See Simply [on DR Thursday]

autumn hillside pair copy

Kerri’s morsel choice often surprises me but none more than this week. She took a close up photo of my painting We Watch The Setting Sun, flipped it over, made two copies, left one untouched and manipulated the other. “I want to use both!” she announced with THAT look in her eyes. “It reminds me of a hillside in the fall.”

I write this often, perhaps too often, but it matters: through the morsels I am discovering simplicity.  In her Autumn Hillside set I see the freedom of my brushstrokes. I see the collision of thick paint and thin washes. I see simple color that, in its movement, serves as a suggestion. Less is more. Nothing else is needed. I understand Mark Rothko. I appreciate Ad Reinhardt.  I am seeing their work through new eyes.

New eyes. Could there be a greater gift for an artist, for someone who has worked his entire life at ‘seeing?’

“Don’t you love it?” Kerri asked of the morsels. I smiled. Yes. I love it.

 

FALL50%OFFSALE copyseptember 1 – 16

 

read Kerri’s blog post about AUTUMN HILLSIDE

 

www.kerrianddavid.com

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autumn hillside/autumn hillside night ©️ 2018 david robinson & kerri sherwood

 

 

Stop At The Beginning [on DR Thursday]

Aqua Agua Mit Rouge. Kerri laughed and clapped her hands when she named this morsel. It is a process snapshot of the early under-painting, the base layer of what would become Earth Interrupted VII. It is loose, fluid and free. It is a special layer – a visual marker of what happens before my thinking mind kicks in. Free. Fluid. Loose. Flow. For me, the first moments of painting are all intuition.

More and more I am learning from these morsels. I’ve spent countless hours gazing at finished paintings asking myself how I might grow, become a better painter. Reach into deeper pools of experience. It is only recently – because of the morsels – that I am spending time gazing at my process, the previously unconscious parts, and asking the same questions. How do I grow? Become better? Become more Fluid? Loose? Free?

The answer of the moment is as funny as it is clear: stop at the beginning. See through the eyes of intuition, feel your way forward. Stop before that talky brain weighs in with all manner of blah blah blah.

 

earth interrupted VII copy 2

earth interrupted VII,    mixed media, 48 x 36IN

 

if you'd like to see david robinson.. copy

STAY TUNED! The FALL VIRTUAL GALLERY SALE starts this weekend. An announcement is coming!

read Kerri’s blog post about AQUA AGUA MIT ROUGE

 

www.kerrianddavid.com

 

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aqua agua mit rouge/earth interuppted vii ©️ 2018 david robinson & kerri sherwood

Read The Back [on Two Artists Tuesday]

WelcomeTo21stCentury copy

Nothing I paint on the front side of this canvas will be as interesting, as vital, as curious, as the note that Duke scrawled on the back. It’s a mystery story. Duke has been gone for a few years now and his son, our dear 20, brought Duke’s canvases to me. Treasure upon treasure. For some reason, one day, Duke dipped a brush into black paint, flipped his canvas around and left us a note. An impulsive celebratory act on New Years Eve? Or, perhaps, in a moment of disbelief of world events, he scribbled his note in sarcasm?

Of course, there’s another possibility- and this is my bet – ‘Welcome to the 21st Century’ was the name he gave to his painting, the image that he created on the front side. He didn’t like it so he painted over it. He returned the canvas to white space, opened it to new possibilities.

That leads to an even greater mystery. After scrubbing the image, he flipped the canvas around, dipped his brush one last time into the white paint, scrubbed the date (3/93) but left the title. And in quick broad strokes for emphasis, framed his title, transforming it into a note. The back of the canvas becomes the front. A title transformed into a message.

I feel as if I’m having a conversation with Duke. The painting I created on the front side, on the white-space-possibility that he reopened, is one of my Earth Interrupted series, number 7. It is ironic or, perhaps, poignant? Put his title and my title together: Welcome to the 21st Century: Earth Interrupted. Apt, yes?

 

read Kerri’s blog post about WELCOME TO THE 21ST CENTURY

 

www.kerrianddavid.com

 

welcome to the 21st century/earth interrupted ©️ 2018 david robinson & kerri sherwood

Paint The Sun [on DR Thursday]

white sun primary image BOX copy

white sun PRODUCT BAR copy

My sketchbooks are peppered with landscapes. I call them my meditation drawings because I do them as a form of meditation – to quiet my mind. I am kinesthetic so quiet comes to me through movement. Drawing is one of my favorite forms of dance.

One day, a few years ago, I decided to experiment and paint one of my meditation drawings. I like it but have no idea what to do with it. I’m not a landscape painter so it exists as the ‘something-different’ in my studio archive. Someday, maybe, I’ll do a few more of them and mount a show of meditation-drawing-inspired-paintings.  Until then, it lives as a morsel for this weeks melange. Kerri calls it White Sun.

photo

The moon over Benziger Winery

White Sun full copy

White Sun. 18 x 48 IN. mixed media on two panels. It’s not listed on the gallery site so contact us if you are interested in purchasing it.

