Follow The Trail [on KS Friday]

bp box copy

I like the idea of a blueprint for souls. As if each life has an underlying design. As if each day of life was part of the overall construction.

When Kerri and I talk about our story we often talk about design. The impossible sequence of random coincidences that led to our paths crossing. Have you ever played that game: what if I left the house 2 minutes earlier? What if I’d decided not to go?

Lately, many people have been telling us their stories of things-that-were-meant-to-happen. “The pieces just fell into place,” they say. “That’s the sign it was supposed to be.” I’m not the only one who likes the notion of a blueprint. Ease is a sign.

We can only see the connected dots when looking backward. Sense-making is rarely a forward looking affair. Yet, Kerri’s BLUEPRINT FOR MY SOUL is like a popcorn trail through the woods. It is a kernel of hope that leads to another kernel of hope and, if you follow the hope-trail long enough, you come to a place where you can turn around and see with clear eyes the path, the unique life that was designed by you, just for you.

 

 

BLUEPRINT FOR MY SOUL on the album BLUEPRINT FOR MY SOUL is available on iTunes & CDBaby

 

read Kerri’s blog post about BLUEPRINT FOR MY SOUL

 

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blueprint for my soul/blueprint for my soul ©️ 1997 kerri sherwood

Bend It [on DR Thursday]

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The terminology in art reads like so much poetry. Zero point perspective. Chiaroscuro. Foreshortening. Rococo. Image plane. Vanishing point. Oblique projection. Intaglio. It goes on and on, these tasty and magical words.

They should be poetry. They describe fields of possibility. They attempt to codify the making of illusion or the impulse of an explorer. Bending space. Deconstructing and reconstituting. Perceptual distinctions. The visual language of cultural norms.

There has been for centuries a mathematics of art. Optics and relativity, movements in science that have their conjoined artistic twins. Rebellions. The maintenance of form. Rules and rule breakers.

I sat in on a class taught by a master artist. He was a lover of landscape (another yummy word) and taught his students an earth-shattering lesson: reality, like time, cannot be caught. It’s a fools errand to try. Painting is a conversation. It is an infinite game. Bend space. Move the tree. Color is fluid, moving, never fixed.  Be like color. Play. Discover. Transform.

I do not consider myself a landscape painter. And then I remember the master teacher and I remove the word ‘landscape’ from my vernacular. And then, suddenly, there is a universe of movement, color, light, and shapes to bend.

 

read Kerri’s blog post about a LANDSCAPE SKETCH

 

Newborn copy

newborn. deconstruction. reconstitution.

 

coffee cups in scion website box copy

 

newborn /landscape sketch ©️ 2019 david robinson

 

 

Mess With It [on Two Artists Tuesday]

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A simple image skewed. It becomes something else. The original was beautiful, simple stark contrasts. Iron grey corrugated metal meeting untouched snow.  Textures. Man made meeting nature made. It looked like an abstract painting.

When Kerri is restless she plays with images. My composer wife has a better visual eye than her painter husband. She can play for hours with a single image, designing from an inner imperative that words cannot reach. “What are you messing with?” I ask, already knowing the answer. Silence. She shakes her head, my question a horsefly to her concentration.

A curator might tell you that this photo represents a dream gone awry. A door that opened. A possibility that whispered. And then, like the iron grey metal meeting the snow, the dream met the realities of the moment and tilted. The door, the possibility was a mirage, a vanishing oasis.

Of course, a curator might say it represents any number of things and we’d affix their meaning to the image, even if we didn’t want to.  Words are powerful. Sticky.

A simple image. Another day. Another step. Skewed. What are you messing with? I already know the answer. Tell me what it means.

 

read Kerri’s blog post about SKEWED

 

bong trail, wisconsin website box copy

 

Play Your Part [on Two Artists Tuesday]

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It is our grocery store ritual. We wander up and down the tissue aisle and Kerri disparages the box designs. “Ugly!” she exclaims. “Who designs this stuff?!” she howls as frightened shoppers turn their carts and flee.

My role in the ritual is to suffer silently, to feign agreement. “Yes, it’s horrible,” I say. Inside, I wonder why I’ve never noticed or given any thought to the design of tissue boxes. “We should get a box cover that you like,” I suggest in ritual male fix-it-mode.

Kerri huffs in disapproval. “They should let me design the boxes!” she mutters as she rejects another design. I imagine the layers of security assigned to prevent her from gaining access to the tissue box design studio. A kind of tissue TSA. I turn away to hide my smile. This is serious stuff!

True to our ritual, on the third pass down the aisle, after each box has been considered and rejected at least twice, she pulls two from the shelf and thrusts them in my direction. “Which of these is least offensive,” she glares, making the decision mine. “Hmmmmmm,” I respond in a desperate attempt to stall. I’d be a fool to express a preference, especially since I don’t have one. I pretending to scrutinize the boxes. I stroke my beard, “I don’t know. What do you think?” I ask in ritual male-avoidance-mode.

“It doesn’t matter!” she frowns, tossing a box with a happy phrase into our basket, handing the losing dot pattern box to me. I gently place the second least offensive design back on the shelf.

