Enter And Listen [David’s blog on Merely A Thought Monday]

A Haiku for You

A forest critter,

Gnome, Leprechaun or Spirit,

Tree Dweller, Heart Door.

Sometimes I want to believe in magic. I want to think there is an angel at my side. I want to sit in the certainty of Rumi, knowing without doubt that the entire universe, the whole of infinity, is tipping in my favor.

Sometimes I want to know what tomorrow will bring. No surprises. I want to know that the good people will win over the rage-mongers and truth-spinners. Just like in the movies. I want to know that perseverance will inevitably meet ideal circumstance and all will be well in the end. I want to be at the other end of the week so I can tell the story of what happened, the story of stamina and fortitude fulfilled.

Sometimes I want to know that the eagle flying by at just the right moment or the hovering hawk or the owl hooting outside my window at midnight is bringing me a message: we’ve got your back. Fear not. Take another step. From our height we can see the meadow, the sun and tall grasses. We can feel the hope, breathe the calm.

Sometimes when she spies a heart-shape and kneels to capture it for her collection, I want the gentle spirit, the gnome or sprite living in the tree or residing in the leaf shaped like the symbol, to make themself visible to us and affirm that there is meaning in the mystery, that in this life there is more sense than we can possibly imagine. There is reason. A reason. Yet, I already know what it would avow if it allowed us to see it: the meaning of the mystery is always found right where we knew it would be, where we know it to be: in the heart. Our vast open hearts. We do not need to seek it or wish for it. We need only enter and listen – more than just sometimes.

read Kerri’s blog about HEART DOOR

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Language Blossoms [David’s blog on Two Artists Tuesday]

I just experienced something new: a visual route to a find synonym. That might not seem like a big deal but for a visual-guy like me it fundamentally changes my relationship with language.

I wanted another word for “shine” and, instead of finding a static linear list, a blossom of interconnectivity unfolded on my screen. Shine in the center, five interconnected primary synonyms, with each of the five subsequently sprouting five fingers of word possibility. I was gobsmacked. Like a child with a new toy, I clicked back into the site again and again so I might see the word bloom.

I’ve directed (and loved) many of Shakespeare’s plays. I am an avid reader. I write everyday and spend more time than I care to admit chasing down words. Yet, had you met me when I was a wee-lad of 22, none of these things would have seemed possible. It hurt to read. The worst hell imaginable for me was diagraming sentences. My knuckles were rapped by stern-faced English teachers more than once for poor use of language, rotten sentence construction. And, although I had an undeniable enthusiasm for the theatre, I literally hated reading plays when I was in high school.

Linear sequential is not my friend.

One day in my 24th year an actor introduced me to Shakespeare. Active language. Delicious sounds and living images. The penny dropped. The world opened. I have been a voracious eater-of-language ever since. When rehearsing, I dance my words.

Words matter. They are alive when not forced to toe-the-line. Symbol and sound, makers of meaning, each intimately connected to the other. When I come back to this earth I will hopefully be a poet, attempting to capture in language that which is impossible to articulate. The beauty of a pink tulip. A flower selected by a mother for a rare visit from her daughter. Our daughter. Our daughter: a surprising and remarkable combination of words I never thought I’d utter.

Language unfolds and reaches deep into pools of meaning. Words blossom. And nothing is ever the same.

read Kerri’s blogpost about PINK TULIPS

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buymeacoffee is exactly what you make of it. the meaning is yours to give.

ILY [David’s blog on Merely A Thought Monday]

Shapes become symbols. The alphabet is my evidence. Or the silhouette of a dove carrying an olive branch. Two equilateral triangles merged into a star, once the property of Venus and now under the stewardship of David.

Occasionally I incorporate calligraphy-like strokes in my paintings. The marks resemble the Chinese alphabet. Patrons have asked me what the symbols mean? I’ve learned to smile as if keeping a secret. They want the lines, the symbol, to have a meaning. I’ve learned not to rob them of their wanting. “What does it mean to you?” I ask. A question answered with a question.

Kerri saw this marking in a felled tree. “It’s I love you in sign language!” she exclaimed. ILY. Her family flashes the hand sign for I Love You when it’s time to depart. It’s the last thing we see as we drive down the street, turn the corner.

Lately, our world is populated with emojis. Heart, heart, heart. So many yellow faces with so many possible expressions. Symbols adding nuance to symbols. “What does this one mean,” I sometimes ask. I am a clumsy user of emojis. It’s yet a foreign language and I have been reprimanded for symbolizing the wrong thing; sending the wrong message. “But I love this whacky face!” I insist. I like using the wrinkled face, one eye open, tongue sticking out.

She rolls her eyes. I flash the I Love You sign. She rolls her eyes again only this time it is followed with a warm hug.

