Reconcile The Paradox [on saturday morning smack-dab.]

There is no greater paradox. I’ve never met a greater homebody than Kerri. Every object in our house has a meaningful story. A memory. She wraps herself in home like a comfy warm blanket.

I’ve also never met a greater roadtripper. She loves, as I do, being on the road. Traveling to and spending time in new places. Collecting more meaningful experiences and stories. There is always a rock or significant piece of wood to bring home. A cup. A cloth napkin. The daily stuff she touches, so, when home, she will touch the place when she holds the cup.

I suspect the RV dream is an attempt to reconcile the paradox. Home on the road. This is all I know: home is wherever we are. I love living the experiences, adding to the memories, no matter where they unfold.

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Give It Perspective [on Not So Flawed Wednesday]

“Awe” is one of those complex words that contains its opposite. Wonder and dread. Astonishment and fear. Respect for the power of nature. Reverence. It’s a full-spectrum word.

Awe is what you feel standing at the ocean shore, knowing the waves will rush in long after you are gone. Water pulling at your ankles. Toes in the sand. Staring into eternity.

Awe is a perspective-giving word. It makes us both tiny-in-the-universe and fortunate-beyond-words, all in the same moment.

Once, I stood on a mountaintop in the bitter cold of dawn. The sun broke over the horizon and washed over me with a wave of warmth. Life-giving. Literally. I stopped shivering when the sun touched my bones. Filled with awe, I started to laugh and cry. Beautiful, magnificent and painful.

We stood on the deck and watched the cloud tower above us. Threatening and astonishing. She showed me the photo. “The wire makes it,” she said holding the screen so I could see it, “It gives it perspective.”

Perspective. Correct regard for the truly awesome power of nature.

read Kerri’s blogpost about TOWERING CLOUD

Watch The Dance [on Not So Flawed Wednesday]

It was once a guilty pleasure. After a snowfall, through newly plowed streets, I’d tie on my red Nike shoes and go for a long, long run. In Colorado, the sun and the cold air play well together. Atmospheric sweet and sour. Run toward the sun in the snow quiet. Sensual pleasure. I’ve never felt more alive than during those treasured runs.

Our yard is a miracle of shadow-play after the snowfall. Between the trees and the tall grasses that grow along the property line, the cool blue sways and dances across the ice-white canvas, a visual conversation between limb and wind. It can be mesmerizing. Sometimes it reminds me of Wayan Kulit, the shadow puppets of the Balinese. An epic tale told on the screen of our front yard. The lesson of Wayan Kulit: we are not substance, not really. Rather, we are passing shadows projecting our story onto the canvas of our minds.

The mailwoman told me that she adored bringing our mail during the winter afternoons. “The light on the grasses,” she said, “they knock me out.” We wait until spring to cut back the grasses for exactly that reason. The pink, orange and purple light of a late winter afternoon makes the grasses luminous. And the shadows they cast! A gentle blue waving, aloha! Greeting or parting? Longing or fulfillment? I’m never sure.

Sylvia Plath wrote in The Bell Jar, “I thought the most beautiful thing in the world must be shadow.” Staring out our front window watching the dance, the frigid air and sun at play together, I think she was right. What could possibly be more heartbreakingly beautiful?

Sing Red! [on Not So Flawed Wednesday]

We were awake much of the night so we ate bananas and talked. Our conversation rambled over miles and covered acres of territory. In the wee-hours, Kerri explained to me the compositional elements of a symphony, the placement of a solo in a piece, and the foundational support offered by the other instruments. In other words, it takes a village to raise a solo.

There’s a famous story of Leonardo Da Vinci, paintbrush in hand, staring all day at his mural-in-progress. Finally, after hours of staring, he approached the wall and added to his composition a single brushstroke. If you are a painter you understand that the story is not about the single brushstroke but where it was placed. Color lives or dies relative to other color. Leonardo spent his day assessing relationships.

We are new gardeners. It may seem silly to expert growers, those who’ve been around the farm a time or two, that through the fall, we jumped out of bed every morning, ran to the kitchen, to see our cherry tomatoes. When we pulled the plants at the frost, the vines were laden with green tomatoes. Not to worry, Kerri told me; put the little green orbs together in a sack (ours landed in Tupperware and never left because we delighted in watching them) and they will make the journey to red. They’d help each other to ripen. And so it was. Each day the palette changed until, one day, the entire tomato choir sang red. I am filled with wonder.

