ILY [David’s blog on Merely A Thought Monday]

Shapes become symbols. The alphabet is my evidence. Or the silhouette of a dove carrying an olive branch. Two equilateral triangles merged into a star, once the property of Venus and now under the stewardship of David.

Occasionally I incorporate calligraphy-like strokes in my paintings. The marks resemble the Chinese alphabet. Patrons have asked me what the symbols mean? I’ve learned to smile as if keeping a secret. They want the lines, the symbol, to have a meaning. I’ve learned not to rob them of their wanting. “What does it mean to you?” I ask. A question answered with a question.

Kerri saw this marking in a felled tree. “It’s I love you in sign language!” she exclaimed. ILY. Her family flashes the hand sign for I Love You when it’s time to depart. It’s the last thing we see as we drive down the street, turn the corner.

Lately, our world is populated with emojis. Heart, heart, heart. So many yellow faces with so many possible expressions. Symbols adding nuance to symbols. “What does this one mean,” I sometimes ask. I am a clumsy user of emojis. It’s yet a foreign language and I have been reprimanded for symbolizing the wrong thing; sending the wrong message. “But I love this whacky face!” I insist. I like using the wrinkled face, one eye open, tongue sticking out.

She rolls her eyes. I flash the I Love You sign. She rolls her eyes again only this time it is followed with a warm hug.

A hug. It’s universal. The best of all symbols.

read Kerri’s blogpost about ILY

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buymeacoffee is a symbolic offer to the creators of symbol in sound, on paper, and in other not-yet-named dimensions.

Stand In A Word [David’s blog on KS Friday]

Poets and philosophers have been trying to define beauty for eons. What is beautiful? It’s an impossible task since beauty is not a “thing.” It’s an experience, meaning that it is a relationship – so it is not possible to squeeze it into a fixed word definition. Like all rivers and relationships, beauty is fluid. The best we can do it recognize and appreciate being part of the relationship. We can approach it through language but will never capture it.

The English language is hard. It turns everything into a noun, a thing. I just wrote “being part of the relationship.” Even if I’d written, “being a participant in the relationship,” I’d still be stuck in the noun-trap. Participant (a thing) in another thing called “relationship”. It’s no wonder we have such difficulty wrapping our small-noun-minds around huge-global-relationships like climate change. Through language we can easily compartmentalize the most intimate of interrelationships; as a dedicated thing, climate, has nothing to do with me, also a thing. Two things rather than one relationship. Where’s a verb when you need it?

It’s always there. Our language prejudices us against our interconnectivity.

If Kerri and I have a cathedral, a place of worship, it is nature. Our trails. We go there to get quiet. To clear our busy minds. We go there when we have questions too big to merely solve. We go there when we are overwhelmed and need to ground ourselves. We go there to fill up on inspiration. We go there for the same reason we each go to our studios – to enter a conscious relationship with something bigger than our little selves. To experience that which cannot be defined. We go there to release the noun-mind, the problem-solver, and enter the relationship with beauty. To stand in another word that, like beauty, is a flowing river, impossible to contain: possibility.

Always With Us/As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about CATHEDRALS

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Forget It! [David’s blog on saturday morning smack-dab]

Words have become like socks in a dryer. With no reasonable explanation they simply disappear into space. Two socks go in. One sock comes out.

We’ve turned our word loss into a game. “ARGH! I CAN’T THINK OF THE WORD!” she says. “IT BEGINS WITH A THE LETTER C.” And so we commence a hearty round of word-hide-and-seek. And, inevitably, invariably, the lost word does not begin with C but is hiding behind any other of the 25 available letters in the alphabet. We know the game is over when the word jumps out of hiding and we declare, “YES! THAT’S IT!” followed by, “Wait. That doesn’t begin with C…”

The good news? I can’t remember it. But I know it’s here somewhere and begins with the letter “G”.

Read Kerri’s blog about LOST WORDS

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buymeacoffee is the secret potion capable of keeping our vocabulary intact.

Babble [David’s blog on KS Friday]

This could be a Jackson Pollack splash painting or an x-ray of arteries, veins and capillaries. A winter sun attempting to reach through the cover of clouds and trees.

If I believe the forecast, as hard as it tries, the winter sun will not reach us today.

I’m paying attention to language a bit more than usual. Looking up through the veins and arteries of the tree, I ask myself: What could it be? What could be? What is “it”? I shiver and am reminded of a quote I used in my book. It is appropriate for our times:

“One must be leery of words because words turn into cages.” ~ Viola Spolin

Language Matters. A double entendre. One of my favorite. It’s right up there with my favorite double entendre title of a book: The End of Education. Classic Neil Postman.

The question is, in our day-and-age, amidst the torrent of words and the easy belief-systems that words construct, how to stay out of the cage?

It’s a question with roots back to The Tower of Babel. A human race united by a single language builds a tower that reaches into the heavens. It is a threat to Yahweh. To protect his status, he confounds their speech and scatters them around the world. Language is the barrier against unity.

