Become Simple Enough [on KS Friday]

I took a photo of Kerri taking this photo. There’s nothing more inspiring to me than watching an artist at work. Her focus was singular. Pure. I saw her “see” this possibility. She turned, left the reality that the rest of us occupied, and approached the window as if it was an animal in the wild. Carefully, quietly. Reverently.

Her photo immediately brought to mind Ellsworth Kelly’s Austin, his temple of light. The vibrant squares of color. Someday we will make a pilgrimage to the Blanton Museum to stand in Austin and, in that moment, I will remember Kerri’s window.

In a world of just-get-to-the-point, time-is-money, and bottom-lines, and the centuries-old-delusion that we are rational beings and the analytical is supreme, an artistic heart and mind is an outlier. We use too many words. We are not reserved in our gesticulation. We express what words cannot reach because we see what lives beyond words. And, developing eyes-that-see takes time. Ellsworth Kelly designed his Austin in his last years. It takes years and years to become simple enough to see the sacred.

Recently we were told, not for the first time, “So many people want what you have but they don’t want to pay for it.” Kerri and I looked at each other. Her great pet-peeve, the pinnacle of all pet-peeves, is how often she’s been asked to play, not for money, but for exposure. She’s considered by Yamaha, the maker of fine pianos, to be one of their select artists, a modern master. Yet, all of her life, with frightening regularity, she’s heard, “It will be good for you!” the face smiles, “It might lead to something.” Yes. It does lead to something: more people wanting what you have but not willing to pay for it. Point in any direction to anyone who’s achieved the pinnacle of their career, and imagine asking them to perform surgery or keep the books or go to trial or build the house for exposure. Can you imagine? She – we – have heard it throughout our lives.

And, when she turned and saw the window, her sudden awareness shocked the people in the gallery into silence. Everyone turned, made space, and watched. She had no idea that she was on stage. Pure. And, without exception, everyone in that room wished they could see what she was seeing. They wished they could see how she was seeing. Sacred. It takes a lifetime. Austin. The window. Priceless.

read Kerri’s blog post about THE WINDOW

Kerri’s albums are available on iTunes and streaming on Pandora

Relax And Prime [on KS Friday]

“None are so old as those who have outlived enthusiasm.” ~ Henry David Thoreau

I spent a good chunk of the afternoon yesterday drawing cartoons. I had to get away from the computer screen. I’ve learned – relearned – that staring into the screen too long makes me myopic and unimaginative. I’m not certain if this is true for everyone but I am kinesthetic. There’s a necessary balance. Sitting still and staring at a screen without the opposite focus are creative-killers for me. I do my best thinking when I move around, when I stop trying to solve or deconstruct. I’m fortunate that drawing with a #2 pencil at an old-fashioned light table is part of my job.

Greg lives his life in front of a screen – multiple screens – and, to get away, he dives. His underwater photography is gorgeous. In a meeting a few days ago, he said that diving clears his mind. His greatest insights come when he’s underwater or sitting on the beach after a dive. There’s good science behind his insight. Relaxation triggers dopamine: the more dopamine, the more creative. Comfort and relaxation prime the creative pump. Stress and tension unplug the pump.

The best thing to do when trying to squeeze out a revelation is to walk away. Take a drive. Take a shower. Stop thinking so hard. Daydreaming is very productive. I’ve learned that anger and frustration rarely – if ever – lead to creative insight and generally produce the opposite of what’s desired. Anger (like too much time in front of a computer screen to me) is myopic. It narrows. It squeezes off the dopamine. It blinds the mind and heart to possibility.

Kent Nerburn wrote that, “For those of us in the arts, enthusiasm is never outlived. The sun is always rising before us, and our wonder at the world, the true source for all meaningful art, only grows stronger as life slows from passage to moments…” There’s always a next painting to paint. Another song to write. A photograph to take. It’s one of the reasons I love taking walks with Kerri: we rarely get very far before she gasps, and stops to take a photograph of some small miracle. And, while she’s collecting images of small miracles, I look to the sky and let my mind wander, a walking meditation, a creative pump primer.

