Smile [on Two Artists Tuesday]

generic ukulele sip n strum (no date) copy

When we started our Two Artists Tuesday designs, our subtitle was “Making Stuff for Humans.” We used the word “stuff” loosely. The idea was to bring smiles. we were rooted in whimsy (something I constantly need to practice…).

Over the course of Studio Melange, our idea has morphed. The “stuff” we bring is not only our designs but our experiences as well. And, our latest experience was a riot of fun and the first of many Sip-N-Strums. What could be better than a beginner’s lesson with wine. It makes a good house party, a killer corporate event (we can teach anything through this magical instrument), as well as a fun night out. Whimsy, whimsy, whimsy in a world of whipped up division, ugly partisan fighting and a dedicated focus on the dark things. The ukulele is good medicine.

The ukulele is smile producing. It is impossible to pick it up without feeling playful. Even if you are being forced to play, as one unsuspecting husband was when he came to the Iron Depot Winery with his wife, only to discover that he’d stepped into a ukulele trap. He was in stage-one-full-resistance-mode until he picked up that little green ukulele. Once he wrapped his big bear paws around that little instrument it was all sip-n-smiles from that moment forward.

The quote on our site captures it best. “The ukulele is a portal through which only happy people can pass.” I’d offer this thought as well: the ukulele is a portal through which grumpy people enter their happy place. It is good stuff for humans.

 

 

read Kerri’s blog post about SIP-N-STRUM

 

pumpkinfarm website box copy

Savor Good Moments [on KS Friday]

goodmoments song box copy

When you find yourself wondering what it’s all about, play this game: fill in the blank, “In this life I have….” Fill in the blank again and again and again, searching your memory banks for all the magic, mysterious, and miraculous experiences you’ve enjoyed. The good moments.

I like this game because, inevitably, I arrive at the realization that the good moments are the smallest of moments. Although swimming with whales or seeing the northern lights are miraculous, the really good good moments are first kisses, watching your baby sleep, holding hands after the storm passes. Laughing hysterically with friends just because.

Kerri’s composition, Good Moments, is a musical river of small moments, quiet yearning, tender touches, the smell of autumn leaves. Play the game and begin with Good Moments. It will transport you back. It will unlock the door to your memory bank. It will also help you realize that this moment – this very moment – is a very good moment, indeed.

 

GOOD MOMENTS on the album THIS PART OF THE JOURNEY available on iTunes & CDBaby

 

read Kerri’s blog post about GOOD MOMENTS

 

www.kerrianddavid.com

if you'd like to see kerri sherwood.. copy 2

 

good moments/this part of the journey ©️ 1998 kerri sherwood

Design A Single Week

smaller product recap 5:12 copy 2

This image took my breath away when Kerri showed me. And so, we decided to share it.

A brief explanation: many weeks ago, standing amidst the stacks of music, paintings, cartoons, and designs that we’d created, work that populated proposals & submission after submission after submission but had yet to find an audience, we decided to create our own channel to share it. We called the channel “the melange,” a medley, a daily offer of a design, cartoon, painting or piece of music and the thoughts they inspired in us. We launched it 14 weeks ago.

And, because we are artists trying to make a living, we established a product line through society6.com for each day of the melange [if a painting is out of reach perhaps a cool tote bag or fine art print is more accessible]. This morning, as we prepared the multiple sites and completed our writing for the upcoming week’s melange, Kerri showed me a compilation image of all the products she’d designed just THIS WEEK!

Look at this image and multiply what you see by 14 weeks. Breathless. And so much fun.

ROOT IN LOVE product line [chicken marsala monday]

SHINE product line [two artists tuesday]

SO MUCH POSSIBILITY product line [flawed cartoon wednesday]

CLOSELY I WILL HOLD YOU product line [dr thursday]

FISTFUL OF DANDELIONS product line [ks friday]

 

 

www.kerrianddavid.com

KS Friday

andgoodnightjacket copy 2“It took me four years to paint like Raphael, but a lifetime to paint like a child.” ~Pablo Picasso

Every artist knows that technique is necessary but artistry is not the application of technique. Artistry is transcending technique. Technique is tangible. It is possible to practice scales and study color theory. It is possible to grasp that different brushes do different things. There are bottom lines in technique, reductions and rules and complications.

