As If [David’s blog on Two Artists Tuesday]

In a festival of irony, the moment we sat down to write about our peony, our harbinger of summer sun and the return of good weather, the sky darkened, the lightning flashed, the thunder clapped, and the rain is now dropping in buckets. The weather alert screeched with a warning for hail and possible tornadoes.

I delight in how readily my superstition-gene leaps out of the murky depths of my subconscious pond and concocts fabulous explanations about current circumstance. That is, as a human-being, a maker of stories – I am quite capable of connecting the rush of the sudden storm with our attempt to write about peonies. As if our attempt to write about peonies somehow invoked the storm!

This is not surprising. It is nothing new. My ancestors – and yours – created all manner of rituals in an attempt to appease the angry thunder-hurling god. To influence the powers of dark and light. To invite good fortune. To bring rain to crops. We have always personified nature and then imagined it is responsive to our behavior. Our behests. All around the globe, in many varied and culturally diverse forms, we do it in houses of worship to this day.

It might seem that I am making fun – and I am – but more than that, I am marveling at our genuine desire to be connected to “something bigger” and yet how rarely we recognize that we already are. We are as the peony, not separate from but a part of the pulse of life. We are of nature – not separate from it. My theory is that we have a hard time recognizing it because we imagine that we can control it. We use it to explain what we experience. We use it to justify our abuses to each other. Chosen people; Manifest Destiny and all of that ugly business. The personality we project upon it is at once beatific and horrific. We wonder why it blows our house away. We thank it for our good fortune.

In truth, we do influence Mother Nature and Father Sky, just not in the magical ways we imagine. Carbon emissions. Tapping mighty rivers dry before they reach the sea. Dumping our trash in the oceans. Fracking. It turns out that our behaviors are powerful and, perhaps, our destiny is in our hands. We need not pray to the gods for intervention and salvation, perhaps we need to be the gods of intervention that we desire to be, recognize and behave as if are not above it all, giver of names, but integral, intrinsic, no more or less essential than the peony.

read Kerri’s blogpost about THE PEONY

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Belonging [David’s blog on DR Thursday]

It’s hard not to imagine the light-circles dancing on the far wall as a visitation of spirits. Ancestors or angels come to check-in, to let us know that we are not outside but within the circle of their warm embrace.

Last year Kate took us to a cemetery where many of our ancestors are buried. It was a revelation. Although right along the road, this graveyard was hard to find. It was hard to see. Yet, once inside, it opened wide; a bluff overlooking cornfields. As we walked from stone to stone, she told us what she knew of the life of each person. Of how we are connected.

I felt rooted in that place, surrounded by those lives. Like the light-circles dancing on the wall I felt inside the warm embrace. That’s a rare feeling for me.

Many years ago I had a casual conversation with a psychic. I told her that I didn’t feel as if I belonged anywhere and she laughed. “Belonging is not an issue,” she smiled but did not elaborate. Standing on that grassy knoll on a warm Iowa day, the psychic’s words came back to me. Belonging is not an issue.

Belonging is a word with both a horizontal and a vertical plane. There’s the circle that is seen. There is the circle that is felt. There is the circle of warm embrace that is today. There is the greater circle that reaches back and back and back. Those are the light-dancers, the surprise visitors who, on a sunny morning, show up for a moment or two, twinkling to remind us that all is well. We can rest easy knowing that, no matter what, we are and always will be surrounded by their love.

an oldie: Embrace, acrylic

read Kerri’s blogpost about MAGIC LIGHT

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Share and Renew [David’s blog on Merely A Thought Monday]

As additions-to-traditions go, the bauble-on-the-tree is a relatively recent inclusion. People have decorated their dwellings with pine boughs, a symbol of renewal and rebirth (of the light), for many, many centuries. Placing ornaments-on-trees only began in the 1800’s.

We decided this year – for reasons that reach beyond words – to bring out Beaky and Pa’s ornaments. We are minimalists mostly so in the decade of my Wisconsin life these ornaments have lived in a box in the basement. We look at them every year but have never – until now - hung them on a tree. They are glass and fragile so we worked slowly, placing them with care.

