Stand On Any Street Corner [on Merely A Thought Monday]

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For reasons that are beyond my pay-grade to comprehend, human beings are obsessed with seeing conflict and division. The news of the day is generally antagonistic and despair-inducing – and that is not unique to our day. Ancient temples and modern televisions alike are overrun with images of war and hostility.

One of the greatest powers a human being can achieve is the power of focus placement. ‘Seeing’ is, after all, a matter of choice.  It is not passive. In any given moment there are multiple points of focus, there are multiple stories, there are many interpretations to choose from.

Stand on any street corner and watch the world happen. Watch the overwhelming number of acts of kindness and generosity. The small moments of simple kindness and consideration. They are everywhere. People giving way, making way, helping. You will be surprised to find that the kindnesses by far outnumber the rudeness, the antagonism.

Stand on any street corner and watch where your focus goes. In the midst of a tsunami of kindness, if you are human and like all other humans, your focus will be captured by the angry guy honking his horn, the commuter shouting at the bus driver. “Such an angry world,” you think and close your eyes, despairing. Anger is so much louder than kindness.

Tell a story of discord, see a story of discord. Practice a story of discord, live a story of discord. Discord is easily leveraged. Division is easily sold. It is like selling candy to a kid. It is readily chiseled into pillars and hungrily read into teleprompters.  It is so easy to see.

Tell a story of kindness, see a story of kindness. Practice a story of kindness, live a story of kindness. Although it is more readily available it is, somehow, more difficult to see. It is less sell-able and, so, is discarded as trite. It requires choice and discernment rather than default. It requires opening your eyes and your story to what is actual, what lives beyond the thundering chorus of conflict-peddlers.

The angry shooters and tweet-happy presidents live on the far margins yet they garner the majority of the attention. Stand on any street corner and open your eyes. There is a sweeping quiet kindness that permeates the vast majority, that defines the middle ground. You can see it if you so choose.

 

read Kerri’s blog post about KINDNESS

 

 

 

 

 

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See What’s There [on Two Artists Tuesday]

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On this Two Artists Tuesday we give a nod to all the special people who are willing to help – even when it makes no sense. They are everywhere though, because they eschew drama, they remain largely unseen. They put down what they are carrying to open doors for complete strangers. Late for a meeting, they slow their pace and cross the busy intersection, an invisible shield for an elderly crosser. Sometimes, at night, they are servers at restaurants, kind and patient with everyone, even after a long day working their first job. They make soup for hungry people they’ve never met. They leave fifty dollar tips for ten dollar tabs. They step into the street to shield a dog-on-the-loose from oncoming traffic. They walk into the wind and rain to deliver packages and junk mail. They carry a snowboard out to a car to reassure a mother that her daughter’s snowboard will, indeed, fit in the back.

Kindness. Paying attention. Little acts, big ripples. It’s breathtaking. It’s everywhere.

read Kerri’s blog post about THE THINGS PEOPLE DO

 

 

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In Beauty I Walk [it’s Two Artists Tuesday]

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“I am only so beautiful as the character of my relationships, only so rich as I enrich those around me, only so alive as I enliven those I greet.” ~ Derrick Jensen

I know many many artists who do what they do for love; their motivation is intrinsic. Their work is beautiful. I don’t mean their finished pieces (although they, too, are beautiful). I’m referencing their relationship to their work. It is lively, mysterious, expansive and generous. And, in order to stay healthy, they’ve long ago abandoned the notion that they might make a living through their artwork. Some do. Most do not.

I know many many artists who no longer do what they used to love to do. In the absence of an extrinsic reward (money), they began to see their love-work as worthless. They reduced themselves to a monetary equation and found themselves lacking. Considering their love without value, their well went dry. Their muse withered.

In our confused times it is the fortunate person who understands value as something greater than dollars and cents. Love, beauty, joy, family, generosity, learning, community, surprise, mystery…all words of relationship, all valuable beyond measure. All defy easy quantification.

From studio melange on Two Artists Tuesday, a gentle reminder to look to the space between, to value the process of living, the right-now-relationships where beauty is always to be found. Walk there.