A hug. It’s universal. The best of all symbols.

read Kerri’s blogpost about ILY

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buymeacoffee is a symbolic offer to the creators of symbol in sound, on paper, and in other not-yet-named dimensions.

Stand Out [David’s blog on Two Artists Tuesday]

Yesterday, in our basement reorganization shuffle, I moved my paintings. It is not a small task to move the remains of a life’s work. At this point, I’ve moved them hundreds of times: between studios, into and out of shows, within a studio space to make more space. Paintings take up a lot of space. Besides my clothes, my unsold paintings have been the extent of my possessions most of my adult life. During this latest painting-location-change I realized what an oddity I must sometimes seem. It sparked some random recall and minor revelation.

It’s not always easy to be a sore thumb, the one one that sticks out; the one doing life a bit differently than the expected norm. The lone tree in a vast field.

I read this quote this morning from Robert Pirsig‘s Zen and the Art of Motorcycle Maintenance: “Schools teach you to imitate. If you don’t imitate what the teacher wants you get a bad grade…Originality on the other hand could get you anything – from A to F. The whole grading system cautioned against it.”

One of my favorite activities to do with teachers comes straight out of Augusto Boal and the Theatre of the Oppressed. Each teacher “reenacts” for their peers the simple ritual of preparation they do each morning for the upcoming day. The revelation was always the same. “I’m preparing to control my students,” a wide-eyed teacher gasped when the penny dropped, “It’s the opposite of what I want to do.”

We live in the church of the individual yet the message we actually preach is conformity.

I had the opportunity to create a school-within-a-school and I followed the popcorn path suggested by Neil Postman. He wrote that “learning” in our system conditions students to suss-out what teacher wants and regurgitate it. It was possible to kickstart their original impulse toward curiosity but it would require a bloody battle of about six weeks. Hold the line. Don’t fill in the blank for them. And one day, in a fit of anger and defiance, one student would take the brave step and say, “This is what I want to learn!” Support the step of the defiant one and the rest of the students would follow. They would dare to speak their truth and follow their passion. Postman was right! The battle was bloody. It took exactly six weeks.

This is the ubiquitous misunderstanding about originality: it requires the removal of boundaries, the absence of control. A free-for-all. The opposite is true. The most disciplined people I’ve ever known are artists. Their discipline is internal, not imposed. It was the seed of the question I’d ask the teachers after their uncomfortable revelation: “What would it look like if each day you prepared to unleash the student’s curiosity? What, then, would you have to control?” It was an uncomfortable question. It would require them, probably in anger and defiance, to take a brave step. To stand out. To do something different. To expect their students, through the pursuit of their burning questions, to control themselves.

Everyone has a unique star to follow. Sometimes they simply need help to see it.

read Kerri’s blogpost about THE LONE TREE

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Babble [David’s blog on KS Friday]

This could be a Jackson Pollack splash painting or an x-ray of arteries, veins and capillaries. A winter sun attempting to reach through the cover of clouds and trees.

If I believe the forecast, as hard as it tries, the winter sun will not reach us today.

I’m paying attention to language a bit more than usual. Looking up through the veins and arteries of the tree, I ask myself: What could it be? What could be? What is “it”? I shiver and am reminded of a quote I used in my book. It is appropriate for our times:

“One must be leery of words because words turn into cages.” ~ Viola Spolin

Language Matters. A double entendre. One of my favorite. It’s right up there with my favorite double entendre title of a book: The End of Education. Classic Neil Postman.

The question is, in our day-and-age, amidst the torrent of words and the easy belief-systems that words construct, how to stay out of the cage?

It’s a question with roots back to The Tower of Babel. A human race united by a single language builds a tower that reaches into the heavens. It is a threat to Yahweh. To protect his status, he confounds their speech and scatters them around the world. Language is the barrier against unity.

A bramble of branches to a Pollock painting to the inner working of life-blood to a weather report and landing at last in the Tower. An epic journey in just a few words, reaching through metaphor and pattern.

Language can be a cage. It can also set us free. Language Matters. A double entendre.

Nurture Me/Released From the Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about WINTER SUN

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Share The Symbols [David’s blog on KS Friday]

When I was a wee-turnip I found a textbook on the shelf from a course my dad took in college. Comparative religions. It’s a big-big book full of many-many comparisons. It now resides on my shelf. This book sparked a life-long fascination for me. The universal nature of myth and story across individual cultures and how these stories and symbols are, over time, pulled and twisted like taffy, co-opted, integrated and sometimes claimed as the private property of religion x or y.

Today, as I write this, we sit squarely on the solstice. I thought a few tidbits of story-symbol might be fun to visit so, together, we might taste the taffy.

