Dollars and Nonsense [David’s blog on Two Artists Tuesday]

This is a story about a walk through the marina on a sunny Saturday evening. Octoberfest was in full swing. Bands were playing outside the big tent. Far down the channel another band was performing on an outdoor stage at the yacht club. Children were drawing with chalk on the open square. People gathered on the seawall to take photographs of the Harvest moon rising. The huge planters lining the road adjacent to the Public and Civil War Museums were exploding with color. It was impossible to pass without stopping and admiring them. A man on a bike cruised by bobbing his head to his tunes. There was so much vibrant life on such a short walk around our neighborhood.

Children drawing. Musicians playing. A Public Museum. A Civil War Museum. Gorgeous flowers in giant pots, a city’s dedication to beauty. History. Music. Art. Social gathering.

This is a story about a walk through everything that makes a society cohesive and whole.

Have you heard the news? The Department of Education will soon cease to offer student aid to young people who want to pursue the arts or social work or history or philosophy or theology or…education. If a degree path does not lead to money making then the dull minds at the Department of Ed will not support it. The message: if it doesn’t make money then is has no value. If it can’t pay for itself then it is worth-less.

Do we now throw away the churches? The performing arts centers? Public schools are not generators of cash. Neither are libraries. Museums? Not a chance. The fire department is not known to be a cash cow, should we pull the plug, cut off funding? Public servants are dependent upon public dollars so, according to this administration, they are a drain on society. Politicians, when not corrupt, are meant to be public servants. Should we no longer fund political science as a valid life path? Roads and bridges are not moneymakers, why not dump engineering from the curriculum?

A penny wise and pound foolish.

A body with no soul.

Others have said this better than I ever will. Here is my personal favorite:

“At its best, schooling can be about how to make a life, which is quite different from how to make a living.” ~ Neil Postman, The End of Education

“Public education does not serve a public. It creates a public… the question is, what kind of public does it create?” ~ Neil Postman, The End of Education

“Thomas Jefferson. . . knew what schools were for–to ensure that citizens would know when and how to protect their liberty. . . It would not have come easily to the mind of such a man, as it does to political leaders today, that the young should be taught to read exclusively for the purpose of increasing their economic productivity.” ~ Neil Postman, The End of Education

Who will tell the story of this nation once the historians and artists and social workers and philosophers disappear into the vast wasteland of moneymaking? Who would want to walk in such a barren soulless place? Isn’t it way past time we stop reducing ourselves to dollars and nonsense?

read Kerri’s blogpost about THE FLOWERS

likesharecommentsupportthankyou!

In My Latent Maturity [David’s blog on KS Friday]

“The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake.” ~ Kurt Vonnegut

When I grow up I want to be Kurt Vonnegut. I used to want to be Leonardo da Vinci or perhaps Joseph Campbell but now I’m all in for the master of satire and dark humor. I could use some time taking myself less seriously and Kurt is a great model to follow. Laughing at the dark would be a refreshing character trait. I imagine Kurt cracked himself up all the time. Or rolled his eyes. Making myself laugh more would be good!

If you’ve noticed – or if you haven’t – I’ve almost made it through a week of posts without a rant about the politics-of-the-day. I swore off indignance last Sunday. At least for a week. I needed a break. It’s Friday and I will honor my swearing-off but have to mention politics to explain how I arrived at Kurt Vonnegut for my model of maturity. During this week of exile from righteous anger I’ve pondered a more healthy response to the cancer raging in the national body. My conclusion? Satire may be my savior. The times are dark so the humor must meet the occasion. I’d have gone with Mark Twain but wanted to shoot for someone whose lifespan crossed mine. So, Kurt Vonnegut it is! Plus, he knows what the arts are about. Soul growth. Making life more bearable. Shining light into dark places.

The sun poured through the blinds this morning. That might not sound miraculous but it has been a rare occurrence this summer. The shadow made stripes on the grasses. Kerri cooed and reached for her camera. That’s what soul growth looks like. Can you imagine being so moved by the sun-pattern cast upon the grasses in the tall basket that you coo and begin to compose? It’s a glorious thing to behold.

