes, appeared. I liked the symbol. It connected me to Giotto and the middle ages when artists were purposefully iconic. This tree made me purposefully iconic. It is a sentinel. It watches over. Like a mother holding her child or a husband and wife napping together on the beach.

 

read Kerri’s blog post on the WATERCOLOR

 

drc website header copy

 

warm springs ranch statue website copy

watercolor tree ©️ sometime in the 21st century by the little known artist occasionally referred to as DR

Meditate [on DR Thursday]

mother&childprocessshot copy

It’s a universal theme that I’ve painted over and over throughout my life. Mother and child.  Sometimes the painting is inspired by a dear friend becoming a parent. Sometimes, like this iteration, I look up and find it staring at me from the canvas. When that happens I know I need to follow it.

img_3998I learned when I was a teenager that the act of painting was, for me, a form of meditation. Sometimes the meditation has nothing to do with the image that I am working with. The process becomes an exercise in presence. Sometimes, like this painting, the image has everything to do with the meditation. The image is the meditation.

So. Birth. New life. Possibilities. Life giving. A good meditation for the middle of winter. A good meditation for an artist surrounded by good friends retiring from work, becoming grandparents, asking what is next. A universal theme. A universal symbol.

 

read Kerri’s blog post on MOTHER AND CHILD IN PROCESS

 

hands website box copy

 

drc website header copy

 

mother & child (in process) ©️ 2019 david robinson