A bramble of branches to a Pollock painting to the inner working of life-blood to a weather report and landing at last in the Tower. An epic journey in just a few words, reaching through metaphor and pattern.

Language can be a cage. It can also set us free. Language Matters. A double entendre.

Nurture Me/Released From the Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about WINTER SUN

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Listen To The Sing-Song [David’s blog on Merely A Thought Monday]

The sound, rhythm and pattern of language. Listen to the sing-song of a mother talking to her infant child. Exaggerated prosody. Love carried through time and space on a warm carpet of sweetly over-elaborated sound waves. The words carry less meaning than the prosody. The shape of the sound, exaggerated to invoke a giggle. A bright face. A smile.

In our house, the exaggerated prosody is reserved for Dogga. “It’s time for sleepy-night-night!” Kerri sings to a tired-faced-Dogga. There is a distinct rhythm to “sleepy-night-night” that has become a comforting ritual chant. Our day would not be complete without it. He wags his tail and lopes toward the bedroom. Or, “We’re going to the living room!” she says in response to his constant anticipation of our next move. The words “living room” elongated and embued with excitement. He dashes to beat us there and, in my mind, to convince us that he’s been waiting all along.

When Unka John arrives, his ritual Dogga sing-song goes like this: “Hey! Hey! Give me that bone!” The game is explicit, the sound of the words as exacting as a line from Sondheim. After Unka John pretends to eat Dogga’s bone and returns it to the awaiting Dogga mouth, signaling the end of the arrival game, he chants two consecutive times, “Do you want a treat!” with the hard accent and lift on the word “treat.” It sets-off a full body wag and race to the treat jar. “Gentle! Gentle!” is the incantation that signals Dogga to sit and tenderly accept the treat. Of course, the whole sequence of Unka-John love-fest is ignited when we say to Dogga, “Guess who’s coming?” in a melodic line that we know will provoke a bouncing-dog-rush to the front door as we await the imminent arrival.

The meaning is not carried in the words, rather, it’s in the poetry of the tones. The generosity of the sound.

It’s the poetry of everyday life. The ritual sounds we use to shape our day, to create our comfort-home. To fill our hearts with gratitude. To clearly say, “I love you” in sound and tone when our words are merely, “Do you want some lunch?”

read Kerri’s blogpost about EXAGGERATED PROSODY

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Live Your Words [David’s blog on Merely A Thought Monday]

Language is among the most powerful yet rarely acknowledged and mostly discounted forces on earth. We name our experiences, we story our lives with words. Alter a single word this way or that and the story of a lifetime takes on a completely different cast. Success. Failure. Together. Alone.

Currently we are witness to an aspiring autocrat label fellow citizens as vermin and thugs. A well-worn page from the despot playbook. Dehumanization of others is the first step in approving, priming, unleashing, and then normalizing violence. If history teaches us anything it is that language is not only capable of creating unspeakable beauty, it is also capable of unleashing unimaginable horror. This is not playground rhetoric or locker room talk. This is laying the groundwork for brutality. White. Black. Supremacy. Equality. Community. Tribe. Division. Togetherness.

Language matters (education matters).

Consider this simple phrase chalked onto a park bench: I With. This phrase struck me as particularly potent yet unappreciated. I accompany you. I am with you. I walk with you through this life. I choose to stand with you. With. I.

No word is more dynamic and intoxicating than “I”. There is no more necessary or formidable preposition than “with”. I with love? I with hate? I with unity? I with division? I with open-heart? I with closed-mind? I fear. I embrace.

The great power in language is in the words we choose to live.

read Kerri’s blogpost about I WITH

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Comprehend The Incomplete [on Merely A Thought Monday]

Three evenly spaced periods. An ellipsis, “used to indicate the omission of words or an incomplete thought.” This series of ellipses punctuated the horizon, marking the line between the dark night sky and the farm fields.

The omission of words. As I watched the horizon-ellipses twinkle, I wondered how many times I’ve omitted the words, “I love you.” Too vulnerable. Not safe. Revealing.

An incomplete thought. Not surprisingly, this brings to mind a thought about thoughts: namely, thoughts are never complete. Every thought is a running ellipsis, a water drop in a raging river. A complete thought is an oxymoron. Because we are given to writing our thoughts – trying to capture them – we are deluded into believing that the stream of babble that runs though our brains is containable or fits neatly into discrete compartments that travel in a single direction, like the boxcars of a train. This thought is connected to that thought just as this letter is connected to that letter so a chain of meaning might be assigned. Someone, somewhere, wrote that our thoughts are the mother-lode of comedy. Random. Surprising. Multi-directional. Rolling, roiling rivers. Shapeshifters.

My word of the week is “argle bargle.” It means nonsense. Motherlode of comedy. Argle-bargle-avalanche.

