Scribble With Purpose [on DR Thursday]

Henri Matisse said, “Creativity takes courage.” I suppose that is true when considering the enormous pressures to conform to a style or standard. To create what is acceptable or expected. To suss-out what will be rewarded with approval and/or profit. In this context, it takes enormous courage to deviate. To explore. To surprise yourself by breaking form and risking ridicule and rejection and poverty. In this context, it takes courage to show up. It takes courage to punch through.

On the other hand, creativity is the most natural thing in the world. Ask any child. On second thought, please don’t ask any child since it will only confuse them. They have no idea that creativity – to an adult – is a separate thing. What’s scary and vulnerable to the tall people is commonplace to the little critters. There’s help for the older folks: allow the child-inside to scribble with abandon. Recognize that the story of, “I’m not creative,” is a creative act. The story of “It’s scary to create,” is also a creative act. It’s a story.

Creativity runs like wild horses through every day of our lives. Our perceptions and interpretations and fears are pure storytelling. The real challenge is not the absence of creativity but the conscious appreciation of our rampant creativity. The squeeze to conform serves as a heavy curtain obscuring our vibrant expressiveness.

The courage that Henri Matisse references is borne of the tension between the desire to be appreciated (to fit in, to succeed) and the yearning to break new trail or sail into undiscovered lands. To risk. To intentionally and publicly scribble outside the lines. To say aloud what needs saying.

Creativity is the most natural thing in the world. As it turns out, so is conformity. We are, after all, like wolves: animals that run in a pack. Humans die in isolation so serving the will of the group is a high priority. The wrestling match between creativity and conformity is necessary.

The progressive impulse. The conservative impulse. A bowstring drawn taut between these two poles provides the necessary tension to send the arrow of our ideas and dreams sailing toward the distant target. Children scribble with abandon. Grown up children, those telling themselves the story of “I’m a creator,” learn to scribble with purpose.

read Kerri’s blogpost about PUNCHING THROUGH

shared fatherhood, 25.5X40.5IN, mixed media on panel

shared fatherhood 2 © 2017 david robinson

chicken marsala/just scribble © 2016 kerri sherwood & david robinson

Witness [on DR Thursday]

It’s almost impossible for us to keep walking when the sun sets. We stop wherever we are. In quiet, we watch it descend. It’s as if we are full participants in the day’s end. Holy moments. Holding sacred space. It’s the role of the witness.

I feel the same is true now, at this year’s end. It’s not always true in December but this year is different, It’s almost impossible for us to keep walking. In quiet, holding hands, we are watching the year descend into the past.

I wonder what we are, in fact, witnessing? We stepped off the known path and are once again traveling the unknown trail. That is not new in our experience. It is actually more common in our lives to be stepping into new territory. To not know where we are going. This time feels different.

A few years ago I painted a picture that I like very much. It is simple. Kerri calls it Pax. Peace. The figure in the painting is satisfied. Present. At peace. I’ve not thought about this painting for a long time but it’s walking with me right now. It’s asking to be pulled from the stacks.

Witnessing is not passive. This painting will be our witness during the setting of the year. We will witness it as it daily reminds us to be at peace. Holding hands in sacred space. Not rushing to get out of the woods even as the light wanes.

I have sometimes wondered why I paint. Today I know without doubt the reason.

Pax, 24x24IN, mixed media

read Kerri’s blogpost about SUNSET

pax © 2015 david robinson

Listen To The Zen Master [on saturday morning smack-dab.]

Let’s be clear: Dogga is infinitely smarter than I am. Occasionally I fall into the delusion that I am the master – I have thumbs, after all – but my fantasy is never long-lasting. I am here to do his bidding and I am well-trained.

In addition to being smarter, he is also wiser. No matter the enormity of my life-dilemma, he patiently listens to my fear and complaints. He allows me to spin my quandary into a full-blown-fruit-smoothie, to make my mole-hill into an Everest-sized-mountain, and then, usually in the form of a belly-belly, he brings me instant perspective. Nothing on earth could possibly be more important than loving on your pooch. “Be here now,” advises Dogga. “And, since we are here now, how about a good belly-rub?’

It’s hard to argue with a zen-master-in-fur. What could be more meaningful, what possible purpose could I serve other than loving life right now? The rest will take care of itself.

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Make Sense [on Merely A Thought Monday]

I told Kerri she was going to be fired two years before the ax fell. I needed no crystal ball and was not reading tea leaves. In my consulting life I’d seen it happen a few dozen times. When a not-for-profit organization promotes to leadership those who believe everything needs to run like a business, the people holding fast to the actual purpose and mission of the organization have to go.

