“Get Outside, People.” [on saturday morning smack-dab.]

When the Wander Women pulled the plug on their cross-country cycling attempt, my esteem for them, what they do, and how they live, skyrocketed. No small statement since they were already high on my list of the people I admire.

In this age of manicured image, they are refreshingly real. They decided in their retirement to use their precious lives gathering experiences instead of stuff, to open themselves to adventure rather than live in a comfy fortress. In the past three years they’ve completed thru-hikes of the Appalachian Trail, The Continental Divide Trail, and the Pacific Crest Trail.

Although that is impressive, the reason we follow them is the hope they inspire. They’ve developed a community of support that shows up for them. Because they are generous, they attract generosity. Rides appear. Baked goods show up. Offers of places to stay. They say, “Yes” to whatever life throws at them and know that life will throw a “Yes” back to them.

Sometimes saying “Yes” means to stop. The plan falls apart, the elements do not cooperate. Every good adventurer knows it’s not enough to get up the mountain, one must also make the return trip. The variables have to align and, if they don’t, it’s wise to wait. Saying, “Yes” means saying, “Not today.” As Kristy said, “It’s best not to get lost in the goal.”

It’s the reason I admire them: they are not stacking achievements. They are having experiences. They are enriching their moments rather than hanging certificates on the wall. They lead with joy rather than acquisition.

They end each of their vlog installments with encouragements: Live. Get outside, people. Make the tough decision. Say, “Yes.”

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Feed It [on KS Friday]

“The devaluation of music and what it’s now deemed to be worth is laughable to me. My single costs 99 cents. That’s what a single cost in 1960. On my phone, I can get an app for 99 cents that makes fart noises – the same price as the thing I create and speak to the world with. Some would say that the fart app is more important. It’s an awkward time. Creative brains are being sorely mistreated.” ~ Vince Gill

I am the first in line to tell you that everyone has a creative mind. Everyone. That river of ridiculousness running between your ears is nothing other than creativity-run-amok. What else? Telling yourself that you are not creative is, in itself, a creative act. Seeds planted early in life grow into mighty obstructions. Creative wastelands are created. If you want to hear a terrific appeal to educators to nurture rather than stifle the creative mind, listen to Sir Ken Robinson’s 2006 Ted Talk. It’s appropriately titled “Do Schools Kill Creativity?”

I’ve listened to numerous school boards tell me how much they truly value the arts – until it’s time to pay for it. Sadly, it’s not a question of whether or not they value the arts; it’s that the arts, the creative minds, do not fit any of the standards of valuation against which all things are measured. They do not know how to value the creative minds that they steward. Arts organizations and artists, mostly, are not money makers. Creative minds, creative acts, do not fit in the boxes and are not measurable on standardized tests. Thinking outside of boxes is, after all, the point of a creative mind. Metrics and goals stop a creative mind and heart in its tracks. The cruelest thing you can ask any artist to do is write a grant.

And yet, an artist has to make a living. Yaki asked me if I had to choose between making a living and making my art, which would I choose? I answered, “Art, of course,” but that it was really a question of Maslow’s hierarchy: it’s hard to make art when you are not surviving. What I didn’t say is that his question perfectly captured the reason schools kill creativity and creative brains are sorely mistreated: it is assumed one must choose between. Making a living and thriving creativity are understood as oppositional.

How many parents have tried to dissuade their children from following their passion for the arts? How many times have I heard Kerri say of the stacks of music on her piano waiting to be recorded, “What’s the use?” How many times have I sat in my basement studio looking at my stacks and rolls of paintings and wondered, “Why bother?” We do it to ourselves, too.

And then, the phony metric falls and we breathe, pick up our brushes and sit at our keyboards. There is a river of riches that runs deeper than money. It is, after all, a creative act to kill a passion. It’s also a creative act to feed and nurture an artistic soul. Both. It’s what the school board doesn’t understand: the choice is not between making a living or living as an artist, the choice is between feeding inspiration, expanding a creative mind, or smothering it.

read Kerri’s blogpost about CREATIVE MINDS

Kerri’s albums are available on iTunes and streaming on Pandora

watershed/as it is © 2004 kerri sherwood

Light A Few Candles [on KS Friday]

“An artist is a dreamer consenting to dream of the actual world.” ~ George Santayana

It was like a visual Zen koan. The candles were placed close to the window and the reflection stretched back and back into infinity. What is real and what is reflection? We sat for several minutes, caught in the light trail that seemed to reach into the future/past.

