Make A Unique Mark [on Not So Flawed Wednesday]

Take a moment and write your name on a piece of paper. Your name, captured in lines made by your hand. No other hand in the universe will make those lines in exactly the same way. No other hand will have the connection to the scribbled name quite like you do. It’s yours. It’s you, expressing your unique signature, done so often as to be unconscious. Do you remember the first time you made those lines?

Expression. That connects. You.

My parents kept a box for me. It has samples of my first quaky lines. It has crayon drawings, scribbles that had yet to meet the notion of containment. No knowledge of should.

I have many, many times been asked to make a case for the arts. Make a case. Amidst the assumption of no-value. I ask the people sitting behind the big table if they have children or grandchildren. I ask them if they ever giggled with pleasure to watch their child smoosh paint with their fingers. Why? Did they tape the smoosh-mess to their refrigerator? Why? Did they store the first scribbles, the first crayon drawing, the first finger painting in a box? Why? Are they hoping that their someday-or-now-adult children will remember their march to unique expression? What price would they, sitting behind the big table, place on those little hands making prints on paper? What is the value of the infinity that those little hands find?

The freedom of expression. Yet unhindered by a life-message that your unique and personal expression must achieve some-thing. What is the value of finding that freedom again, as an adult? Expression sans hinder. No fences. No expectation. What is available when adult fingers are free-like-a-child to wildly smoosh through paint or sing with abandon? What is the value of expression?

I remember the first time I sat in the audience of a theatre and sucked back my sobs. I was so deeply moved by the performance yet aghast at how freely (and loudly) I was about to express my feelings.

I remember the day the woman came into the gallery, saw my painting, and stood before it as if slapped. She cried. And cried. And cried. I cried seeing her see me-in-my-painting.

Have you ever stood on a mountaintop and felt a part of something bigger? Have you ever closed your eyes and let the aria wash over you? Have you ever, driving to somewhere, turned up the volume and sang loud and passionately, the song stirring your soul? Have you ever watched a child play with abandon and feel with utter certainty life stretching beyond your time-on-earth?

Have you ever not given voice to your questions? Silenced your thoughts? Withheld your voice? What would you give, in those moments, to understand the power of playing the fool? The necessity of not-needing to-know-the-right-answer? What would you give to know the courage of taking a step simply because your footprint, your unique print, might help someone, someday, do as you are doing, take a new path that will guide them back to themselves? Back home? What would you give to smoosh your hands with abandon through the metaphoric paint?

What exactly is the value of making the unique mark on the page? Yours? Or the song played that lifts you out of your despair and fills your heart with light and hope?

read Kerri’s blogpost about ART

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Locate The Center [on Two Artists Tuesday]

“The very center of your heart is where life begins. The most beautiful place on earth.” ~ Rumi

What, exactly, is the heart of the matter?

If you listen, what does your heart tell you?

What does it mean to “Follow your heart”?

Heart land? Heart song?

This weekend the question was asked, “Do you think there is an absolute truth?” I amused myself thinking of the oxymoron in the terms ‘absolute’ and ‘truth’. I am almost certain – but not absolute – that the question was really about the location of the center of heart. Is there a heart center? Where is the center of the universe? Here. And everywhere else.

Kerri pitched the small piece of chain onto the counter, saying, “This goes in the special box.” It landed in the shape of a heart.

“Hi, Pa!” I thought, and we laughed.

We wear pull chain as bracelets around our left wrists; the original pieces came from her father’s workbench. They are connective tissue to him and to each other. Heart chain. They periodically break so we are many generations from the original. The current chain is symbolic. This heart-piece was from my most recent chain break.

“What are the odds?” she asked.

Yes, indeed. What are the odds that a piece of pull-chain could so quickly bring us to the heart of the matter?

read Kerri’s blogpost about HEART

Reconnect [on Merely A Thought Monday]

“We are healing our souls by reconnecting to our ancestors.” Nainoa Thompson (quote from The Wayfinders by Wade Davis)

There is a house I sometimes visit in dreams. It is a mountain house and, in the dream, it belongs to my Grandma Sue. I’m always comforted when I go there.

I have some of Casey’s tools and some of Bob’s. I think of them every time I use the wrench or the screwdriver. Both were good mechanics, handy, so I imagine their tools imbue me with some of their wisdom when I attempt to fix what’s broken around the house.

I gingerly page through the handmade book where DeMarcus made his notes about color. The pencil marks are fading but his enthusiasm reaches from the page and rejuvenates me. Inspires me.

A few days ago I happened upon my Lost Boy session recordings with Tom. His bass voice reached through my computer, telling me a story I now know so well. It warmed me.