IN BEAUTY I WALK gifts and cool stuff

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read Kerri’s blog post about IN BEAUTY I WALK

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‘in beauty i walk’ image & products ©️ 2018 kerri sherwood & david robinson

KS Friday

On this KS Friday from studio melange, a moment to breathe and listen.

jacketrfthjpeg copyA few hours ago we loaded several large canvases into our car. They were from Duke Kruse’s studio. They are canvas stretched and prepared by Duke. They are blank, the canvas he never got to use before he passed. He was a gifted painter, a brilliant artist. I never met Duke,  but his son John [we call him 20] is most dear to me, a brother. 20 thought Duke would want me to have his canvas. I am moved to tears to be the recipient of this legacy.

When DeMarcus stopped painting, in the middle 90’s of his years, he gave me his brushes and his paint box. I drew all of Chicken Marsala, all of our Flawed Cartoons, all of Beaky’s books with nibs and handles that DeMarcus left for me. They are my treasures and make each image, each drawing that much more special.

Somehow I was fortunate enough to be the recipient of Tom’s story, the carrier of his legacy. Every day of my life I recognize in my bones that I carry a bit of Quinn’s vast wisdom in my marrow, his generous gift to me.

I am rich in Legacy. This sparkling river, this quietly moving piece from Kerri’s first album, always carries me directly to thoughts of my mentors and friends, to a sunset from the porch on the ranch, a room lined with books, yellow pads and red felt-tip pens, a studio with just a hint of turpentine and mineral spirits in the air.

LEGACY from the album RELEASED FROM THE HEART (track 12) iTunes

LEGACY from RELEASED FROM THE HEART (track 12) CDBaby

PURCHASE THE PHYSICAL CD: RELEASED FROM THE HEART

NEW! KS DESIGNS on society6.com

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Vintage tyoe LEGGINGS copy

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read Kerri’s thoughts on Legacy

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LEGACY from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

Chicken Marsala Monday

A Chicken Nugget from the melange to help you start the week

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I appreciate the Chicken Nuggets – especially today’s – because I know the back story.  Without knowing where these drawings with words came from or why we took the time to develop them, they could be tossed off as so much fluff. A nice sentiment. But.

What is it to stand in another person’s shoes? To understand the feelings of another? An other. Not me. Nice sentiments are rarely easy when put into practice.

There is a direction in Empathy. It is a reach toward an other. To reach out. To reach across a boundary, seen or unseen.  To try. The direction is important to grock. ‘To understand’ is a fundamentally different thing, a radically different direction and intention than ‘trying to be understood.’ It suggests an openness to possibility, a willingness to consider. A shedding of the armor. It unlocks the magic of “what if….”

There is a big drum banging the opposite narrative – closed doors, closed ears, closed eyes. It is easy to believe that we-the-people are incapable of listening, that we are unwilling to consider and are only adept at shouting each other down. Putting each other down. Closing off. Closing down. But.

Take a walk today. Count the moments of generosity that you see. Count the times that others reach. Count the times that you reach. You might be surprised how different your actual experience is from the prevailing narrative. Human beings are, for lack of a better analogy, a pack animal. We run together. We die when we close-off. We wither when we turn in. No human being, if we are honest with each other, knows who they are absent of relationship with others. We know each other together. Reaching is what we most naturally do. We reach when we see others hurting.  We open doors. We run into burning buildings, not for ourselves, but for the sake of others. It is infinitely more common to reach than to withdraw. Fear may demand a narrative of opposition, of irreconcilable difference, of standing alone in singularly righteous shoes. But, to believe it, you’ll have to close your eyes. You’ll have to disappear in the corridors of your busy, busy mind.

Today, do what is most natural. Open your eyes. Reach out. See what they see.