“Here we are, trapped in the amber of the moment. There is no why.” ~ Kurt Vonnegut

Soul growth is its own why. So is making life more bearable for people. All people. The previous two sentences are not political. They are a very human way to live if we so choose. I do. So does Kerri. The artist’s way. It’s why I believe to my core that all people – at their core – are artists. If only more people would listen to their cores!

“There is love enough in this world for everybody, if people will just look.” ~ Kurt Vonnegut

I mean, seriously! Who better to aspire to become in my latent maturity than Kurt Vonnegut?

AS IT IS on the album AS IT IS © 2004 Kerri Sherwood

Kerri’s albums make life more bearable. Find our for yourself on iTunes or get in the Pandora stream.

read Kerri’s blogpost about SUN AND GRASSES

“The arts are not a way to make a living.” HAHAHAHAHAHA! Likesharesupportandso-on!

After All, Capable [David’s blog on KS Friday]

Like many of the seemingly random pieces in our home, this wood garland carries a story. It is imbued with specific memories that invoke hope and belonging. This garland lifts our spirits.

A few nights ago, when sleep evaded me, having recently exhausted all of the hikers we follow, I stumbled upon someone new. I thought I was about to watch a documentary about a hiker’s journey on a long trail. Instead, I found the story of a man who perseveres. Twenty years ago he was diagnosed with an aggressive terminal cancer and given only a short time to live. His story is an unintentional wake-up call. He reminded me to check my attachments to the transitory.

Recognizing how uplifted I felt after watching the documentary was also a wake-up call, a lesson I learn again and again. I regularly fill myself up with the news of the day and it is, as you know, toxic. It’s like eating too much candy. There’s no spirit-nutritional-value and it always comes with a downer-crash. I decided I need a more balanced diet if I expected myself to be mentally, emotionally, and spiritually healthy.

During the power outage I revived a practice from my boyhood. I thought it would disappear after the lights and heat came back but I’ve continued it because it makes me feel good. I am drawing pictures from books. I sit at the little table beneath the hanging wood garland with my sketchbook and a large coffee table tome from The Metropolitan Museum of Art: Thirty Centuries of the Art of Mexico. Right now my sketches are pre-Columbian. Funerary figures and stone reliefs. It is not an accident that I sit beneath the garland. Occasionally I put down my pencils and examine the curious pieces of driftwood stacked and strung together. It reminds me, just as the art in the book, that people are dedicated to making beauty. People are dedicated to connecting to life-beyond-boundaries and they do it as they have always done it by carving figures imbued with magical powers meant to guard the passage of their loved ones through death – or by stringing together bits of driftwood found on a special beach.

People are more capable of invoking hope and belonging than hatred and division. We are not only capable, it is a necessity, an essential, like food and shelter. We can live without hatred but we cannot live without hope.

We are, after all, capable of supporting each other, of recognizing how impossible and precious are these few moments of life we share together. We are capable in dark times of standing in beauty and instilling hope, we are capable of simple-daily-generosity intended to lift each others’ spirits.

HOLDING ON/LETTING GO on the album RIGHT NOW © 2010 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE GARLAND

likesharecommentsupportthankyou

What Were You Thinking? [David’s blog on KS Friday]

The flakes hitting our faces felt like needles. We’d ventured out to get some photos of the lake-in-the-snow-storm. After snapping a few photos the sideways wind drove us back home. Stepping into the warmth of the house, we agreed, “That was enough!”

A few weeks ago we completely re-visioned the upstairs of our home. We repainted a bedroom. We carried sack-after-sack of discards out of the office and into the trash. We installed a repurposed bookshelf at the top of the stairs. I was amused when Kerri went to my basement archives to pull a new painting to sit atop the bookshelf. She returned with a canvas that I was preparing, an under-painting of broad grey strokes and splashes – not a finished painting. “I love it!” she exclaimed, placing the canvas atop the shelf. “Don’t you love it?”

“But, it’s not a painting yet,” I replied.