In my studio, on top of DeMarcus’ wooden paint box, is a nutcracker that Grandpa Chan kept by his pool table. It’s the only thing I wanted when he passed. Something he touched. I hold it sometimes when I stare at works-in-progress. I feel him there.

I wear a chain around my left wrist. Kerri wears one, too. It is pull chain. The current version is a replacement of the original that we took from Pa’s workbench. I never met him but I feel connected to him. Kerri tells me stories of her dad. “How do you like them apples?” One of his phrases.

I imagine he and my dad are on the other side of the veil drinking scotch together. That drink warms me, too.

read Kerri’s blogpost about THEM APPLES

Connect [on Merely A Thought Monday]

When I think of Sam I am flooded with fond memories of a man dedicated to bringing people together around heaps of fine food. Thanksgiving with friends. Apple crush. A “bad art” party that was a thin veneer for assembling those he loved around a table of abundance. Sam envisioned himself as a connector of people, both to others and to deeper connections within. Two paths to the same destination.

Yesterday on the trail we talked about what was and what is. The pandemic years have proven to be a hot crucible for change. Life passages. There is a hard line: before and after. When I first moved to Wisconsin, Kerri and I hosted large gatherings almost every week. Ukulele band. Slow dance party. Cantata Frittata Regatta. Bringing people together. We held five progressively larger dinner parties on the week before our wedding. There was always boisterous conversation, plenty of food and wine. Now, we are delighted each week when 20 comes over to share a meal. We laugh. We spin tales. We enjoy quiet and simplicity. Intimate conversations.

As Sam knew, food and stories are both connection creators. Together, they are an unbeatable team, the pulsing heart of breaking bread. And, he knew as we do, that connection is not an achievement or arrival platform. It is like a good fire and must be tended, fed. Both between others and within the self.

When the sun sets on these cool fall evenings, we bring dinner outside and eat beside a fire. Dogga finds a comfortable place to rest. The pond gurgles. Each night I am overwhelmed with waves and waves of gratitude. We coo over the meal we’ve made. Our conversation is made quiet by the fire. Reflective. We savor the passing moment, no thought of stopping time. All in. Connected.

read Kerri’s blogpost about EAT

Make [on Two Artists Tuesday]

“The origami crane has become a symbol of peace.”

Fold 1,000 cranes and your heart’s desire will come true. Legend will have it so. In Japan, the crane is a symbol of good luck and long life.

Making something into something else. Folding paper into cranes. It is, perhaps, the quality that defines us, makes us human. We turn the flow of water into the force driving the mill. We study patterns in stars and translate it into navigation. We smelt ore and hammer the elements again at the forge to make iron. We use the iron to make trains.

We make.

We look at flowers and see cranes. We look at clouds and see wild horses. We look at blank canvas and see possibility.

We make stories.

Our storymaking cuts both ways. We look at others and see friends; we look at others and see enemies. Either way, our looking is not passive. We make stories. We make connections. We make divisions.

We make wishes. Fold 1,000 cranes and your heart’s desire will come true.

Reach your hand to help. Slap a hand away. Either way, it depends on what story you see. What you want to make.

The story we create.

Folded paper. A symbol of peace.

read Kerri’s blogpost about CRANES

Say “Good Morning” [on DR Thursday]

My dad always kept a garden. He grew up in a farm community. I watched as he attended to his fruits and vegetables and it seemed innate, second nature. Without thought, he knew what to do. His garden knowledge did not find its way to me so I am grateful that Kerri’s thumb is green. Her potting bench is alive with tomatoes and basil.

This is the first summer of my life without my dad and I am finding in the tomatoes a deep sense of reassurance. Connectivity to my dad that transcends time. He loved his garden as Kerri loves hers. In her garden, he stands.

Kerri’s mom and dad watched birds and cardinals were special to them. In the past few years, cardinals have taken up residence in our neighborhood. Brilliant red, salmon, antique pink…Gorgeous. When one stops to visit, I say, “Beaky’s saying ‘hello.'”

I suspect connectivity is what we experience when we slow down. It’s hard not to realize how deeply interconnected we are when stopping all motion to watch the sunset. It’s impossible not to realize how small and passing we are when taking the time to gaze through a telescope at the night sky.

I am taken by surprise by the tomatoes, though I should have seen it coming. I love that each day, I take a break and go to Kerri’s bench. I stop all motion, feel the sun, look for the new growth, and whisper, “Good morning, Columbus.”

read Kerri’s blogpost about NEW GROWTH

Re-Connect [on Merely A Thought Monday]

The latest addition to my “Terms in this Unknown Land” document is TL;DR. Too-Long-Didn’t-Read. I laughed aloud when I heard this new acronym in a meeting. If there is a sign of our times, an identifying marker of our era, it is this: TL;DR.

