Together Thrive [on Merely A Thought Monday]

“Art is an illusion that can convey the truth.” ~ Alex Grey

The little boy who was obsessed with drawing eyes – for hours on end – was not attempting to perfect the drawing; he was trying to reach beyond the visual and touch what was inside. Beyond. To the place of joining.

That motive has never wavered. I have always been at-service. For Kerri and me, art-as-service is the impulse behind our blogs. It’s at the center of our many cartoons. It’s the driving impulse in the plays I have yet to write and the few books that haunt me at night. It’s in the music Kerri amasses in her mind and hums when she’s walking down the trail.

We understand art is essential. That’s not an abstraction. Look into the abyss of your death and tell me where you go to wrap your mind around it? Politics? Business publications? Software? My bet is you read the poets. You listen to Arvo Pärt. You stare at The Sistine Chapel. You walk a labyrinth. You read the words of Anne Frank or ponder a psalm. How do you reach beyond what you can see and touch the essence of what is inside? Infinite? How do you make sense of the big questions? If we do good in the world, what does it inspire you to see? If you do good in the world, what does it help us to see?

It’s hard to put a price on it. It’s impossible to put words around it. And it is our reason for being.

Without you, we cannot thrive.

read Kerri’s blogpost about THRIVE

If you like this post, pass it on. Or, buymeacoffee.com. Or share your thoughts with us. All are appreciated. Thank you.

Follow Your North Star [on KS Friday]

We are on a hummingbird watch. There’s an app that plots their migration. They’ve been spotted to the north of us.The little hummingbird symbols on the map show a veritable cavalry of hummingbirds approaching from the south. Our hummingbird feeders are poised and ready, filled with sugar water. Gay, Jay, and Kerri have an agreement: the first to spot a hummingbird in their yard gets a celebratory margarita.

One of my heroes, my great-aunt Dorothy, had multiple hummingbird feeders on her mountaintop yard. I remember sitting in the sun watching the hummingbird posse dart from feeder to feeder. Dorothy’s little plot of grass was a magical place. Blue bottles caught the sun, special rocks glittered, Poncho the dog lazed in the shade, Del’s old army jeep teetered on the edge of the abyss. A ride in the jeep was certain to take us up the mountain into wild, unimaginable adventure.

They did not live in the world of hurry-up and get-there. Their world was the opposite. They were not trying to be-somewhere-else. They designed their lives on experiencing the here-and-now. Their intention was to appreciate-the-fullness-of-this-moment. It was the only place in my childhood, other than my studio/bedroom, that made sense, though it’s taken me a lifetime to recognize why.

They didn’t split themselves. They chose simple living over anxious striving. When I was young I often looked at Dorothy and wanted to know what she knew, wanted to live as she lived. I loved taking walks through the mountain trails with her. I’ve only recently recognized that Kerri and I walk as Dorothy walked. Slowly. Open to what crosses our path and calls our attention. We are capable of walking the same trail each day and experiencing it anew each time.

My north star has been there all along, even in the times when I jumped into the race because it was what I thought I was supposed to do. Yesterday, I went into my upstairs office, sat at my drafting table, and drew cartoons, modifying scripts generated from chatGPT. “I can’t continue to just apply for positions,” I told myself, “I have to do something different as well.” Cartoons.

I laughed. I was full-to-overflowing with ideas. I’ve not been so happy in weeks. Something different; something sane. Something now.

This morning, while I washed dishes, I gazed out the kitchen window, watching for the hummingbirds. I remembered something Susan said to us at breakfast last week: your yard is a sanctuary. She told us that she makes a pilgrimage to our yard each year to recharge. Our yard is like Del and Dorothy’s mountaintop, not by accident, but through intention. It is the place we sit-in-the-here-and-now. To rejuvenate. To enjoy the chipmunk colony living in Barney-the-piano, the chatter of the squirrels, that flash of the cardinals. To await with great anticipation the arrival of the first hummingbird.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about TINY FEATHERS

i didn’t know/this part of the journey © 1998 kerri sherwood

Learn A New Word [on DR Thursday]

Call it a “happy accident.” Call it an unintended consequence. “I like this photo!” she exclaimed. “It reminds me of a Rothko.” A wrinkled brow and then, “I wonder when I took this?”

