Be In Serenity [on DR Thursday]

Master In Serenity copy

I flipped a page and came across the notes I jotted during my last call with Horatio. I can’t recount the entirety of the conversation – it was vast. But the few notes I captured seem to say it all: Art is about the unity place; it is meant to pop open that place in people, or remind them…. Artistry is the realization of one-ness. It is a walk to the center of compassion. And, it is dangerous. It challenges boundaries. Danger and compassion are linked.

in serenity product BOX copyArt is necessarily dangerous. It absolutely challenges boundaries. It asks hard questions. It won’t cotton a lie (propaganda is not art). It points to common ground, shared experience and universal understanding – all things that require border crossing. It brings audiences to shared breath, relationship, the place of compassion. It requires the artist to show up unprotected and the audience to reciprocate in kind. In that space serenity is possible.

read kerri’s blog post about In Serenity

www.kerrianddavid.com

www.davidrobinsoncreative.com

in serenity designs/products ©️ 2018 david robinson & kerri sherwood

in serenity ©️ 2018 david robinson

Prayer [on DR Thursday]

Prayer copy 2

prayer product boxBAR jpeg copy

Naming paintings is problematic for me. I’ve never been good at it. Sometimes I bristle at it. People project their own meanings into the images I paint (as it should be) and sometimes the name I’ve given the piece gets in their way.  A favorite quote from a Joseph Campbell lecture: “If the artist doesn’t like you he will tell you what the painting means.” At openings, when people ask me what the painting means, my standard response is, “What does it mean to you?” I like most people though most people dislike my standard response.

Nowadays Kerri helps me find names. I ask her what she sees. We talk about the paintings and usually a phrase or name that I like floats to the top.

This one is simple and obvious. Prayer.  One who looks inward and entreats.

PRAYER gifts and cool stuff like wall murals

prayer FRAMED PRINT copy

buy the original painting

read Kerri’s blog post about PRAYER

www.kerrianddavid.com

prayer ©️ 2017 david robinson & kerri sherwood

prayer – designs & products ©️ 2018 david robinson & kerri sherwood

In Beauty I Walk [it’s Two Artists Tuesday]

flower experiment jpeg copy 3

daisy and in beauty PRODUCT BAR copy 2

“I am only so beautiful as the character of my relationships, only so rich as I enrich those around me, only so alive as I enliven those I greet.” ~ Derrick Jensen

I know many many artists who do what they do for love; their motivation is intrinsic. Their work is beautiful. I don’t mean their finished pieces (although they, too, are beautiful). I’m referencing their relationship to their work. It is lively, mysterious, expansive and generous. And, in order to stay healthy, they’ve long ago abandoned the notion that they might make a living through their artwork. Some do. Most do not.

I know many many artists who no longer do what they used to love to do. In the absence of an extrinsic reward (money), they began to see their love-work as worthless. They reduced themselves to a monetary equation and found themselves lacking. Considering their love without value, their well went dry. Their muse withered.

In our confused times it is the fortunate person who understands value as something greater than dollars and cents. Love, beauty, joy, family, generosity, learning, community, surprise, mystery…all words of relationship, all valuable beyond measure. All defy easy quantification.

From studio melange on Two Artists Tuesday, a gentle reminder to look to the space between, to value the process of living, the right-now-relationships where beauty is always to be found. Walk there.

IN BEAUTY I WALK gifts and cool stuff

daisy tote bag copy

read Kerri’s blog post about IN BEAUTY I WALK

www.kerrianddavid.com

‘in beauty i walk’ image & products ©️ 2018 kerri sherwood & david robinson

Roots & Wings [It’s KS Friday]

A composition of elements from studio melange on KS Friday

jacketrfthjpeg copy 2Kerri and I share this in common: behind each composition there is a story. My favorite moment each week as we prepare our melange blog posts is to ask Kerri about the story behind her ks friday music pick. There is always a top-layer story and then a deeper-layer story. And then a deeper story-layer still.

The best art is like that. It opens stories. It reaches deep down to the roots of being and then, through story, propels the human spirit to soar. Art is communal connective tissue.

This week in her blog Kerri shares the story behind Give Me Roots, Give Them Wings.  My story, as I listen and give over to the music is this: the first time I stepped into this house I was overwhelmed with the feeling of “home.” It was something I’d never in my life experienced. It was a warm rush of surprise and I laughed. Give Me Roots, Give Them Wings reminds me of that moment, of stepping through a door for the first time and knowing that I was finally home.

 

GIVE ME ROOTS, GIVE THEM WINGS on the album RELEASED FROM THE HEART available on iTunes and CDBaby

ROOTS & WINGS gifts and products

ROOTS WINGS product box BAR JPEG copy

read Kerri’s blog post on GIVE ME ROOTS, GIVE THEM WINGS

www.kerrianddavid.com

 

give me roots, give them wings – album released from the heart ©️ 1995 kerri sherwood

roots & wings designs and products ©️ 2018 kerri sherwood

See Art Everywhere

50% OFF ALL PAINTINGS THROUGH APRIL 22nd

Together we read the local paper every morning. Yesterday there was an essay from the executive director of a new ‘creative space’ making a case, financial and otherwise, for why the community should value and support the arts. Everything he wrote was true. Everything he wrote has already, as Kerri likes to say, fallen into the moat.

