Deal In Imagination [David’s blog on Not So Flawed Wednesday]

“The imagination is not a state: it is the human existence itself.” ~ William Blake

I think a lot about artists that were influential but financially unsuccessful. The list is much longer than you might imagine. Most artists fit into that category. William Blake shook the cultural foundations but died a pauper. Mozart. Van Gogh. Artists that are successful according to our recognized standard are the exception and not the rule. Thankfully, there is an imperative that reaches deeper than money. A need to create. A need to come together. There is a resonance that we recognize with the currency of genuine appreciation.

Occasionally I revisit a book by Wayne Muller, How Then Shall We Live. It’s about giving meaning to life, bringing purpose to it as opposed to finding purpose in it. Although Wayne Muller might not recognize it, his book is about imagination. Imagination is what we bring to life (yes, a double entendre). Imagination is where we create our purpose. We imagine ourselves whole.

Wander your neighborhood for an hour and comprehend the truth that everything you see sprang from someone’s imagination. The plumbing and electrics, the structures and finishes; someone, somewhere, imagined it before it came into three dimensions. Form and function chasing each other. Someone imagined how to make life easier or prettier or more secure. We are a rolling anthill of roiling imagination. We might think our imagination is self-serving but even the most dedicated expressionist needs an audience to fulfill their purpose. No one throws paint on a canvas or dances on a stage without imagining the witness of others. The moving of spirits to join together. No one builds a road so they alone can drive on it.

Look around. Imagination is abundant. The paper napkins are designed. The silverware is crafted. In our old house, the wood floors were laid by someone who cared about their work; caring is a function of imagination.

So is remembrance; my wild imagination loves to toy with the past: this is how I remember it! This is how I’d like to remember it.

When I am lost and afraid, like you, I imagine myself warm at home. It keeps we walking.

Artists deal in imagination and, so, are stewards of a special kind of riches: the power to bring even the most lost heart back to itself, the power to bring a room full of dedicated strangers into a single shared story.

read Kerri’s blogpost about FLOWERS

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After All [David’s blog on KS Friday]

“Food is the most primitive form of comfort.” ~ Sheilah Graham Westbrook

In anyone’s book, our circumstances at present are extreme. And so, we cook.

My role in the kitchen is sous chef and clean-up. Kerri is the master chef though she is generous and does not require me to address her as “Yes, Chef!” Dogga is the third member of our team. He is an enthusiastic taste-tester and also serves the role of floor clean-up. We are a good team. The simple action of cooking together is large part of our recipe for cooking-up-comfort. We love it.

The actual food that we cook is, of course, a huge part of the comfort infusion. We range from chicken soup to Kerri’s pasta sauce. Lately, we’ve been making grilled cheese sandwiches and, I’ve noticed, recipes that require mashed potatoes. Truthfully, we could probably strip everything else off the plate but the mashed potatoes are the essential. They are the epicenter of comfort. We have in the past made mashed potatoes all-by-themselves and feasted on an intentional mainline of food-cheer.

My theory of comfort food is paradoxical (and obvious). Comfort food takes you back in time. Kerri’s mom made comfort-mashed-potatoes so they are a direct connection to Beaky. Comfort food also drops you into the present moment. The delicious fulfillment of warm expectation. There’s nothing like taste and smell – a happy dance of two senses – to pull everything into the right-here-and-now. And in this moment, wrapped in a yummy warm blanket of tasty comfort, all is well. At least for now. And, in the end, it makes us realize that this bite, this moment, is all that we have. Things are not so bad after all.

right now/right now © 2010 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about MASHED POTATOES

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Tend The Daisy Magic [on Not So Flawed Wednesday]

The simple daisy is central to our relationship mythology. She held a daisy the first day I met her at the airport. A few weeks later I flew in a second time to test whether or not I’d merely imagined the power of our first meeting – and she met me with an armload of daisies. She carried daisies the day we were married. On special days we opt for daisies over roses every time [note: daisies are nigh-on impossible to find in February. The only time I sent Kerri roses for Valentines Day they arrived exploded; naked stems in a pile of rose petals. No doubt a message from Daisy].

