Infinite Palette [David’s blog on DR Thursday]

A Green Haiku

I stare into space

Today. “Green on green,” she said.

Infinite palette.

At the very end of my life I imagine I will understand – perhaps for the first time, in my final moment – that each day was momentous. I will come to understand that every tick-on-the-tock held more import than I had capacity to conceive. To “just get through it” or to assign “good days” and “bad days” a mind-boggling misunderstanding of the opportunity-of-life.

How much of my perception is chemistry? Ventral vagus tugging-at-war with dorsal vagus for story dominance? Meaning made via neurotransmitter? Does my chemistry generally opt for connection or protection? Like most of us, I imagine myself as somehow independent of my environment, an individual, self-actualized. As it turns out, that is proof of delusion. Or human-specific-hubris. I cannot know myself without your reflection. You cannot know yourself without mine.

First we sense. And then we story. And then our stories wear paths in our mind meadow, chemical preferences.

Green on green. Not as simple as it seems. Boundless as this passing moment. Infinite.

[*special thanks to The Marginalian by Maria Popova – June 9, 2024 – for her reflections on polyvagal theory]

Surrender Now, 24″ x 24″ mixed media

read Kerri’s blogpost about GREEN

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Just Gorgeous [David’s blog on DR Thursday]

It wore a small plaque, a designated historical landmark. Even so, it’s a study of contradiction in decay. The building is a little worse for wear. Like an old skin, weathered tar shingles crack and peel from the corners. Pieces are falling off. And yet it is beautiful in its collision of textures. The weather-beaten wood carries the same green and orange as the copper hinge.

And, oh-the-hinge! Made in a time when function was an opportunity for ornamentation, now grown more beautiful with the patina and wreckage of age. It’s missing part of the pin. It’s crudely screwed into the wood, an after thought. Still, it is the first thing we noticed when we walked by the decaying structure. “Look at that hinge!” she gasped, reaching for her camera. Its imperfections make it a siren, a luring call to an aesthetic eye.

There’s a beauty that only age and imperfection can muster. Wabi-sabi; the riches of imperfection. The glory of transience. The building was happy to be noticed. It was more than patient with our photo shoot and made no attempt to hide its bumps and barnacles. “You see me!” it seemed to say, so used to people passing-by with nary a glance.

“You’re gorgeous,” she sighed, her lens focusing tightly on every intricacy, reveling in the smallest detail. “Just gorgeous!”

All My Loves (newly reworked), 24″ x 41 3/8″ mixed media on hardboard

read Kerri’s blogpost about THE HINGE

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Walk The Path [David’s blog on DR Thursday]

It’s been awhile. I’ve fallen into an art book, Ancestral Modern: Australian Aboriginal Art. I bought this book after attending the exhibit at the Seattle Art Museum. It was – and still is – one of my favorite exhibits, reaching me on many levels. I went back again and again so I might spend quality time with a few of the paintings.

The paintings of the Aboriginal artists are mythologies, though not as we think of mythologies. They are more than dusty stories. Explanatory. They are active guides on a life path. Were I Aboriginal I’d “read” them. I’d know the stories so each piece would speak personally to me. The paintings would escort me along my life-path. Mythology as my story.

This is what amazed me most: many of the pieces were as abstract as a Rothko or Frankenthaler. Vibrant lines and color. They shimmered. Dreaming. Living foundational narrative carried in energetic swirls and dots of paint.

In my experience it is not uncommon in a gallery or museum to come across someone puzzling over a painting by a master artist and hear them say, “I don’t get it.” The abstraction is a closed door. “I could do that,” I heard a man huff while staring intently at a Jackson Pollock painting. The door is not closed between the Aboriginal artist and his or her community. The mythology has not broken down. The artist is not exclusively serving an individual expression, rather, they are maintaining an ancient connection, drawing from and carrying forward the deep well of communal story. “Meet Blue-Tongued Lizard Man…” Artists paying homage. Artists serving their role as keepers of the flame.