TRY TO SEE WHAT THEY SEE merchandise like gift cards, wall art, apparel,…

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read Kerri’s thoughts on Try To See What They See

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try to see what they see ©️ 2016 david robinson & kerri sherwood

 

 

Attempt What Is Not Certain

Revelry

A painting from the archives. This one goes way back…

“Attempt what is not certain. Certainty may or may not come later. It may then be a valuable delusion.” Richard Diebenkorn, Notes To Myself On Beginning A Painting

Yesterday we went to Linda and Jim’s house to do some Irish dancing. They are terrific and dedicated dancers – with a dance floor in their basement – and thought it would be fun to teach their pals a waltz cotillon. It was, as they suspected, a riot of laughter, wrong-direction, toe-stepping and left-footed-entanglements. We drank wine, ate snacks, and found ourselves boldly waltz-stepping into the great unknown. 20 called it “an afternoon of happy insanity.”

All my life I’ve been fascinated at what happens to (and for) people when they open themselves to new experiences. Generosity rises. When people allow themselves to step outside of their safe-place, challenge their need to control and open to the new, they come alive. I mean that literally. They come into the present moment, out of their obsession with replaying the past and fearing/manipulating the future, and into the place where life actually happens. Now. It is the artist’s job to open the door to the place where life happens. It is the door Linda and Jim opened for us yesterday.

Krishnamurti wrote, “Have you ever noticed that when you respond to something totally, with all your heart, there is very little memory?” Horatio and I have an ongoing conversation about art and artistry. Lately, we’ve been discussing how completely we disappear when working on a canvas. Hours go by and it feels like minutes. And, more to the point, we don’t disappear, we become present. We show up. We experience the fullness of life at the burning point. Time, that grand master of illusion, disappears.

After our dancing, standing in the kitchen with a glass of wine, I heard, “Where did the time go?” We were revitalized and giddy, compatriots and survivors of a journey into the surprises of the unknown. I smiled when there rose a rowdy chorus of, “When can we do it again?” Life had burst through – as it wants to do – and left its charge.

See Your Angels

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Products with this and other images available at society6.com

One of my favorite rituals is the reading-of-the-calendar on the last day of the year. It is no ordinary peruse through an ordinary calendar. Kerri, every day, writes in her calendar the events, the important calls, the amazing sightings, the simple and the profound moments. The day we first spotted the owl, the ice circles in the harbor, the generosity of the clerk at the store; they find a spot in the calendar. The tough stuff is in there, too. It is a habit she picked up from her mother. Calendar-as-diary. With a hot cup of coffee and nothing but time, we read through and talk about the days of our life.

It is probably not surprising that our most common exclamation is, “I’d forgotten about that!” I’m always amazed at how many of the years happenings are lost in the stream of time. The review not only helps me remember but also refreshes my appreciation for all that we navigated, discovered, survived and created in a mere 365 days.

At our gathering that night I laughed when Mary Kay told us that she dislikes New Year’s Eve because it always makes her feel as if she hasn’t done enough. I recognized Mary Kay’s disdain because earlier in the day I’d levied the same judgment against myself. The ritual reading of the calendar put my self-judgment to rest. After reviewing all that we’d done in a year, Kerri looked at me (tired of hearing my endless self-criticism) and asked, “Now, doesn’t that give you a greater respect for what we’ve done?” Yes. It did.

Although we didn’t say it this way, we told Mary Kay and Russ, Linda and Jim, John and Michele that they had made it into the calendar. This year was tough for us and when I was ill, when things were going badly, they brought us food, they offered to carry some of our load, they showed up to shovel our walks. So, rather than thinking of the year as bad, in our ritual we read about year of generosities extended to us.

Mary Kay said, “But that was nothing.” Kerri responded, “That was everything! It changed our world.” We were reminded in our ritual that the world is changed for the better everyday, not by the grand gesture, but by the small things, the passing kindnesses. From the point of view of the doer, they are often too tiny to remember. From the standpoint of the receiver, they are monumental. Opening a door can change someone’s day. And who knows how far a kindness-ripple will travel?

From the archive: 'Angels At The Well.'

From the archive: ‘Angels At The Well.’ This painting is available at zatista.com

Fun products featuring details of my artwork are available at society6.com.

 

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