We communicate through text and emoji. Chat. Twitter is a thing because it mandates brevity. Scrolling the news app is a study in cramming the full story into a brief headline. Marketers have mastered the 5 second ad. Businesses are liberal in their use of “narrative” and “story” but have no time to actually hear one. A short synopsis will have to do. Get to the point.

As a member of my culture I find that I scan more than I read. If I can find it on Youtube, I’d rather watch it than read about it. When I began writing blogposts ten years ago, the “rule” was 800 words or less. The rule has adjusted with our attention spans and now the target is between 400 and 600 words. Often, when I receive links to articles, they come complete with an estimate of how many minutes are required to read them. Yesterday, I read advice from a marketing guru that suggested we restrict paragraphs to two sentences or less; more than two sentences is a red flag: too much information. Less than two sentences is…a sentence.

So much information is coming at us all the time, we have no time or thought-space to take it all in. I wonder if we can discern relevance from dreck. A quick look at our leaders leaves me with a resounding “No!” Relevance is lost in the dreck and, since they represent us, they are us, our information inundation has rendered our attention spans tiny and blunted our acuity. We are awash in information while wisdom has gone missing.

Each week I attend meetings; the central concern is explicitly or implicitly about helping people connect. It reminds me of the conversations I heard in graduate school: while living in a city of a million people, the concern was about how to create community. So many people. So little community.

I ponder these things every day. With our ubiquitous technology, we couldn’t be more connected. Through social media, I know what people had for dinner or what cute thing the kids said. I receive advertising that confirms my devices are listening to me. Yesterday, for-the-hell-of-it, I said, “Machu Picchu.” Today I am awash in travel ads for Peru.

We are connected. Connection to everything is connection to nothing. Relevance is hard to discern in a tsunami of information masking as connectivity.

Relationships – real relationships – take time. Values cannot be communicated in a text. They must be demonstrated and deeply rooted in lived narrative. Stories that carry relevance cannot be well-told in synopsis. Opinions are so easy to tweet. Dreck is easy to fling. It is not the capacity to share that we lose in the crush. It is not connection. It’s the capacity to be present. With presence comes the capacity to listen. Presence is not in a hurry to be some other place.

Rich connectivity requires more than quick consumption of information. Sharing, real sharing, the kind beyond pressing a “send” button, is a two-way street between people who have the time to invest in each other. Once, it was called relationship.

TM;CL. Too much. Can’t listen.

read Kerri’s blogpost about TL;DR

Call It A Life [on KS Friday]

Seven years ago today, Beaky passed. The last time we saw her she was clutching a blue notebook to her heart. “You found it!” she exclaimed, rocking back and forth in glee. The journal she kept of a special trip to Europe. A memory, a connection to Erling she thought was lost. We searched the house high and low. We stayed an extra day knowing that meant a 24 hour drive/sprint home. In the last bin, truly , the very last, tucked in the far recesses of the garage, we discovered the notebook.

What I recall about that search is how many times we stopped, dust coated and tired. We sat in the middle of boxes, stacked papers and bins and said, “We’re never going to find it.” Or, “It’s not here.” And then we’d go to the next room of the house, open closets, pull out boxes, the search resumed.

As you might imagine we found more than the blue notebook. That night Kerri told me many stories of family and events sparked by something we’d unearthed. “Oh, my god!” she’d exclaim. “Look at this!” The vet papers for the dog named Shayne. A photo of the family at the house on Long Island. Good times. Stories. Our search became a connection for Kerri to times that she thought were lost.

Memories. Legacy. Doing what is yours to do, looking back and calling that a life.

Eric recently wrote in our Slack channel about my play, The Lost Boy: Your introduction — chronicled on Skips blog — stuck with me, and comes to mind frequently in daily interactions. “This is a memory, after all. It all happened. Though because it’s memory, it probably isn’t factual. So, if I contradict myself, if you catch me saying the opposite of what I just swore was true, if you find me standing smack in the middle of a paradox, it’s not that I’m lying to you. It’s a memory.” The Lost Boy was a story told to me by Tom. Originally, it was meant for him to perform, the story of doing what was his to do. It only became possible to produce after he had slipped into the land of memory. It became mine to do.