In Italian tradition, La Befana is the goddess of the solstice. She rides a broom through the skies leaving candy and presents to the good little boys and girls. As a broom-riding pagan goddess, she predates Saint Nick by more than a few centuries. The Christian tradition snagged her and after a bit of twisting, she became a character in the Magi story. On a cold, cold night she gave shelter to those three wise-men but declined to join them on their quest because she had unfinished chores. After they left she had a change of heart but couldn’t find the manger on her own so she gave the gifts she had in tow to the nice children she met during her manger-search.

On the solstice, the goddess Isis gave birth to her son Horus, the sun god. Leta gave birth to Apollo on the solstice. The Persian god of light, Mithra, was born on the solstice. These births were technically virgin births since the conception in every case was immaculate. Egyptian. Greek. Persian. These stories predate the Christian story by centuries. It’s a ripple across time and culture of the same human impulse: after a long dark season to celebrate the return of the light.

We lose more than we know when we – to borrow a great term from Joseph Campbell – concretize a symbol. The stories and myths are meant to open us to greater unity with each other and the world we share. They are not meant to be taken or understood literally. Holding them literally slams the door on their greater meaning and unifying power. It renders them a possession, a plot point on a map.

On this winter solstice I can imagine no greater gift to this divided world than to recognize we are, through our unique symbols and characters, telling the same story, yearning for the same possibilities, sharing the same ideals whether they soar through the air on a broomstick or in a sleigh, both rides brimming with toys for good girls and boys. We borrow each others best ideas and ideals, rewriting them to fit our unique audience. From Isis and Horus to Mary and Jesus, it’s time once again to celebrate the rich warm return of the light through our myriad forms and cultural traditions, to feel the push and pull of something ancient and deeply human. Together.

this season/this season © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE HOME IN THE TREE

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buymeacoffee is a surgically implanted intention, a medicinal tradition stretching back eons to a time when beauty and analytics held hands and shared meals. together.

Listen To The Sing-Song [David’s blog on Merely A Thought Monday]

The sound, rhythm and pattern of language. Listen to the sing-song of a mother talking to her infant child. Exaggerated prosody. Love carried through time and space on a warm carpet of sweetly over-elaborated sound waves. The words carry less meaning than the prosody. The shape of the sound, exaggerated to invoke a giggle. A bright face. A smile.

In our house, the exaggerated prosody is reserved for Dogga. “It’s time for sleepy-night-night!” Kerri sings to a tired-faced-Dogga. There is a distinct rhythm to “sleepy-night-night” that has become a comforting ritual chant. Our day would not be complete without it. He wags his tail and lopes toward the bedroom. Or, “We’re going to the living room!” she says in response to his constant anticipation of our next move. The words “living room” elongated and embued with excitement. He dashes to beat us there and, in my mind, to convince us that he’s been waiting all along.

When Unka John arrives, his ritual Dogga sing-song goes like this: “Hey! Hey! Give me that bone!” The game is explicit, the sound of the words as exacting as a line from Sondheim. After Unka John pretends to eat Dogga’s bone and returns it to the awaiting Dogga mouth, signaling the end of the arrival game, he chants two consecutive times, “Do you want a treat!” with the hard accent and lift on the word “treat.” It sets-off a full body wag and race to the treat jar. “Gentle! Gentle!” is the incantation that signals Dogga to sit and tenderly accept the treat. Of course, the whole sequence of Unka-John love-fest is ignited when we say to Dogga, “Guess who’s coming?” in a melodic line that we know will provoke a bouncing-dog-rush to the front door as we await the imminent arrival.

The meaning is not carried in the words, rather, it’s in the poetry of the tones. The generosity of the sound.

It’s the poetry of everyday life. The ritual sounds we use to shape our day, to create our comfort-home. To fill our hearts with gratitude. To clearly say, “I love you” in sound and tone when our words are merely, “Do you want some lunch?”

read Kerri’s blogpost about EXAGGERATED PROSODY

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buymeacoffee is a sing-song of generosity offered to the ongoing work of the artists and travelers that support you journey.

Go With Abundance [David’s blog on KS Friday]

The sound of the tree cracking sent us scurrying. We didn’t know if the falling branch was above us so it was best to move until we could locate it. Fifty feet behind us and well off the trail, an enormous branch collapsed, snapped, fell, and broke into several pieces. “What are the odds that we’d be here to see it fall?” Kerri asked. “I wonder what it means when you see a limb or tree fall?”

We Googled the symbolism and, not surprising, it’s either a good omen or a bad omen. It depends on what you choose to believe. It might not mean anything at all. To re-use a favorite quote from Alan Watts, “The whole process of nature is an integrated process of immense complexity, and it’s really impossible to tell whether anything that happens in it is good or bad.” We decided the falling limb was a terrific sign of positive changes on the horizon.

There’s a sigh of relief that comes when you realize that meaning isn’t found, it is made. It is given. We are, all of us whacky humans, in every moment, giving meaning to our experiences. Is it good or bad? That depends on what we choose to see. The real magic happens when the measuring stick of meaning is not based on a polarity. There are infinite colors available between good and bad.

