See The Pattern [on Two Artists Tuesday]

guarding the sidewalk copy

“The United States, virtually a demilitarized nation on the eve of the Second World War, never stood down in the wake of victory. To this day, American troops are deployed in 150 countries. Since the 1970s, China has not once gone to war; the U.S. has not spent a day at peace. President Jimmy Carter recently noted that in its 242-year history, America has enjoyed only 16 years of peace, making it, as he wrote, “the most warlike nation in the history of the world.”’ ~ Wade Davis, The Unraveling of America

The most remarkable thing about these toy soldiers on a dish, is that a child did not place them in the garden. The adults did. People regularly place statues in their gardens, a Buddha or the Virgin Mary or gnomes or fairies. They are statements of value. They are statements of identity. Little guardians with powers no bigger than their guns.

In the words of Captain Obvious, the United States is rife with contradictions. In our sacred founding documents we wrote that “All men are created equal,” while simultaneously legislating that black men (and women) were less than human. It’s the crevasse we fall into again and again, our metaphoric original sin. The people currently protesting on the streets across this land simply want the rhetoric of the nation to align with the actions of the nation. Nothing more. Nothing less.

Today in Kenosha we await the unwelcome arrival of the commander-in-chief, a leader whose has only one note to pluck: division. The white nationalists are taking to the streets, waving their flags and chanting, “Four more years.”  For a nation comprised of immigrants from all over the planet, the world’s greatest crossroads, it seems more-than-absurd that anyone in this nation could or would revel in xenophobia. It’s astounding that the leader of a nation so rich in diversity would throw gasoline on the fires of racism. Contradiction upon contradiction. It’s farcical.

Or, perhaps it’s not contradiction at all. As Shakespeare wrote, “The truth will out.”

It shouldn’t be surprising that “the most warlike nation in the history of the world” is habitually at war with itself. The battle lines are as clear as the vast difference in the photographs comparing the Republican and Democrat members of the 116th Congress Members-Elect [scroll the article to see the photographs]. Ours is a war of identity and the dividing line runs along the color line. More Captain Obvious, I know [my apologies].

We do not have a problem, we have a pattern. And, to change our pattern of division and internal war, we need only take an honest look at the story we tell ourselves. The story we continue to tell ourselves about ourselves. We need to take a good honest look at who fits into the definition of “ourselves.” Right now we have two working definitions. And, that is our pattern. A pattern of conflicting definitions (inclusion vs. exclusion) works for some but is misery for most. Division by design.

Taking an honest look at ourselves is easily said. Even Captain Obvious is rolling his eyes!

The truth will out. It’s in our gardens. It’s in our statues. It’s in our streets. It’s on the images of brutality we capture on our iPhones. It’s in our tax codes and how we fund our schools and the children killed by guns while at school. It’s in our COVID-19 morbidity data and the populations of our prisons. The truth will out again and again and again until we decide to look at it with honesty, until we learn that our words matter, until we resolve to tell a different story, a story that lines up with our professed ideals. Until we decide that perpetual war is not a pattern that leads to social harmony and peace.

And, it’s a choice. Nothing more, Nothing less. Obviously.

 

read Kerri’s blog post about TOYS IN THE GARDEN

 

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Fill In The Thought Bubble [on DR Thursday]

sketch with frame copy

I sit in the truck and wait while Kerri goes into the building to work. I’m not allowed in so I use my time to sketch or work on other projects. Big Red is my mobile studio.

I was flipping through my latest sketchbook and found  this on the last page. I laughed because I’d forgotten about it. It is from the early days of the pandemic. I LOVE YOU. NOW STAND BACK. It captures the ever growing mountain of contradictions that tumbled-in with COVID-19.

On the facing page of the sketchbook, I wrote 3 haiku:

Screen Shot 2020-07-01 at 11.20.28 AM

Sketchbooks are like archives or a diary. If I wrote a book about this time I’d call it Weird Calculus. Every decision, even the smallest, is awash in contradictions and placed on a sliding scale of risk.

Since I drew this sketch, we’ve thrown ourselves against a hard wall of conflicting beliefs. We play a deadly game of racquetball with so much intentional misinformation. Data denial. We’re 4% of the world’s population and we’ve managed to fight ourselves into a full 25% of the world’s infections. That’s quite an achievement.

Were I to draw this sketch today, a mere 3 months later, the thought bubble might say: I LOVE YOU. NOW WAKE UP!

 

read Kerri’s blog post about STAND BACK!

 

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now stand back ©️ 2020 david robinson

sleepers ©️ 2014 david robinson

Face The Sun [on Two Artists Tuesday]

clover copy

Walking the river trail I couldn’t help but whirl in the contradiction: everything has changed and nothing has changed. While the world of people is awash in pattern disruption, the rest of creation is following the script exactly.

Spring. The muddy season. The world pops green just as we knew it would. Just as it did last year and the year before and the year before. I believe our backyard ferns are growing 6 inches a day. Even the daily Dog-Dog assault cannot deter their reach for the sun. Life returns from darkness. Demeter sings at Persephone’s return.

If you seek an affirmation of life come sit in our backyard. The bird song will lift your spirits, these flying shocks of color will make you giggle with delight. Vibrant yellow, a cardinal more salmon than red. My eyebrows cartoon-pop in disbelief. We sit facing the sun in our broken Adirondack chairs and drink in the warmth.  “This doesn’t suck.” I say, eyes closed, basking in appreciation of the sun as it reaches to my bones. I’m certain I said the exact same thing last year and the year before that. Rituals of renewal need not always be solemn.

Sometimes I think this game of life is really an exercise in focus placement. I can choose to see the world as the work of Hieronymous Bosch– and sometimes I do. Beautifully horrific. Or, I can swivel my lens to Georgia O’Keefe and look at the wondrous small things, the miracle of nuance and the close-up. Sometimes, when I am at my best, I turn my eyes to see as Ellsworth Kelly did, when he imagined his chapel of light. “I think people need some kind of spiritual thing,” he said.

And so, with the vibrant greens popping, the screaming yellows flying, the blue-blue of a cloudless sky, tender lettuce leaves breaking through topsoil, I find myself surrounded by a Hieronymous Bosch narrative cycle but with just a little refocus, I am stunned by the grander cycle of marvel and mystery in this Ellsworth Kelly world.

 

read Kerri’s blog post about CLOVER

 

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