Dance A Simple Dance [on Merely A Thought Monday]

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“Simplicity. Patience. Compassion. These three are your greatest treasures.” ~Lao Tzu

“Simple can be harder than complex: you have to work hard to get your thinking clean to make it simple.” ~ Steve Jobs

I am at home in my studio. Even during the times – like now – when my well is dry, I go into my studio and the world makes sense. It is quiet. My intention is pure: I seek an experience, an exploration, not an achievement. In other words, I enter into a relationship with something so much bigger than me. It is a simple dance with no end. The paintings are a map of this relationship.

Krishnamurti wrote that “stillness is the act of worship – not going to temple to offer flowers and pushing the beggar aside on the way.” I’ve been thinking about this a lot lately (thus, not being still;-) in our world of angry competing narratives. Screaming moral high ground. All the shouting down of others. All the static and noise and agenda-masked-as-righteousness. The celebration of the lie (the official term is a ‘post-truth world’). The difference between rhetoric and lived realities. We ask almost every day, “How does this make sense?”

Rome fell. Ask Google the question why? and you’ll get a list of eight simple reasons. Over reliance on slave labor. Military overspending. Government corruption and instability. The loss of values. Weakened and eating themselves from the inside out, they became exposed to easy invasion. Lots of noise. Loss of center.

We know there is no sense to be made so we walk in our beloved Bristol wood. We walk the trails next to the Des Plaines River. We walk the streets of our neighborhood. We hold hands. Simple. We talk about the leaves, the color of the sky. Kerri takes photos of things that catch her eye. Beautiful shapes. Geese flying en masse. An ancient tree. Radiant purple vines climbing from the ochre grass.  We attempt to leave the angry noise even for a short while, to dip our toes into the quiet.

Yesterday we came to the end of the trail and heard a bagpipe playing The Water is Wide. It was lovely. Haunting. So out of place yet so perfect. It made sense. We stopped and listened as the music reverberated through the woods. It brought us fully into the moment. The cool air and sun. The music mixing with the rustling of the leaves. No where else to be. Nothing to change or control or get through. Simple.

 

read Kerri’s blog post about keeping things SIMPLE

 

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Simplify [on DR Thursday]

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Horatio challenged me to do something different. I’ve long wanted to explore simplicity of line and image so I took his prompt. Simplicity. There are few variations of this image.

When I get back to the studio I will pick up my brushes and Horatio’s prompt. I could use a walk back into simplicity.

This version is Judy’s favorite. So many of my conversations with Judy are about a healthy inner life – and how there really is no separation between inner and outer life. It’s a word game to dice life up into boxes. It’s a simplicity and the thread is easy to follow: as within, so without.

 

read Kerri’s blog post about INNER LIFE

 

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inner life, 36 x 24IN

 

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sacred series: inner life ©️ 2017 david robinson

Make The Climb [on Not So Flawed Wednesday]

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Roger and I used to talk about art in terms of levels of sophistication. For instance, no one masters an instrument the first time they pick one up. There are layers of learning necessary before the musician “knows” how to play. The “knowing” has little to do with the accumulation of information and everything to do with giving over to what the body learns. Finally, it is a letting go (of the mind) into an undefended sharing. Flow. It has nothing to do with knowing and everything to do with availability. This ‘availability to experience’ is what we called sophistication.

Both the artist and the audience pass through layers of greater sophistication. The artist wants greater and greater challenges. The audience wants greater and greater challenges, that is, they want to participate in something that demands more from them. It requires that both artist and audience show up, open, give over. Union is the ultimate purpose of art. Participation in something greater than your self. That is how art informs and transforms.

And then, there is the flip side, the anti-art. You can feel it. The absence of the genuine experience. The demonstration of accumulated knowledge. I cringe when a curator launches a three-masted-ship-of-study that tells me what the art is about, what the artist felt, and what I should see and feel. When the actor attempts to control what I see, when the art is so conceptual that it precludes me or anyone save the artist from entering the conversation, when the  knowledge priest stands between me and my god…you’ll know the levels of sophistication have left the building when the conversation is one way, judged, controlled.

Kerri calls this the blah-blah. When a real moment is disrupted by an agenda, when the flow is dammed by an unnecessary display of knowledge. And, the kicker is, we are all guilty of it. I am. It is a necessary step in climbing the ladder of sophistication, slipping back down the ladder of sophistication. To confuse technique with art. To garble the necessity of the open heart with  the realm of the intellectually abstract.  To give a standing ovation to something that put you to sleep. To try to control what the other person sees or thinks or feels; a fool’s errand. The great artist trap. The great life trap.

And, the best you can do (truly, the best thing), is to catch yourself in the moment of blah-blah, laugh at yourself lost in the trap, pull out the ladder, and begin again to climb toward simplicity.