Having them with us this season has been more powerful than I imagined. Having them with us this morning is more meaningful than I thought possible. Family is with us. And, isn’t that, after all is said and done, the point of it all? Given family and chosen family. To feast our long line of belonging and celebrate our brief time on this earth together. To honor that we are, as Jean Houston wrote, “…the burning point of the ancestral ship.” To gather, adding to the rich bank of shared memory. We reach back in time with gratitude. We live forward through our children and their children and their children…

This morning we sit quietly, sipping our coffee, sharing stories, hanging out with Beaky and Pa, in our recognition and deep appreciation of this time of life’s Renewal.

read Kerri’s blogpost about BAUBLES

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Color It Red [David’s blog on Not So Flawed Wednesday]

Red is the color of anger. Unless it’s not. It’s also the color of Santa suits and fire trucks. It’s the color of embarrassed cheeks, burning bushes and carpet pathways for the glitterati when bubbling with the anticipation of receiving an award. Red is associated with the base chakra. It’s the lowest vibrating color-energy on the spectrum. It’s easy to see. Male cardinals want their perspective mates to see red.

Red is the color of fall. And orange. And yellow. We walk toward it on the trail. Sometimes it’s too much to comprehend.

Horatio just told me of a trip he took through Canyon de Chelly. Red Rocks. He told me that he always feels that something is “right” when he’s there. Like humans and this big universe belong together. Timeless. Ancient. Mystical. Impermanent. Not separate. Red is the color of belonging.

That’s how I felt standing before this sumac. A staghorn sumac on fire with the season. My only purpose: to appreciate. To witness. Red is the color of awe.

read Kerri’s blogpost about RED SUMAC

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Sip It [on Merely A Thought Monday]

There are deep, meaningful layers to this story-image. The first is an answer to the all-important-question, “How do we entertain ourselves at a bar?” We make fun contemporary art, of course! Or, we make fun of contemporary art. I’m not sure since the line of distinction is blurred in real life so it is more blurred at the bar, where life isn’t really real and escapism is to be expected.

Have I confused you? It’s simple really. Limit your palette to two bar napkins, two sipping straws, and the fruit remnants from a brandy old-fashioned. Arrange a composition. Snap a photo for posterity. Ask yourself and others, “What does it mean?” And, when you find yourself concocting answers to the great amusement of your friends, you might recognize that the actual art-of-the-moment is the performance of the improvisational play entitled What Does It Mean?

You’ll conclude – if you are honest – that it – your art work – has no inherent meaning – and all supposéd meaning is projected onto the image. It can mean many things or nothing at all. Just like life outside of the bar [that sneaky escapism always loops back to the real stuff!] The composition might simply be appreciated for its clever arrangement and varied texture. It might conjure up fond memories of old-fashioned’s past.

Here’s what it means to me: I could not be considered a local Wisconsinite until I had a palette of experiences, like eating cheese curds or attending a fish boil. On the tippy top of the list was to enjoy a brandy old-fashioned. More, to know whether I preferred my drink sweet or sour. This composition, the scattered remains of the drink-of-the-state, reminded me of the day I ascended to the top of the list and sipped my first ritual old-fashioned. I would anoint this piece with the worthy title BELONGING AT LAST.

read Kerri’s blogpost about POST OLD-FASHIONED

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Ask A Familiar Question [on Two Artists Tuesday]

I’ve asked this question of clients a thousand times: What’s beneath? What’s beneath the fear, the yearning, the resistance, the denial, the dream? Asking, “What’s beneath?” is one way of “getting to the heart of the matter.”

The-heart-of-the-matter is rarely visible on the surface. The engine room, the place of power and life, is usually hidden at the bottom of the ship. It makes a lot of noise and is generally deemed “not pretty.” Getting to the-heart-of-the-matter usually requires a trip to the lower decks, a willingness to take off the mask or the armor, at least for a little while.

There is a stop on the way to the-heart-of-the-matter. This stop holds two contradictory options and both are misunderstood as the heart. Option #1: To stand out. Option #2: To fit in. To be valued and to belong. Both are wildly important and provide fuel for the trip but neither is the heart, yet it is a common stopping place for most people in their search for the heart-of-the-matter.

