Find Peace [on Not So Flawed Wednesday]

It’s a tradition when we go up north. Kerri and I get into the canoe as soon as possible, paddle across the lake, glide through the lily pads of the channel, and enter the far lake to see the eagle’s nest. In truth, the nest is an arbitrary destination. We love being in canoe. We find peace and calm while on the lake.

We leave a walkie-talkie with our pals because we lose track of time. Once, we were gone so long, they came in the pontoon boat to find us so we’ve initiated the walkie-talkie solution. Also, more importantly, they alert us when there are snacks on the pontoon boat. Snack time gives us another destination, though less arbitrary. We lose our dilly-dally when Charlie’s voice crackles over the walkie-talkie, “Breaker-breaker! The snacks have landed. Repeat. The snacks have landed.” In the background we hear Dan say, “Tell them to hurry up or there won’t be anything left!”

Good people. The best. Good food. No agenda (other than snacks and happy hour). We walk slow. Sit by a fire. Share the meal prep. Laugh. A lot.

On the drive home I was thinking about the peace we find in the canoe. We point it in a direction for no other reason than to have a direction. That’s it. It matters not at all whether we arrive or, somewhere along the way, aim our canoe some other place. The peace is nothing more or less profound than having the experience. Exploring together. No expectation.

It also helps knowing that, if the canoe suddenly sprung a leak, Charlie is on the other end of the walkie-talkie. A simple, “Breaker, breaker…” and the pontoon cavalry would be on the way. Our rescuers would, no doubt, arrive with snacks. Lifting us from the water, Dan might tell us that the snacks were devoured en route to our rescue, but we’d know better.

There is nothing better than the simple peace we find on the lake.

read Kerri’s blog post about THE LAKE

Gurgle On! [on DR Thursday]

I’m certain the first time I tried to walk I was not successful. A few stumble-steps and a return to the floor. My first attempts at speaking the English language did not receive a passing grade. As I recall (and I don’t recall), I made some gurgling sounds into which the adults surrounding me projected meaning. I’m certain they cheered and encouraged me to gurgle-on.

Learning is not a terribly difficult thing to do when 1) there’s a reason to do it, and 2) judgment, including words like “success” or “failure” are absent from the experience. Thank goodness my first art teacher treated me like an infant and, rather than critique my mess, she encouraged me to gurgle-on. Consequently, I associate my artistic impulses with fun and exploration instead of the thousand shades of rignt-and-wrong that most people are subjected to.

Recently Skip wrote and asked, “What’s the second rule?” Suspend your judgment and learn.

We just bought a mandoline. It slices and dices and chops and cuts. “The first thing we’re going to make is potato chips!” Kerri proclaimed. And, then, her brow furrowed. “What if we do it wrong?”

“We’ll learn something and make another batch.” Trial and error. Both “trial” and “error” are essential ingredients in the learning process and, since all of life is a learning process, you’d think someday we’d learn to value the “error” portion of the experience. We do ourselves a great disservice placing so much emphasis on passing the test and having the “right” answer. The essential ingredients of trial and error can’t breathe in brains fogged by so much right-and-wrong-ness.

Our first batch, like our first baby step, was a stumble. But more delicious. We stood over the pan eating our result and discussed second steps. What should we do differently next time? Less heat or more? Thinner slices or thicker? This is all I know. I love to learn, especially when food is involved and judgment is not.

read Kerri’s blogpost about POTATO CHIPS!

flawed cartoon © 2016 david robinson

Welcome The Next Normal [on Merely A Thought Monday]

There was a time when my marker of the holiday season was the return of Pirate Christmas Ale; a rich and happy stout. It tickled me that the return of the holiday season was signaled with a Pirate and not jolly Ole Saint Nick. I drank one-a-night, from the day I saw the Pirate’s return to the store, through the end of the year. Pirates-in-holiday drink in moderation.

It’s been many years since I walked with the Pirate through the threshold of light’s return. With my move to Wisconsin came the establishment of a new normal. And then came COVID. I think we’ve both come to the realization, after a few years of deep disruption, that there will not be a return to normal. Just as with my move from the west coast to the upper-midwest, there will be the creation of a new normal. Just what that will be remains to be seen.

