Stand Still [on KS Friday]

right now songbox copy

Dense fog. After days of storms and turbulence, the lake was still, glassy. Quiet. DogDog and I stepped into the early morning. He pulled me toward the lake. A heron, startled by our arrival, took flight. We were startled by the heron – or I was. Time stopped. It circled and disappeared into the fog.

DogDog sat and I stood very still. Another heron lifted into flight. We listened to the morning sounds muted by the fog. There was no place else to be, nothing else to do.

The heron surprised us into presence. For a few glistening moments. Right now.

 

RIGHT NOW  on the album RIGHT NOW is available on iTunes & CDBaby

 

read Kerri’s blog post about RIGHT NOW

 

tpacwebsitebox copy

 

right now/right now ©️ 2010 kerri sherwood

Use Your Words [on DR Thursday]

EarthInterrupted4 copy 2

earth interrupted iv, mixed media, 48 x 36IN

Some of my paintings have words incorporated. Some sensical and some nonsensical. Sometimes the letter serves as line. This painting from a series. It is called Earth Interrupted IV. It reminds me of a medicine shield. The words that populate it are not only sensical but sensible.

The challenge of the seeker is not to be separate from what you seek.

Sometimes you have to stand still and let what you seek catch up to you.

The river is moving and I am still.

 

read Kerri’s blog post about Earth Interrupted IV

 

arches shadows k&d website box copy

 

earthinterruptedIVcopyright2018david robinson

Stand In The Enormity [on Not So Flawed Wednesday]

two birds and an island copy

When Kerri first showed me this photograph, it read to me like a minimalist painting. A subtle field of color with two splashes and a brushstroke. So much said with so little. A meditation of movement and the immovable.

The lake is different every day. Its color palette is as changeable as its moods. Each day upon awaking, Kerri walks onto the deck and snaps a picture. So far, no two days are alike. So far, no two hours are alike.

Once I stood in La Sagrada Familia and the enormity of it made me quiet. The lake is like that. Immense to the point of stillness.

 

read Kerri’s blog post about TWO BIRDS AND AN ISLAND

 

feet on the deck steps website box copy

 

 

Recognize It [on Not-So-Flawed Wednesday]

beaky text copy

I love this text. It is from 93 year old Beaky to her daughter. The specific context is not important. What I love is the universality of this sentiment, a text  every mother across the ages might have written to their children. It is a text Kerri could write to Kirsten or Craig. What mother does not know more than they say, think more than they speak, notice much more than their underestimating children realize?

I’ve learned, as I watch Kerri not-say things to her children, letting them make their own mistakes and untangle their own webs, that the effort involved in not-speaking is herculean.

Sisu sometimes requires silence. When every impulse in a mother’s body is to reach, Sisu sometimes demands stillness.

As a child who routinely underestimates his mother, Beaky’s text gives sends chills up my spine. I’ve certainly made a mess of things and I can only imagine the fortitude (unrecognized by me) my mother displayed – and continues to display – by letting me fall down. Sisu. Sisu. Sisu.

Of course, the flip side of the coin is that the interruption-of-the-reach, the silence-in-the-midst-of-knowing, comes from a deeper mom-like-faith. Mothers know that the great trip-and-fall-down moments come with some necessary pain but will always end with a return to standing, a re-entry to the game.  It’s a cycle. It’s how moms everywhere awaken Sisu in their children. Like all good life cycles, it’s a paradox, to be sure.

The second thing I love about Beaky’s text? She signs her dope-slap to her daughter with ‘Mom.” This love-thing is tough!

 

read Kerri’s blog post about BEAKY’S TEXT

 

momma, d & k website box copy

 

Contemplate [on DR Thursday]

 

I do more than my fair share of contemplating (just ask Kerri. My incessant contemplation drives her bonkers). For instance, years ago, it occurred to me that every thought we human-storytellers have IS a kind of meditation. It’s a fair question – a necessary question – to ask: what are you meditating on? Your pain? Your troubles? Who you blame? Your grudges? Your obstacles? Your joys? Your opportunities? Your privileges? Your love? Your losses? Your list? All of the above?  Keep in mind (where else would you keep it) that most of your thoughts are repetitive. The majority of what you think today is a repeat of what you thought yesterday. Your thoughts are not passive. They are also not truth. They are patterned, mostly made up, and a powerful lens through which you define your experiences. The good news is that you can change your meditation if you want to.