It makes sense if you think about it. Profit is the purpose of a business. When profit is the purpose, the organizational structures and levers-of-power evolve according to the purpose: profit. People are expendable.

There’s a reason arts organizations, churches, educational institutions,…are called not-for-profit. They serve a different purpose. The organizational structures and levers of power evolve according to the central purpose: service. The creation of art. Learning. Health. Feeding the hungry. Helping the victims of disaster. Worship. The people, usually not well-paid, are dedicated to the deeper organizational mission. Not profit. The people are not expendable. In fact, they are the keepers of the flame. They are very hard to come by.

The quickest way to kill a service organization is to apply the power-levers of business. The purpose dies. The good people – the keepers of the organizational heart – have to be fired, whipped into compliance, silenced, or forced to leave. It’s not rocket science. That process takes a few years.

It’s sometimes hard for us to make sense of what’s happening in our nation and world yet the same principles that apply to organizations also apply to countries. The purpose of healthcare is not profit. The purpose of education was never supposed to be profit. We currently have in our vernacular phrases like “predatory lending” – people making millions from students who believe the dream is only accessible through higher education. It’s the message embedded in our mythology. The levers of business have twisted our vision. Just as prisons should never be money makers, healthcare-as-a-business obliterates the purpose. It profits a few. It crushes the many.

Apples cannot be oranges. Make sense?

What’s happening in our nation makes perfect sense. Big business, regularly bailed out or given tax breaks to the tune of billions of dollars, is protected. No questions asked. Yet, try to correct a corrupt lending scheme, a successful (highly profitable) application of business levers to education, built on the backs of working people trying to go to school, and the “it-has-to-run-like-a-business” crowd will move heaven and earth to keep profit at the center of the mission. Our education system, once the best in the world, is spiraling. Ridiculous. It’s inevitable when protecting the interests of business supersedes serving the purpose.

We may find our way through, we might return to our senses, when we stop pretending that business is somehow sacred, that the making-of-money is moral and a proper north star for all things. It is not. It is great for some things. It is devastating, senseless, for the most important things.

read Kerri’s blogpost about SENSE

Stand In Time [on DR Thursday]

Stephen Hawking asked why we remember the past but not the future. Yesterday, in the middle of a meeting, I received a slack message with a sentiment from Russ Ackoff: entrepreneurs stand in the future and look at the present. I was fascinated by an article by Wade Davis, writing about a culture that experiences time as movement backwards; we row our way into the future.

Declan Donnellan writes that it is impossible to try and be present because we already are present. We live in it. We have to try very hard not to be present. In fact, we have to split ourselves in two halves. One looking backward. The other looking forward. We are, each and every one, Janus.

It is the time of year that time changes. It’s an odd ritual to “fall back” in time. What was 5 o’clock will soon be 4 o’clock, not because of a strange universal movement between planets and stars, but because we say so. A few states in the union don’t participate in the ritual so their time stays the same.

Time on a line. So many different realities, even in the most basic experience. Constructs of time.

I’ve read that old age is a return to childhood. Many, many great thinkers and writers from many disparate cultures tell us that we will journey through life and arrive where we began. The destination is ourself. Have you ever tried to describe your self and found the task impossible? Words simply cannot reach that level of complexity. There is a notion popular in the self-help world to define your life mission, your single life purpose. It’s meant to give you focus-of-action and certain-location on your line of time. It is also nearly impossible to articulate and becomes an exercise in metaphor selection. I’ve smiled knowingly as people in my past have asked, “Is this my mission or am I making it up?” The answer to both is, of course, yes. In a more universal peek, the exercise is meant to take you one more step around the circle that will bring you back to your self.

When I was doubting myself, judgmental because I “didn’t know” what I was doing, Quinn pointed to the tallest building and said, “The person on the top floor is just making it up, too.” He was standing in my future, looking back.

It’s just a matter of time.

Just.

read Kerri’s post about TEA LIGHTS

Greet The World © 2011 david robinson

Know Why [on Merely A Thought Monday]

I’m working with a software start-up company. Upon returning from travels I found our conversation has shifted into articulating mission and vision and purpose. None of us are keen about writing these kinds of statements but the exercise is useful and necessary. Why do we do what we do? What, exactly, do we do? In that order. Why. What.

Why? It seems as if this should be an easy answer. To support other people. To support other people in doing what they need to do.