It is a cliche’ that every great journey begins with a single step. A single step and lots of encouragement. A single step and a team of support. Explorers need financing. Too often we place the accent on the single player and ignore the symphony. We get a big kick out of the crowds of individuals standing in line to stand atop of Mt. Everest, thrusting their hands like Rocky Balboa in the very-thin-air, playing conquerer of the mountain, forgetting that a Sherpa carried their gear, set up their tent, cooked their food, set their ropes, tended their wounds, warmed their tea, hauled away their waste and sometimes carried their bodies back down when they couldn’t make the round trip.

No one walks this walk alone. Individualism is like Leonardo’s brushstroke: it only works if it furthers community, when it makes life better for all. How’s that for a paradox!

We are tomatoes, all. Green and small by ourselves. But when brought together in our little Tupperware crossroads, red, red, red, red, red!

read Kerri’s blog post about TOMATOES!

Pull The Weeds [on KS Friday]

My very first painting teacher offered me some sage advice. I was painting figures while the rest of the class worked on landscapes. Being the odd-child-out I assumed something was wrong with me. She said, “Tree painters are a dime a dozen. Someday, being the only one will seem like a gift so ignore what they are interested in and paint what is interesting to you.” Jospeh Campbell said, “Follow your bliss.” It’s the same advice that Jackie Fry gave to the boy-version of me.

I never imagined myself with a back yard. And, now that I have one, I find it a place of rest and peace. This is a confession that I’ll never admit to in the future: weeding is meditative. Each day I find myself taking a few moments to go out and yank the invaders out by the roots. No thought. No other thing to do. I simply tend the garden, knowing I am accomplishing nothing since weeds are good at growing and more will appear tomorrow. We are strange allies, they provide me with a daily meditation.

If I was as an art teacher, I’d send my students into my back yard. Nature is a masterful teacher of color. Orange and green. Highlights of yellow. Barney provides subtle blues, purples, and pinks. The orange and green of the lily pop against the purple and blue of the aging piano. Warm colors come forward. Cool colors recede. It’s all there.

I read somewhere that, as an artist, “to discover” is more potent than “to invent.” See what is there, beyond what you think is there. Everything is fluid so the discoveries are endless. While I weed the sun passes beneath a cloud. Everything changes. The sun reappears and the colors change again. Not the same. Different. I’ll never be able to capture it and that is the best held secret of an artist. Another wisdom from Jackie Fry: you will never succeed. Art is a relationship, not a transaction. So, no pressure. It is a relationship, complex and dynamic. It is not about capturing an image. It is about freeing your sight and possibly freeing the sight of others. Facilitate discovery. Play to play, to become a better player. Open a small door to peek into the vast inner universe.

It’s a paradox. It’s impossible to eradicate the weeds. That is not why I pull them. It’s impossible to capture life in an image. ‘Capturing’ is not why I paint. Relating is why I paint. I do it because I’ll never create anything more beautiful than the Tiger Lily dancing with Barney. I paint so that I might see and share in the dance.

ALWAYS WITH US on the album AS IT IS by KERRI SHERWOOD

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blog post about the TIGER LILY

always with us/as it is ©️ 2004 kerri sherwood

Shift [on Merely A Thought Monday]

shift key framed copy

Shift is not an insignificant key. In a nanosecond it can take you from lower case to upper. It can throw your backslash into question. The simple finality of a period can be pitched into a statement of worth: greater or lesser.

Doesn’t it feel like a malevolent pinky just hit the universal shift key in our world? Of this we can be sure: it’s a new sentence and there’s no going back to what we once knew as “normal.”

In spiritual circles, shift is what happens when our otherwise cloudy consciousness becomes crystal clear. In circles of learning and growth, shift is what happens to our perspective when what was previously unknown becomes readily apparent. The penny drops and we can never again not-know what we now comprehend.

Perhaps the omnipotent pinky pushing our shift key is not malevolent. Perhaps it was long past time that we took stock of the gap between our rhetoric and our actions, our professed history and the full accounting? Perhaps we needed a boost from our lower case value-set to actually approach our upper case potentials.

In the great stories, as in life, there is a paradox associated with profound shifts. They come, not through pursuit or seeking, they come when the protagonist stops looking, surrenders and stands still. The shift always comes with the realization that what is sought has been readily available all along. The belief in separation creates the necessity to seek. The commitment to division creates the necessity to fight for dominance.

Shift words like “unity” or “common” or “harmony” or “accord” or “wholeness” or “integrity” arise when the seeking and fighting and pursuing cease. They show up when we stand still, when we stop looking for them. They become options when we realize that they have been available all along.