Fifteen years ago I might have written that essay. I am an artist and need no case made for the necessity and essential nature of “the arts.” However…. In a past life I consulted with schools and many times found myself in the position of lobbying the school board to support arts programs. I jumped up and down making a case for the arts and rarely achieved my desired result. Until, one day, a word-angel grabbed my tongue and instead of using that mystical word “arts,” I replaced it with the phrase “experiential learning.” Doors blew opened. Angels sang. Kids made movies, painted paintings, held poetry slams, wrote musicals, made plays…came alive. And learned.

Our mistake is “to make a case” for the arts. Our mistake is to define it narrowly, relegate it to museums. It is not a separate thing. It is everything. It is everywhere. The design of our cars and blenders is an aesthetic as well as an engineering process. The apps on our phones (the very design of our phones) requires artistic as well as technical skill. Every piece of marketing that clogs our streams requires an artistic sensibility. We live in age of narrative, of artificial intelligence, of imagination run rampant. We story ourselves on Facebook and Instagram and share our pins on Pinterest. Step back and listen to the competing narratives we call The News. Listen not to the content of the question but how it is asked; these things are not accidental, they are designed, targeted to influence and move our imaginations. The “arts” are not lofty nor dusty, they are throbbing, vibrant, and central to every nuance of our lives. Why do we insist on  keeping them in such a tiny little box?

Stephen asked me more than once, “Why don’t people value the arts?”  He is a prolific painter, brilliant, and exhausted from living on the margins. “They do,” I’d say, “they just don’t know it.”

Kerri and I said goodbye to a few more paintings yesterday. They found their right home and that is more than gratifying.  It is the moment of completion of the painting (or the play or the composition…or the car, couch, and coffee mug) when it finds an audience or its home. It’s a life cycle, deeply connected. It is everything. It is everywhere.

Commune With Color

50% OFF ALL PAINTINGS THROUGH MIDNIGHT APRIL 22nd

I always loved gallery openings of my work because they served to remind me how deeply personal a relationship with a painting really is. And, isn’t that the point? For instance, when I first showed my painting, Canopy [featured in a post yesterday], it literally stopped a woman in her tracks. She burst into tears and spent the next hour communing with the painting. Literally communing. I love this story because a few moments before the communing woman entered the gallery, a young couple stood before Canopy and said, “Ooh. I don’t like this one.”

As John once said, “Your job is to paint the paintings, not to determine what people see in them.” True enough.

There are two paintings in my stable that have drawn more attention than any others. By far. They were painted at roughly the same time. They are the same size. Both are acrylic on two panels. Both have shown often, always have multiple inquiries, and always return to the stable. They are favorites to be courted but are always left standing alone at the altar.

Once, when taking them down after a showing, a gallery rep. told me she thought they were abandoned yet again because they were too colorful. “Too Colorful?” I questioned. And she said, “You’re right. That’s not possible.”

(Y)Our Earth [It’s Two Artists Tuesday]

Take a moment to take a look around you. A thought to ponder and share from the melange.

our earth FRAMED ART PRINT copy

Tibetan monks have been in residence this week at a local technical college. They are creating a mandala sand painting. For the monks, creating the mandala is a spiritual practice, a meditation. As they construct the design they contemplate the meaning of the symbols within the design. In other words, they are in a constant state of prayer while they create. They invite the community to enter the prayerful space and contemplate with them; the “space” is, of course, the essential part of their creation. More to the point, the shared space of peace, an intentional communal tranquility, is the creation. And, to make sure we grasp the point, the final step in their creative process is to blow the design away. Nothing is permanent. Beauty is passing and so are you and me. It is, we are, energy in motion. The process, rather than the product, is the meditation.

our earth SQ PILLOW copyWhen Kerri drew this design it immediately reminded me of the Earth’s currents, a perfect sentiment for the coming Earth Day celebrations. The essential convection currents that create our wind, our weather. The currents in the earth moving layers of magma, the transfer of energy in the heating and cooling of the ocean. Motion creates life, tosses up forms and pulls them down again. Motion is life, life is motion. And, in this mandala we call Earth, there is a deeper meditation found within the sand and the impermanence: it’s all connected. We are all connected. Blowing sands. The process, the quality of our participation in impermanence, is the art.

From studio melange, an earth day meditation: this is your/our earth.

THIS IS (Y)OUR EARTH reminders/merchandise

society 6 info jpeg copy

our earth TOTE BAG copy

OUR EARTH MUG copy

our earth IPHONE CASE copy

iphone cases

OUR EARTH BEACH TOWEL copy

a beach towel!

our earth LEGGINGS copy

(Y)Our Earth Leggings

read kerri’s blog post on (Y)Our Earth

melange button jpeg copy

kerrianddavid.com

 

this is (y)our earth ©️ 2016 kerri sherwood & david robinson