Each year on the trail we await the arrival of the first daisy. “LookIt!!!” Kerri sings, “It’s here!” Simple joys. Simple celebrations that touch back to our root-story. I delight that we attend to and nurture these source connections. With intention we keep them open and vibrant. It is how we “story” our life, translating moments like the first daisy sighting as an affirmation or our togetherness. A powerful meta-story: Mother Nature says to us, “This is good.”

The other day, walking through Costco, we passed the flower cooler. Kerri was having a-very-bad-no-good-day. Hot steam was swirling above her head. Small children sensed the coming cauldron and scurried from the aisle. I ducked into the flower-fridge hoping to find a bundle of daisies in the hope that they might help her find more peaceful thoughts. There were none but to her puzzled look I said, “I wanted to give you some daisies.”

The impact was immediate. Daisy-calm washed over her, squelching her inner fire. She smiled. Our root story rushed in, a restorative perspective that released her monster-mind-madness. It is the power of a well-tended root story. Peace of mind in the midst of a storm. Mother Nature reached through Costco’s concrete floor, wrapping us in daisy-magic, reaffirming, “This is good.”

read Kerri’s blogpost about DAISIES

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Keep The Connection [on DR Thursday]

A Haiku: Sun bathes the hilltop/Green grass, stones etched, dates with names/Here, we meet again.

Carvings in stone. I’ve read that among the first evidence of human-made-art is associated with funerary rituals. Send the soul on their journey with the proper talismans. There are petroglyphs, too. Scratches in stone. A message? A journal? A reach to the “beyond”? A handprint on the wall of a cave.

The earliest Greek theatre was a religious ceremony. A portal for the gods to come through and speak. Can you imagine the role and responsibility of the playwright?

I watched a Rangda ritual in Bali that shook my world. Priests with knives ran at the Rangda, stabbing and stabbing. The knives bent, the Rangda taunted. One of the priests fell into a trance and began channeling a voice from beyond. The entire community leapt to surround the priest and hear the ancestor’s message. As introduction to the ritual, the only English speaker in the village told us something akin to: “What we have of value to share is our art.”

Can you imagine? An entire community that held their art and artists as sacred. Valuable. As the means to connect to their ancestors. It was so profoundly moving that I couldn’t sleep that night. What I had known and experienced personally was, in this place, alive in the public heart. I mourned the art-poverty of my nation and community. We tape bananas to the wall and lose ourselves in a made-up-maze of the conceptual.

I was taken aback in the pioneer cemetery. Most of the headstones were homemade, a red-brown sandy-cement with shells or rocks pressed in; a name scratched in the surface with a stick. Families doing their best not to lose their kin. Moving forward in time, we found a few stones made of marble and decorated by a stone carver. More substantial, perhaps, but the purpose remained the same. Keeping connected to what has come and gone. Attending to the ancestors. The story of us etched in stone.

shaman. 36x48IN. Oil on canvas. nfs.

read Kerri’s blogpost about THE CARVING

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Make A Unique Mark [on Not So Flawed Wednesday]

Take a moment and write your name on a piece of paper. Your name, captured in lines made by your hand. No other hand in the universe will make those lines in exactly the same way. No other hand will have the connection to the scribbled name quite like you do. It’s yours. It’s you, expressing your unique signature, done so often as to be unconscious. Do you remember the first time you made those lines?

Expression. That connects. You.

My parents kept a box for me. It has samples of my first quaky lines. It has crayon drawings, scribbles that had yet to meet the notion of containment. No knowledge of should.

I have many, many times been asked to make a case for the arts. Make a case. Amidst the assumption of no-value. I ask the people sitting behind the big table if they have children or grandchildren. I ask them if they ever giggled with pleasure to watch their child smoosh paint with their fingers. Why? Did they tape the smoosh-mess to their refrigerator? Why? Did they store the first scribbles, the first crayon drawing, the first finger painting in a box? Why? Are they hoping that their someday-or-now-adult children will remember their march to unique expression? What price would they, sitting behind the big table, place on those little hands making prints on paper? What is the value of the infinity that those little hands find?