Listening to the news it will make you gag when you stop and realize what actually populates our national meditation and how our angry narrative permeates your personal mediation. We are not as separate as we like to pretend. That’s good news. That, and, we can change our meditation. We can tell a better story.

 

This morsel comes from a painting that recently returned to the stable. It is, quite literally, a blast from the past. What I find most amazing about this particular return-to-the-fold is that, just a few months ago, I uncovered the old drawing that inspired Contemplation and sourced it again for another painting, Softly She Prays. And then, in a fit of good timing, Contemplation arrived at our door.

Paintings are like journal entries. It is not often that happenstance provides such a rich opportunity for comparison. Comparison of contemplation. What was my meditation 15 years ago? What is it now? Horatio told me my body of work is a study of stillness in motion (not a direct quote H, but I love the reflection non-the-less). The deep river story remains. The top layer meditation has shifted.

Ah. Do you see? Incessant contemplation.

 

 

color & contemplation copy

Contemplation, circa 2004

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

softly she prays copy

Softly She Prays, 2018

 

 

 

 

 

 

 

 

 

 

 

read Kerri’s blog post on CONTEMPLATION

 

 

babycatContemplating website copy

 

contemplation/softly she prays ©️ 2004/2018 david robinson & kerri sherwood

 

 

 

Thoughts Babble. Hearts Speak.

TODAY’S FEATURED THOUGHT FOR HUMANS

Thoughts Babble Hearts Speak

Sometimes the hardest thing to do is cut through the mental chatter, the fear stories and investments in obstacles to hear what your heart already knows: what is right for you…. Cutting through the racket is always a process of growing quiet enough to listen.

FOR TODAY’S FEATURED PRINT FOR HUMANS, GO HERE.

Experience The Miracle

From the archives: Pidgeon Pier. This painting is about paying attention

From the archives: Pidgeon Pier. This painting is about paying attention

“It has become my view–my faith–that all elements of nature have that power to produce peace. It is surely why so many are drawn away from their urban lives and back to natural places. But those places need not be grand scenic vistas. The same peace can be found in the dandelion growing in the nearest vacant city lot.

It is, in the end, a choice either to “shut up and listen” to these sources of strength–no matter how great or humble or where we encounter them–or to hurry on by.”

~Master Jim Marsh in a comment about my post, Sit By The River

There was a cool breeze off the lake this morning that slowed the mounting humidity. We were a mile into our usual morning walk, rounding the path to the rocky lakeshore, when we entered the storm of dragonflies. There were hundreds of them, hovering just above our heads, occupying a narrow band that stretched as far as the eye could see!

I gasped and stopped! Never in my life had I seen so many dragonflies. Kerri said, “They come out when the weather has been hot and without rain.” Before continuing on our way, we stood for a few moments appreciating the hovering, the methodical zigging-and-zagging. Until our path deviated from the coast, they were with us, green and purple spirits, riding the air-line where earth meets water. For me it was pure magic.

Many years ago, as a way of ending our relationship, a woman told me that it was too hard to be with a mystic. I’d never before (or since) thought of myself as a mystic so I looked it up to make sure I understood why a mystic might not be easy to live with:

Mystic (noun): a follower of mysticism.
Mysticism (noun):
1. Belief in intuitive spiritual revelation,
2. Spiritual system,
3. Confused and vague ideas.

I laughed aloud when I read the three definitions of mysticism; the third definition applied to the previous two! I left my dictionary with two beliefs:

  1. All human beings are mystics if they simply slow down and pay attention. There’s no trick to it. And, that was certainly the problem in my relationship: I have always liked walking slowly in a world drunk on racing to the next big thing. That is hard to live with!
  2. The line between a spiritual revelation, a cathartic experience, a scientific eureka, or an artistic visit from the muse, seems to me, to be semantic. In our age of the intellect we generally run from the word intuition unless we apply a label like “gut instinct” (transforming a feminine energy to a masculine gut) or “I just knew it!” (transforming the scary clarity of an intuitive feeling into a safe clarity of an intellectual experience). It’s all wordplay.

Hearts know. Thoughts babble. And the only way to sort it all out is to stand still, stop the babbling, and see the miracle.