I couldn’t help but think of our experience last week. We shared our story of breaking down in Hays, Kansas. It was late in the afternoon. It was the day before my dad’s funeral in Denver. We hobbled into the dealership. They were jammed with customers and couldn’t help us. There wasn’t a rental car to be found. It looked bleak. The dealer recommended a garage on the other side of town. Davis Automotive. We limped into their parking lot. We told our tale. They moved heaven and earth to help. Why?

It was nearing the end of their day. They, too, were jammed. Yet, they helped. They took the time. They made our problem theirs to solve. They took to heart my need to make it to my dad’s funeral. My need became their personal mission.

I returned to work with a new view on mission statements. They need not be lofty or abstract. In fact, they should be visceral. Tangible. Everyday. Support other people in doing what they need to do. Why? Because they need it. Just like I need it. Or you need it. These good mechanics fix cars. That is their “what.” Their “why”: help people get where they need to go. Help people do what they need to do.

Help people.

It’s how interconnection works. My mission is, in a real way, to make your path easier just as your mission is to make my path easier. I need mechanics because I do not have that mind or skill set. They need software designers because cars are computers and they can no longer diagnose problems without them. I am an artist, a teller-of-stories. Mechanics and software designers need my mind and skill set to remind them that, beyond their role, their mission, their job, they are human beings living a universal story. Nothing they do will matter, nothing I do will matter – ever – if it is not in service to the support of others’ growth, or need, or desire or fulfillment. I cannot be fulfilled if my work does not support you. And vice versa.

So, why are these good men and women, these software engineers and entrepreneurs creating their software? They see a real need. They see people struggling. And, like good mechanics who encounter a brokenhearted son en route to his dad’s funeral in a truck that will not run, they know exactly what to do. And, they know why.

read Kerri’s blog post about SERVICE

Answer The Call [on Merely A Thought Monday]

I have an old iPhone. Sometimes it doesn’t ring when people try to call. The sound of the message coming into my inbox is the first clue that someone is trying to reach me. Yesterday, when I heard the alert, I was unloading stone from the car so I didn’t check it right away. I wish I had. It was my dad.

His message was 12 seconds long and most of it was confusion and labored breathing. He is famous for removing his oxygen when no one is around and, in his advancing dementia, he will sometimes accidentally dial my number when he is lost in the story-in-his-mind. I treasure these brief touches, these calls, when I hear the phone and answer. We talk. He’ll stay on the phone and, even when he is panicked, he shares his story. My goal always is to convince him to go to the door and tell someone that he needs help with his oxygen. No one can help him with his story.

I tried twice to return his call but he did not pick up.

The theme of this season is life-cycle. We’ve enjoyed the peonies bud-to-blossom-to-fade. Each step of the process has been gorgeous. In the lingering season of pandemic we are, like many people in the nation, paying attention to our backyard. We’re making it our sanctuary and have already spent many an evening sitting on the deck, the mourning dove singing to us from the trees.

We had the opportunity to visit a local college. It is a new campus. It’s the old newspaper building, transformed. This quote is stenciled on the wall: Your life has purpose. Your story is important. Your dreams count. Your voice matters. You were born to make an impact. It’s a good message for anyone but particularly students trying to find their way into the world. People at the beginning of their story.

It’s also a good message for people at the end of their story, making their way out of the world, though it is not the same as a statement of reflection as one of aspiration. It has more punch.

Were I a teacher at this college, I would tell my students, new buds on the peony, not to worry so much about mattering. Assume it to be true.

I would teach them that they might spend their whole lives trying to make a mark and none of it will matter so much as answering the phone. Your voice will matter. You will have an impact.

No story that you tell will be more important than the story you concoct to get Columbus out of his chair, to shuffle to the door of his room, so he can say to someone, anyone, “Will you help me to breathe.”

read Kerri’s blog post about LIFE PURPOSE

Feed The Purpose [on DR Thursday]

helping hands

The ends of canvas roles. What to do with the odd strip, the random slice of remains? The left-overs-pieces. I dedicate them to my “narrative” series.

These odd little canvases were originally meant to be rough drafts. Idea-captures for the future. I imagine these paintings to be huge. They are – or have become – the paintings I will do someday. Someday.

The very first canvas was enormous. 11 feet long, maybe 4 feet wide. I have no notes. I sold it before I recorded the dimensions or took a proper photograph. I had an old oblong piece of canvas and some animator’s cell paint. I stapled the canvas to my deck in Los Angeles. I taped house-painter’s brushes to long sticks. I loved what I painted. It was free. An experiment. It became a spot on the horizon. I am walking toward it still.

Helping Hands. There have been plenty of those over my life. There are many of those now.