Kerri and I talked of our artistry as we walked the paths of the John Denver Sanctuary. He was a guide-star for her and continues to influence her work. Simple lines. Music that does not rely on acrobatics or embellishment. It was poignant that we had the sanctuary to ourselves. Sometimes it is nearly impossible to know whether or not our work-in-the-world reaches anyone or serves any real value beyond satisfying our imperative to create it. And sometimes, like that day walking the path through the sanctuary, the clouds rolling over the mountain, the Roaring Fork River singing at our side, the ancestry is clear. “This is where I come from,” she said. “This is where I belong”.

read Kerri’s blogpost about THE PATH

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Do The Opposite [David’s blog on DR Thursday]

This is a simple story of wrong assumptions.

When we travel we rarely eat out. We prefer to cook. Exhaustion brought us to the decision to order a meal to take out.

We’d walked passed the Kenosha Grill in Breckenridge multiple times over our several visits. We thought it funny that the name of our home town was a prominent business on the main street of our favorite mountain town. “Someday,” we said, scoping the menu, “we’ll have to go in there.” It seemed too pricey for us. Dark and lodge-like. Not a place for us.

Exhaustion forced a path-of-least-resistance choice. We remembered The Kenosha Grill had a burger. It was a five minute walk from our lodging. We walked down the hill and into The Grill. It was nothing like I had imagined. Instead of dark and steak-housey, it was light in color and in spirit. We were directed to the bar to order our take out.

The bar was in the back, next to the doors that opened onto a deck that overlooked the river and the mountains. The doors were open and the cool evening mountain air begged us to sit. We ordered our take-out burger and then, with nary more than a look at each other, signaled the bartender that we’d stay. We’d eat at the bar. We ordered a glass of wine to share. We relaxed into the laughter of our bar mates. We basked in the low sun and mountain air.

Instead of further depletion, as I’d presumed, the cheery bartender, the light spirit of The Kenosha Grill, the sleepy dog holding court on the deck soaking up pets…gave us energy. Restored our spirits.

“We need to do this more often,” she said, feeling the energy return to our souls.

“Yes.” I said, and thought, “We need to more often challenge our assumptions.” We almost missed the very balm that we needed, the opposite of what I’d supposed.

read Kerri’s blogpost about THE KENOSHA GRILL

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A Message [David’s blog on DR Thursday]

This is a volunteer. A bright pop of color, a surprise tulip bloom showing up behind the garage.

The narrow space behind the garage is the place we toss old spinach and halo oranges. Strawberries and kale. It has long been part of the critter highway so we do our part as trail angels and leave the bunnies, chippies and opossums a road snack. I imagine one of the travelers brought a tulip bulb – wittingly or unwittingly – and the rest is blossom history. We love it. I consider it a message delivered from the furry world.

For some reason our tulip brought Tom McK to mind. As an educator he regularly expressed awe at the resilience of children: Their capacity to withstand and bounce back from tremendous difficulty was often breathtaking. Their ability to climb impossible personal mountains and yet somehow find the courage to smile. Pops of color showing up in impossible places.

And so, the furry world, in gratitude for our trail magic, have left for me an enormous gift. At a time that we are climbing a steep mountain, the critters have delivered a sweet message from Tom. A reminder. Climb the impossible mountain because you must – thereby transforming it into a tale of the possible – and don’t miss the vibrant color along the way.

“Take your time,” he’d say, smiling.

read Kerri’s blogpost about TULIPS

Tom and me a long time ago.

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Epicenters of Mattering [David’s blog on DR Thursday]

If you asked me why we write I would tell you that it is because of Lydia. After reading my post Arrive, she must have sensed my low spirits and took the time to comment: Perhaps you have already arrived. Breathe. Feel the awe. In every moment. It is because of Alex who reads what I write everyday and bothers to let me know. Buffalo Bob. A simple like, telling me, “I am out here and what you write matters to me.”

Writing is a relationship like painting is a relationship like music is a relationship. It’s a dynamic feedback loop. A younger me would have told you that the impulse to create is internal; the current version of me wonders if there really is any such separation as internal and external. There is no actor without an audience, no writer without a reader. It’s a matter of mattering. To each other. Ultimately, the artist imperative is to share. It is hard to explain. Ours is essential. It is urgent. It is undeniable. It is an inner necessity – a word that I do not use lightly. To deny it would be to die – a statement that I do not offer lightly. Yet, without an audience, a reader, there would be no point.