 

read Kerri’s blog post about AN UNNECESSARY DISPLAY OF KNOWLEDGE

 

 

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Hope [on KS Friday]

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Somewhere in my reading I came across this notion: discontent is the source of all creativity. Hope must be like that, too. Yearning. Expectation. Desire. To want something or someone who is not there. It is sweet and bitter.

Anyone who tells you that life cannot be simple and complex at the same time has not loved or aspired to dream. Don’t believe them. The simple desire to know never leads to a single answer but it does open greater and greater vistas. Ask a physicist. Or a mystic. Or someone in love.

Particle or wave?

Hope maybe despair re-imagined. It may be a left hand path calling. A dream that seems too big to consider. For a moment today, listen to Hope. Pull up the anchor and follow the wind. Listen. Close your eyes and see where Hope might take you.

 

HOPE on the album THIS SEASON available on iTunes, CDBaby. CD’s available at Kerri’s store.

 

read Kerri’s blog post about HOPE

 

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hope/this season ©️ 2005 kerri sherwood

Show Up [on Merely A Thought Monday]

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Sometimes something is so obvious it actually needs to be said. The real difficulty in this life is not arriving at the finish line but showing up to the starting line. This phrase, a quote from our Life Below Zero addiction, encapsulates the essence and great challenge of many of my coaching clients – of most people. There is often a glass wall between yearning and action. I wonder how many times in my life I’ve offered this phrase: the actions you need to take are never the problem; the challenge is the story you wrap around the actions.

It comes down to this, yet another simplicity: starting brings change. Start the race and you will never be the same. Start the race and there’s no guarantee what you will learn or find. You may win or lose or simply not finish. You might learn that you are in the wrong race or that you care nothing for races. But mostly, there is this. If you take another look at the quote you’ll discover the crux of the matter is not about lines, it is never really about beginnings or endings. It’s about showing up. It’s about taking action on the thing that you most yearn to do. Or be. It’s about showing up, being seen. Starting requires a relinquishing of control.

Damn! There’s so much complexity in simplicity!

 

read Kerri’s blog post about SHOWING UP

 

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See Simply [on DR Thursday]

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Kerri’s morsel choice often surprises me but none more than this week. She took a close up photo of my painting We Watch The Setting Sun, flipped it over, made two copies, left one untouched and manipulated the other. “I want to use both!” she announced with THAT look in her eyes. “It reminds me of a hillside in the fall.”

I write this often, perhaps too often, but it matters: through the morsels I am discovering simplicity.  In her Autumn Hillside set I see the freedom of my brushstrokes. I see the collision of thick paint and thin washes. I see simple color that, in its movement, serves as a suggestion. Less is more. Nothing else is needed. I understand Mark Rothko. I appreciate Ad Reinhardt.  I am seeing their work through new eyes.

New eyes. Could there be a greater gift for an artist, for someone who has worked his entire life at ‘seeing?’

“Don’t you love it?” Kerri asked of the morsels. I smiled. Yes. I love it.

 

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read Kerri’s blog post about AUTUMN HILLSIDE

 

www.kerrianddavid.com

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autumn hillside/autumn hillside night ©️ 2018 david robinson & kerri sherwood

 

 

KS Friday

andgoodnightjacket copy 2“It took me four years to paint like Raphael, but a lifetime to paint like a child.” ~Pablo Picasso

Every artist knows that technique is necessary but artistry is not the application of technique. Artistry is transcending technique. Technique is tangible. It is possible to practice scales and study color theory. It is possible to grasp that different brushes do different things. There are bottom lines in technique, reductions and rules and complications.

Artistry is intangible. It is flow. It is expansive. It is simplicity and simplicity is so hard to achieve. It is one of those paradoxes I love to write about, the zones where truth bubbles precisely because it cannot be contained.

The first night we met Kerri played her piano for me. I will never forget it. This slight woman stepped up to her piano (she rarely sits when playing) and all reality shifted. She grew. She filled the room. I swear I saw her send an energy-root into the earth and she opened. What came through was…enormous. What came through was simple.

This lullaby, Kerri’s original piece, I Will Hold You (Forever & Ever) from her album AND GOODNIGHT, could certainly be played by a technician and you would appreciate it. Now, for your KS Friday from the melange, listen to what an artist can do. Sit back and give over to the simplicity.

I WILL HOLD YOU (FOREVER & EVER) from AND GOODNIGHT (track 25) iTunes

also available on CDBaby

 

And because she couldn’t resist designing with this title for babies or weddings or anyone you love, I WILL HOLD YOU (FOREVER & EVER) products.

 

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read kerri’s blog post about I WILL HOLD YOU (FOREVER & EVER)

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kerrianddavid.com

 

i will hold you (forever & ever), and goodnight ©️ 2005 kerri sherwood