Do A Rough Draft [on DR Thursday]

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the field in early october: a morsel

I love seeing artists’ rough drafts. One of my all time favorite art exhibits was the hundreds of drawings and sketches John Singer Sargent executed en route to his painting, El Jaleo.

I’m more interested in the process than the final piece. I’m more captivated by the search than the find. That includes my own work as well. For me, the final painting is less a finished piece and more of a pause in the conversation.

It bothers me when a curator tells people what a painting is about or what the artist intended. I’ve squirmed many times during openings of shows when the gallery curator, introducing my work, tells people what my paintings mean. It locks people out. It prevents them from having THEIR relationship with my painting. I squirm equally when the work is not mine. I want a more pure experience.

To me, art is a doorway to the sacred, to the deeper things that words often cannot reach. It is a passage back to the beginning, to the fingerpainter, the child freely playing – prior to the time when a judge is planted between the painter and the piece, the painting and the viewer. That is where the riches are. And in that place it is all a rough draft.

 

read Kerri’s blog post about THE FIELD IN EARLY OCTOBER

 

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a field in early october/morsel ©️ 2018 david robinson & kerri sherwood

 

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Open, Open, Open [on Chicken Marsala Monday]

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“I found that I could say things with colors and shapes that I couldn’t say any other way – things I had no words for.” ~ Georgia O’Keefe

The first time Jim, one of the most brilliant actor/directors I have known, played the role of King Lear, he told me that he didn’t have enough colors in his paint box to do the role justice. He had more to learn.

It is the common thread and what I love about all the great artists. mentors, and teachers that have had so much impact on my life – they know there is always more to discover. They know that ‘it’ – whatever ‘it’ is – is unachievable. So they look, engage, experiment, play, expand, reach, open, open, open…. Artistry is a life-long practice. It is a relationship with life.

“No one sees a flower – really – it is so small it takes time – we haven’t got time – and to see takes time, like to have a friend takes time.” ~ Georgia O’Keefe

 

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read Kerri’s blog post about THERE AREN’T ENOUGH CRAYONS IN THE WORLD

 

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there aren’t enough crayons in the world ©️ 2016/18 david robinson & kerri sherwood

Unleash Your Crayon [on Chicken Marsala Monday]

unleashthepower WITH EYES jpeg copy“…art is a staple of humankind – never a by product of leisure or elitism – and so urgent, so utterly linked with the pulse of feeling that it becomes the singular sign of life when every other aspect of civilization fails.” ~ Jamake Highwater, The Language of Vision

Many years ago I was excited to move into a new studio. Many people in my circle responded to my news in the same way: “Oh God! That’s too much pressure! Now you’ll have to use it!”

I wish I could say that I was dumbfounded by the common response but I wasn’t. As a coach, I wish I could count the number of clients I had who spent many hours and huge dedication of resources to fulfill their dream of having a studio – only to fear walking into it. They thought the lack of a studio was the obstacle and discovered that the real challenge was the banishment of their imagination, the leash they’d placed on their full expression.

Taking off the leash is a daunting affair. It means facing the reasons the leash seemed necessary in the first place. An imagination placed on a leash does not go away, it turns to dark imaginings. It eats itself. It separates. It isolates.

Art is not something that can be approached through reason. It is much more essential, much more primal than intellect alone can reach.  It is accessed through the heart door. The intuitive knowing. Yoda would call it the force.

So, thankfully, the leash cannot be taken off by thinking about it. Experience. Express. Follow. Listen. Feel. Breathe. Reach. Do. And, feel some more. In feeling, in an unbridled imagination, there is connection. There is possibility. There is expansion of spirit and capacity. There is – and this is the power of art – the force that creates community.

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read Kerri’s blog post about UNLEASHING THE POWER OF YOUR CRAYON

 

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unleash the poser of your crayon ©️ 2016 david robinson & kerri sherwood

 

 

 

 

 

Read The Back [on Two Artists Tuesday]

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Nothing I paint on the front side of this canvas will be as interesting, as vital, as curious, as the note that Duke scrawled on the back. It’s a mystery story. Duke has been gone for a few years now and his son, our dear 20, brought Duke’s canvases to me. Treasure upon treasure. For some reason, one day, Duke dipped a brush into black paint, flipped his canvas around and left us a note. An impulsive celebratory act on New Years Eve? Or, perhaps, in a moment of disbelief of world events, he scribbled his note in sarcasm?

Of course, there’s another possibility- and this is my bet – ‘Welcome to the 21st Century’ was the name he gave to his painting, the image that he created on the front side. He didn’t like it so he painted over it. He returned the canvas to white space, opened it to new possibilities.

That leads to an even greater mystery. After scrubbing the image, he flipped the canvas around, dipped his brush one last time into the white paint, scrubbed the date (3/93) but left the title. And in quick broad strokes for emphasis, framed his title, transforming it into a note. The back of the canvas becomes the front. A title transformed into a message.

I feel as if I’m having a conversation with Duke. The painting I created on the front side, on the white-space-possibility that he reopened, is one of my Earth Interrupted series, number 7. It is ironic or, perhaps, poignant? Put his title and my title together: Welcome to the 21st Century: Earth Interrupted. Apt, yes?

 

read Kerri’s blog post about WELCOME TO THE 21ST CENTURY

 

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welcome to the 21st century/earth interrupted ©️ 2018 david robinson & kerri sherwood

Ponder [on Chicken Marsala Monday]

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Socrates famously said (according to Plato), “The un-examined life is not worth living.” Too true.

All of my great teachers and  mentors where ponderers of life. They were artists. Pondering life is essentially what an artist does whether their pondering shows up as a painting, play, dance, or musical composition.

For me, the best time and place to ponder is while looking into a starry sky. There is no greater perspective-giver than infinity. Once, while sitting on the porch at the ranch with Tom, watching the stars emerge, sipping wine, he said, “You could never paint that.”

I said, “I wouldn’t even try!”

“He smiled, “Sure you would. What else is there?”

 

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read Kerri’s blog post about PONDERING LIFE

 

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pondering life is a very useful thing to do ©️ 2016 david robinson & kerri sherwood

Be In Serenity [on DR Thursday]

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I flipped a page and came across the notes I jotted during my last call with Horatio. I can’t recount the entirety of the conversation – it was vast. But the few notes I captured seem to say it all: Art is about the unity place; it is meant to pop open that place in people, or remind them…. Artistry is the realization of one-ness. It is a walk to the center of compassion. And, it is dangerous. It challenges boundaries. Danger and compassion are linked.

in serenity product BOX copyArt is necessarily dangerous. It absolutely challenges boundaries. It asks hard questions. It won’t cotton a lie (propaganda is not art). It points to common ground, shared experience and universal understanding – all things that require border crossing. It brings audiences to shared breath, relationship, the place of compassion. It requires the artist to show up unprotected and the audience to reciprocate in kind. In that space serenity is possible.

read kerri’s blog post about In Serenity

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in serenity ©️ 2018 david robinson