We recently asked Rob his thoughts about how to get our words beyond our bubble. We love our bubble, our community of dedicated readers and listeners. However, the changes in the world of arts-as-a-business have made the work we were once paid for free for all takers. Although technology brings our words and music and art to audiences all over the world, it has also left us financially insecure. It’s an oddly mixed message of mattering. So many listeners and readers, so few pennies. Rob and others have been knocking on our noggins to open a Patreon membership. It’s taken awhile for us to embrace the realities of this brave new world.

Networks and relationships. Worth. Value. Mattering. Each of us an epicenter with lines of connection running in all directions. Sharing. Giving. Asking. So very appreciative of a “thumbs up,” so deeply moved when our words come back at us with a loving reminder to Feel the Awe. Breathe.

read Kerri’s blogpost about NETWORKS

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Beyond Words [David’s blog on DR Thursday]

“Truth, like time itself, is a product of a conversation man has with himself about and through the techniques of communication he has invented.” ~ Neil Postman, Amusing Ourselves To Death

I’ve felt for months the need to apologize to J. We were having a conversation about truth – and notions of god – and in his current place-on-the-path he’s necessarily seeking absolutes. For him, relative truth smacks of falsehood or some loosey-goosey scary philosophy. He’s looking for a hard rock on which to build his house of wisdom. I was flip rather than helpful. How do you begin to discuss truth as a cultural orientation or a fluid marker that changes with time? When I was J’s age, truth could be established with a photograph. Not so anymore.

Breck, our little quaking aspen tree has come to represent a form of truth for me. Breck almost didn’t make it. We brought her home from the high mountains of Colorado and for a few years she lived and struggled in a big pot. She barely survived the first place we planted her. It was not a good location so we moved her to different soil where she’d enjoy more sun. And now she is flourishing. Last year she grew more than three feet taller.

Breck’s truth/health has very little to do with hard answers to abstract questions. For her – and me – truth is found in relationships; her environment. The right spot. Good soil. Rejuvenating sun. She brings an impulse to life: perseverance. Tenacity. Adaptability. We love her and I believe she “knows” that, too. Love is a truth that knows no absolute. I couldn’t explain that to J because I was playing with him, bringing levity to his seriousness.

And, in truth (what other word can I use?), I have become a doubter that any serious conversation about truth or gods can happen through something so limited as language. That’s what I should have expressed to J. I should have taken him outside to see the stars.

Now, when I want to have those conversations with myself, when I am seeking a better question, I walk on the trail next to the river. I turn my face to the sun. I try to detach myself from the clocks and lists and tv debates. I look at Breck quaking in the wind. I await each spring for the buds to appear on her limbs. There’s truth-beyond-words in her life-cycle, the return of her leaves and her captivating shimmer dance with the breezes.

read Kerri’s blogpost about BRECK

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Unfurl [David’s blog on Two Artists Tuesday]

I’m proud of her. Twice this week Kerri has fact-checked friends on FB who posted articles riddled with misinformation meant to rile. It took her less than a minute each time. In posting a link to the fact-check, she wrote, “Please check your information before you pass it on. xo”

It seems like such a small thing but it’s lately apparent that it’s becoming everything:

We forget that democracy is not a thing. It is an idea. It is an action rather than a noun. We forget that our democracy is young. Very, very young.

It worries me when I hear politicians making laws placing limits on the discussion of ideas at school. It worries me when I read that parents want teachers to teach “only the facts”. In today’s bubble-discourse it is a valid question to ask, “Whose facts?” Discerning between fact and fiction requires minds and hearts capable of questioning, capable of challenging the “facts” they are being fed. The notion of the purpose of education as a feeder-of-facts is nothing less than a sign of moral and mental decay. This is especially true in our great age of information with its ever-present shadow of rampant misinformation.

Democracies collapse when ideas and ideals are no longer debated, when winning-at-any-cost overshadows compromise, when respect for divergent points of view is overrun by intolerance. Healthy democracies are an ongoing tug-of-war; creative tension generated by a lively and respectful exchange of perspectives. This requires a system of education that nurtures these qualities and capacities.

