Break It [on KS Friday]

Breaking space with a line changes the dynamic of the entire composition. I played with those dynamics for years. Vertical breaks. Horizontal lines that read like confused measure bars, segments of inconsistent time. Sometimes the lines tilted and pulled to the past. Sometimes they leaned into the future, urging the image forward. All of those interpretations were, of course, in my mind; I have no idea how others interpreted the lines on my canvases.

We are in the season of fog. Sometimes it’s so dense that we stand on the rocks and cannot see the water. Lake Michigan is hard to hide! The fog is a worthy magician.

The fog-magician also has the capacity of pressing three dimensional objects into seeming flat two dimensional images. The sudden silhouetting of the world pulls Kerri out onto the deck every time. “Can you believe it?” she asks, grabbing her camera and stepping through the door and into the fog. Dogga and I watch. We are happy in three dimensions and resist the call of stepping into flatland.

When she returns to our dimension, she shows us her photographs. “I love this one because the wire made a line,” she says. “It breaks the image.”

I smile. Vertical breaks in the composition. I say, “It reads like an abstract painting.” Three dimensions becoming two, a line breaking space, capping or pulling or simply interrupting.

Jackson Pollock believed his paintings were recordings of movement. Paint dancing. Who really knows how others interpret his paintings. Beyond the curator or art historian, who cares, really? The relationship between art and audience is meant to be direct, pure. No third party interpretation necessary.

“What do you think?” she asks.

“I love it,” I say. “It makes me want to paint.”

kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about FOG

when the fog lifts/this part of the journey © 1998 kerri sherwood

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