Touch The Immensity [on Two Artists Tuesday]

I’ve always felt a kinship with birds of prey, especially hawks and owls. If I fully comprehend the concept of a “blessing” then I feel blessed when one of those great birds cross my path. A sign. A message. An acknowledgement.

A guide.

Last fall we were with a hawk when it died. From my office window I saw it struggling. It was laying in the middle of the street. I grabbed a thick towel so I might pick it up and move it off the road without harming it. Just as I was ready to placed the towel over the bird, like a rocket it shot into the sky landing in the tree above me. We watched it. After several minutes, it suddenly flapped its wings and then fell to the ground. With the towel, we bundled it and put it into a box. We called Fellow Mortals Wildlife Hospital and the DNR to ask what we should do. By the time we reached someone, it had passed.

It is possible to Google anything so I searched for the meaning of the experience according to the good-god-google: Something new is about to begin. Let go. Move on. Good advice and useful every single sunrise.

Searching for meaning. Making meaning. What could be more human?

I thought about the hawk when we came across an owl feather on the trail. At first we thought it was a hawk feather but the good-god-google instructed otherwise. They are easy to confuse since the feather markings are remarkably similar.

It was important to discern the difference since the meanings according to the good-god-google differ. If an owl feather, then wisdom is the theme. If a hawk feather, then the gift of power and courage to overcome obstacles.

Or, it’s simply a beautiful feather that brings to us the great gift of appreciation, no good-god necessary.

Mostly, the pursuit of meaning from our bird encounters plucks the bass string of human yearning: connectivity to something larger. Something much larger than the good-god-google, a numbers god by definition, sporting 100 zeros. Something much larger than prayers or mantras. The resonating recognition that comes when gazing into the infinity of a midnight sky. The briefest touch of immensity when standing before the rolling endless waves at a beach. The vibrantly alive blue ball of earth as seen from the moon.

Pay attention. This bird carries a message meant for me.

Being – beyond the limitation of words, like the feeling of kinship with a passing hawk. The awe of a midnight hoot from an owl. The driving necessity of making meaning of something as precious and passing as life.

read Kerri’s blogpost about OWL FEATHER

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Name It [on Merely A Thought Monday]

The artist, Joe, had us write our names again and again until the lines lost their meaning, until we realized the lines were…lines. And shapes. Until we realized that our names were drawings. Unique and easy. His message? Everyone draws. And, more importantly though less obvious, the lines do not carry the meaning, the person infuses the line with meaning.

Visiting a pal in the hospital, I watched a heart monitor. More lines. Pattern. Waves. Visual indications of the drumbeat of the body. The drumbeat of the body propels the rhythm of the poet’s pen. Iambic pentameter. Short, loooong. Short, loooong. The poet’s lines reach through time and space, heart-meaning yearning to pulse through another person, to perhaps synchronize with their heart-wave pattern. Centuries may have passed between the inky scribbles from the poet’s pen to the person absorbing the meaning into their beating heart. Time travel. Ancient heart touches the living. “When to the sessions of sweet silent thought/ I summon up remembrance of things past…”

Watch a child learning to “write” their alphabet. Assigning meaning to shape. Crayon fist making lines. The refined adults see the shaky line as crude. Cute. Titanic imagination squeezes itself into alphabetic parameter. The little hand becomes a giver of meaning to shape and line. Expression. Learning to combine the limited shapes for greater and greater complexity. The conundrum: among the first lines we learn to scrawl are our names yet these few lines carry a question that can never be answered. Who am I?

The artist, Joe, had us dash off our names again and again until the lines seemed nothing more than a doodle. The meaning is not found in the lines; the lines and shapes merely point the way to the question.

read Kerri’s blogpost about THE CONTRAIL LINE

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“LookIt!” [on Two Artists Tuesday]

Two Artists Haiku

What is in a chip?

Form and meaning see a heart,

Loving reminder.