Democracies collapse when they aim for an end result rather than steward a living process.

The point of education in a democracy is to consciously and carefully unfurl young minds so they might become active questioners, expansive thinkers, participating citizens in an ongoing experiment in a complex system called democracy, capable of stewarding their communities forward through an ever-changing world toward the promises inherent in the IDEA: equality, inclusion, governance by the people, for the people.

I would hope that we become capable of grokking governance-by-the-people which necessitates a people educated in ideas, reinforced in their curiosity and capacity to question, to converse and debate complex issues, capable of discerning ruinous power-over-agendas from the central idea enlivening their budding democracy: power with.

read Kerri’s blogpost about FERNS

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Water, Water [David’s blog on DR Thursday]

‘For in the end, he [Huxley] was trying to tell us that what afflicted the people in Brave New World was not that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.” ~ Neil Postman, Amusing Ourselves To Death

The water rises.

Last week, at dinner, disconcerted by the headlines, 20 asked if I could explain the politics of our day. “Entertainment,” I thought, but did not say. We – the community – talk about politics – the news of the day – as if it was serious business – because we want it to be – we need it to be – but we seem mortally blind to the emptiness of the chatter. Song and dance. The purpose, after all, is not to inform us but to keep us hooked.

“Water, water, everywhere. Nor any drop to drink.” ~ Samuel Taylor Coleridge, Rime of the Ancient Mariner

Thirst. Purpose.

It’s not an insignificant question to ask, “What is the reason for being?” We seem puzzled by our purpose or at least conflicted, as made apparent by our insatiable division. My theory is that our division is a distraction, it’s an old colonialists trick, baked into our national dna. A magician’s sleight of hand. There’s no better way to control a populace than to divide them. A people united – and not distracted – demand purposeful and responsible governance. Honest discourse. They demand it of themselves, too. They live from and in-service to a cohesive and shared narrative. The deep root of integrity. Purpose, after all, when clear and meaning-full, is always about others; it is always about service to the community. The betterment of all.

“You drown not by falling into a river, but by staying submerged in it.” ~Paulo Coehlo

May You, 55″x36″, mixed media

read Kerri’s blogpost about WATER WATER

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Wine Shadow [David’s blog on DR Thursday]

And with no warning, Cat Stevens was suddenly holding a concert in my head: Oh, I’m being followed by a wine-shadow, wine-shadow, wine-shadow. A leapin’ and hoppin’ on a wine-shadow, wine-shadow, wine-shadow…

Carl Jung wrote that “Everyone carries a shadow,…” I suspect Carl chose his verb carefully. Rather than being followed by it, everyone carries their shadow. The absolute weight of weightlessness. The next part of his thought goes like this: “…and the less it is embodied in the individual’s conscious life, the blacker and denser it is.” The moral of his story: get to know your shadow.

I had a long talk with a high priest in Bali. He explained that, according to their belief, they see no need to run from the dark as we do. They strive to make peace with the dark. Keep in mind that their construct is not built upon the hard rock of heaven-or-hell. For them, there is dark energy and light energy. The two dance and balance each other. They are necessary to each other. Our work, he suggested, is to walk between them, hold them both as meaningful and sacred. Getting to know the shadow is about having a relationship with the light.

“Don’t sit down!” she said, jumping up, camera in hand.

“What? What?” I asked looking around. She rarely jumps up like that. Only in the presence of bees.

She pointed enthusiastically at my chair. “Shadow! Shadow!” she whispered, as if her voice would scare the shadow away. She focused her camera on the weighty-weightless.

“It’s beautiful,” I whispered, just in case she was right. I’ve ruined a shot or two in the past by using my outdoor voice. I didn’t want to get “the look” if I caused the shadow to flee before she could snap the picture.

It was during her photoshoot that Cat Stevens popped in. And Carl Jung, not wanting to be out-sung, offered his quote.

“I look forward to getting to know this shadow,” I said.

“What?” she whispered, aiming and re-aiming.

“Never mind,” I smiled.

Did it take long to find me?
I asked the faithful light
Oh, did it take long to find me?
And are you gonna stay the night?
” [Moonshadow, Cat Stevens]

read Kerri’s blogpost about WINE SHADOW

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