Practice. [on DR Thursday]

WaitingKnowingMorsel

a morsel from Waiting & Knowing

The quote is from Carlos Castaneda, A Separate Reality. In a nutshell, it is this: know that you are waiting. Know what you are waiting for. To me that seemed to be a kind of yoga. A practice. It is a practice that might be useful in the age of one-click fulfillment, twitter diplomacy, road rage, ubiquitous impatience. It is a practice with balance as its intention.

WaitingAndKnowing Process

in process

It is also a practice that in many ways encapsulates the art of painting as I understand it. So, it seemed a useful spark for a painting in my yoga series. Waiting and knowing. Balance. Sisu. The practice of being where you are.

 

 

read Kerri’s blog post about WAITING & KNOWING

 

shadow bristol woods website copy

 

waiting and knowing ©️ 2015 david robinson & kerri sherwood

Read The Image [on DR Thursday]

“I paint the way some people write an autobiography. The paintings, finished or not, are the pages from my diary.” ~Pablo Picasso

Kerri and I love to dance. This painting was inspired by one of our spontaneous backyard dances. We don’t know how to do the tango but that has never stopped us from making it up.

When I was much younger, my little brother told me that my studio was one of the darkest places he’d ever been. I didn’t see it at the time but now, looking at my few remaining early paintings, I can’t deny it. Painting, for me, is the log book of a spiritual quest and, like all spiritual quests, the real work is in retrieving the lost pieces and making a greater whole, walking into the wound and transforming it, stepping firmly into the realm of the possible (and becoming it) instead of being transfixed on the monster obstacle.

What once seemed so complex now looks so simple. What once looked so bleak and impossible is now practical, immediate, and infinitely rich. I am lucky. I delight that my diary these days is filled with dances and quiet appreciation.

 

 

read Kerri’s blog post about TANGO WITH ME

 

slow dance party cropped website box copy

tango with me ©️ 2018 david robinson & kerri sherwood

Do A Rough Draft [on DR Thursday]

Morsel copy

the field in early october: a morsel

I love seeing artists’ rough drafts. One of my all time favorite art exhibits was the hundreds of drawings and sketches John Singer Sargent executed en route to his painting, El Jaleo.

I’m more interested in the process than the final piece. I’m more captivated by the search than the find. That includes my own work as well. For me, the final painting is less a finished piece and more of a pause in the conversation.

It bothers me when a curator tells people what a painting is about or what the artist intended. I’ve squirmed many times during openings of shows when the gallery curator, introducing my work, tells people what my paintings mean. It locks people out. It prevents them from having THEIR relationship with my painting. I squirm equally when the work is not mine. I want a more pure experience.

To me, art is a doorway to the sacred, to the deeper things that words often cannot reach. It is a passage back to the beginning, to the fingerpainter, the child freely playing – prior to the time when a judge is planted between the painter and the piece, the painting and the viewer. That is where the riches are. And in that place it is all a rough draft.

 

read Kerri’s blog post about THE FIELD IN EARLY OCTOBER

 

pumpkinfarm website box copy

 

 

a field in early october/morsel ©️ 2018 david robinson & kerri sherwood

 

See Simply [on DR Thursday]

autumn hillside pair copy

Kerri’s morsel choice often surprises me but none more than this week. She took a close up photo of my painting We Watch The Setting Sun, flipped it over, made two copies, left one untouched and manipulated the other. “I want to use both!” she announced with THAT look in her eyes. “It reminds me of a hillside in the fall.”

I write this often, perhaps too often, but it matters: through the morsels I am discovering simplicity.  In her Autumn Hillside set I see the freedom of my brushstrokes. I see the collision of thick paint and thin washes. I see simple color that, in its movement, serves as a suggestion. Less is more. Nothing else is needed. I understand Mark Rothko. I appreciate Ad Reinhardt.  I am seeing their work through new eyes.

New eyes. Could there be a greater gift for an artist, for someone who has worked his entire life at ‘seeing?’

“Don’t you love it?” Kerri asked of the morsels. I smiled. Yes. I love it.