In the dark of night I look at the ellipses on the horizon; no one can convince me that love, like thought, is ever complete. I look higher into the night sky at the glittering light-dots that have completely ignored the rules of even-spacing and scattered themselves across infinity. Maybe that is why I sometimes omit the words, “I love you.” it’s too big to comprehend. It’s sometimes too much to contain in my one tiny heart…

read Kerri’s blogpost about ELLIPSES

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Embrace The Accident [on Two Artists Tuesday]

I am a big believer in happy accidents. Kerri didn’t intend to take this photo. A vibrant shock of red thrust into a field of green. I’m tempted to slap a title on it and enter it into a contemporary photography exhibition.

I’ve read that serendipity, an “unplanned fortunate discovery,…is a common occurrence throughout the history of product invention and scientific discovery.” It’s also a common occurrence throughout the history of art. It’s also a common occurrence throughout the history of…history. We have experiences and then we make meaning of them. Not the other way around.

I suppose we pride ourselves on our capacity “to know” so we forget that all knowledge is the result of a stumble, a discovery found at the far end of curiosity, exploration or an outright mistake. The point of a hypothesis (to borrow a term from Quinn) is to cultivate serendipity. Try it and see what happens.

I’ve been following the conversation in the tech-o-sphere about the sudden blossom of the very lucrative job “phrase engineer.” Human beings attempting through trial and error to learn how best to converse with the technology we’ve created. AI. ChatGpt. The unspoken goals are (not surprisingly) efficient and effective communication. There are now several sites with useful phrases, conversational hints, Youtubes abound with guidance for best ways to ask better questions, quickly eliciting the best result: an answer. It’s glorious and reminds me of old 3rd grade language primers or my high school foreign language class – only more enthusiastic.

I am among the millions who hope beyond hope that someone-out-there bumbles into the secret of effective communication. Perhaps if we discover how to communicate with artificial intelligence there will be a profound blowback and we will, serendipitously, discover the secret of easy communication with each other. Generosity. Empathy. Kindness. How-you-say-what-you-say matters.

“AI, tell me what you see and I will listen with an open mind and heart.” I know, I know. More pie-in-the-sky. But as a dedicated believer in happy accidents, I’m given to think that anything is possible.

read Kerri’s blogpost about RED ON GREEN

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Open The Binder [on Merely A Thought Monday]

He was referred to me because he was failing. His English teacher told me that he was impossible, that he rarely came to class and he “just wasn’t interested in writing.” At the time I was working at the “alternative school” running an independent study program. My job was “to catch the students that were falling through the cracks” or “to retrieve the students who’d already fallen.” To this day, the language kills me.

We talked. We laughed. The assignments I gave him were about fun and breathing space. After three sessions, when he trusted me not to judge him, he came to our appointment with a thick black binder. It was very old. The seams were ripping. It was a sacred object. He tapped his fingers on the cover, still deciding whether or not to share it with me. He wriggled in his chair, vulnerable.

I will always remember the moment he asked, “Can I show you something?” I felt honored. It is what I always feel when an artist comes out of hiding and shares their work with me.

He gingerly opened the binder. It was literally bursting with stories that he’d written and alive with illustrations that he’d drawn. This young man was ditching English class so he could hide in the football stadium and write stories.

I asked him to read to me. As he read, he made marks on the page. “What are you doing?” I asked.

“Making changes.”

After a few sessions I asked questions about the characters. He shared his illustrations. One day, he came to our session with a new story complete with sketches that we placed in sequence across the floor. As he read, we stepped to the next drawing. And the next. He made more marks on his pages. He made notes on his sketches.

One day I asked if I could read one of his stories to him. As he listened to me read, he began to coach my reading. “Whoa! Did I write that?” he said, grabbing the pages from my hand. And then he asked, “How can I write that in a better way?”

“I don’t know,” I smiled. “What does it mean to be better?”

read Kerri’s blogpost about BE YOU

Beg A Good Question [on Merely A Thought Monday]

She stopped, turned and went back to the truck. “What are you doing?” I asked. She pulled her camera from her purse and snapped a photo of the Sara Lee truck. She showed me the photo and slid her phone back into her purse.

“I thought this would make a good blog photo,” she said, adding, “If it wasn’t a marketing phrase it would beg a good question.”

How should goodness taste?

How should equality look?

How should community sound?

How should generosity smell?

How should love feel?

We experience the world through our senses. And then we make a story of what we sense. Senses first. Story second. It’s how the brain works. The language capacity, putting words to experience, is essentially a translation function. It does not lead, it follows. It’s why, for the most part, we choose the story we tell.

The word that strikes me the most on the bread truck photo is “should.” How should goodness taste?

How does goodness taste? To you?

How does equality look? To you?

For you, what’s the sound of thriving community?

To me, generosity smells like fresh baked bread and hot dark coffee. You?

And love? There are no words. But you know it when you feel it.

read Kerri’s blogpost about GOODNESS