We know the new normal means leaving the house. We work at home and have mostly isolated these past few winter seasons. Cabin fever is getting to us. So, we’re taking calculated adventures. A visit to the Botanical Gardens. A walk around the small town of Cedarburg. A drive into Chicago. We continue to hike our trails but we’re both feeling the call of exploration, the desire to sail our ship toward the horizon. We really wanted to go to a concert but chose not to – COVID considerations remain central to our weird calculus.

Yesterday, while walking the streets of Cedarburg, we saw a tent behind the Stilthouse. Tables and heaters. We grabbed a spot under a heater, ordered lunch and lingered over a glass of wine. It sounds so normal yet, what was once commonplace, what was once something done without much thought – was a rare and delicious treat. We savored every moment.

Lately, we’re getting this reminder again and again. When the water line into the house broke – and we were without water for a day, the return of the water through the faucet brought cheers and happy dancing. There’s so much we take for granted. There’s so much to be savored in the commonplace, in the everyday, especially when we understand it might not be available forever.

Mostly, there is this: during the darkest days of every year, people come together in many ways to light candles, to exchange gifts, to make meals, to offer hope, to help each other through the dark time. Whether they realize it our not. The light returns. The earth spins. There’s water in the pipes. A heater and a table. Merlot in the bottle. Good friends. Good cheer. New work. The beginning of the next normal.

read Kerri’s blog post about GOOD CHEER

[this post marks the 200th consecutive week of the melange. Corks are-a-poppin’]

Move Toward Wholeness [on Two Artists Tuesday]

When I look at the bowl of green tomatoes, each plucked from the vine before we pulled the plants from their pots, still moving toward red ripeness, I think of Joe. He was fond of saying, “Life moves in the direction of wholeness.” It’s important to note that his fond phrase included nothing about outcomes. Joe was particular and knew that life is movement and not arrival.

I am revisiting the word ‘rehearsal’ these days only this version of rehearsal is not on the stage with creative minds. It is over Zoom with decidedly analytical minds. Actors in rehearsal halls move through a process of exploration that leads to specific choices. The goal, if there is one, is to embody a state of moving presence within a story. The analytic mind comes with a template overlay that is placed atop the experience before it actually occurs. The language reveals all: content items. Telemetry. The mathematics of movement. Rehearsal is predicated on precision.

As I’ve probably written ad nauseam, these minds are not in opposition. They are complimentary. Freedom of artistic expression comes from years of study of technique. The path to mastery winds through repetition and constraint. Saying more with less comes after a lifetime of saying less with more. The creative mind is one step closer to the senses. The analytic mind applies language, gives voice, to the experience.

Many years ago I participated in a workshop with an actor/director of Noh Theatre. The process was strict, exacting. The movements precise. There was no room for error. We, the participants in the workshop, knew we’d never achieve proficiency since it takes years and years of rehearsal to perform even the simplest of symbolic gestures. No one sings opera in a day. We did our best and failed and failed and failed. That was the point. That is always the point. Each failure is actually an exercise of muscle memory. The body learns. The mind is impatient. Rehearsal is rarely about the mind, despite what the mind insists. At the end of the day, our workshop leader gave a short demonstration of his art form. His ease of movement, born from years of repetition within constraint, was breathtaking. He was free.

Many years later I was helping John in his wood shop. He was a master wood worker. I watched him look over his lumber, preparing to build a cabinet. He ran his hand over the wood, feeling his way into his project. “Ah,” he said, laying his hand on a piece of cherry wood. “This is it.” John was like the Noh actor.

“How did you know?” I asked.

“I don’t know,” he said, “it just feels right.” Then he smiled and added, “Plus, I’ve built a lot of crap.”

Life, moving toward wholeness.

read Kerri’s blog post about TOMATOES

Get Lost [on DR Thursday]

We delight in taking Sunday drives. Sometimes we have a destination but most of the time we have no idea where we are going. We head “out into the county,” the farm land, and with great intention, we get lost. “Left or right?” Kerri asks when we come to a crossroads. “Left.”