Kerri sees them everywhere. It’s a seeing-sense that I appreciate: moving through the world finding hearts. Another trait that I appreciate? When she see’s the heart, she stops. She takes time with it. Sometimes she takes a photograph. Sometimes she simply attends to the uncanny heart, taking it into her being. A message or affirmation. “LookIt!” she exclaims as if this heart-find is the first time.

It happens often. Daily.

Sometimes I wonder: is she finding the hearts or are the hearts finding her? “LookIt!” the heart exclaims.

Either way, it’s not a bad way of moving through the world.

read Kerri’s blogpost about HEART

Cozy In [on Not So Flawed Wednesday]

New flannel sheets in winter are down-right-Dionysian. Yummy, snuggly and warm.

I thought about the god of pleasure, sensuality, and wine the first time I cozied into our new flannel. There is no way a Puritan mind was involved in the invention of something so seductive. “These sheets are pure-Greek-hedonistic,” I thought as I burrowed in for the night.

Life leads with the senses. We experience – and then we story the experience. That means we feel, taste, touch, hear, smell…and then we make sense of what we’ve sensed.

As someone who’s spent an inordinate amount of time trying to make sense of things, I’m inclined to believe that the ever-elusive meaning of life will never be reduced to a tidy sentence or contained in a big book, but is certainly available in the stories we wrap around our messy experiences. We don’t find meaning, we bring it.

My story, as I nestle deeper and deeper into my delicious new flannel sheets on a cold winter night with Kerri at my side and Dogga laying on my feet: beyond words. New flannel perfection. I am the luckiest man alive.

read Kerri’s blogpost about NEW FLANNEL

Dance [on DR Thursday]

“The human race has spent several millennia developing a huge and robust set of observations about the world, in forms as varied as language, art and religion. Those observations in turn have withstood many – enormously many – tests. We stand heir to an unstatably large set of meanings.” ~ David Bayles & Ted Orland, Art & Fear

The little girl shrieked with delight, “You can stand in it!” She raced inside the dome, her little body so teeming with enthusiasm that she danced. The crowd burst into laughter.

Joy is contagious.

She reminded me of the children I saw dancing at the base of Christo’s Umbrellas. She transported me back to the very first time Kerri and I stepped off the stage after our performance of THE LOST BOY. We were euphoric, so overrun with relief and triumph that we jumped up and down in the backstage hallway, laughing and hugging. Dancing. We couldn’t help it.

I remember that moment when people ask me why I make art since art makes no money. I’ve learned to answer the question, not with words but with a smile.

Value is perceived.

I stepped into the dome repeating to myself, “You can stand in it.” A dome of light. A constellation of thought. The earth rotates around the sun. Joyful participation in the sorrows of the world. Do unto others. There is not one way, there are many paths up the mountain. Discovery is better than invention.

Meaning is made. It’s an ongoing relationship.

Sometime you know that you enter it. Sometimes you don’t know and the dome you discover evokes a joyous dance.

read Kerri’s blogpost about DOMES OF LIGHT

Iconic, 54x54IN, mixed media

[my site is down. A new site is in the works. New works are also in the works. Good things]

iconic © 2010 david robinson

Weave Her In [on KS Friday]

These story moments happen spontaneously. We wanted to sit in the dark living room and appreciate the warm light of our branches and holiday trees. We’d spent the evening wrapping “happy lights” around e.e., this year’s christmas tree, adorning her with silver balls of all sizes.

Our trees are rarely traditional. In fact, we almost never choose them; they usually find us. The story of the tree – and I use the term “tree” loosely – is more important than the shape of the tree. We’re not invested in the traditional aesthetic. For us, it’s not a show piece. Our tradition is firmly rooted in the story of how the “tree” finds us. Orphans come in from the cold.