And, almost always, somewhere on the trail, the dot that refused to connect while I was too-long staring at the screen, takes me by the hand and says, “It’s so simple. Do you see?”

read Kerri’s blog post about EVERGREEN

Kerri’s albums are available on iTunes and streaming on Pandora

Say ‘Hello’ To Humble [on saturday morning smack-dab.]

Suffering indignity is one of the surprises of aging. For every forty-something out there who feels on top of the world, for every thirty-something who feels invincible, for every twenty-something who feels immortal, I recommend that you enjoy it while it lasts. It does not last. Some day in your too-soon-to-come-future, you, too, will plan your travels according to the availability of bathrooms. Even a trip to the store will necessitate careful consideration. Monitoring fluid intake relative to the plan for the day will become a high priority – so much so that you will normalize it. “Is that all the coffee you’re having?” Kerri asks.

“We’re going to Chicago later,” I reply.

“Oh, right,” she says, putting down her cup.

You’ll arrive at your new-normal because, along the way, you’ll have surprise panic moments. There’s nothing more humbling than wetting yourself in public. There are few greater stress inducers than, “I gotta go now!” with no place to go.

And, the greatest indignity of all: at the time of your life that you need to run the fastest, your joints will creak and your muscles hesitate. Your sprint into the woods will look to others like…

Humble, humble, humble.

read Kerri’s blog post about KNOCKING ON THE NEIGHBORS DOOR

smack-dab. © 2021 kerrianddavid.com

Learn Where To Listen [on KS Friday]

“Her mother told her she could grow up to be anything she wanted to be so she grew up to be the strongest of the strong, the strangest of the strange, the wildest of the wild, the wolf leading wolves.” ~ Nikita Gill

A long time ago I wrote and illustrated a children’s book about a young fox who had extraordinary abilities. Her talents made her an outlier in the pack, something strange, so they hammered her into compliance. She buried her gifts. The story is, of course, how she came to embrace her gifts despite the court of fox-public opinion.

Lao Tzu wrote, “Care about what other people think of you and you will always be their prisoner.” It is a lesson that every artist must learn. Do your work. YOUR work. Some will love it. Some will hate it. Some will walk by without a second glance. You can never determine what another person sees or thinks so waste no energy in that fruitless cause. Do your work.

It’s a tough lesson, a mammoth paradox, since we are, after all, a pack animal, a social being. An artist has no reason to work if there is no audience or community to receive the work. Traditionally, artists live on the edge of the community so they can both see in and express what they see but also serve as a channel to what lies beyond the spiritual perimeter. The tightrope walk is about belonging while marginalized enough to remain clear-sighted. The artist must step back from the painting in order to see it.

I’m enjoying a slow read through Kent Nerburn‘s book, Dancing With The Gods: Reflections On Life And Art. Master Miller recommended it and I’m finding the simple wisdom of an artist-elder a refreshing daily meditation. Were I to write a sequel to my long-ago-children’s-book, it would be about this: coming back to your gift is not a one-and-done affair. It is a cycle. We embrace it and run from it and embrace it and lose it and find it and smother it and resurrect it and step back and look at it. Again and again. To become the strangest of the strange, the wildest of the wild, is not an achievement, an arrival platform, it is a relationship. Yes, with the community, but it is mostly a walk with your self and what lies beyond that spiritual perimeter. It is ongoing. Never static. Somedays you are the strongest of the strong. And, on other days, you are empty and weak. Full spectrum palette. The only way to know and reflect all of the colors of life is to experience them firsthand. And, so, it is imperative to learn where to listen, where to invest your tender care.

The gift grows as more colors enter the paint box.

read Kerri’s blogpost about HER MOTHER TOLD HER

Kerri’s albums are available in iTunes or streaming on Pandora

Try To Explain [on Merely A Thought Monday]

It’s nearly impossible to explain. I’ve had the conversation a thousand times and I know it’s fruitless from the outset. Why did I choose a life without a safety net? A life with stability and benefits? Why was I willing to work 80 hour weeks for not-very-much-pay? I’ve heard more than once that “Artists are indulgent.” Or, “Artists are fools.”