 

FALL50%OFFSALE copyseptember 1 – 16

 

read Kerri’s blog post about AUTUMN HILLSIDE

 

www.kerrianddavid.com

facebook logo copy 2

autumn hillside/autumn hillside night ©️ 2018 david robinson & kerri sherwood

 

 

Stop At The Beginning [on DR Thursday]

Aqua Agua Mit Rouge. Kerri laughed and clapped her hands when she named this morsel. It is a process snapshot of the early under-painting, the base layer of what would become Earth Interrupted VII. It is loose, fluid and free. It is a special layer – a visual marker of what happens before my thinking mind kicks in. Free. Fluid. Loose. Flow. For me, the first moments of painting are all intuition.

More and more I am learning from these morsels. I’ve spent countless hours gazing at finished paintings asking myself how I might grow, become a better painter. Reach into deeper pools of experience. It is only recently – because of the morsels – that I am spending time gazing at my process, the previously unconscious parts, and asking the same questions. How do I grow? Become better? Become more Fluid? Loose? Free?

The answer of the moment is as funny as it is clear: stop at the beginning. See through the eyes of intuition, feel your way forward. Stop before that talky brain weighs in with all manner of blah blah blah.

 

earth interrupted VII copy 2

earth interrupted VII,    mixed media, 48 x 36IN

 

if you'd like to see david robinson.. copy

STAY TUNED! The FALL VIRTUAL GALLERY SALE starts this weekend. An announcement is coming!

read Kerri’s blog post about AQUA AGUA MIT ROUGE

 

www.kerrianddavid.com

 

facebook logo copy 2

aqua agua mit rouge/earth interuppted vii ©️ 2018 david robinson & kerri sherwood

Read The Back [on Two Artists Tuesday]

WelcomeTo21stCentury copy

Nothing I paint on the front side of this canvas will be as interesting, as vital, as curious, as the note that Duke scrawled on the back. It’s a mystery story. Duke has been gone for a few years now and his son, our dear 20, brought Duke’s canvases to me. Treasure upon treasure. For some reason, one day, Duke dipped a brush into black paint, flipped his canvas around and left us a note. An impulsive celebratory act on New Years Eve? Or, perhaps, in a moment of disbelief of world events, he scribbled his note in sarcasm?

Of course, there’s another possibility- and this is my bet – ‘Welcome to the 21st Century’ was the name he gave to his painting, the image that he created on the front side. He didn’t like it so he painted over it. He returned the canvas to white space, opened it to new possibilities.

That leads to an even greater mystery. After scrubbing the image, he flipped the canvas around, dipped his brush one last time into the white paint, scrubbed the date (3/93) but left the title. And in quick broad strokes for emphasis, framed his title, transforming it into a note. The back of the canvas becomes the front. A title transformed into a message.

I feel as if I’m having a conversation with Duke. The painting I created on the front side, on the white-space-possibility that he reopened, is one of my Earth Interrupted series, number 7. It is ironic or, perhaps, poignant? Put his title and my title together: Welcome to the 21st Century: Earth Interrupted. Apt, yes?

 

read Kerri’s blog post about WELCOME TO THE 21ST CENTURY

 

www.kerrianddavid.com

 

welcome to the 21st century/earth interrupted ©️ 2018 david robinson & kerri sherwood

Paint The Sun [on DR Thursday]

white sun primary image BOX copy

white sun PRODUCT BAR copy

My sketchbooks are peppered with landscapes. I call them my meditation drawings because I do them as a form of meditation – to quiet my mind. I am kinesthetic so quiet comes to me through movement. Drawing is one of my favorite forms of dance.

One day, a few years ago, I decided to experiment and paint one of my meditation drawings. I like it but have no idea what to do with it. I’m not a landscape painter so it exists as the ‘something-different’ in my studio archive. Someday, maybe, I’ll do a few more of them and mount a show of meditation-drawing-inspired-paintings.  Until then, it lives as a morsel for this weeks melange. Kerri calls it White Sun.

photo

The moon over Benziger Winery

White Sun full copy

White Sun. 18 x 48 IN. mixed media on two panels. It’s not listed on the gallery site so contact us if you are interested in purchasing it.

 

WHITE SUN [morsel] gifts and products

read Kerri’s blog post about WHITE SUN

www.kerrianddavid.com

white sun painting and products ©️ 2016/18 david robinson & kerri sherwood