The real work of a heart is never dependent on the opinions of others. To get to the heart, one needs to press on.

When my job fell to dust, my first action was to let go of my symphony project. That choice surprised me. A younger version of me would have held onto that performance as if it was a life buoy. A way to stay afloat. A way of knowing who I am. This version of me knows the folly in that way of thinking: my artistry is not a flotation device. It is not a separate thing.

This time, near the bottom of Maslow’s hierarchy, I find myself in a wide open space, with an abundance of love and belonging and no absence of esteem. I am at the top and bottom of the pyramid at the same time! It’s a great opportunity to ask myself an all too familiar question: What’s beneath?

In this life, what is the heart-of-the-matter?

read Kerri’s blog post about BENEATH

See Your Choices [on Merely A Thought Monday]

He began with silence. He looked them all over, one fox at a time, and his eyes looked deep into theirs. Lucy wanted to hide when his eyes came to her but instead she fell into his gaze. He seemed to be listening. Then, he made up his mind, and in a voice that was both powerful and quiet, he said, “Words are strong magic, misused they are tragic, but handled with care they bring insight and good cheer. So listen, dear friends, listen with care.” ~ Lucy & The Waterfox

“Choice” is a very powerful word. Perhaps one of the most powerful.

Lucy was a story I told many years ago at a conference of healthcare workers. Actually, it wasn’t the primary story; it was an addition. The organizers asked if I had a second story in my bag o’ tricks and I’d just written Lucy.

After the conference I illustrated and self-published it. It was the early days of self-publishing so the layout is wonky. I’ve never really liked how the book looks. I’d turn Kerri loose on it if we were bored and didn’t have other things to do. We’re not bored.

Lucy makes two choices in the story. The first is to hide her special talent. To conform. The second is to own her special talent. To take flight.

She achieves both choices through the intervention of others. The first choice was made with the help of social pressure; who doesn’t want to belong, to fit in! To conform. This choice nearly kills her. The second is made with the help of a storyteller, a role model. Who doesn’t want to fulfill their passion! Follow their bliss? This choice fills her with life.

I’d write a sequel but it’s already imbedded in the first book. What happens to Lucy when she chooses the left hand path? She becomes, as all artists do, the carrier of the story, the mythologist and mythology of the pack.

Sometimes it doesn’t feel like a choice. To hide your fire. Bend to pressure. To burn brightly. Follow an inner imperative. Yet they are choices, both.

“Lucy was a red fox who lived as other red foxes do, playing in the fields and forests. But Lucy had a secret. She could fly. Not a run-and-jump-to-this-rock kind of fly. No! She could fly like a bird…”

read Kerri’s blogpost about CHOICE

Lucy & The Waterfox © 2004 david robinson

Look Up

Eve, by David Robinson

Eve, by David Robinson

The nights have been bitter cold and clear. The cold always seems to make the stars sharp like crystals. Standing on the back deck, looking at the stars, I remembered a conversation I had years ago. I was working with students and we strayed into a discussion of human beings connection to the stars. It was cosmology in a nutshell.

Here was the gist of the conversation: something happened to human consciousness when they (we) understood that our patterns of life on earth were (are) oriented to happenings in the sky. For instance, our impulse to worship is intimately connected to the solstice and equinox: the disappearance and return of the light. Our migration habits, planting habits, daily rising-and-shining habits are relative to the movement of the sun. The tides in the ocean and the waters in our body are responsive to the pull of the moon. With the awareness, we crossed a line from chaos to order, from unconsciousness to consciousness. There was a relationship, a pattern, a belonging, a participation. There was something bigger.

During that same period in my life I also worked with a group of inner city students who had never seen the stars. It was a revelation for me. For them, there was no sense of relationship, there was no “something bigger.” There was a load of anger and existential separation.

This holiday season, I was struck by two things: 1) how many times I had conversations with people, glued to their televisions, who are frightened and feeling helpless by the happenings in the world, and 2) how many casual family photos crossed my path featuring a gathering of individuals, alone together, faces to smart phones. Everyone was looking down.

Standing on the back deck on a dark and starry night, wrapped against the cold, I wonder what some distant teacher in the future will tell his or her students about what happened to human consciousness when they (we) ceased looking up.