A few weeks ago, Norm told me about the creation of his “purpose statement.” It was a new and surprising process for him. Almost twenty years ago, Alan wrote a book about creating these statements for people. Through ancient principles, Hermetic Laws, helping people articulate/discover/uncover their “purpose.”

I smiled at Norm’s description and his personal discovery. I remember.

These days I stand solidly in the paradoxical/hypocritical opinion that no human being is simple enough to service a singular purpose. AND, every human being is singular enough to service only one simple purpose: help others. That’s it. Feed other minds. Feed other bodies. Feed other souls. It will feed your own.

Too much solar. Not enough lunar. Too many straight lines. Not enough circles. Too much surface. Not enough soul.

That’s the narrative behind Helping Hands. I opened a box in search of the only photograph I have of that first huge narrative painting. I found it buried beneath yellowing photographs of Tom, and Arnie, and Jim, and Judy, and David, and Bob, and Kathy, and Carol, and Bruce, and Roger, and Doug, and Mike, and…Helping hands all. How could I walk in anything shy of gratitude?

read Kerri’s blog post about HELPING HANDS

helping hands ©️ 2014 david robinson

Become Whole [on Two Artists Tuesday]

barney spring 2020 copy

When Barney came to live in our backyard, he’d been long forgotten in the dank dark basement boiler room. His soundboard was shot. He was headed for the junkyard when Kerri intervened and asked if Barney might come live out his days with us. It has been five years since Barney arrived in the junk man’s pick up truck. He has aged beautifully.

The first day in his new home Barney spoke when Kerri played his keys. He let go of his voice one key at a time. Within a week he was silent, no longer what he once was but not yet sure of what he was becoming.

We adorned him with flowers in pots for a few summer seasons. Certainly, he was content to support the flowers – like a crossword puzzle, it was something to do – but it never rose to the level of purpose. We realized he was doing it for us so when the third season arrived we let go our desire to give him meaning. He heaved a sigh at our revelation, and, at last, purpose-free, he enjoyed the sun for no other reason than it felt good. That season, wild geraniums grew around his baseboard and embraced him, the chipmunks used him as their hiding spot. The little critters made him laugh as they stood on his blistering lid and taunted the rowdy dog.

Initially, we tried to slow his inevitable peel, slathering him with marine oil, but his skin wrinkled and bubbled anyway. The white veneer of his keys was the first to go. We realized that Barney was becoming another kind of beautiful. He was, as Rilke wrote, living his way into the answer to all of his questions.

Jen and Brad suggested in our stay-at-home-seclusion that we exchange images of spring. I stepped onto the back deck and recorded the birds singing. And then I saw the wild geraniums were showing up and gathering around Barney. He was absolutely gorgeous in the morning light, sculptural and at peace. I’d just read something Thomas Merton wrote and it perfectly described Barney on this early spring morning: There is in all visible things…a hidden wholeness.

 

read Kerri’s blog post about BARNEY IN SPRING

 

Barney copy

 

heart rock website box copy

 

 

Have Fun [on DR Thursday]

0006a copy 2

I actually wrote and illustrated my children’s book, Play To Play, for adults, for grown-ups who’d lost the love of play in the tangled weeds of incessant competition. At the time I was facilitating workshops for people dulled by the daily grind of corporate America or the under-siege-mentality of education. When I’d scratch their paint, get beneath their veneer, they’d confess to feeling that life was passing them by. Their creative impulse was waning or worse, being snuffed. They’d forgotten how to play. They’d forgotten why to play.

I’d tell my groups that they ought to read James Carse’s book, Finite & Infinite Games. Most couldn’t be bothered. No time to read. Or, possibly, a book recommendation is a lousy response to someone who is suffocating.

In any case, I decided to condense the central idea and draw some cool pictures mainly because I like to draw cool pictures. Drawing cool pictures is one of the many ways I tend my creative flame. I thought that fewer words combined with fun pictures would be a better response to suffocation.

I wrote it. I drew it all. I put it in a folio. I stuck it on a shelf. I’d show it now and again to someone who’d ask, “What’s this?”

Inevitably, I’d ask myself, “Why didn’t you try and publish this?” Drawing the cool pictures, writing the tiny story, must have served its purpose: I took deep long breaths and laughed heartily during the process. I drew pictures to draw pictures. I had fun for no other reason than to have fun. I played to play. In the end, I suspect, this book must have been written for me.

 

read Kerri’s blog post about PLAY TO PLAY

 

drc website header copy

 

heart in island sand website box copy

 

playtoplaycopyrightsometimeinmysordidpast