Embrace The Mush [on Two Artists Tuesday]

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We walk almost everyday. We always have. We walk to clear our minds or to stir our creative conversations. Since we work together, we sometimes call our walks “meetings.” Neither one of us is good at sitting.

Lately, we walk as an escape or a pressure release. Between job losses and broken wrists and pandemic fears and aging bodies and titanic leadership failures and civil unrest and financial collapse and missing-family-because-it feels-unsafe-to-travel…there’s very little quiet mind space. We hit the trail and have to remind ourselves to slow down. Be in it, not get through it.

It’s a life reminder: be in it. All of it.

We walked across the busy highway to the trailhead and a butterfly circled Kerri and landed at her feet. She’s been having many butterfly encounters lately. They circle her. They fly with her, crisscrossing her path. This butterfly stopped her motion completely. It snapped her into the present moment. She pulled out her camera and the butterfly hopped. She followed and the butterfly hopped again. It seemed to be leading her. It wanted her to follow. Another hop.

While watching the chase I couldn’t help myself from thinking of the symbolism. A butterfly, the universal symbol of change and transformation, leading Kerri on a chase. Perfect!

Our world is changing.

The process of becoming a butterfly requires the caterpillar to cocoon and then dissolve into mush before reforming, taking on the new shape. There’s no way to rush through the mush phase. There’s no way to rush into a thing with wings. In fact, the arduous process of busting out of the cocoon is necessary. It takes time for the wings to dry and the struggle to get free of the safe house provides the drying time. That, and the what-the-heck-are-these wings-doing-on-my-body phase of new recognition. Fear of the first step affords a few more moments of structural prep.

Going to mush takes time. Re-forming takes time.

No one willingly goes to mush. People famously grouse about changing but avoid change at all cost. I imagine that if the caterpillar had any idea of what was about to happen, it would yammer on and on about its dream of flying but would run screaming from the very idea of cocooning.

COVID has us cocooning. We are going to mush. I can only hope my country is also going to mush. A caterpillar that attempts to ward off the necessary transformation distorts and does not live long. A caterpillar that attempts to control its change process is delusional. It will rush and step off the limb before its wings are ready. Another route to disaster.

We are going to mush. Losing the known form is not easy. Living in uncertainty is uncomfortable. That’s the point. Discomfort heralds change. It opens new paths of thinking and possibilities for experience.

Watching Kerri hop after her hopping butterfly, I found myself laughing. This is what mush feels like. I’ve been here before. There will be another side, a breaking out, a fearful flapping of wings. A timely leap and a discovery. Butterflies are also symbolic reminders to step lightly and with grace in times of change. There’s nothing to be done but take nice walks, breathe a bit slower and hop after photo-shy butterflies.

 

read Kerri’s blog post about the BUTTERFLY

 

 

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greet the world ©️ 2011 david robinson

 

 

Knead And Listen [on Two Artists Tuesday]

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I am now among the legion of people that turned to baking bread during the pandemic-stay-at-home era. This loaf is gluten free, made with rice flour, since Kerri is allergic to gluten.

In truth, I’ve wanted to bake bread since I knew Brad the baker in California. He was a genuine hippie, a believer in peace and simple living. “Bread is a living thing,” he once said as I watched in fascination his kneading of the dough. You can tell a true master craftsman at work by watching their hands. They feel something in the dough or the wood that the rest of us do not.

My loaf was not made by a master. Not even by an apprentice.

Bill sent a photo of his first loaf and I asked for the recipe. It came as screen shots and I scribbled them into a recipe on notebook paper. Easy steps to follow but I knew from watching Brad that I would not find in my recipe any easy guidance on how to feel the life in the dough. That would come with time. Maybe. If I was lucky and diligent and practiced listening through my hands.

I’m not surprised people are turning to bread during this time of pandemic uncertainty. It is essential. The making of bread, the cultivation of wheat, made civilization, as we know it, possible. It is, therefore, a central symbol in many belief systems. Separate the chaff from the wheat. A time for harvest. This is my body. Eat.

Brad told me that the dough kneads you as much as you knead the dough. It’s a simple relationship between living things and requires complete focus. Mutual respect. Attention must be proffered.

Perhaps that is why we turn to bread in times like these. Simple relationships of attention and mutual respect are increasingly rare. Bread reminds us of what is possible, what is healthy. It reminds us of the patience that is required if we are to find our way to harvest. It reminds us of the necessity of knowing what is chaff and what is wheat, or remembering that there is a direct relationship between what is planted and what is grown.