Last night we learned a new word that I love: Coddiwomple: to travel in a purposeful manner toward a vague destination. I’ve never heard a more appropriate definition for the life of an artist! My pursuit could not be more clear and the destination could not be any less attainable. It’s impossible to explain. Recently I tried – again – to clarify for a colleague that I know exactly what I want, I do not need career counseling or advice. I’ve always known what is mine to do. I’ve never been able to wrap words around it so it might make sense to others. An artist’s life is hyper intentional. From the outside it makes no sense at all. There is no 401k. There is no safety net. There is no certainty. Sometimes there is no shape. Always, there is no adequate answer to the question, “Why?”

There is a clear calling, an underground river running beneath how it is expressed – whether through paint or musical notes or pirouettes. My career, on paper, looks like a random romp through the woods. Galleries and symphonies and stages and boardrooms and classrooms and consultancy and facilitation and coaching (a word that still makes me wince). DEI and intercultural. Start-ups and SaaS. Canvas, all. Some of the best plays I’ve ever developed happened in cafeterias or a conference room. I knew exactly what I was doing. I was not “using improvisation” in a business setting. I wasn’t using anything. The work of my life has not been about translation or utilizing “the tools of art” in other settings.

Artistry is akin to stepping into a rocket headed into deep space for a journey of discovery. The only honest answer to the those who ask, “What are you doing?” is “I’m journeying.” Creating. Inventing. Innovating. Stepping purposefully toward a vague destination. Coddiwompling.

May You, 55x36In, mixed media

read Kerri’s blogpost about ROTHKO PHOTO

may you © 2015 david robinson

Cozy In [on Not So Flawed Wednesday]

New flannel sheets in winter are down-right-Dionysian. Yummy, snuggly and warm.

I thought about the god of pleasure, sensuality, and wine the first time I cozied into our new flannel. There is no way a Puritan mind was involved in the invention of something so seductive. “These sheets are pure-Greek-hedonistic,” I thought as I burrowed in for the night.

Life leads with the senses. We experience – and then we story the experience. That means we feel, taste, touch, hear, smell…and then we make sense of what we’ve sensed.

As someone who’s spent an inordinate amount of time trying to make sense of things, I’m inclined to believe that the ever-elusive meaning of life will never be reduced to a tidy sentence or contained in a big book, but is certainly available in the stories we wrap around our messy experiences. We don’t find meaning, we bring it.

My story, as I nestle deeper and deeper into my delicious new flannel sheets on a cold winter night with Kerri at my side and Dogga laying on my feet: beyond words. New flannel perfection. I am the luckiest man alive.

read Kerri’s blogpost about NEW FLANNEL

Stay On The Root [on Merely A Thought Monday]

I wrote a note to myself and put it on the stairs. Later, I’ll carry the note up to my studio/office. It reads: standing still in the sacrament of uncertainty.

I know well this sacrament of uncertainty, this thing of mysterious and sacred significance. I’ve been here before, many times. Standing still is becoming easier.

This morning these words caught me so I underlined them in pencil: They are fully aware that their common ancestors, the Tairona, waged fierce but futile war against the invaders. In their mountain redoubt, lost to history for at least three centuries, they chose deliberately to transform their civilization into a devotional culture of peace.” ~ Wade Davis, The Wayfinders.

Deliberate transformation into a devotional culture of peace. Imagine it if you can.

She was so wise! Karola’s advice to the 30 year old version of me: let the glass go empty. That was terrifying advice to my younger self. At that age, I feared losing myself in the emptiness. At 60, having been empty (and emptied) more than a few times, her advice is sage. As she knew, empty is the only place that you have a chance of finding yourself.

I know now that I used to go into my studio to escape the noise. It was the only place where I could make sense – or find sense – of this crazy world. Studio as fortress. As armor. I will, at some point, re-enter my studio. I wonder what I will paint now that sense-making is no longer a priority. I wonder what I will imagine now that the armor is off.

I tell myself to “stay on the root.” Advice from Saul. That means to stay in the moment. Even in the intense discomfort of uncertainty I do not want to rush through a day of my life. Uncertainty and loss are life experiences, too. Colors on the palette. No less valuable than joy or conviction. When I listen to myself, when I sit solidly on the root, the circumstance remains but the discomfort disappears.

