Visit [on Two Artists Tuesday]

birch in winter copy

All this week I’ve been lost in memories of childhood. Nothing indoors, my remembering is outside. Running through fields. Aspen trees. The sound of snow. The smells of coming spring in Colorado. The intense blue sky. Standing against a brick wall, face to the sun to drink in the warmth on cold day. These memories are more sensual than story. It’s as if, this week, I need to remember the feeling of being a child.

I’ve always loved to draw and paint. I’d spend hours drawing eyes and faces. I drew portraits of Colonel Sanders from the empty chicken bucket. I spent hours inside of National Geographic magazine drawing the figures I found there. I drew again and again and again a cabin in the woods that lived only in my imagination. I knew the place the first time I scribbled it on paper. There was a period of time in my mid-life that I thought I might someday happen across the cabin-of-my-imagination.  I forgot the feeling of being happily lost inside the world of my imagination. This week, I remember.

Up north, walking on a frozen lake to see the eagle’s nest, we passed this stand of birch trees. Andy Goldsworthy could not have placed them better. White and fragile against the forest, they glowed in the afternoon sun. They shocked me into presence. I was surrounded with people I love, the sun was warm on my face, the creaking of the ice, the smell of pine, Kerri’s delight. “Remember this feeling,” I told myself. Remember this moment. Someday, after you’ve long forgotten this day, you will reach back and be thankful to have this place in memory, this feeling, to visit again.

 

read Kerri’s blog post about BIRCH TREES

 

footprints in sunlit snow website box copy

Look Close-In [on DR Thursday]

EI7Morsel copy

Georgia O’Keeffe was a master painter of paradox. Her paintings open the expansive universe by focusing close in, approaching the mystical, the sensual through the minute. She expressed so much through minimal strokes. I suspect her paintings are an expression of how she lived. Standing still in the arroyo, listening. Moving inward to reach the outer spaces.

I am a artist of a by-gone century. While I appreciate the digital world (you would not be reading this without it), I love the visceral, the deep inner driver, the instinctual. I am tactile. I am fed by the feel of the brush moving across the canvas, the smell and splash of the paint, the dance.  A world of possibilities and paths open when mistakes are not easily erased. Kerri calls this analog.

This is a morsel, a close-in crop of my painting, Earth Interrupted VII. Look closely and you will see the meeting ground of the methodical and the spontaneous, the controlled and the improvisational. I am learning from looking close-in. I see forces merged that used to be at odds, now good dance partners. Compliments. I, too, am learning to stand still, not in the arroyo but on the shores of Lake Michigan. Visceral. Listening. Moving inward in the hope of reaching the outer spaces.

read Kerri’s post about this MORSEL

 

www.kerrianddavid.com

 

earth interrupted VII/morsel ©️ 2018 david robinson & kerri sherwood