We light candles for remembrance. We light candles for comfort. We light candles for the quiet they invoke. Inspiration. For hope. Buddhist prayer flags flutter and “release” their prayers to the wind. We light candles with the same intention: the remembrance is carried deep into the future/past. The comfort floats and fills our home.

It was our practice, prior to Covid, late at night on christmas eve, after Kerri was finished with work, to illuminate our street with luminaria. Little paper sacks weighted with sand and holding single candles ran up and down the sidewalk, the entire length of the street. We’d place fire pits in our driveway. Neighbors, friends and family would gather around the fire, drink wine and grog, eat snacks, sing a song or two, laugh. Somewhere, deep into the night, our fingers and toes would protest the cold, we’d say goodnight, douse the flames, and call it a night. Crawling into bed, it always felt as if the good humor of our gathering caught the breeze and carried a light-heart into the world.

Tonight, Kerri and I will light a few candles in sacks, weighted by sand. We will sit, sip wine, laugh and remember. Luminaria. Gatherings. Good wishes carried on the wind. The laughter and candlelight from the past will find us as we reminisce. We’ll send a wave of good intention into the future so that it might one day find us standing around a fire pit with neighbors, family and friends, shaking our heads and saying, “Do you remember when…”

you’re here (kerri sherwood rough cut)

hope/this season available on iTunes

read Kerri’s blog post about LIGHT INFINITY

hope/this season © 1998 kerri sherwood

you’re here © 2018 kerri sherwood

Find It [on DR Thursday]

Although it probably does not appear this way to you, this photograph is the road back to my easel. It was an immediate inspiration. Kerri did not intend for it to spark the cold coals of my artistic fire, but it did. It was immediate. I couldn’t stop staring at it.

This painting is called Joy. Look at the floral shapes and lines both within and around the figure:

Joy, mixed media, 50x56IN

Many of my paintings of the past several years are floral wonderlands. They infuse the figures, they are bouncing balls of symbolic trees and oversized shrubbery. They remind me to have fun. To play and experiment. I must have forgotten all of that or turned away.

I hit a wall when I painted my red mess. It’s been on my easel for months. Beneath the red mess, the painting that I’d originally sketched on the canvas, is this:

I think I’d had too much of despair-and-comfort and needed to explode my themes. Thus, the red mess.

When Kerri showed me her photograph of tiny pink flowers, I saw the painting, this painting, complete in my imagination. Not despairing, but vibrant and subtle, alive with those amazing floral shapes, five-petal-bursts of life. Contemporary. Huge. Broad strokes. Almost a sculpture.

There is a story from Plato’s Symposium that I’m using as the basis for my script revision for The Creatures of Prometheus , the original human, cleaved by the gods because it was too powerful, searching through life to find its other half. This painting is (or will be) about the search for love, the transcendence of separation. Finding.

And, as you know, once it lives in the imagination, all that remains is the volition to get there.

read Kerri’s blog post about PINK FLOWERS

joy ©️ 2014 david robinson

Weave With Intention [on KS Friday]

I have on my studio altar Demarcus’ paint box. Sitting atop the box is the nutcracker my grandfather used. He kept it next to the pool table. The nutcracker rests on a batik that Judy gave me. There is a laughing Buddha, a dancing Shiva, a sturdy White Buffalo. There is a woven braid of palm from Bali. Special rocks.

Dots that connect me to my heritage, to the people that inspire me. To ideas that open me and remind me to see the universal, the metaphoric.

I wrote a post this morning about history as events and history as interpretation. I tossed it because I lost my way, I lost what I really wanted to say in a forest of complexity. What I wanted to say is simple and that is why I lost it. What I wanted to say was this: I weave my history through the dots I connect, as do you. My history is not pre-wrapped. I crawl into bed each night and assign a story to the events of my day. Was it a good day or bad? Meaningful or insignificant?