We sat in e.e.’s light and combed through Kerri’s phone looking for the images-of-christmas-trees-past. We laughed when we found photos of them. We recounted the story of each, placing them in time, comparing notes of how they found us. There was “christmas tree on a stick.” There was the year of the stick wrapped in lights, a star suspended above it. There was Satan, the evil tree that Craig wrought. This year is our tenth christmas and our stroll through the trees became a stroll through our time together. “We look like babies,” Kerri said of the younger versions of us, the two people, arms intertwined, standing by a tree almost a decade ago.

When e.e. came to us, she was anemic. Scraggly. We loved on her. Opened her branches and fluffed her. Last night, after our walk through time, Kerri looked at e.e. and said, “She looks so happy.” Yes. She does. Beaming.

And isn’t that the point of the whole season? A little fluffing. Taking some time to pay attention. To love on each other. To infuse new life into depleted spirits? As we weave e.e. into our story, her happiness injects warm happiness back into us. And will for years to come. Our spontaneous story moments always remind me of the essential things sometimes lost in the season of commodity and cacophony called christmas. It’s really not so complicated.

kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about e.e

the lights/the lights © 1996 kerri sherwood

Ramble [on DR Thursday]

I’m like a two-year old: I want to know “Why?” For instance, the lichen growing on the birch tree is Hypogymnia physodes, but it’s also known as “Monk’s Hood.” Why?

There’s a wildflower also known as Monk’s Hood. I read that the flower gets its name because its petals resemble the cowls once worn by monks. However, the flower is also known as “Wolfsbane.” Why? What does the bane of a wolf have to do with the hood of a monk? I’m capable of inventing a slew of possible connections but they will be just that: inventions.

In an attempt to bore you beyond rescue, I’ve lately been fascinated by how much of our world is a blizzard of unhinged information in search of a context. For instance, conceptual art needs an explanation. Without a curator, it’s nothing more than a banana taped to a wall. Twine with a dirty sponge. Oddity seeking to be taken seriously.

In the 21st century, we measure relevance by the number of followers, not by the substance-of-the-matter-being-followed. It’s a popularity contest. Lots and lots of flowing information, most of it useless. Without use. Without substance. And, scarily for us: without being questioned.

What is empty content pushed through a fabricated context? “Breaking” news. MAGA. Q.

It occurs to me that society needs more two year olds! A healthy practice of asking “Why” would spare us from certain death-by-bloviation.

A cowl, by the way, is both a monk’s hood AND a loose neckline in contemporary women’s clothing. Wouldn’t the monks be surprised if they’d confused their cowls!

Now, get out there and find context for this bit of useless information.

read Kerri’s blogpost about LICHEN

pieta with paparazzi © 2010 david robinson

Call Awe [on Merely A Thought Monday]

“The love you take is equal to the love you make.” ~ The Beatles, The End

Last week was unusual in that I had a sneak-peek at my end-of-life-review. When a trusted doctor looks at you and says, “This is bad,” when tests that ordinarily might be scheduled a few weeks out are rushed into the next few hours, when the palette of available options are mostly shades of black and all include the word “dire,” the life-movie-reel begins to roll. Mine did.

I’ve known for years that among the few choices we really have is 1) where we choose to focus, and 2) where we choose to stand as we focus. Point-of-view, labels slapped onto experience, the story we tell is a story we project onto the world. Rolling through the CT-scan doughnut, I looked at the story I’ve called into the forest. I listened for the story it reflected back at me, as me.

“Take a deep breath,” the machine instructed, “and hold it.” Holding my breath, I saw a single story comprised of many, many chapters. There are the life-pages that I lived in confidence, and pages that I wrote confusion. The shattering, the story of the pieces of my life scattered in four directions. Kintsugi. The pages of the phoenix. Pages written running from my art and the matching pages of running toward it. The chapter of standing still. The pages of betrayal and the balance pages of being betrayed. “Release your breath,” the machine chirped. “Breathe naturally.”

The forest will show me fear. The forest will offer grace. The forest will reflect back to me peace if peace is what I bring to it. Someday, rather than project onto the forest, I will walk into it, become it. A reflector of projections.