A chance meeting happens because of a missed plane. The loss of a job opens new avenues of possibility. A closed road leads to an amazing discovery. We found a lost puppy on the side of a county road because we made a detour to avoid road work. My heart blew wide open when that puppy leapt into my arms. “We were meant to come this way,” agreeing on the meaning we wanted to make.

Earlier on the trail we found a blue jay feather. The blue bird of happiness. A sign of abundance and healing. Of course, it might also signal the opposite. “I think I’ll go with abundance and healing,” I said.

“Me, too,” Kerri agreed. “Why not?”

[If you want your heart to blow open, listen to Kerri’s THE WAY HOME. It gets me every time]

the way home/this part of the journey © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost on BLUE JAY FEATHER

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Create Ease [David’s blog on Not So Flawed Wednesday]

Reading The Marginalian this morning I was taken by these two quotes:

“The whole process of nature is an integrated process of immense complexity, and it’s really impossible to tell whether anything that happens in it is good or bad.” (Alan Watts)

“…learning not to think in terms of gain or loss.” ~ The Marginalian, August 16, 2023.

It came at the right moment. There was a river of anxiety running through our house. I opened the newsletter because the title was Seneca on the Antidote to Anxiety. I needed an antidote. Actually, I needed to be reminded of what I already know.

Most of our monsters are invented. Most of our stresses are made-up. What we fear rarely happens. Such is the power of the human imagination. We are capable of making ourselves sick with make-believe, ill with assumptions, fearful by assigning meaning to an experience before it actually happens.

We fret. We worry. We brood. We lose sleep. We get worked up. We torture ourselves with our untethered thoughts and wild-imaginings. It’s the heart of my argument to all people who’ve labeled themselves as “not creative”. We are so abundantly creative that it hurts. Check your inner monologue. It is a riot of creativity! A stampede of wild-horses!

We are capable of imagining ease rather than angst. We are capable of creating love rather than hate. It’s true, but creating ease, creating love, first requires a complete surrender of black-and-white thinking. Good or bad, gain or loss, better or worse…control fantasies, all. Creating ease is borne of an understanding that every experience – every single experience – has many possible interpretations. And, fully comprehending that you are the creator of the meaning you make. And, most of all, recognizing that making meaning of an experience is best done after it happens, somewhere down the road. I guarantee, no matter the meaning made today, it will change again and again over time. Creating ease.

Side note: compassion for self and others lives on this non-binary road.

Reminders of what I already know.

I loved the sunflowers when we placed them on the table. They were a gift and were fresh from the farmer’s market. I thought I might like to paint them, which is unusual for me. A few days later, the sunflowers bowed their heads and I found them more compelling. They seemed like gentle beings in a posture of reverence (how’s that for imagination!). Both Kerri and I raced for our cameras.

Were they more beautiful or less? And, isn’t that the exact wrong question to ask?

read Kerri’s blogpost about SUNFLOWER BOW

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Take A Second Pass [on Not So Flawed Wednesday]

It was the second time we’d walked the loop. The first was many months ago in another season. Though the path was the same it felt as if we were walking an entirely different trail. This time, instead of seeing across brown and yellow winter marshland, we walked through a tunnel of tall viridian reeds. Not able to see the landscape, I looked up through the green at a rain-threatening sky. If our first hike on the boardwalk felt like a discovery, the second pass seemed directed.

The second pass. In life it’s called a memory and it is never the same as the original walk. To begin, it is viewed from a different season. Time alters details, rearranges events, begs questions. The second pass is made with a different purpose-in-mind. To re-view. It is directed, replayed, questioned, run forward and backward. Different endings are tried on for size. Different beginnings, too. Destiny or accident? Did that really happen?

Plotting backward through memory provides ample sense-making. Event chains, choices, that lead to this place, this day, this story called life. Looking forward from the current first pass, this present walk, there is a wide open vista. What if I stepped off the path? Is there a path? It’s all discovery though we rarely experience it that way. The routine of the day or the master to-do-list obscures the newness of each and every step. Same-old-same-old is a sorry reckoning.

Kerri and I are having an ongoing conversation about how quickly and dramatically life can change. Just when you think you know what the day holds a strong wind huffs and puffs, forever altering the arc of your life. The tiniest of choices hold the seeds for the most profound changes. The boardwalk suddenly disappears. Or the opposite, when you are lost and least expect it, a boardwalk magically appears. In a flash a path seems certain.

And, isn’t it awe-some that we are capable of twice-storying this grande life adventure? Giving to each step a meaning and shape the very moment we take them. Giving to each step a different meaning and shape, over and over again, on the return loops, the second pass. Memory.

read Kerri’s blogpost about THE BOARDWALK

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