“Yes it is!” she chirped, proud of her new acquisition.

“I would have done better in my life as a painter had I not taken myself so seriously,” I said, shaking my head. “I would have saved myself some serious struggle had I learned sooner to stop at the under-painting.” She agreed to add a stroke of white to the…composition…so it would be a piece by both of us, though, to date, the…painting…remains mine-all-mine.

This morning it occurred to me that “the painting” bears an uncanny resemblance to the view of the wet snow raging just outside our sunroom window. The tones are similar. Tip the window on its side and it would be a sister piece to the canvas sitting on top of the shelf. Maybe I should title “the painting” Buh-Buh-Blizzard. Or Opus 25 In Winter Window Tones. Or, perhaps, Kerri’s Choice.

Or maybe I’ll leave it unnamed, a mystery piece for future guests to ponder. They will politely ask (as they always do), “What were you thinking when you painted the piece at the top of the stairs?”

I’ll look at Kerri and smile, saying, “Maybe you should answer this one.”

WATERSHED on the album AS IT IS © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE STORM

likesharesupportthankyou

This [David’s blog on Not So Flawed Wednesday]

Emerging from the grocery store the sky literally stopped us in our tracks. We weren’t the only ones; harried shoppers racing their full carts to their cars were paralyzed by the beauty. Perfect strangers actually spoke to each other. “Can you believe it?”

“Unbelievable.”

We joined the sky paparazzi and snapped photos, ohhing and ahhing with every click. “You just can’t capture it.”

People joined in beauty. For a few precious moments, people dropped their hurry and their politics, their worries and their angst, and united in awe beneath the fiery performance in the sky. The abstractions dropped away. The performance pulled us together. Pure art.

The moment passed. We can only give so much time to awe. The spell was broken and we each jumped back into our busy lists and went our separate ways. I imagine – or it is my hope – that we left the parking lot knowing that it only takes a wee-bit-o-beauty to pull us from our harried, divided and lonely minds and remind us that – in truth – we walk this miracle earth together.

read Kerri’s blogpost about THE SKY

likesharecommentsupportthankyou

A Closer Look [David’s blog on KS Friday]

“Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

A closer look at the dandelion reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Listen to your inner monologue. It is the story that you tell yourself about yourself. Listen to the stories in the news or racing across your social media screen. They are the stories that society is telling itself about itself. Any good novelist or playwright will tell you that conflict is the motor of story. Note: conflict need not be violent. Longing is a conflict. Unrequited love is a conflict. A search for meaning is a conflict. A closer look at humanity reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Robert Olen Butler defined story this way: “When a yearning meets an obstacle.” I believe words matter. I have always appreciated Robert Olen Butler’s definition of story because it does not use the word “conflict”. It is the fractal of the human experience.

The Buddhists teach that desire is the cause of suffering. I giggle every time I consider that marketing is essentially the creation of desire so it follows that it is the engine of suffering. The peace found in possession is fleeting. My Buddhist cartoon: retail therapy is but a single stop on a continuous cycle of suffering. If I was a teacher of story-writing I’d send my students to the outlet mall to study shoppers. My bet is that they’d eventually recognize themselves in the shoppers; then they’d have something essential to write about.

Picasso said, “Every painting is a self-portrait.” His sentiment is a fractal. We watch movies to see ourselves. We attend concerts to transcend ourselves – to lose and then find ourselves in the music.

A closer look at us reveals a fractal. We are both the yearning and the obstacle. A repeat of the same or similar pattern no matter the level or the scale.

Fistful of Dandelions © 1999 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about THE DANDELION

likesharecommentsubscribesupport…thankyou.

The Fire That Sustains [David’s blog on Two Artists Tuesday]

It’s funny what a photo invokes. A contrail and the sun:

When he was young Beethoven wrote a ballet called The Creatures of Prometheus. It is too big for modern ballet companies to produce and symphonies have a difficult time adding it to their program because – well – it’s a ballet and the music needs something to tie it together. I had the great good fortune to develop a story based on original program notes and perform The Creatures of Prometheus with The Portland Chamber Orchestra, conducted by Yaki Bergman, in 2008.