 

read Kerri’s blog post about BREAD

 

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See Two [on Merely A Thought Monday]

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“Birth is painful and delightful. Death is painful and delightful. Everything that ends is also the beginning of something else. Pain is not a punishment; pleasure is not a reward.”
Pema Chödrön, When Things Fall Apart: Heart Advice for Difficult Times

I am fond of symbols. A horizontal line bisecting a vertical line. Two triangles interlocked to create a star. A black and a white swirl,  coupled to form a circle and each containing a dot of the other. All symbols of opposing forces interconnected and counterbalancing.

It is a story of two. Spirit and body. Male and female. Inhale and exhale. The pull of the moon rolling the tide in and out. Birth and death.

Most of us live our lives in abstraction, that is, generally removed from the push-pull of nature. Electric light. Hot and cold running water. Food picked from a grocery store shelf. Our trash easily goes to the curb and disappears.

We do not see that life eats life. We rise with the alarm rather than the sun. Perhaps that is why we engage in the ridiculous debate over whether or not we the have impact on the environment. We somehow have deluded ourselves into thinking we are not part of nature or worse, that we are above it. Our actions do not matter. Isolated, we somehow have come to live in a disembodied story of one.

Kerri and I walk almost every day. We often walk the same trails through Bristol woods or the Des Plaines river trail. We walk them through every season. The barren snowy winter, the budding spring, the full leaf of summer, the color and fall of autumn. As we cycled through the seasons on our trails, I am reminded that these symbols were always meant to help us live and understand life here and now, to engage fully in the dance between the natural forces, the story of the two. Interconnected. Counterbalanced. A part of. The middle way.

It is only when these symbols are mis-taken within the story of one that they become warring emblems. Self-righteous. Inert and other-wordly. Out of balance. Domineering.

Tornadoes are impersonal. Forest fires are not discerning. The tsunami does not pick its direction. The sun melts the snow without ire. Judgment has not place in a story of two. Building up. Tearing down. Sunrise. Sunset.

 

read Kerri’s blog post about BUILDING UP & TEARING DOWN

 

 

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Make It Up [on Flawed Cartoon Wednesday]

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Language is beautiful. It is referential and, therefore, easily manipulated. Not all strings of letters arranged in sequences of words point to what you might expect. Thus, my fun with space invaders! Of course, it is too enticing to wade into the current pool of nonsense surrounding the phrase ‘space force.’ If you want to entertain me you’ll send me fun images of ‘space force’ misdirection. I have a few roiling in my brain that I just might draw and share with you.

Oh, and my favorite language question of the week: how is it that a sequence of marks and noises is meaningful? Well, humans have to be good at something, right?

if you'd like to see FLAWED CARTOON copy

 

read Kerri’s blog post about SPACE INVADERS

 

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space invaders ©️ 2016/18 david robinson & kerri sherwood

Flawed Cartoon Wednesday

Your daily dose of chuckles from the melange on this hump day.

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I have a symbolic suggestion or perhaps a suggestion on symbols. I think we ought to drop the donkey of the Democrats and the elephant of the Republicans and replace both with a single, more hopeful and less arbitrary symbol: the pushmi-pullyu. One animal, two opposing points of view.

More and more I feel as Doctor Dolittle must have felt. I understand less and less of the contentious conversation playing over the human airwaves. It seems like so much bad theatre. Antagonism for the sake of antagonism. It makes for good ratings, I suppose. It is so much noise!

A good talk with the animals is certain to be more fulfilling. A turn toward nature is always good for clearing the head of made-up-thought-clutter and punching through the madness. Maybe a better symbol, the pushmi-pullyu, would remind the makers-of-law (and the rest of us) that they/we share a single heart, that sometimes it is necessary to be the side to walk backwards if progress is going to be made – and that requires some serious collaboration. I push, you pull. I pull, you push. In either case, collaboration or contention, the reality, regardless of symbol, is that we end up together in the same place.

 

EYE TO EYE merchandise///I TO I merchandise

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[don’t be confused! we had so much fun with this one that Kerri created two different product lines. poke around on society6 and you will find both]

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read Kerri’s thought’s on this Flawed Cartoon Wednesday

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why is it that we never see eye to eye on anything ©️ 2016 david robinson & kerri sherwood