 

WHITE SUN [morsel] gifts and products

read Kerri’s blog post about WHITE SUN

www.kerrianddavid.com

white sun painting and products ©️ 2016/18 david robinson & kerri sherwood

Find The Doorway In [It’s DR Thursday]

A Doorway In for your Thursday from studio melange.

THISthedoorwayin FRAMED jpeg copy

You learn a lot about yourself combing through old sketchbooks. For instance, I am not a religious person but was gobsmacked to discover that in my life I’ve done hundreds of drawings on the theme of Jacob wrestling with the angel. Why? I had to research the story to have context for the images I’d drawn.

the doorway FRAMED ART copyThe other theme that populates my sketchbooks is much more conscious. It is… (wait for it…) Polynices and Eteocles. In Greek mythology they are the sons of Oedipus who, rather than share power, kill each other. It is my visual rumination on contemporary politics in America. Here’s the catch. Every time I attempt to translate my drawings of combat into a painting, the process leads me to a loving statement, Shared Fatherhood. I’ve made two runs at it. There are now two versions of my warring brothers turned to adoring parents. What!?

Kerri loves my Shared Fatherhood paintings. She has no idea of their sketchy origin. So, when she chose this week’s morsel from the first Shared Fatherhood painting, exclaiming, “I love this image! I think we should call it The Doorway In!” It jarred me a bit. The Doorway In. She is ever positive.

Shared Fatherhood

the first version of Shared Fatherhood, 39.5 x 51IN

I delight in the notion that in my visual meditation, through my hundreds of drawings on warring brothers, I am so incapable of arriving at a painting of mutual annihilation. It is a tired, old story. Rather, my muses, my sketchbooks, lead me to stories of hope for the future and images of quiet adoration. A doorway in.

SharedFatherhood2

a second version,  Shared Fatherhood, 25.5 x 40.5 IN

THE DOORWAY IN reminders/merchandise

society 6 info jpeg copy

the doorway in SQ PILLOW copy   the doorway in FLOOR PILLOW copy

the doorway in LEGGINGS copy

leggings

the doorway CARDS copy

gift cards

read Kerri’s blog post about THE DOORWAY IN

purchase the original painting

melange button jpeg copy

kerrianddavid.com

 

the doorway in/shared fatherhood 1 & 2 ©️ 2017, 2018 david robinson & kerri sherwood

DR Thursday

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Kerri calls them “morsels”: snapshots of a portion of one of my paintings. May You Be Peace is a morsel. I love watching her take the shots. I delight in how she helps me see my work anew. I appreciate how each morsel is a complete work of art in itself.

Shift the focus. Pull in the frame of reference. We live in a world of cameras and microscopes and telescopes and compartments; what we see and believe is very much determined by where we place our focus. Georgia O’Keeffe knew it; she was a master of the close-up.

A few years ago I began taking photographs of my paintings-in-process. The camera helps me sees aspects of the painting that would otherwise remain invisible. It’s odd. I stand before a canvas stapled to the wall and see one thing. I aim a camera at the canvas stapled to the wall and see a wholly different painting. Just imagine the infinite perceptions and perspectives at play in our world!

My photo-painting-practice is a constant reminder that my perspective, my perception is mine alone. You are most certainly looking through a different set of lenses.

Peace, I think, has nothing to do with sameness and everything to do with the celebration of  difference, the capacity to help each other see our lives anew.

MAY YOU BE PEACE merchandise

iphone  framed print  greeting card  MayYouBeToteBag

read Kerri’s thoughts on MAY YOU BE PEACE

photo

May You, 55″ x 36″

kerrianddavid.com

may you be peace and may you ©️ 2016, 2015 david robinson & kerri sherwood

 

 

 

DR Thursday

EmbraceNow

[Held In Grace: Embraced Now, mixed media on canvas, 48″ x 36″]

Beaky showed me a photograph taken of Kerri and me early in our relationship. She said, “I like this one because your strong arms are holding my daughter.” I took her comment as a kind of blessing. It was her way of telling me, ‘This is right and good. In this embrace you two have found all that you will ever need.’

In the studio melange, Thursdays are for my paintings. I chose this painting as the first in our melange offerings because it came from Beaky’s sentiment. During this Valentine’s week, let this painting, Embraced Now, from my Held In Grace series, remind you, as it does me, that all is right and good. In this embrace you will find all that you will ever need. It’s not a shabby thought to help navigate through a Thursday!

HELD IN GRACE: EMBRACED NOW [art prints]

HELD IN GRACE: EMBRACED NOW [purchase the original]

kerrianddavid.com

 

held in grace: embraced now ©️ 2017 david robinson