Artistry is intangible. It is flow. It is expansive. It is simplicity and simplicity is so hard to achieve. It is one of those paradoxes I love to write about, the zones where truth bubbles precisely because it cannot be contained.

The first night we met Kerri played her piano for me. I will never forget it. This slight woman stepped up to her piano (she rarely sits when playing) and all reality shifted. She grew. She filled the room. I swear I saw her send an energy-root into the earth and she opened. What came through was…enormous. What came through was simple.

This lullaby, Kerri’s original piece, I Will Hold You (Forever & Ever) from her album AND GOODNIGHT, could certainly be played by a technician and you would appreciate it. Now, for your KS Friday from the melange, listen to what an artist can do. Sit back and give over to the simplicity.

I WILL HOLD YOU (FOREVER & EVER) from AND GOODNIGHT (track 25) iTunes

also available on CDBaby

 

And because she couldn’t resist designing with this title for babies or weddings or anyone you love, I WILL HOLD YOU (FOREVER & EVER) products.

 

society 6 info jpeg copy

forever and ever FRAMED ART PRINT copy

forever and ever SQ PILLOW copy   forever and ever RECT PILLOW copy

forever and ever LEGGINGS copy

‘forever and ever’ leggings

forever and ever MUG copy

 

read kerri’s blog post about I WILL HOLD YOU (FOREVER & EVER)

melange button jpeg copy

kerrianddavid.com

 

i will hold you (forever & ever), and goodnight ©️ 2005 kerri sherwood

KS Friday

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Always With Us (track 14)

Kerri and I had a few days off. I’d never seen Door County so we jumped in the car and headed, as the folks around here like to say, “up north.” On our way back we stopped to say hello to Hans the music producer. Kerri and Hans have been for years dancing around producing an album together. Hans is also an amazing cellist. He gave us a tour through his recording studio and invited Kerri to give his studio piano a try. She sat and began to play. He sat at his cello and joined her. My mouth dropped open and I started to cry. Artistry, when it is pure, does that to me. I found myself standing in a sacred space created by two consummate musicians who were simply doing what they were born to do. They had no idea I was stunned to tears. They were playing around. They were having fun. They played together for about an hour, Hans dashing in and out to get different instruments to noodle around with, Kerri playing whatever came through the channel. I sat in the corner and tried to keep breathing.

AWU v1 jacket copy 2

Always With Us [solo piano version, track 2]

No recording exists of that day. I would listen to it every day if it did. It was spontaneous and as holy and temporary as a sand painting. On the drive home I tried to describe my experience to Kerri and asked her why she and Hans had never recorded together. “It costs a lot of money to record, ” she said, adding, “and, nowadays, with people streaming music instead of buying it, there’s almost no way to recoup the investment. It’s better to enjoy the process, to have fun playing with someone like Hans.”

I remembered that day with Hans when we chose Always With Us for this week’s melange. It turns out that our melange conversation this week has been all about artistic process: stepping blindly, having faith, landing in pot holes, making bold offers, capturing moments, and most importantly, treasuring the relationship with “something bigger” that comes through when the artist(s) step out of the way and something sacred happens.

