Pop A Cork And Ponder [on Two Artists Tuesday]

It is, at long last, election day in these-once-united-states. If I had a wine cellar it would be stocked to the top with election night libation and reality-numbing assistance.

Through Kerri, I received a loving and gentle push back against my use of the phrase these-once-united-states. Our reader reminded me that these-states-were-never-united. Not really. Of course, there is the very real possibility that division IS what identifies us. In a stroke of planned obsolescence or perhaps a nod to the absurd, our forefathers wrote that all men are created equal while participating in and promoting slavery as the driver of the economic engine. They certainly knew what they were doing. It might be that division is what unites us.

Who would we be if we actually practiced equality and made sure that our institutions were not only the guardians but promoters of our central ideal?

Mostly, those wacky forefathers kicked the can down the road. They understood that the nation would one day have to reconcile its split-intention. We’ve made a run at it more than a few times and, like every good fractal, rather than deal with our shadow pattern, we manage to repeat it. Slavery becomes Jim Crow…and here we are. BLM meets The Proud Boys.

We are so far away from dealing with the can kicked-down-the-road to us that the mostly-men-on-the-red-team deny the very existence of systemic racism. That, too, is part of the fractal. Take note of how much energy has been spent making it hard for black Americans to vote. Right here in the year 2020. Some things never change. Some things need to change.

So, today we line up to cast our ballots. In this seemingly endless and ugly election season, we’ve been witness to an undermining of the postal service, the removal of ballot boxes, the stuffing of the supreme court, a president casting doubt on the very system he was sworn to support.

So much energy spent to ensure the continuation of the divide! Another squirt of glue? An organizing principle of negative and positive charges? Opposite charges attracting?

We need a new organizing principle. Division is a threadbare story and, as we know, can only run in a vicious circle. I hold little hope for it but wonder what might come about if we attended to a simple basic, just like the sign says. “Be Nice. Say Hi!”

In the absence of general kindness and courtesy, something every mother teaches and every grandmother upholds, I will pop a cork and ponder what we might have been if the system had been set up and penned by our foremothers. I suspect we’d all know how to play nice by now.

read Kerri’s blog post on BE NICE. SAY HI!

Treat The Origin [on KS Friday]

it's a long story copy

Yaki called. He wants to dust off our Prometheus project and give it another whirl. The Creatures Of Prometheus is one of Beethoven’s early works, a ballet that is nigh-on impossible for a contemporary ballet company to afford. Besides a symphony, it requires  scores of dancers. Twelve years ago, Yaki asked if I would write and perform a narrative – a storytelling- that would weave together the movements. It lives among my all-time favorite collaborations. Yesterday he asked, “Can we update it? Can we make it relevant with what’s happening in the world today?’

My first thought: it’s already relevant! It is a creation story. Prometheus is given the task of creating human beings, a man and a woman. Although he is instructed to make them dull and crude, he creates them to be beautiful, to see and appreciate their connection to the earth from which they were made. Angered by his disobedience, Zeus punishes Prometheus by corrupting the new creatures; he fills them with fear and division. He twists their fear into a lust for war. He makes them dull and crude. Now, Prometheus waits for them to remember and recover their original sight, to remember their capacity for pure seeing, fearless living. To drop their madness and return to their senses.

My second thought: people are notoriously incapable of grasping metaphor. It’s the Zeus thing in practice. The update has to be a direct statement. It must leave no doubt and puncture the commitment to dullness. “Gear down!” as Kerri constantly reminds me.

“How can Prometheus speak to Black Lives Matter?” he asked. We are both artists in the later stage of our career.  Yaki added, “I want my work – my art to really speak to what’s happening today. I want it to help.”

I’ve been sitting in his questions since we talked yesterday. We are standing again at a moment in time when change is possible. We are also standing at the moment when the system, a living thing, a wizard of recreation, will fight to maintain itself. Consider: we had this moment with the abolition of slavery and the system responded with Jim Crow. Segregation. Institutional racism. We had the moment again with the civil rights movement in the 1960’s and the system responded with a draconian judicial/policing/incarceration apparatus, disproportionate tax structures…segregation by legislation (again and again and again).

In our current moment, in this latest moment, how can we make the necessary changes that are not merely the existing system putting a new face on a 400 year old mechanism? Real change requires steps in unknown directions [the rule: if you know where you are going you are merely re-creating what already exists]. How can Prometheus speak to that?

We focus on behavior when we need to stare at the underlying structures. Behavior, as Robert Fritz reminds us, always follows the path of least resistance – the sub-structure determines the path of behavior.

In the story, Prometheus is in it for the long haul. He knows his creatures are made for beauty and will inevitably see beyond their made-up fear and return to their source. They will one day stop listening to the fear mongers and race baiters. They will wake up and recognize that they are not made to be dull and crude and divisive. In fact, quite the opposite. They were made to appreciate and participate in the creation of beauty and betterment. Nature.

Prometheus is in no hurry. He waits for his creatures to remember. He plays the long story. What will that look like?

 

 

IT’S A LONG STORY is on the album THIS PART OF THE JOURNEY

 

 

read Kerri’s blog post about IT’S A LONG STORY

 

treehole website box copy

 

 

 

it’s a long story/this part of the journey ©️ 1997/2000 kerri sherwood

joy ©️ 2014 david robinson