Have Fun [on DR Thursday]

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I actually wrote and illustrated my children’s book, Play To Play, for adults, for grown-ups who’d lost the love of play in the tangled weeds of incessant competition. At the time I was facilitating workshops for people dulled by the daily grind of corporate America or the under-siege-mentality of education. When I’d scratch their paint, get beneath their veneer, they’d confess to feeling that life was passing them by. Their creative impulse was waning or worse, being snuffed. They’d forgotten how to play. They’d forgotten why to play.

I’d tell my groups that they ought to read James Carse’s book, Finite & Infinite Games. Most couldn’t be bothered. No time to read. Or, possibly, a book recommendation is a lousy response to someone who is suffocating.

In any case, I decided to condense the central idea and draw some cool pictures mainly because I like to draw cool pictures. Drawing cool pictures is one of the many ways I tend my creative flame. I thought that fewer words combined with fun pictures would be a better response to suffocation.

I wrote it. I drew it all. I put it in a folio. I stuck it on a shelf. I’d show it now and again to someone who’d ask, “What’s this?”

Inevitably, I’d ask myself, “Why didn’t you try and publish this?” Drawing the cool pictures, writing the tiny story, must have served its purpose: I took deep long breaths and laughed heartily during the process. I drew pictures to draw pictures. I had fun for no other reason than to have fun. I played to play. In the end, I suspect, this book must have been written for me.

 

read Kerri’s blog post about PLAY TO PLAY

 

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Decide To Create A Better Story [on Not So Flawed Wednesday]

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To anyone who entertains the mistaken notion that they are not creative, look no further than your thoughts. Thought is a creative act. It leads to the chicken-and-egg conundrum of creating. Do you create your thoughts or do your thoughts create you? Either way, what happens between the ears ripples with creativity.

We live within our thoughts and our thoughts live within us. We feed our thoughts with our fantasies and fears. Universes open or close. For instance, focus on contention and you will see contention everywhere.  That is, you will create contention.

It is, and has been the dirty little secret of governing people since before Machiavelli: keep the masses focused on division and they will be easily manipulated. Create difference whether it exists or not. That way the good people will fight with each other and not focus on the actions of their leaders. It’s a magic trick. A sleight of hand. It is a strategy, not a conspiracy.

A people united as one is a very potent force. A united populace is dangerous to a corrupt and fearful leadership.

Before you roll your eyes with my esoterica, put your highly creative thought on this: is it true that our nation is deeply divided? Yes.  Do we create division ourselves without question, eating heartily the divisive narrative we are being fed? Yes. We are daily meditating on division and daily claiming it as truth. We create division together.

Narratives are powerful and just as capable of obscuring as they are of revealing. Obscurity is a creative act. So is deception. Propaganda. Denial. Conspiracy theory. Lie.

It is the definition of ignorance to embrace a narrative without questioning it. Which brings us back around to the chicken-and-egg conundrum: do you close your mind or does your mind close you? Yes. Hate has no home in a questioning mind.

Are we capable of questioning? Of telling a common story? It depends on what we decide together to create. Yes.

 

read Kerri’s blog post on NO HOME FOR HATE

 

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Allow [on KS Friday]

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“If we allow time for soul, we will sense its dark and luminous path. If we fail to acquaint ourselves with soul, we will remain strangers in our own lives.” ~ John O’Donohue, Beauty

These days are edge days. We began to feel strangers in our own lives. That is a sign to be heeded. It’s time for us to sit in silence.

“Beauty inhabits the cutting edge of creativity – mediating between the known and the unknown, light and darkness, masculine and feminine, visible and invisible, chaos and meaning, sound and silence, self and others.” ~ John O’Donohue, Beauty

Kerri doubts her beauty. And then she approaches the edge. She stands at her piano. When she plays all doubt leaves the room because the polarity finds its middle way, there is no this or that.

Sometimes it is enough – it is necessary – to stand at the piano with hands nowhere near the keys.

 

read Kerri’s blog post about UNDER CONSTRUCTION

 

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Kerri on iTunes

 

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Await The Wind [on Two Artists Tuesday]

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when the wind is perfect,
the sail just needs to open and the world is full of beauty.
Today is such a day. ~ (a slice of) On A Day by Rumi

Skip wrote. His sail is open and he is full of the beauty of this world. It’s all around, the sounds, the smells, the tastes, the color and movement. Basking in the early fall sunshine.

He’s been painting regularly and I teased him: the gift of painting is the practice in seeing. Only I wasn’t teasing. It’s true. Paint everyday and something happens. Seeing is not a passive act, it is an active engagement. A relationship that opens awareness both subtle and profound.