It is a story of the creation of human beings. It is the story of jealous Zeus forcing the newly created humans to accept him as their god rather than their true creator, Prometheus. Zeus is an irrational bully. The other gods on Olympus go along with his brutality because they, like the humans, fear him. Apollo the sun god, the god of reason and light, despises Zeus and plants the seed of reason in the creatures in the hope that, one day, they would awaken to their true nature, they would recognize the old god Prometheus as their true creator.

At the height of the Black Lives Matter protests Yaki contacted me and asked me to rewrite the script to make it relevant to the events of the day. We were to perform the new piece, entitled The Last of the Old Gods, in the spring of 2023. There was a contract snag delay. Yaki was diagnosed with an aggressive cancer and passed before we could perform it. I grieve him. He was a great artist with a big vision and even bigger laughter.

Art is meant to carry the conscience of a community. It is meant to express and explore the values of society. And, since society is mostly blind to itself, It is meant to be a mirror, a mechanism for people to see themselves. Yes, it needs to entertain but entertainment is the warmth that draws the community to the hearth fire. Art is the fire that sustains.

It is enough to say that we are currently living in a time of a false bully who would-be god. He must lie and fearmonger to achieve his desire, just like Zeus in the ballet. In re-reading both of my versions of the script I was struck how they are now more relevant than when I wrote them. The Last of the Old Gods will live in my files. It will, I hope, someday, find its light-of-day.

Here is a segment of text from The Last of the Old Gods, the final bit of story that leads into the musical Finale:

“In an instant, Apollo sent a tiny spark, a thread of sun that wove through the spell of Thalia’s masks, that opened a possibility of release. A chance at remembering. As the creatures circled each other in their dance, one reaching, the other rejecting, like a drowning man, one pressing the other down to elevate itself, Apollo whispered into their souls a possibility, a pathway home.

His thread of sun ignited the seed Prometheus planted.

If someday, they could turn and face their fear, see through the false division, let go of the lust for power and belief in dominance and division, if one day these creatures could take a chance and reach toward the other, it might remember itself. Thalia’s masks would fall. The seesaw game would collapse. And the creatures’ natural iridescence would be restored. 

It might, someday, look in the eyes of the other, and remember itself. Whole. Prometheus’ touch would finally reach them. The last old god, Prometheus, and his creation would be free.” 

read Kerri’s blogpost about THE SUN AND CONTRAIL

likesharecommentsubscribesupport…thankyou.

Barnacles And All [David’s blog on KS Friday]

“Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

If you visited our house you’d immediately notice that Kerri’s design style is “well-worn and well-loved.” Rather than mask the wear-and-tear of age, she revels in it. Our dining room is a wonder, made beautiful by the marks left when she removed wallpaper. Rather than paint over the marks she recognized their unique beauty and showcased them. A happy accident. I stopped in my tracks the first time I walked into the dining room, asking, “How did you do that?”

I love our backdoor. The pressure of our hands on the door has overtime peeled and revealed the white underlayer beneath the black paint. It’s the story of our comings-and-goings. It is the mark of our human hands pressing on an old door that swells with the humidity and shrinks with the cold. It is our personal hand-print-petroglyph.

The beauty of age. The patterns of rust. The celebration of the flaw. Most people would scramble to cover the cracks or repair the damage. I have occasionally earned her Irish ire by repairing something she thought was aesthetically interesting. I have learned to ask.

Standing on our deck, Columbus was concerned that the exposed unsealed wood was disintegrating. “You oughta’ stain this,” he said. “It needs protecting.” I told him of the time Kerri pressure washed the deck, removing the patina of age. Even though with time the rough hewn look returned, she has yet to forgive herself for her pressure-washing-indiscretion.

“Kerri likes it this way,” I replied. “She doesn’t like the way it looks when it’s neat and stained.”

“Well I guess that’s the way it’s gotta be!” he smiled, knowingly.