“You’d think they’d design more attractive boxes,” she says, completing this ritual and heading for the laundry detergent aisle. Pushing the basket, I prepare myself for our next custom: opening bottles of fabric softener and huffing scents to find the least offensive smell.

As I roll toward this ritual assault on my sense of smell, I always think, “Well, at least the tissue ritual doesn’t give me a headache,” and I wonder how I lived so long without thinking about or at least considering the scent of fabric softener.

 

read Kerri’s blog post about TISSUE BOX DESIGN

 

wideopenmouths website box copy

Get Ready To Bowl [on DR Thursday]

bowling primary image BOX copy

Kerri laughed when she made this morsel. “It looks like a bowling ball, doesn’t it?” she giggled. It is a slice from one of her favorite paintings, Joy. “I can’t believe I’m seeing a bowling ball!” her snicker bursting into a full laughter blossom. “Do you hate that I’m seeing a bowling ball?” she asked, struggling to stifle her chortle.

READY TO BOWL PRODUCT BOX copyBefore I could answer she had already launched into designing products. “Oh my god! It makes a cool pillow!” she turned her computer to show me  but before I could see the pillow she spun the computer back around and was already dropping the image into the next design possibility. “This is fantastic!” she declared. “This cracks me up!” Her chuckle was infectious and I began to laugh. “It’s a great tote bag!” she howled.

I love watching her design.

The painting is called Joy. It is one of her favorites. Watching her do this design work is pure joy. It is magic. It is one of my favorites.

 

 

read Kerri’s blog post on READY TO BOWL

www.kerrianddavid.com

 

joy ©️ 2014 david robinson

ready to bowl designs/products ©️ 2018 david robinson & kerri sherwood

 

Run In Circles [on Two Artists Tuesday]

It may not be immediately apparent, but this is a video of a solution. It is a celebration of non-resistance in the face of a force of nature. DogDog (also known as Tripper, also known as Dogga, also known as Don’tDoThat!) is a backyard killer. In his enthusiasm for life he runs circles -or – more accurately, he plows circles. No plant is sacred, no patch of grass is safe. For a few seasons we tried multiple strategies to achieve some semblance of backyard order only have Don’tDoThat! plow a new circle.

if you'd like to see TWO ARTISTS copyOne morning, watching the madness, Kerri sipped her coffee and said, “Why fight it?” She went in to the house and ordered a round-a-bout sign, careful to get one for left lane drivers so it would indicate the correct direction of his travels. DogDog is, after all, an Aussie. We planted his sign in the center of the velodrome, added a bit of wild grass around the sign and VA-WA-LA! Order (or, at least, the semblance)

On Two Artists Tuesday, a DogDog inspired reminder to lay down the fight; sometimes you can define the desire lines and sometimes you have to let them define you.

read Kerri’s blog post about DogDog Round-A-Bout

www.kerrianddavid.com

dogdog round-a-bout ©️ 2018 david robinson & kerri sherwood

 

 

 

See Art Everywhere

50% OFF ALL PAINTINGS THROUGH APRIL 22nd

Together we read the local paper every morning. Yesterday there was an essay from the executive director of a new ‘creative space’ making a case, financial and otherwise, for why the community should value and support the arts. Everything he wrote was true. Everything he wrote has already, as Kerri likes to say, fallen into the moat.

Fifteen years ago I might have written that essay. I am an artist and need no case made for the necessity and essential nature of “the arts.” However…. In a past life I consulted with schools and many times found myself in the position of lobbying the school board to support arts programs. I jumped up and down making a case for the arts and rarely achieved my desired result. Until, one day, a word-angel grabbed my tongue and instead of using that mystical word “arts,” I replaced it with the phrase “experiential learning.” Doors blew opened. Angels sang. Kids made movies, painted paintings, held poetry slams, wrote musicals, made plays…came alive. And learned.

Our mistake is “to make a case” for the arts. Our mistake is to define it narrowly, relegate it to museums. It is not a separate thing. It is everything. It is everywhere. The design of our cars and blenders is an aesthetic as well as an engineering process. The apps on our phones (the very design of our phones) requires artistic as well as technical skill. Every piece of marketing that clogs our streams requires an artistic sensibility. We live in age of narrative, of artificial intelligence, of imagination run rampant. We story ourselves on Facebook and Instagram and share our pins on Pinterest. Step back and listen to the competing narratives we call The News. Listen not to the content of the question but how it is asked; these things are not accidental, they are designed, targeted to influence and move our imaginations. The “arts” are not lofty nor dusty, they are throbbing, vibrant, and central to every nuance of our lives. Why do we insist on  keeping them in such a tiny little box?

Stephen asked me more than once, “Why don’t people value the arts?”  He is a prolific painter, brilliant, and exhausted from living on the margins. “They do,” I’d say, “they just don’t know it.”

Kerri and I said goodbye to a few more paintings yesterday. They found their right home and that is more than gratifying.  It is the moment of completion of the painting (or the play or the composition…or the car, couch, and coffee mug) when it finds an audience or its home. It’s a life cycle, deeply connected. It is everything. It is everywhere.