The goal is to “not know.” Drive down roads we’ve never experienced. There is a direct correlation between “not knowing” and “clear seeing.” When lost, we open our eyes. It’s something that every artist understands, “always-knowing-where-you’re-going” is a killer of the magic. It is the dividing line between art and craft.

I’m currently working with a team of analytical minds. “Lostness” is often interpreted as failure. It’s not welcome. But, to my great delight, even in the most analytic of creative processes, the engineers and entrepreneurs, shaking their fists at the sky when adrift, find their greatest magic arrives only after time spent wandering the wilderness.

After many twists and turns, rolling country roads and, “Which direction are we headed?”, we pop out of lostness and know exactly where we are. “Hey!” we laugh, “How did we get here?”

The art of getting lost. The art of exploration. The art of having an experience without a predetermined outcome. The art of having an outcome and letting it go, making space for something better. It is the art of cultivating surprise, allowing for the bigger idea to come through. “Left or right?”

It’s a practice. Learning-to-see and letting-go-of-needing “to know.” It’s the same thing. And, a great way to practice, is taking a nice Sunday drive.

read Kerri’s blog post about THE ROAD

pax © 2015 david robinson

Conceal To Reveal [on Two Artists Tuesday]

When I was tilting at windmills, one of my favorite things to facilitate was mask work. I brought masks to lawyers, to CEOs, to teacher’s, government workers, elementary school students, corporate trainers, business coaches and sometimes to actors. There’s nothing better than a mask to pop open possibilities and challenge petrified thinking.

Masks conceal and reveal. They serve the paradox and, therefore, are tapped into the root of truth.

It’s impossible to work with masks for long before realizing that the faces we wear everyday are also masks. We “put on” a smile. We attempt to hide what we feel by the mask we manufacture. Some faces freeze in masks of indifference or masks of disdain. We perform ourselves, and craft our masks accordingly.

Many cultures around this world believe the mask opens a communication with the gods. Don a mask and something bigger-than-you speaks through you. When I paint I often have that feeling. Artistry sometimes means getting out of the way so the creation can flow.

It’s why I brought masks to lawyers and CEOs and corporate folks and teachers. To introduce them to the fields that bloom beyond their need to control. So much of their lives, so many of their problems and challenges were wrestling matches of control. They were actively creating the obstacles that they desired to remove.

What do we actually control when we harden our faces over what we feel? What do we gain by attempting to control what others see or think or feel? We are makers of our own prisons. We are deluded by our fantasy that we have the capacity to determine what others see. The only control we exert is upon ourselves.

The mask work makes abundantly clear that control is not power. Power – creativity – flows. It is the dance of the artist to master technique, to learn control, and then transcend it. To get out of the way.

My favorite moment, with every group, in every circumstance, came when the masks released the people and they slowly, respectfully said goodbye and removed them. Their faces was also mask-less. It was like seeing infant’s faces. Bright. Open. They would, for a few brief moments, look at each other, unmasked and unprotected. Simply astonished at being alive, together, in the world.

read Kerri’s blog post about MASK

Consider Levitation [on Two Artists Tuesday]

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And what does this mean, this pear sitting atop a wine bottle? Certainly this was not a naturally occurring event! No pear could possibly achieve so grand a seat without some form of assistance. Or, could it?

Levitation is a possibility but it is doubtful that this pear – or any pear, for that matter – is capable of the necessary powers of concentration required to raise itself to wine bottle heights. And, if levitation is the answer, we are still left with the primary question: what does it mean?

The pear might answer, as George Mallory answered when asked why he might want to place himself atop Mt. Everest, “Because it is there.” Meaning making does not require depth but it does necessitate curiosity. “Because I can” really means “because I want to.” The grass is always greener. Why step on the moon? Why sail to the edge of the world? Why paint a painting or compose a song? Something calls.

Because it feels good. Because it is beautiful in my eyes. Because I might learn something about myself and, therefore, the world in which I create/inhabit. Most explorations are internal journeys even if they look like mountain ascents. Soul searching leads to more experiences with soul. The best questions lead to bigger questions, like this one (last week’s winner for best question): Does the soul live in the body or does the body live within the soul?

It seems like a good time to borrow a title from Joseph Campbell: what exactly are The Inner Reaches Of Outer Space?  What are the outer reaches of inner yearning?