The freedom of expression. Yet unhindered by a life-message that your unique and personal expression must achieve some-thing. What is the value of finding that freedom again, as an adult? Expression sans hinder. No fences. No expectation. What is available when adult fingers are free-like-a-child to wildly smoosh through paint or sing with abandon? What is the value of expression?

I remember the first time I sat in the audience of a theatre and sucked back my sobs. I was so deeply moved by the performance yet aghast at how freely (and loudly) I was about to express my feelings.

I remember the day the woman came into the gallery, saw my painting, and stood before it as if slapped. She cried. And cried. And cried. I cried seeing her see me-in-my-painting.

Have you ever stood on a mountaintop and felt a part of something bigger? Have you ever closed your eyes and let the aria wash over you? Have you ever, driving to somewhere, turned up the volume and sang loud and passionately, the song stirring your soul? Have you ever watched a child play with abandon and feel with utter certainty life stretching beyond your time-on-earth?

Have you ever not given voice to your questions? Silenced your thoughts? Withheld your voice? What would you give, in those moments, to understand the power of playing the fool? The necessity of not-needing to-know-the-right-answer? What would you give to know the courage of taking a step simply because your footprint, your unique print, might help someone, someday, do as you are doing, take a new path that will guide them back to themselves? Back home? What would you give to smoosh your hands with abandon through the metaphoric paint?

What exactly is the value of making the unique mark on the page? Yours? Or the song played that lifts you out of your despair and fills your heart with light and hope?

read Kerri’s blogpost about ART

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Locate The Center [on Two Artists Tuesday]

“The very center of your heart is where life begins. The most beautiful place on earth.” ~ Rumi

What, exactly, is the heart of the matter?

If you listen, what does your heart tell you?

What does it mean to “Follow your heart”?

Heart land? Heart song?

This weekend the question was asked, “Do you think there is an absolute truth?” I amused myself thinking of the oxymoron in the terms ‘absolute’ and ‘truth’. I am almost certain – but not absolute – that the question was really about the location of the center of heart. Is there a heart center? Where is the center of the universe? Here. And everywhere else.

Kerri pitched the small piece of chain onto the counter, saying, “This goes in the special box.” It landed in the shape of a heart.

“Hi, Pa!” I thought, and we laughed.

We wear pull chain as bracelets around our left wrists; the original pieces came from her father’s workbench. They are connective tissue to him and to each other. Heart chain. They periodically break so we are many generations from the original. The current chain is symbolic. This heart-piece was from my most recent chain break.

“What are the odds?” she asked.

Yes, indeed. What are the odds that a piece of pull-chain could so quickly bring us to the heart of the matter?

read Kerri’s blogpost about HEART

Reconnect [on Merely A Thought Monday]

“We are healing our souls by reconnecting to our ancestors.” Nainoa Thompson (quote from The Wayfinders by Wade Davis)

There is a house I sometimes visit in dreams. It is a mountain house and, in the dream, it belongs to my Grandma Sue. I’m always comforted when I go there.

I have some of Casey’s tools and some of Bob’s. I think of them every time I use the wrench or the screwdriver. Both were good mechanics, handy, so I imagine their tools imbue me with some of their wisdom when I attempt to fix what’s broken around the house.

I gingerly page through the handmade book where DeMarcus made his notes about color. The pencil marks are fading but his enthusiasm reaches from the page and rejuvenates me. Inspires me.

A few days ago I happened upon my Lost Boy session recordings with Tom. His bass voice reached through my computer, telling me a story I now know so well. It warmed me.

In my studio, on top of DeMarcus’ wooden paint box, is a nutcracker that Grandpa Chan kept by his pool table. It’s the only thing I wanted when he passed. Something he touched. I hold it sometimes when I stare at works-in-progress. I feel him there.

I wear a chain around my left wrist. Kerri wears one, too. It is pull chain. The current version is a replacement of the original that we took from Pa’s workbench. I never met him but I feel connected to him. Kerri tells me stories of her dad. “How do you like them apples?” One of his phrases.