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Take A Look At Strider

802. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

He was formidable walking down the hill toward the waterfront. Wrapped in a grey blanket that made him look like a Jedi knight he took bold confident strides. He was a paradox: homeless and determined, aimless and intentional. People parted and opened a path for him even before they could see him. They felt him coming. He was a force.

For a moment I felt as if I was watching two worlds overlap. His grey blanket-cape swirling through a crowd of reserved business-casual wear. He was the most alive person on the street and the most fearsome. He was striding beyond the rules. He didn’t care if he was hit by a car or ran over a tourist. He didn’t care and the freedom of not caring was dangerous. I could see the message in his pace: no one cared for him so why should he care for anyone. He was experiencing the worst punishment a tribe can deliver: he was cast out. He did not belong.

I knew he had no destination because I recognized the force that drove him. He wanted his life to be different. He wanted a break, an opportunity, anything that looked like hope. And there was none in sight. He was pissed at his life choices. All he could do in this moment was walk and walk fast, hard, and determined and burn off the fury. It would either make him feel the vibrancy of his life or exhaust him and either way he would emerge from his walk in another mindset. He would find hope or fatigue and sleep. He would live another day.

As I watched him descend the hill, knowing that he would simply turn and walk right back up again only to descend one more time – a modern day Sisyphus – I also realized that the folks in business-casual were probably doing the same thing only with less awareness but with a modicum of hope. Someone cared about their actions. Someone cared that they showed up. They had a place to go. The strider did not.

Last night, I had yet another conversation about the need to create community and connectivity – this time with a maker of software. My fascination with this conversation began nearly 15 years ago in school with the ongoing ever-present conversation about creating community. I hear it in one form or another almost everyday. Here in a metro area of almost 2 million people we feel the need to create community and that can only be true because we do not experience it beyond the superficial. A community cares for the health and well being of all of its members. A community does not place the interests of the few above the values of the whole.

I have been walking since January AND I have places to go. If I do not show up at Carol’s before midnight I get a text. Judy checks in with me. Horatio and Arnie want to know how I am doing. Megan reminds me to eat and throughout the day tugs on the lifeline to see if I will tug back. I am loved. I have been meditating on this thing called home that has evaded me or that I have avoided (I don’t know which) and the strider shook my meditation like a snow globe. I think I will find home because I am determined to create it. I wonder if any of us will ever really know a greater community? The man in the cape swirled down the hill and people parted, they glanced but mostly did not give him a second look. Outcasts are ordinary. Not belonging to something bigger is an everyday occurrence. Do you feel it?

Cooperate

714. Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

During my drive from Champaign to Omaha, just after sunset, it began to snow. There was a swirling wind and in a matter of moments it was a white out. The road was mostly invisible. Cars immediately fell in line behind cars. Trucks slowed and set a careful pace. People cooperated without debate, without knowledge of the other drivers’ political affiliation, gender, race or sexual orientation. We needed each other. There was no power game or status imperative. All the silly illusions fell away. We needed each other and we did what came naturally. We cooperated.

There is a collision of two great thoughts that I appreciate. The first comes from my friend Roger, a director of plays and studier of humans; he once told me that denial was one of the strongest human impulses. The second thought comes for E.O. Wilson (I’ve rattled this off more than a few times) who said that the strongest human impulse is to belong. Combine the two thoughts and you get an amazing collision of impulses: a species called humans that need to belong to each other but deny it. This contradictory impulse makes possible The Gap or Old Navy; can you deny that you shop at a chain store to express your individuality as a way to belong? I can only imagine that the Martians are having a hey-day studying us.

And then the illusion drops, the second strongest impulse retreats and only the first remains. We need each other. We drive into a white out. The hurricane wipes our city off the map, the earthquake knocks our houses off their foundations. We pull together, put down our need to be right, and line up to help. We see our belonging. We see this thing called “”the common cause,” namely, survival.

The question, then, is obvious: do we need to wait until we’ve exhausted our fuel supply, depleted our aquifers, or warmed our globe before we suspend our denial and see this thing called “the common cause?” More and more contemporary science is finding that we have it all wrong: survival is not something achieved by the fittest; survival is a cooperative art.