Does this pear have yearnings? What does it mean, this pear sitting atop a wine bottle? Believe me, I’ve asked the pear and it remains silent on the subject. Wise pear! It knows I must make my own meaning and hopes that I will never cease asking my questions and, above all, never delude myself into thinking I have even the slightest bit of an answer.

 

read Kerri’s blog post about the PEAR & THE BOTTLE

 

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Turn And Open [on Two Artists Tuesday]

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Real education is understanding the significance of life, not just cramming to pass examinations. ~ Krishnamurti

Tom used to call it The Little Green Bottle theory. The illusion of learning at the expense of real learning. It is the worst fate for a curious mind to confuse active pursuit with passing the test.

The worst fate for an artist is to be revered. Artists who are revered regardless of what they do, stop growing – or worse – they twist. They confuse themselves with their art. And, because they are lauded for any and everything thing they do, they lose their muse. They no longer need to listen or seek or try.  They insulate and turn in on themselves. Knowing that their feedback loop – called an audience – will give them a perfect score no matter what they do, oddly makes their work not matter at all. They – and their work – and their audience – become an energy eddy, an empty bottle with no substance. The circle closes.

Long ago, I guest-directed a play at a college. There was a student, an extraordinarily talented young man, who was coddled by his professor. She heaped praise on him. He was cast as the lead in all productions. In fact, I was (hush-hush-nod-nod) required to cast him. He was protected from the rules and rigors his peers were required to follow. He simply needed to show up.  I crossed his path again a few years later and he was a very sad and empty young man. He left his small pond and didn’t have the skills or work ethic to swim in the ocean. He wondered why no casting director would work with him, why no masters program would admit him. He expected reverence. His talent collapsed on itself. Many of his peers, those who had to work, to grapple, to reach, to struggle, had solid and thriving careers. Rather than helping him grow, his professor, his college community, stunted his artistry. His circle closed.

The waters are so calm this morning. Hog Island seems to float in the air. Sitting on the dock, I feel perplexed. Lately, the world so often feels upside-down, in service to the opposite of what it professes. Islands feigning connection. Closed circles working hard to stay closed even awash in the knowing that they can only breathe when opened. They can only grow when challenged, when they open the gates. They can only thrive when they turn, open the circle, paddle toward the limitless horizon and face the unknown.

The muse is out there, waiting.

 

read Kerri’s blog post about THE DOCK

 

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photograph: on the dock of the bay ©️ 2019 kerri sherwood

 

 

 

 

 

 

Take A Wrong Turn [on Not So Flawed Wednesday]

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As a wanderer, I am sometimes envious of those rare people in my life who have always seemed to know their destination and have appeared to walk a clear path to it. They have lived life according to a road map. Director, doctor, producer. Sometimes I want the comfort of a straight line but then I come to my senses. I remember that straight lines do not occur in nature.

I am given to taking side roads. Exploration trips. As Master Marsh once asked, “Why do you need to take a run at every cliff that you see?” Curiosity makes for a more colorful path than the taupe-existence of ‘knowing.’ It is more honest, too.

When I was a teacher it always irritated me when the adults placed enormous pressure on their students to “know where they were going.” Over-serious adults pretending that life required hard, unflappable predetermination. “The decisions you make today will impact you the rest of your life!”  Well…when is that not true? Tom used to roll his eyes and mutter, “Why is it that adults feel the need to threaten young people with advice that they could not, when young, take themselves?”

Things change. Hurricanes come. Minds go. We age. We discover ourselves or, as Kerri likes to say, “We become more of who we are.” It is comfortable to believe in our powers of control but it’s rarely our destiny that we actually command. The Greeks wrote more than a few good plays about the I-control-my-destiny-confusion. So did Shakespeare.

It is nice to have a map. It is great to have an intended target. It is worth mentioning to young people and old that life is not found in the target but in the walk toward it. Targets change. And, how rewarding would it be, when young, if all of the old walkers admitted that their paths were rarely straight, known, or easy. In fact, when I hear the tales and tell my own, it is the unseen forces, the happenstance, the wrong turn, the accidental bumping-into that gave the walk its riches.

 

read Kerri’s blog post about MAPS

 

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