Maybe. I’ll never know because it is impossible to explain to someone who operates from a different imperative. I’ve thought myself foolish more than a few times, and, usually, when I measure myself by the standards of 9-to-5.

For me, like all the artists I know and admire, there has never been a distinct line between work and play. Given any amount of free time, I’d rather be in the studio than anywhere on earth. When I was directing plays and running theatre companies, I couldn’t wait to get up in the morning and get back to work. The time between productions or studio time, what most people call “vacation,” was-and-is meant to catch up on sleep and fill up the well for the next project. Often, this thing called ‘vacation’ was an opportunity to visit museums, drink in art/inspiration or stand in a castle or sit in the city where the next play is set.

For most of my life, even before I really thought about artists or artistry, vacation involved a sketchbook. I sat in the back of the station wagon and drew Colonel Sanders from the bucket of chicken or tried to copy a photo from the National Geographic magazine. Fun and play involved a deep dive into the world I could create/discover through a pencil on blank pages.

I can spend hours sitting and watching people. Small dramas. Gestures. Manipulations. Kindnesses. A little burst of love that would otherwise go unnoticed. Traveling for work meant time spent in airports, a goldmine of observation-time. Work or play?

Perhaps that is why there is no line between work and play. I see it in Kerri, too. We are constantly noticing. Paying attention to what is beautiful or interesting. Feeling what is needed and what is not. We’ve talked endlessly about being empathic. Feeling what others feel. I’ve watched Kerri walk into a rehearsal and “know” where there is pain, where there is joy, know when she needs to wrap some humor around a bruised community. Many years ago, a wise-old-artist told me that I had to learn to distinguish between what was my “stuff” and what was not. What were my feelings and what was not. Sage advice. I’ve been witness to many artists imploding, carrying other people’s garbage as their own.

When we walk, Kerri takes photographs. “I’m sorry,” she says, stooping to focus on a leaf or stone. Why does she apologize for noticing? Here’s a hint: all of her life she’s been asked to explain why she stops to notice. What value can there possibly be in stopping forward motion, especially in a world hell-bent on “getting there faster.” What is the value-proposition of noticing? “Can you please explain why you have to stop and see and, of all things, make it into music?” Or a story. Or a painting. Or a dance.

“Why did you climb that tree?” the adults asked. “It’s where I write poetry,” she explained. Work or vacation? Is it play?

Every Saturday we go through Kerri’s photos from the week and choose five as prompts for our Melange. We collect phrases we hear, words that inspire or disturb. Those end up in the Melange, too. Are we working? Is this play? We delight in sitting each day and writing together. We laugh at our Smack-dab cartoon. They are fun to write and draw and color. None of this makes us any money. Is it work or is it vacation?

I’m currently drawing cartoons and tossing thought-bombs into a community of software entrepreneurs – the boss understands that I notice things and can translate what I notice into other shapes and expressions. Is there value in that? Is it work? Is it play? Will it make money?

Are there possibly other measures of value?

It’s nearly impossible to explain.

read Kerri’s blog post about VACATION

Whisper, “Thanks.” [on KS Friday]

We found the gratitude wall in a small mountain town. It was a mess of appreciation, overrun with thankfulness. I thought, but did not say, “This ought to be the visual expression of every inner life.”

I didn’t write on the wall. I whispered my gratitude to the wall. Kerri played for my father’s funeral service. This woman, who is a Yamaha artist, considered a modern master at her instrument, after breaking both wrists, after a second fall, an injury from which she will never fully recover, with a middle finger that sometimes responds and sometimes does not, with a pinky that is curling, wrists that cannot bend, hands that cannot reach the keys as they once did…she played. For the first time in many, many months. She stood at a piano and played. Beautifully.

My dad, a great lover of music, spent hours of his life listening to her CDs. He loved her playing, delighted in her compositions.