 

read Kerri’s blog post about SHIFT

Kerri is still in the Facebook penalty box so if you enjoy reading her thoughts please consider subscribing to her blog. I do – even though I get to read what she writes before she publishes. As her greatest fan it is always a pleasure to read the before-publish AND after-publish versions.

 

 

prayerflags pastel website box copy

 

 

color & contemplation copy

an oldie but goodie: contemplation

 

contemplation ©️ 2004 david robinson

Causal Your Effectual [on DR Thursday]

KDOT Underpainting copy

under-painting of One Chord Ahead

This is my version of under painting. It’s the base layer for what-comes-next. In school, they teach that under-painting is mostly monochromatic. It’s meant to give value definition and basic shape to an-already-determined composition. For me, it serves another purpose altogether.

It is true that I already know what this painting looks like when it is finished. I have the image in my head. It is also true that I have absolutely no idea what this painting will look like when finished. There’s a magic point in the process when the painting takes over and I follow the leader. I’ve learned that the real dance of artistry is to let both of these truths be…true. Know and not know. Lead and follow.

Under painting, for me, is psychological prep work, readiness to enter the paradox. It is my process of thinking-things-through so I can stop-thinking-things-through and enter the dance without focusing on the steps.

Causal and effectual. I first encountered these phrases when I waded into the world of entrepreneurs. They are process terms. Causal basically means that you begin with a goal in mind and map your steps to meet the predetermined goal. Effectual is the inverse. Looking at the maps (choices) and available resources, the goal is identified based on what’s available; the goal is fluid and changes as you progress.

Raphael was causal. Jackson Pollock was effectual. Maybe.

I laughed when I first heard the terms. They gave me some good language to use for my creative process. Causal/Effectual. Both/And. For me, one cannot live separate from the other. Start with an image in mind or start with a canvas, some paint, and see what happens. Either way, one process will inevitably cross paths with the other. Jackson Pollock, at some point in his random painting dance, became intentional and compositional with his spatter. Raphael, at some point in his tightly predetermined composition, allowed his brush to flow, to move intuitively, freely.

Under painting = I have to make color messes and utterly stifle a composition before I can stand at the edge, jump, and set myself free.

 

read Kerri’s blog post about UNDER PAINTING

 

their palettes website box copy

 

 

unfettered ©️ 2018 david robinson

 

 

 

See The Pattern [on Not So Flawed Wednesday]

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Virgil: From what you wrote, I see that you think you have a problem. The first recognition is simple: you do not have a problem. You have a pattern. ~ David Robinson, The Seer

I’ve stared at this napkin for a long time wondering what to write. It’s not that I have nothing to say, it’s that I have too much to say. I’ve killed more than one dinner party going on and on and on about patterns.

In 2014 I published a book, The Seer. The first three chapters are about patterns of seeing, patterns of thinking. Patterns of self-story. So, rather than rewrite something that I have already written, here’s a small slice, an email conversation, from the first chapter of The Seer:

 ***

Me: I realized that I think in patterns. I think the same stuff over and over. This is a puzzle: the act of looking for patterns opened my eyes. So, patterns reveal. And yet, later, when I became aware of the patterns of my thinking, I recognized that those patterns were like ruts or grooves. It’s as if I am playing the same song over and over again so no other music can come in. My thinking pattern, my rut, prevents me from seeing. So patterns also obscure. Make sense?

Virgil: Yes. It must seem like a paradox to you. Think of the song or rut as a story that you tell yourself. Your thoughts, literally, are a story that you tell yourself about yourself and the world; the more you tell this story the deeper the rut you create. So, a good question to ask is: what is the story that you want to tell? Are you creating the pattern that you desire to create? We will return to this many times. This is important: the story is not happening to you; you are telling it. The story can only control you if you are not aware that you are telling it.

 Me: Can you say more?

 Virgil: We literally ‘story’ ourselves. We are hard-wired for story. What we think is a narrative; this pattern (song) that rolls through your mind everyday is a story that you tell. You tell it. It defines what you see and what you do not see. What you think is literally what you see.

 There was a pause. That was a lot for me to take in. When I didn’t respond, he continued:

Virgil: So, what you think is nothing more than a story; it’s an interpretation. You move through your day seeing what you think – instead of what is there. You are not seeing the world, you are seeing your interpretation of the world. You are seeing from your rut and your rut is a pattern. So, your patterns of thinking, your rut, can obscure what you see. Make sense?

 Me: Yes. I guess 😉 So, when I started looking for patterns outside of me, I…stopped seeing from within my rut? I stopped assuming that I knew what I was seeing. So, I was capable of discovering new patterns and connections?