Our house is an ever evolving work of art. A perfect home for two artists. Nothing matches yet everything goes together. It’s filled with visual and repurposed surprises. It is warm, sometimes a cocoon where we shut out the world and sometimes a place for our community to gather. It is the sanctuary where we have come to discover and appreciate ourselves, barnacles and all, while steadily growing into something we could never have imaged.

(I love this piece by Kerri)

Nurture Me on the album Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about RUST

likesharesupportsubscribecomment…thankyou.

Meet Guttah [David’s blog on DR Thursday]

Meet Guttah. He is no ordinary snowman. He is made from snow scooped off of the roof.

A snow-rake and a wobbly ladder were necessary to acquire the makings of Guttah.

I did not climb a ladder on a bitter cold day with a snow-rake in hand in order to make Guttah. Had Guttah been on my mind, had Guttah been the original mission, I would have used the snow on the ground. There was – and is still – plenty of snowman fodder in the backyard. No. The conditions were perfect for ice-damming. A wet snow followed by a sunny day. And then a freeze. We jumped into prevention-mode since historically an ice dam on the roof is capable of channeling water into our house. “Is that a waterfall…on the wall?” I asked the first time I experienced it.

“Damn it!” Kerri exclaimed, jumping into action.

You might say that Guttah is a side-effect of ice-dam-prevention. With plenty of snow on the roof, standing on the icy rungs of an old wooden ladder, with every pull of my snow-rake cascading snow and ice onto the deck far below, rather than think, “I could die,” I chose to ask a question of distraction: “What will I do with all of this snow piling up on the deck?”

Like much of the art created across time, Guttah was borne as a distraction from death-fear. Not that I consider Guttah art (he certainly does not view himself with such hubris) but thoughts of a snowman sculpture kept me scooping and gave me the necessary focus to stay safely perched upon my shaky rung.

My favorite part is his hair. It is how I imagined my hair under my hat while scooping snow from the roof. Guttah, after all, is my doppelganger, my double-walker, the outer-snow-image of my inner-snow-scooping-self.

latest detail of a painting-in-progress

read Kerri’s blogpost about GUTTAH

likesharesculptcommentsupportmakeartsubscribe…thankyou.

My Constellations [David’s blog on DR Thursday]

Like stars in the sky, there are moments in life that form constellations. Actually, the stars do not form the constellations, we do. We are pattern seekers in our incessant meaning-making. I constellate my memories, sense-make my path, generate my revelations.

In our dedicated cleaning and rearranging of the house, the restoration project of my studio after the flood, we bought new shelves. My art and work books were piled high on an old computer desk, made mostly inaccessible. Gathering dust. With the new shelves, the ease of access to my books, comes new energy.

I sorted through my books before placing them on the shelves. Many of the work books, the resources I used for my past life, didn’t make the cut. In fact, none of them did. It was a revelation, placing them in sacks and moving them out of the house. With open space comes new energy.

Carrying a particularly loathsome sack of books to the recycle bin, I realized that every major change in my life has come with a book purge. When I left Los Angeles, I gave my library of 1000 plays to a friend. When I left central California for Seattle, I took a truckload of books to the used book store. I left a pile of favorites in the building that housed the school and theatre programs I’d created.

My books about Picasso, Matisse, Renoir, Leonardo, Michelangelo…they’ve always made the cut. They are space openers. Life-givers. The connective tissue in the constellation called “My Life”. This is not a revelation. I wondered why I so often turn away from it, stack my books and my life in difficult-to-reach ways.

Another gift Horatio gave to me in our call last week: as I was dumping on him my truckload of excuses and justifications for not painting, he stopped me, saying, “I think it’s much more elementary than you are making it. Decide what you want to do and do it. Your challenge is that you don’t know what you like.” He added, “You have the germs of what you like…”

Cleaning and placing my books on my shelf was like coming home. When I stood back and could see all that I’ve carried through my many, many moves, there was no doubt what I like, there is no doubt about what connects the many stars in my constellation.

read Kerri’s blogpost on THE DISH

like. share. comment. subscribe. support…thank you.