And isn’t that the magic of life. What is mine and what is yours to do is never separate. 50 years ago Beaky and Pa took a trip to Europe and she kept a journal of the trip in a blue spiral notebook. 7 years ago Kerri and I spent a long day and night scouring a house to find it. I am now part of the memory of her journal. Her journal is now part of the story of Kerri and my past.

“Never underestimate your power to impact or influence another person’s life,” Paul said to his actors. Doing what is yours to do. Never really understanding or knowing the impact of the simplest action. Calling it a memory. Calling it a life.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about BARNEY

legacy/released from the heart © 1995 kerri sherwood

With Fresh Eyes, See [on Merely A Thought Monday]

In retrospect, many of the experiences I used to facilitate were meant to pop people – even for a moment – out of the fog of their life story. It’s a curious intention for a guy whose career was/is centered around the telling of stories.

I loved working with masks, especially with people in corporate settings or lofty educational towers. They feared the exposure that a mask might bring so they approached it with eye rolling and whatever-ego resistance. Yet, in every case, they put the mask on with reverence. There is a sequence, after donning the mask, that the wearer “wakes up” and looks at the world for the first time through fresh eyes. Everything is new. Everything. Their hands. The movement of their arms. The color and feel of the carpet. Jaded people, blunted with puffy assumption, through the eyes of the mask, are astonished by the miracle of their fingers. And then, imagine the moment that they discover each other. Their discussion during the debrief would make you weep. It was quiet. Respectful to the point of sacred. In every case the people, newly out of the mask, had to tell of their astonishment and discovery. Their eyes wide with the utter beauty of the world in and around them. And, their new eyes never carried further than the next day. The old mask, the one worn daily, the one full of fear and inflated self-importance, is powerful, too. As they say, masks reveal and masks conceal.

Masks reveal and masks conceal. The phrase refers to the wearer but it also applies to the world seen or not seen through the mask. New eyes are astonished with the ubiquitous beauty of the world newly revealed. Eyes fogged through been-there-done-that stories are dulled to the point of inattention. The magical world is concealed from their sight.

I am working on a script for a piece that I’ll perform in the fall. I realized in my latest draft that it is really about masks. The astonishment of seeing – and seeing is nothing more than or less than the revelation of connectivity. Paying attention is a step toward the eyes that see crackling vibrant color, ears that hear the birdsong. When the dull eyes open, even for a moment, the next impulse is to reach, to “call attention” to the connectivity. “Do you see that?” “Listen, isn’t it gorgeous!”

read Kerri’s blog post about PAYING ATTENTION

Connect The Poles [on KS Friday]

Though it is not, this could be a close-up of an x-ray. Arteries carrying blood away from the heart, veins carrying blood back to the heart, and the capillaries that connect the them. Outgoing. Incoming. And the connection between the two. And, as is always true of language, in the naming and the action-describing, the whole system is obscured. This part does this. That part does that. Mechanical mind applied to a miracle of pulsating life.

In North Carolina I overheard an old guy grousing about climate change. He is a sceptic. “There’s record snow in California!” he decried, “And, we’re having record heat here! You can’t have it both ways!” His reluctant listener bobbed her head. “It’s either warming or it’s not!” he railed. “Explain that to me!” Mechanical mind. Parts-thinkers cannot see the whole system. The capillary-word that tumbled from his mouth but bypassed his mind was “record.” The poles are, after all, connected.

I am fascinated by my current work. I am witness to and a participant in the creation of software. The language is familiar though the meanings are new: epic and story. Bug. My mind, lately, has been awhirl. The developers necessarily talk of information as content-objects. Items. The language of “fixed” things. Yet, the problems in the world that they design and solve for are “fluid.” Information, in our day-and-age, never stops. It grows exponentially everyday. It is movement, constant motion. More/faster. Sometimes I get a glimpse behind the curtain and see the developer’s work of content-items-in-motion. You’ve never seen a faster moving current of symbols. Is it a particle or a wave? It depends.

The tree in our front yard reaches toward the house. Kerri tells me that our children climbed through the branches when they were young. When the crew had to clear some branches to trench the yard, Kerri winced each time a branch snapped and fell to the ground. “I can’t look,” she said, not taking her eyes off the tree. Holding vigil. Holding her heart.

It’s easy to forget that, in all cases, no matter the eyes though which we see, the movement is always back to center. To the heart-of-the-matter. The pieces are never isolated. This tree is not separate or distinct from the sky or Kerri’s heart. The poles are always connected, whether we recognize it, see it, acknowledge it, or not. Breathe in. Breathe out. Two actions or one?

read Kerri’s blog post about THE TREE AND SKY

Kerri’s albums are available on iTunes or streaming on Pandora