I’m doing what I’ve so often advised others to do: when you cannot see, ask those you trust to tell you what they see. Perspective requires some distance and I am sitting squarely atop my event horizon. I cannot see. These days I’m happily borrowing perspective. My friends have wise-eyes. They tell me – each in their own way – to stand still. Honor the sacrament. Listen. Empty and make space for imagination.

read Kerri’s blogpost about BEGINNING

Choose The Lesser Chaos [on DR Thursday]

“If I choose abstraction over reality, it is because I consider it the lesser chaos.” ~ Robert Brault

And what isn’t an abstraction? Dealing with ideas rather than events? Not-the-thing-but-is referential-to-the thing?

Every word in every language is an abstraction. Every thought that zips through every brain is an abstraction. Not the thing but referential to it. The word “chair” is not a chair.

I caught myself in a sticky net. Not once, several times. I’ve tried again and again to paint “abstractions” only to whine, ‘I can’t abstract!” [insert laugh track]. A painting of something is, by definition, not the something. Picasso had a heyday playing with people’s minds around this idea, this abstraction.

After an unexplainable medical event, my doctor shrugged and said, “Sometimes there is no explanation. People like to rationalize things. They think if they can explain it, they can control it.”

Explain Pollock or Rothko. Diebenkorn’s Ocean Park series. Ellsworth Kelly.

And who wouldn’t rather spend time pondering the sense of Richard Serra than anything we read in the news?

read Kerri’s blog post about ABSTRACTION

earth interrupted © 2012 david robinson

Make Sense [on Merely A Thought Monday]

I told Kerri she was going to be fired two years before the ax fell. I needed no crystal ball and was not reading tea leaves. In my consulting life I’d seen it happen a few dozen times. When a not-for-profit organization promotes to leadership those who believe everything needs to run like a business, the people holding fast to the actual purpose and mission of the organization have to go.

It makes sense if you think about it. Profit is the purpose of a business. When profit is the purpose, the organizational structures and levers-of-power evolve according to the purpose: profit. People are expendable.

There’s a reason arts organizations, churches, educational institutions,…are called not-for-profit. They serve a different purpose. The organizational structures and levers of power evolve according to the central purpose: service. The creation of art. Learning. Health. Feeding the hungry. Helping the victims of disaster. Worship. The people, usually not well-paid, are dedicated to the deeper organizational mission. Not profit. The people are not expendable. In fact, they are the keepers of the flame. They are very hard to come by.

The quickest way to kill a service organization is to apply the power-levers of business. The purpose dies. The good people – the keepers of the organizational heart – have to be fired, whipped into compliance, silenced, or forced to leave. It’s not rocket science. That process takes a few years.

It’s sometimes hard for us to make sense of what’s happening in our nation and world yet the same principles that apply to organizations also apply to countries. The purpose of healthcare is not profit. The purpose of education was never supposed to be profit. We currently have in our vernacular phrases like “predatory lending” – people making millions from students who believe the dream is only accessible through higher education. It’s the message embedded in our mythology. The levers of business have twisted our vision. Just as prisons should never be money makers, healthcare-as-a-business obliterates the purpose. It profits a few. It crushes the many.

Apples cannot be oranges. Make sense?

What’s happening in our nation makes perfect sense. Big business, regularly bailed out or given tax breaks to the tune of billions of dollars, is protected. No questions asked. Yet, try to correct a corrupt lending scheme, a successful (highly profitable) application of business levers to education, built on the backs of working people trying to go to school, and the “it-has-to-run-like-a-business” crowd will move heaven and earth to keep profit at the center of the mission. Our education system, once the best in the world, is spiraling. Ridiculous. It’s inevitable when protecting the interests of business supersedes serving the purpose.

We may find our way through, we might return to our senses, when we stop pretending that business is somehow sacred, that the making-of-money is moral and a proper north star for all things. It is not. It is great for some things. It is devastating, senseless, for the most important things.

read Kerri’s blogpost about SENSE

Make Some Sense [on Merely A Thought Monday]

When standing at life’s crossroads, there is a choice to be made. Take the right-hand path or the left-hand path? Or, turn around and go back. Turning around is never an option since it’s akin to going back in time. So, right or left?

Symbolically, the right hand path represents the safe path. The conservative choice. The path that “makes sense.”

The “road less travelled” is to the left. Destination unknown!