I cried for two reasons at the funeral. Both reasons overwhelmed me with gratitude. I was a mess of appreciation, so, I whispered my bottomless thank-you to the gratitude wall.

kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about GRATEFUL

grateful/as it is ©️ 2004 kerri sherwood

Remember The Single Story [on KS Friday]

If you truly love Nature, you will find beauty everywhere.” ~ Vincent Van Gogh

When Kerri took this photograph I thought Van Gogh would have loved to paint it. I read that most of his 860 paintings date from the last two years of his life. The romantic in me wants to believe that he knew his time was short and he let all of that imperative spill out onto canvas. He died never knowing success or imagining that his work would in any way impact the world. I doubt he cared. His frenzy was not driven by success or status. He painted because he had to.

Waning time brings retirement to some. To others it brings fire and fuel. The need to bring what is inside to the outside. To compose, to write, to dance, to paint, to build, to design. Michelangelo was driven by his waning time. Some of his final sculpture was 500 years ahead of its time. At the end of his life, his work would have shown well with Picasso.

There simply isn’t enough time to say it all, explore it all. Last night, sitting in a circle with my family, multiple conversations resonating throughout the activity hall, my conversation pod began talking about regrets. When we were younger, we made vows to live lives without regret and now, at this end of the road, we see how foolish was our vow. Life is a series of choices and choices always leave unexplored paths. We laughed at our folly and relished the beauty of a life full of regrets. Paths not taken seed gratitude for the paths we ultimately chose. There is intense beauty in regret.

The morning dawned cold. Autumn has arrived in Colorado. The energy abandons the leaves and goes to the root. Columbus’ passing has brought energy to the root. He would be pleased. There are members of my family that I have not seen for years. In gathering, we bring together our separate stories and for a few days remember that we are also a single story.

A single story. The beauty of regret. The gift in loss. The waning of one season affirms the promise of the new.

All of Kerr’s albums are available on iTunes & streaming on Pandora

read Kerri’s blog post about WANING SEASONS

part of the wind/blueprint for my soul ©️ 1997 kerri sherwood

Live Life At The Pace Of A Letter [on KS Friday]

“…what we feel is always larger than our means to express it.” ~ Declan Donnellan

Ruby, like Columbus is winding down. The forwarded-email let me know that she enjoyed my letter but also that she was not getting out of bed. Over the weekend she did not want to eat or drink. Pete is in hospice care.

I’ve not heard from Mike in months. Like Ruby, she is in her 90’s and I often wonder how she is doing. She is made of sturdy stuff and has a curious mind but even those powerful forces are no match for the running sands.

Although we live in the age of email and text, fast communication, these dear ones are solidly old school. A letter. A stamp. A mailbox. News comes at a different pace.

Ruby wrote a letter. It was dated last October and was mailed sometime in April. She typed it because she feared that I would not be able to decipher her handwriting. I typed my reply because I knew for certain that she would not be able to read my scribbles. Although it was lost on my young ears, time is different when you age. Both more meaningful and less. I’m living my way into hearing the simple wisdom of elders.

Tom Mck and I used to sit on his porch and watch the sunset over the fields. One evening he told the story of a letter mailed to his great-grandfather Lak. The pony express took six years to deliver the letter. It had to come all the way across the country. It was from his siblings telling of his mother’s passing. Although six years in the past, the news was fresh to Lak. His grief, therefore, was timeless.

It is always a time of transition but, sometimes, it is simply more apparent than others. This is one of those times. There is a pandemic. There is civil unrest. Moral upheaval in the nation. I feel none of that as acutely or potently as I do Columbus taking a labored breath or Ruby no longer interested in eating. It is the reason we sit on the back deck each night, light the lamps, and, often in silence, we enjoy the evening as it wanes. Living life at the pace of a letter.

It’s not that there is nothing to be said, it’s that no words – no matter how quickly delivered or slow – can properly capture the enormity of this time, this inevitable rolling transition.

all of kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blog post about THE FLAME

in transition/released from the heart ©️ 1995 kerri sherwood

Mark The Passage [on KS Friday]

Just after we met, we dug a small pond in the backyard. It was a party that Kerri called The Big Dig. People came with shovels. We drank mudslides. I met many of her friends and neighbors. We laughed. It took less than ten minutes with so many people to dig the hole. The liner went in and rocks placed around the edges. The pump was placed and the water rushed in. It was a marker in time. It was meant to be a marker, a ritual of passage into the new and the unknown.