 Virgil: Yes, something like that. You said that when you looked for patterns you slowed down and felt that you could see. I would say it this way: you stopped moving through your world and for a brief period you were actually in your world. For a brief period you were no longer lost in thought but present with what was right in front of you. You suspended what you think you know so you started to see again. You were curious. To be curious is synonymous with “not knowing.”

 Me: Okay….

 Virgil: Humor me and entertain this notion: your thought, your story, is not passive. It is a creative act. What you think IS what you see. Most of the time people create what they see based on their rut. They see what they expect to see. To practice curiosity is to suspend the assumption of knowing. To practice curiosity requires us to step out of the rut. Stop assuming that you know and you gain the capacity to see beyond what you think.

 A glimmer of light pierced the dark recesses of my mind. Suddenly I was back in front of the Sphinx and I could see the answer to the riddle. It was so clear! I typed:

Me: Wait! Is this why I need to distinguish between problems and patterns? If I tell myself that I have a problem to solve, I am telling a certain kind of story. If I tell myself that I have a pattern to change, I am telling an entirely different kind of story. Is that true?

Virgil: Yes. It sounds too simple, doesn’t it? A problem is a story. It is a lens that filters your sight. A problem does not exist unless you insist that it is there. You say that you are an entrepreneur. How many great products and services were the results of an accident in the lab? How many innovations were missed because the ‘solution’ did not fit the ‘problem’ as identified? A problem is a rut that separates you from possibilities. On the other hand, a pattern connects you to possibilities. See the pattern not the problem.

 

[go here for a fun Escher-activity about pattern to use during this time of social distancing]

 

read Kerri’s blog post about THE NAPKIN

 

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the seer ©️ 2014 david robinson

Harness The Energy [on KS Friday]

boundaries song box copy

Lately, in my new role as co-managing director of a performing arts space, I find myself repeating the same simile/metaphor over and over and over and over… (insert Kerri’s eye roll). This week, my favorite-simile-repetition goes something like this: communication is like a river, it needs proper banks if it is going to flow. Without banks, it spills out all over the place flooding basements and creating havoc.

Needless to say, our job thus far is largely about placing proper banks on this flood plain of communication. Placing proper banks, at first, creates consternation and resistance. No one likes a limit until the limit works in their favor, until the constraint makes life easier.

Boundaries. Limits. Constraints. It is what I adore about the arts: freedom of artistic expression is the result of discipline, technique, and practice. And, the heart-desire of discipline, technique and practice is unfettered play. It is a paradox. It is boundaries placed on a rushing torrent so it can flow. The harnessing of creative energy. Communication is an intentional art and art is communication with an intention.

Kerri’s BOUNDARIES is a bubbling brook, bright with the morning sun, tumbling and playful within its banks. It seems so easy, her flow. But I know the truth. This ease and flow, this call to put your feet in the brook and rest for awhile with the sun on your face, comes from the years and years of hours and hours and hours of practice. Boundaries. A riverbank, a limit that will work in your favor. It is the creative flow through a heart that desires to play and play and play.

 

BOUNDARIES on the album RIGHT NOW is available on iTunes & CDBaby

 

read Kerri’s blog post about BOUNDARIES

 

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boundaries/right now ©️ 2010 kerri sherwood

Bust Yourself [on Merely A Thought Monday]

something wrong with me box copy

As you know, I am a lover of the paradox. Among my favorite incongruities in this American culture is the hyper-celebration of the individual amidst the hyper-pressure to swim in the mainstream. To belong by standing out. To be distinct by shopping the brand stores. Within our national schizophrenia, we are, each of us, a festival of quirks, a riot of split intentions.

I laughed out loud when 20 told us his grocery store story. Standing in an aisle of hundreds of soap brands; ice-blue, blossom-pink, orange-orange, lemon-yellow, cool lilac… stacked taller than most people can reach, 20 carefully scrutinized all of the bottles. He gasped! He spotted a bottle of dish soap that seemed to have an ounce more in it! Elated, he looked left and right to make certain no other shopper had yet seen what he saw. With stealth, he reached way to the back of the shelf to snag his prize. The hunter trapped his game and wrestled it into his basket. He quickly sped from the aisle putting distance between him and other dish-soap-hunters. “There must be something wrong with me!” he exclaimed laughing at himself.

A mountain of choices, an ounce of triumph. Do you recognize it? Life lived in the paradox. It is in our national dna.

It makes for a festival of beautiful quirks. A riot of split intentions. We laugh when we bust ourselves standing in the paradox. You’ll know you are there when through your amusement you exclaim, “There must be something wrong with me.”

 

read Kerri’s blog post on SOMETHING WRONG

 

 

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