There are events. DeMarcus and my grandfather have been gone a very long time. Yet, they are with me everyday. Encouraging me to play and discover. Crack nuts. Open my paint box. Feed the connection. Judy’s batik, a reminder to see the beauty. It’s all around if we care to see it. Connect the dots. Laugh. Dance. Stand sturdy. Weave the story. Weave with intention. Connected.

kerri’s albums are available on iTunes

read Kerri’s blog post about CONNECTED

connected/released from the heart ©️ 1995 kerri sherwood

Make It Flexible Again [on Two Artists Tuesday]

This is a tale of two quotes. They collided in my brain while I pondered this wacky year, diverging realities, repeated historical patterns, and why I have yet to rake the leaves. You might conclude that I need to relax or that I have too much stuff wafting through my noggin and, as Thom taught me to say, “you might-could” be correct on both counts. Quote #1:

“Sometimes the best way of caring for you soul is to make flexible again some of the views that harden or crystalize in your mind; for these alienate you from your own depth and beauty.” ~ John O’Donohue

Kerri is a series photographer. She has dozens of photos of heart shapes found in nature. Heart rocks, heart leaves, heart water stains. Lately she has started two new series: 1) Trains through trees, and 2) Horse poop on the trail. I rarely bring my phone on our walks or I’d inundate you with images of my artist-wife kneeling to get the best poop shot [I’ve been instructed to tell you that the horse poop series is for use in commentary and not merely aesthetic].

I am an artist and given to looking at my world, but Kerri constantly surprises me with what she sees. She opens my eyes to what I might miss: the beauty all around me. If I could give a gift to the world it would be what she gives me: to see beyond what I think I see. We see what we believe – often without question. There is no better way to atrophy the mind/heart/soul than to see only what you believe. “To make flexible again some of the views that harden or crystalize in your mind.” Can you imagine better medicine for what ails our angry, divisive nation?

Quote #2: “Creativeness is finding patterns where none exist.” ~ Thomas Disch

We stopped at IKEA for 20 to pick up some furniture. In the few moments that it took us to run in, pull the boxes, move through the register line, and run out, Kerri took a series of series photographs. IKEA is a gold mine of pattern. There are patterns within patterns. Her love of shooting photos set up for me a dichotomy, a social observation. She came alive finding patterns, capturing patterns, breaking patterns. She climbed over ropes, into shelves, crawled into tight spaces, and wriggled between stacks to get the shot she wanted. The rest of the people in the check-out line were either bored, impatient, or otherwise lost in their minds. For them, waiting-in-line was the only pattern that existed. I laughed at the contrast, the utter vitality of Kerri’s enthusiasm played against the dulled-cart-pushing of the crowd.

Sometimes there is a sea of pattern dancing right before our eyes. It exists. It surprises. It inspires and challenges. Creativeness, the vitality of living, requires nothing more than opening our eyes and engaging the world that sparkles beyond our burdened minds and worn-out belief.

read Kerri’s blog post about PATTERN

Pick Your Star [on Not So Flawed Wednesday]

pre joy joy copy

Mike Libecki is a mountain climber. He calls the necessary suffering of his sport pre-joy. “That way,” he explains, “I get to use the word joy in all of my sentences.” There’s joy at the summit. There’s pre-joy on the way up. It’s not a bad orientation to life, everything is relative to joy.

Skip’s meditation these days is on resilience. After a horrific car accident, he has more than a few tales of pre-joy. He has even more tales of joy. Human beings have a remarkable capacity to choose their stories, to orient to a path that is life-giving or to collapse their story into a state of no-joy. Skip chose resilience. The capacity to recover. To spring back in order to spring forward. Pick your star and sail toward it. That is Skip’s lesson to me.

Judy just wrote a book, Summoned By A Stroke. It is the blog posts she wrote to her community of support after her husband, Kim, suffered a major stroke. It is a remarkable testament to the invincibility of the human spirit when it intentionally orients to joy. It is also pays homage to the magnetic pull joy has on a community. There is  no attempt in Judy’s story to deny the pre-joy; there is a deep understanding that there would be no real joy without it.

During my Seattle years, when I was feeling blue, I would jump on the ferry to Bainbridge Island to visit Judy and Kim. This man wrecked by a stroke and, my friend, Judy, his wife, never failed to lift my spirits, to fill me up with laughter. More than once, on the return ferry, I would sit in utter amazement. I told myself that I should be bringing comfort and support to them but the opposite was, in fact, the case. What I experienced with them was beyond words. So much joy. If there is a place where pre-joy and joy blend together, Judy and Kim inhabited it. Today, this is Judy and Kim’s lesson to me:

“Kim and I are learning that happiness is not about what we do or where we go but how loving we are in relationships, how open and curious we are about where we find ourselves, and how inventive we can be with what we are given.” ~ Judy Friesem, Summoned By A Stroke

 

read Kerri’s blog post on PRE-JOY/JOY

 

 

slow dance party cropped website box copy

Feel The Mountains [on Two Artists Tuesday]

 

mountains in the distance CO copy

Look carefully. In the distance you will see the mountains. “It kills me, “Kerri said, staring out the window as we drove east out of Colorado. She craned her neck and watched as the mountains faded into the distance. She took a picture more to reach than record them.