ALWAYS WITH US from the album AS IT IS (track 14) iTunes

ALWAYS WITH US from the album AS IT IS (track 14) CDBaby

ALWAYS WITH US from the album ALWAYS WITH US (track 2) iTunes

ALWAYS WITH US from the album ALWAYS WITH US (track 2) CDBaby

PURCHASE THE PHYSICAL CD: ALWAYS WITH US v. 1

 

KS DESIGNS on society6.com

society 6 info jpeg copy

always with us LEGGINGS copy

always with us FRAMED ART copy

always with us COFFEE MUG copy

always with us TOTE BAG copy

read Kerri’s thoughts on ALWAYS WITH US

melange button jpeg copy

kerrianddavid.com

ALWAYS WITH US from AS IT IS, ALWAYS WITH US v.1 ©️ 2004 kerri sherwood

 

KS Friday

It is one of the great pleasures of my life to be down in my studio painting when Kerri, upstairs in her studio, begins to play. I always stop and appreciate how rich, how utterly fortunate I am. There is more than just music in our house. There is a source, an amazing composer, a gifted musician. She plays like most people breathe and I marvel at the enormity and ease of her gift.

From the melange on this Valentine’s week comes a Slow Dance. It is from Kerri’s album As Sure As The Sun. Friday belongs to Kerri’s music. I am particularly fond of Slow Dance. It is visceral and reminds me of a summer evening, sitting in the adirondack chairs in the front yard, sipping wine and talking. We were listening to music and without really intending it, we began to dance. Fast dances, silly dances, rowdy-run-around-dances, and finally, laughing and exhausted, there came a slow dance. The neighbors still talk about it….

 

ASATS

Slow Dance from AS SURE AS THE SUN

KERRI SHERWOOD

[a note to consider: the links will by default take you to apple music – apple’s streaming service. With respect to artists everywhere, please consider downloading your music on itunes rather than streaming your music. It requires one additional click. Downloading means the artists get paid for their work. Streaming guarantees that they don’t.]

kerrianddavid.com

Slow Dance from As Sure As The Sun ©️ 2002 kerri sherwood

Reach Out Of Inner Space

Richard Diebenkorn, Ocean Park #68

Richard Diebenkorn, Ocean Park #68

Several days ago on a muddy trek through the state park, the dials in my brain spun ever so slightly and I had an epiphany. It was an epiphany that I’ve had before which, to some, might disqualify it as an epiphany but for me the important stuff seems to occur repeatedly, a new layer falls off, and I see a bit more each time. Clarity is movement to a core, a simplicity emerging from what used to seem complex. So, I had a repeating epiphany.

Last year I attended The Chicago Art Expo. To my shock and surprise, rather than being challenged and energized, I ran screaming from the building. It was disconcerting. It was disorienting. Rather than having direct experiences with art that opened my eyes or challenged my world, I had experiences with curators who were compelled to tell me why the work had merit. They felt the need to locate the meaning and value for me. There was, in each booth, an art-high- priest standing between me and the experience. In fairness, I often felt that, without the interpreter, there was no experience to be had. It was a mental exercise.

In the grand scheme of things, Art serves a purpose. It carries the common story, the cultural identity. It is necessary, not luxury. In that sense, for it to serve its purpose, it requires no interpreter. When it no longer serves its intrinsic purpose – or there no longer exists a common center – an interpreter (marketer) is inevitable.

As Quinn once told me, “If someone has to tell you that they are good, they probably aren’t.”

Joseph Campbell wrote a book called The Inner Reaches of Outer Space. Art (theatre, visual, dance, music), for me, has deep value when it serves the outer reaches of inner space. It is immediately accessible, touching a universal nerve. It has to reach. Standing in the mud and muck of the park, we took a break by the shore of a lake and listened. The wind moved the trees, the limbs clacked and groaned. Crows chased an owl. The sun warmed my face. A layer fell off and a core came closer to focus.

This is not a diatribe against abstraction. We recently saw a Sam Francis exhibit at The Milwaukee Art Museum that left me in tears. I’ve spent hours in front of a Diebenkorn, one of his Ocean Park series, and I can’t get enough of it. I visit it often, like a pilgrim on a pilgrimage. It moves something deep within me. It speaks to something bigger than me and makes me want to be better and better. Standing before it I feel a part of a conversation of hearts and imaginations and deep space calls. I feel a part of a bigger story.