It’s never made sense to me (ahem) that choosing the path to the right is considered the sensible choice. We’re a culture that celebrates the cowboy! We’re a nation that prides itself on its rugged individualism. We stomp across the wilderness, aim for the moon, yet the clear message to our children is “know where you’re going.” Choose the sensible path, “Go to the right.”

Sometimes I wonder why these two paths are set in opposition to each other. There can be no further-left-hand-path than the one free-solo climber Alex Honnold has taken, yet he is studied, methodical in his passion. Some of our greatest historians are actors and dramaturges; it takes precise study to be the mirror of a culture.

To act like you “got some sense” does not mean to ignore your heart. Every high wire artist begins with a net. Michelangelo and Leonardo were intense studiers on their left-hand-path, scientists both. Going to the left does not mean recklessness but it does imply vulnerability to new experiences. Curiosity. Sailing toward the horizon. Opening to the awe of being alive. Taking chances; try, try again. Following an impulse.

Knowing the value of a mistake as the vital necessity of learning.

What could make more sense than that?

read Kerri’s blogpost about GOT SOME SENSE

Open The Story [on Not So Flawed Wednesday]

Put on your swimmies for a dive into the esoteric.

It was hot last night so I lay awake thinking and that’s never a good thing for the people – like you – who pay attention to the random things I write or say. This is what I thought in the heat of the night: Saul always instructed me to look beyond my opponent and place my focus in the field of possibilities. “Look a hundred feet beyond your opponent,” he said.

It’s universally true that a mind needs something on which to focus. And, left untended, most minds will focus on complaints or problems. During my tilt-at-windmills-consulting phase I’d tease my clients with the notion that, rather than eliminate challenges, people create them. We need them. We call them hobbies. Or play. Or problems. After all, stories are driven by conflict and we are, at the base, storytelling animals. It’s worth noting that a great collaboration is not the absence of conflicting opinions but the capacity to use the heat of creative tension to find/discover a third way.

What does this have to do with Saul and the field of possibilities? A focus, to be useful, needs to be specific. What exactly does the field of possibilities look like?

The reason our untended minds sort to the negative is that the negative is usually concrete, an easy fixation. Fear is a clear picture – even when imaginary. Obstacles are easy to spot. Possibilities are rolling and amorphous. Changeable. It is the nature of a good possibility to shape-shift.

The masters of meditation mostly tell us to soften our focus. Or to let the thoughts roll through the brainpan like clouds; do not attach to what we think. Do not take ourselves so seriously. Practice flow instead of the hard fixing of thought.

And, therein is the source of my late night esoteria: the mind needs something to focus on. Or does it?

If I soften my gaze, if I look beyond the problem-of-the-moment to a vast field of floating possibility, am I tossing myself into a feedback loop? I lay awake wondering what the field of possibility might look like if it was graspable. Some people make vision boards for just this reason. Quinn used to hum and fill his mind with lyrics.

Tjakorda Rai laughed at me and told me I needed to “open my story.” At the time I thought he meant to take responsibility for my story. Now, I know exactly what he meant: let it flow. Get out of the way. The demons and monsters and fears and problems and challenges are…passing things. Story fodder, nothing more. So look beyond them. Flow. Focus on the flow. Open the story.

read Kerri’s blogpost about THE FOUNTAIN

Wrap It [on DR Thursday]

Christo wrapped mountains in fabric. He wrapped coastlines. He populated passes with umbrellas. When I saw the candlesticks wrapped in plastic and ready to roll out the door, I thought, “Little Christo.” Wrap it and it becomes something else. Visible, invisible.

My favorite part of Christo and Jeanne-Claude’s website was found way at the bottom. Click on the words, “Projects Not Realized.” There were so many ideas! Whacky and wonderful visions that, for one reason or another, never made it off the drawing board. Why was one building wrapped and another rejected? Why did the mountain of barrels never block the intersection? What sense is there to be made of projects that are not invested in sense-making?

Sense-making follows experience and, in these times with so much media shouting for attention and propagandizing belief, it’s very hard to have a direct experience. I suppose that’s why Christo wrapped mountains. It takes an extreme act of non-sense to shock us into silent what-the-heck-ness.

I saw his umbrellas popping vibrant yellow along the pass from Bakersfield to LA. Giant dandelions stretching for miles. What I most remember as I stopped to get a closer look: children found it impossible not to dance at their bases. Make sense of that.

read Kerri’s blogpost about CANDLESTICKS

greet the world © 2011 david robinson