The mountains make her weep. Seriously. Driving up the canyon, leaving the flats of Denver behind, she catches her breath and then the tears roll down her cheeks. “It’s so beautiful.” she utters, wide-eyed, incapable of taking it all in.

Leaving them is harder still. I watch her writhe in her seat, growing more agitated the further away that we get. “Damn it,” she fumes. These mountains are her holy land. They inspire songs and poems and musing. Leaving is not a geographic equation. She feels the separation.

In every corner of our home you will find a pile of rocks, mementos from our travels. And, in each pile, among all the other treasures, there is always a special rock, a mountain rock. She surrounds herself with mountains, even living on this great plain, a block away from a great lake. An artist knows where her power comes from.

She sits at her piano. She opens her computer to write. Surrounded by mountains, she composes. She feels the connection and it fills her with inspiration. Going home is not a geographic equation.

 

read Kerri’s blog post about MOUNTAIN IN THE DISTANCE

 

 

roadtrip website box copy

 

 

 

 

Admire Them [on Not So Flawed Wednesday]

barnacle tree 1 copy

 

Andy Goldsworthy might have created this tree. The limbs pressing through burls, a tree grown sturdy and beautiful, made unique by its wounds.  It is a monument to resilience.

Tom, an educator the entirety of his life, told me that he was again and again astounded by the resilience he saw in children. They inspired him. Their hurt swirling into a burl,  giving them fuel to rise. Their struggles and fortitude driving their teacher to be better.

In the art gallery, the woodworker told us about his work. He lifted the bowls to show the unique grains, the live edges and imperfections. In every piece, the beauty was once a blemish.

There are many, many trees in our beloved Bristol Wood. Inevitably it is the burl trees, the oddities, that call us to stop for a visit and admire them.

 

read Kerri’s blog post about the BURL TREE

 

MayYou copy

may you: a painting/prayer spoken to life’s burls

 

 

alice's restaurant, california websitebox copy

may you ©️ 2014 david robinson

Follow Kirsten [on Merely A Thought Monday]

2legstiredhearthappy copy

At the end of the day I can say that I’ve coached or mentored many, many people. This is what I’ve learned: most people have a yearning and will take a timid step or two toward it. They will build the studio and then fear going into it. Many take a look at their dream and run screaming away from it.  The dream is too hot. Previous dream-touches came with shame or disappointment. Better to not try at all.

Then, there are those precious few people, those rare birds, that look at the edge and run at it. They jump. Safety, control, and security…fear…have no voice in the pursuit of their dream. Kirsten is one of those rare birds. When I met her, her heart was not happy. She was, I suppose, doing what she thought she should do. And then she saw her dream. In short order, she left her job, her security, her known-prescribed path. She left her should-dos. She dropped it all and ran at the edge and leapt without once looking to see if there was a bottom. She changed her body, her thoughts, her intentions. In a few short years – the blink of an eye where deep change is concerned – she transformed her life from a protected, armored experience, to something more vulnerable, crackling, spontaneous and alive.

She is on an artists’ path. Her life makes no sense to a world that worships 401k’s and picket fences. She works harder than any doctor, grinds out more hours than any accountant, or stock analyst, and does it for a pittance of the pay. Her pay comes from an internal driver, a soul satisfaction. She touches something that cannot be explained or justified. It also, once touched, cannot be denied. She stands solidly and with great intention on the burning point.

She heard the call and heeded it. Now, when we tell people of Kirsten they most often reply, “She’s living the life!” And I want to say, “No! Unlike most people she is living life.” She is one of those rare birds who can say, without doubt or equivocation, “My heart is happy.”

What could be a better gift to give the world – your family and friends – than a happy heart?

 

read Kerri’s blog post on MY HEART IS HAPPY

 

oversizedjoy copley place website box copy