I imagine he and my dad are on the other side of the veil drinking scotch together. That drink warms me, too.

read Kerri’s blogpost about THEM APPLES

Connect [on Merely A Thought Monday]

When I think of Sam I am flooded with fond memories of a man dedicated to bringing people together around heaps of fine food. Thanksgiving with friends. Apple crush. A “bad art” party that was a thin veneer for assembling those he loved around a table of abundance. Sam envisioned himself as a connector of people, both to others and to deeper connections within. Two paths to the same destination.

Yesterday on the trail we talked about what was and what is. The pandemic years have proven to be a hot crucible for change. Life passages. There is a hard line: before and after. When I first moved to Wisconsin, Kerri and I hosted large gatherings almost every week. Ukulele band. Slow dance party. Cantata Frittata Regatta. Bringing people together. We held five progressively larger dinner parties on the week before our wedding. There was always boisterous conversation, plenty of food and wine. Now, we are delighted each week when 20 comes over to share a meal. We laugh. We spin tales. We enjoy quiet and simplicity. Intimate conversations.

As Sam knew, food and stories are both connection creators. Together, they are an unbeatable team, the pulsing heart of breaking bread. And, he knew as we do, that connection is not an achievement or arrival platform. It is like a good fire and must be tended, fed. Both between others and within the self.

When the sun sets on these cool fall evenings, we bring dinner outside and eat beside a fire. Dogga finds a comfortable place to rest. The pond gurgles. Each night I am overwhelmed with waves and waves of gratitude. We coo over the meal we’ve made. Our conversation is made quiet by the fire. Reflective. We savor the passing moment, no thought of stopping time. All in. Connected.

read Kerri’s blogpost about EAT

Make [on Two Artists Tuesday]

“The origami crane has become a symbol of peace.”

Fold 1,000 cranes and your heart’s desire will come true. Legend will have it so. In Japan, the crane is a symbol of good luck and long life.

Making something into something else. Folding paper into cranes. It is, perhaps, the quality that defines us, makes us human. We turn the flow of water into the force driving the mill. We study patterns in stars and translate it into navigation. We smelt ore and hammer the elements again at the forge to make iron. We use the iron to make trains.

We make.

We look at flowers and see cranes. We look at clouds and see wild horses. We look at blank canvas and see possibility.

We make stories.

Our storymaking cuts both ways. We look at others and see friends; we look at others and see enemies. Either way, our looking is not passive. We make stories. We make connections. We make divisions.

We make wishes. Fold 1,000 cranes and your heart’s desire will come true.

Reach your hand to help. Slap a hand away. Either way, it depends on what story you see. What you want to make.

The story we create.

Folded paper. A symbol of peace.

read Kerri’s blogpost about CRANES

Say “Good Morning” [on DR Thursday]

My dad always kept a garden. He grew up in a farm community. I watched as he attended to his fruits and vegetables and it seemed innate, second nature. Without thought, he knew what to do. His garden knowledge did not find its way to me so I am grateful that Kerri’s thumb is green. Her potting bench is alive with tomatoes and basil.

This is the first summer of my life without my dad and I am finding in the tomatoes a deep sense of reassurance. Connectivity to my dad that transcends time. He loved his garden as Kerri loves hers. In her garden, he stands.

Kerri’s mom and dad watched birds and cardinals were special to them. In the past few years, cardinals have taken up residence in our neighborhood. Brilliant red, salmon, antique pink…Gorgeous. When one stops to visit, I say, “Beaky’s saying ‘hello.'”

I suspect connectivity is what we experience when we slow down. It’s hard not to realize how deeply interconnected we are when stopping all motion to watch the sunset. It’s impossible not to realize how small and passing we are when taking the time to gaze through a telescope at the night sky.

I am taken by surprise by the tomatoes, though I should have seen it coming. I love that each day, I take a break and go to Kerri’s bench. I stop all motion, feel the sun, look for the new growth, and whisper, “Good morning, Columbus.”

read Kerri’s blogpost about NEW GROWTH