Take a deep breath. I’ve never been so appreciative of breath. Hold it. What a gift. Breathe naturally. Call awe into the forest.

read Kerri’s blogpost about THE FOREST

Love What You Bring [on Two Artists Tuesday]

“Only mediocrity is sure of itself…” ~ Paulo Coelho, Aleph

Sometimes I wonder why I spent so much of my life believing I was a fraud. I was provided with great mentors, each relaying the same message: vibrant life is never found in what you know. The point of life is to step toward not-knowing. And, yet, for years, I abused myself with accusations of not-knowing. It was proof that I was a fraud. I was certain everyone else knew.

Quinn pointed to a tall building and told me the people occupying the big office at the top were just making it up, too.

Jim worked hard to help me understand that artistry happens in the release of preparation.

Tom McK tried to help me see that the real riches are found in the very moment that you simply don’t know what to do.

I am fortunate. After so many great mentors speaking a singular message to my titanic fear of not-knowing, the penny dropped. Standing alone in the vast open plain of not-knowing, a two-step mantra flooded my being.

Step #1: Have the experience first. Make meaning second.

A Post-it note pinned near my desk reads, “Competence isn’t in what you know, it’s in your capacity to figure it out.” I have great capacity.

Step #2: Suspend your judgments and learn.

Martha Graham’s “divine dissatisfaction” and “blessed unrest” permeate the vast open plain of not-knowing. “Keep the channel open,” she advised Agnes deMille. “No artist is pleased.”

“Your job is to put it out there,” Dick K., told a younger version of me. “What other people think is none of your business.”

It’s simple. Love what you bring.

read Kerri’s blogpost about YOUR WORK

Be A Zebra [on KS Friday]

The Post-It note beside my desk reads “Zebra.” It is a reminder to be more like the zebra. After a near miss with a lion, the zebra does not return to the herd and perpetuate their stress by recounting the story over and over to any other zebra that will listen. The zebra shakes off the adrenaline rush and moves on. No extra stress necessary.

For many years I’ve known that most actions are relatively easy to perform, the stress we experience comes from the story we wrap around the action. There’s a full range of stress stories, from “I can’t do it” to “I have to be…” The it-has-to-be-done-now story is pervasive. At some point in my youth I got it into my human head that faster was better. It’s not a good story since it requires the lion to be on your heels all the time. Watch people sitting in a traffic jam: the story of stuckness has otherwise rational people red-faced and pounding on their steering wheels. The I-have-to-be-there-now story is a recipe for never being present. Running, running, running. Lion on your tail.

Zebra.

When I moved in Kerri cautioned me that the to-do list would never be done. We live in an old house and, like an old body, extra care and patience is required. It’s been quite a transition. This house has become my teacher. It’s in my nature to get-things-done. True confession: If I start a project, I become myopic until it’s finished. All my life, after starting a painting, I lay awake at night rolling the possibilities over and over in my mind until the final brush stroke hits the canvas.

This old house has taught me to let go of my story of need-to-finish. It’s softened the edges of my Puritan work ethic. I’ve grown to appreciate having to tighten the handle on the backdoor once a week. Some day we’ll get to putting knobs on the kitchen cabinets. I’ve come to appreciate jiggling the burner to make the stove work. Our monthly puddle-prevention-thaw of the freezer is part of the rhythm of our lives.

Zebra. No resistance. It’ll get done when it gets done.

Life is infinitely better without an imaginary lion on my heels. It makes me wonder why I spent so much of my life creating stress for myself. I’ll save my stress for the real lions and you can bet when one of those appear, I’ll tell you about it. Again and again. I’m a human after all. Half the fun of being human is telling the tale so I want to make certain my tale, if I’m going to perpetuate my stress, has bonafide lions snapping at my hooves.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE REFRIGERATOR

i didn’t know/this part of the journey © 1998 kerri sherwood