His email stopped me in my rush to get through the day. Getting through life requires a closed sail, dulled senses. I dropped my list and imagined importance and went outside. I haven’t touched my brushes in weeks. Skip asked if I’d taken my painting materials to the island. I did but never went near them. “Too much to do,” I kept telling myself.

I told Horatio that I felt empty. The island took a lot. NO-ART-IN-ME. He smiled and assured me that the wind will return. My sail will open again.

Brushes or not, as Skip reminded me, the world is full of beauty. Today.

 

read Kerri’s blog post about WIND

 

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Give It [on Not So Flawed Wednesday]

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Janus is a Roman god with two faces. He looks to the future and peers into the past. He is the god of beginnings and endings, transitions, doorways, and passages. He is the god of gateways, the liminal spaces, the between.

Janus must certainly be the god that we dance with on this island, a community defined by divisions, married to its conflicts but also, at least rhetorically, desiring peace.

Kerri and I are the stewards of a performing arts center that is, as Julian Dawson said, punching above its weight. It is the symbol of division in the community, the epicenter of discord, the rope in a very ugly tug-of-war. All of the fault lines run through it. Yet, as Janus would remind us, it then must also hold the path to unity, the potential for common ground.

All in the community want the doors to be wide open; none want the responsibility that comes with access. They want the center, the art, to serve them. They do not yet comprehend that any alive and vital art space is, in fact, the opposite: a place of service to others. Arts spaces and the artists the enliven them are keepers of the commons, the stewards of the stories that unite.

In another life I ran an educational theatre company. It boomed into life the day that the artists, the students, grocked that art was in fact a gift given to others, something they brought to people, not something (like attention or fame or a spotlight) that they got from people.

This island, this center, will someday boom into life. They will discover that the rope in the tug of war goes slack when they walk toward each other. Pulling in opposition exhausts everyone. They will come alive when they cease asking, “What do we get?” and start asking, “What do we bring?”

 

read Kerri’s blog post about EDGES

 

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Meet Your Graces [on DR Thursday]

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Brightness. Joyfulness. Bloom. Or, charm. beauty, and creativity. They have many names, these Graces. Also known as the Charities. They are also known as Zeus’  daughters.

Sun. Joy. Bloom. At the end of Thornton Wilder’s Our Town, is a monologue. Emily, saying goodbye to her life (she has already died), revels in the beauty of life that we simply do not appreciate. The smell of grass. The sound of leaves rustling. Morning coffee. Stretching your legs. “Oh, earth,” she says, “You are too beautiful…” To the Greeks, in that final moment, Emily is being visited by a Grace.

These posts often take me down rabbit holes. Here’s today’s surprise: I bumbled into a bit of research on Buckminster Fuller, one of the great minds of the 20th Century. I learned that, as a young man, he was deeply depressed and was considering suicide. In a crucial moment, he had an experience. In the midst of his despair he was lifted into a ball of light and very clearly heard, “You belong to the universe. Your significance will remain forever obscure to you but you may assume that you are fulfilling your role if you apply yourself to converting your experiences to the highest advantage of others.”

Convert your experiences to the highest advantage of others. A visit by the Graces. Creativity is divinely given. You belong to the universe. What else?

 

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read Kerri’s blog post about THE THREE GRACES

 

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Mix It [on DR Thursday]

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True confessions: I never clean my palette. I like the messy build up of color. I like the chunky texture. It serves as a gunky history of my work, a genealogy of paintings past. And then, over time, it becomes a tactile work of art in its own right. Unfettered by any of the mental gymnastics or over-ponderous considerations that plague my “real” work, it is the closest to child-mind that I will achieve. It is accidental. It is free.

This might be a stretch but it is, for me, nevertheless true. I love my palette because it is the place of alchemy in my artist process. It is the true liminal space. I begin with pure color. I smashed the pure color together with another color and transform it into a third color, the hue I intend. On a palette, color becomes intention. And then, once transformed, with a brush or knife I lift the color-intention from my palette and in an action that is often more responsive than creative, I place it onto a canvas. It transforms yet again relative to all the color it touches. An image emerges. More color is called for.

And, somewhere in this call and response of color, I become like the palette. The pass-through of alchemy, the door that color passes through en route to something beautiful. And, in the process, perhaps I, too, in my messy build up of life/color, grow closer to that child mind. Unfettered. Accidentally interesting. Free.

“You never know what is enough until you know what is more than enough” ~ William Blake

 

read Kerri’s blog post about my PALETTE

 

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