She’d planned The Big Dig before we met. Originally, it had nothing to do with me. It was serendipity that I could be present for The Dig. Serendipity or design. Who knows.

The morning after the party, sipping coffee, we sat in lawn chairs on the muddy ground surrounding the now bubbling pond. Kerri used the “M” word, married, “When we are married…” She realized what she’d just said. She blushed and apologized and backpedaled. I was, at the very moment she used the “M” word, doing something I’d never done before: imagining myself married. To her. I was seeing it and, laughing at her anguished retreat, I confessed what I was seeing. We sat by the pond and stared at each other. A ritual passage into the new and unknown.

The pond has always been mine to care for. This marks its eighth year. We just replaced the liner. We had to put flagstone around the pond because DogDog was cutting a deep velodrome path around it, racing in excitement every time John and Michele let their Dachshunds out. Each day we walk to the pond to try and catch a glimpse of the frog-in-residence. This year we named the frog Magic.

Just a few days after The Big Dig, Kerri took me to the marina where the 4th of July celebrations are staged. Bands played. There was a carnival. Too much food. The dog jump is a big attraction (dogs running and leaping into a pool of water in a distance-leap competition). After dark we sat on a blanket and watched the fireworks. Sitting on that blanket, vibrant color exploding in the night sky, I imagined myself living in this town, so far from the west coast that had been my home most of my adult life. “Can I live here?” I asked myself. The answer was immediate: you can’t live anywhere else.

DogDog was born on the 4th of July, probably while we were watching the dog jump. We will celebrate his eighth birthday on Sunday with a rowdy race around the pond. His favorite thing. And then snacks. Also his favorite thing. And then a visit with Unka-John. His really, really favorite thing.

A step into the new and unknown. Ritual passages. You have no idea where they will take you or what the reality of the step over the threshold will bring. You cannot know. You can only step.

“This looks like fireworks,” she said, showing me the up-close-photo of the plant. “I love it,” she smiled.

“Me, too.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about the FIREWORK PLANT

i didn’t know/this part of the journey ©️ 1998 kerri sherwood

See The Good [on KS Friday]

“…the measure on ones mental health is the ability to see the good in everything. Perception is the key.” ~ Kristine Klussman, Connection

If I kept a gratitude journal, my entry yesterday would be that Bruce was happy. I could hear it in his voice. Although it had been seven years since we last spoke, we talked like we were picking up a conversation from yesterday. Life has changed dramatically for both of us.

It seems we have both reached the revelation of simple appreciation. No longer focused on the big stuff, we talked of the sweet moments, the moments that feed our souls. He asked me to describe my days and I was happily taken aback to tell the tale of walks on trails, beginning each day writing posts with Kerri, ending each day with a glass of wine. Drawing cartoons. A dog that runs enthusiastic circles. Good friends.

I am reminded again and again that goodness is not found in the world. It is brought to the world. We don’t perceive what is already “there,” we wrap what is “there” in a story-blanket. We give it meaning. And then we feel the impact of the meaning we give it. Viktor Frankel famously wrote that “Happiness ensues.” It follows. Despair ensues, too. Anger, too, if that is what is brought.

Earlier this year a friend asked how Kerri and I were doing amidst the job losses and broken wrists. I responded that our circumstance was dire. It was. It just didn’t feel that way, so full was our sense of appreciation. In the midst of a dire circumstance, we started our days writing. Good friends called. DogDog ran enthusiastic circles and made us laugh. We sipped a glass of wine at the end of each day and enjoyed our simple meals. Today, things are less dire and, although we are still standing on shaky ground, we start each day writing together. We hold hands and take walks. We breathe deeply the smell of coffee in the morning. Our gratitude for our days has not changed a bit. Good moments are everywhere.

And today, Bruce is back in touch. He is happy and his happiness, like all happiness, comes from a hard decision that took tremendous courage: he decided to see the good. To bring light. To be light. He is doing the work of savoring the good moments that he now sees all around himself.

good moments/this part of the journey is available on iTunes and streaming on Pandora

read Kerri’s blog post about GOOD MOMENTS

good moments/this part of the journey ©️ 1998 kerri sherwood