Make Them Visible [on DR Thursday]

AndThenTheyDanced copy

rough sketch (detail): and then they danced

When I first met Kerri she had two Adirondack chairs in the front yard. We spent many summer evenings in those chairs, sipping wine, talking through the sunset. One evening, she brought out her ipod and speaker. We listened to music while we chatted and then a song came up that inspired us to dance. We danced that song and then the next and the next. Soon, she was playing DJ. We wiggled and roared through her rowdy picks and lightly stepped through the slow songs. The first painting I did for her is about that evening. It’s called Dancing In The Front Yard.

This summer I have been empty. I left the studio in early June knowing there was nothing left. It was time to let the cup refill. Over the summer I’ve often visited the studio. I sat in my chair in the dark and felt the place. I’ve shuffled paintings around, reviewed my life’s work and wondered, as I always do in the empty times, if I’ve painted my last painting, if the deep well will ever replenish.

The other day, as always happens, I was passing through my studio en route to the tool room and something stopped me. The empty canvas propped against the easel shouted, “Look at me!” And I did. Turning on the lights I saw them, the dancers, the dancers in the front yard, and I laughed. Dancers. Of course. What a great welcome back; a celebration. A dance. Our dance. Like a thirsty man crawling to an oasis,  I slowly entered the space, picked up the charcoal, and made my dancers visible.”Welcome back,” they whispered, as I dusted off my hands and reached for my brushes.

 

Danced phase 2

a process shot for Skip, step 2: underpainting

 

read Kerri’s blog post about AND THEN THEY DANCED

(Lydia! I remembered two days in a row! Progress?)

Stop At The Beginning [on DR Thursday]

Aqua Agua Mit Rouge. Kerri laughed and clapped her hands when she named this morsel. It is a process snapshot of the early under-painting, the base layer of what would become Earth Interrupted VII. It is loose, fluid and free. It is a special layer – a visual marker of what happens before my thinking mind kicks in. Free. Fluid. Loose. Flow. For me, the first moments of painting are all intuition.

More and more I am learning from these morsels. I’ve spent countless hours gazing at finished paintings asking myself how I might grow, become a better painter. Reach into deeper pools of experience. It is only recently – because of the morsels – that I am spending time gazing at my process, the previously unconscious parts, and asking the same questions. How do I grow? Become better? Become more Fluid? Loose? Free?

The answer of the moment is as funny as it is clear: stop at the beginning. See through the eyes of intuition, feel your way forward. Stop before that talky brain weighs in with all manner of blah blah blah.

 

earth interrupted VII copy 2

earth interrupted VII,    mixed media, 48 x 36IN

 

if you'd like to see david robinson.. copy

STAY TUNED! The FALL VIRTUAL GALLERY SALE starts this weekend. An announcement is coming!

read Kerri’s blog post about AQUA AGUA MIT ROUGE

 

www.kerrianddavid.com

 

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aqua agua mit rouge/earth interuppted vii ©️ 2018 david robinson & kerri sherwood

In Beauty I Walk [it’s Two Artists Tuesday]

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daisy and in beauty PRODUCT BAR copy 2

“I am only so beautiful as the character of my relationships, only so rich as I enrich those around me, only so alive as I enliven those I greet.” ~ Derrick Jensen

I know many many artists who do what they do for love; their motivation is intrinsic. Their work is beautiful. I don’t mean their finished pieces (although they, too, are beautiful). I’m referencing their relationship to their work. It is lively, mysterious, expansive and generous. And, in order to stay healthy, they’ve long ago abandoned the notion that they might make a living through their artwork. Some do. Most do not.

I know many many artists who no longer do what they used to love to do. In the absence of an extrinsic reward (money), they began to see their love-work as worthless. They reduced themselves to a monetary equation and found themselves lacking. Considering their love without value, their well went dry. Their muse withered.

In our confused times it is the fortunate person who understands value as something greater than dollars and cents. Love, beauty, joy, family, generosity, learning, community, surprise, mystery…all words of relationship, all valuable beyond measure. All defy easy quantification.

From studio melange on Two Artists Tuesday, a gentle reminder to look to the space between, to value the process of living, the right-now-relationships where beauty is always to be found. Walk there.

IN BEAUTY I WALK gifts and cool stuff

daisy tote bag copy

read Kerri’s blog post about IN BEAUTY I WALK

www.kerrianddavid.com

‘in beauty i walk’ image & products ©️ 2018 kerri sherwood & david robinson

Slow Motion Rain [On DR Thursday]

A DR Thursday dance  from studio melange

MASTERlarger slowmotionrain copy 3It seems my life these days is one big meditation on “not forcing” outcomes. I’ve been here before so I suspect this falls in the category of “life lessons.”

The Chinese have a term for this meditation: wu wei. Do nothing. In creative communities it’s known as flow. Athletes train, actors rehearse, but when opening night comes or race day dawns, the advice is always the same. Let go. Trust the work. In other words, cease pushing and get out of your own way.

Working from tension, pushing too hard for outcomes, causes injury. It jams flow.

The final pose at the end of a yoga practice is called savasana, or corpse pose. It is to surrender, not in the sense of giving up but more of giving over. It is a release of tension. My Earth Interrupted paintings have become for me a kind of savasana, a letting go. As Jim used to teach me, you’ll know you are in “that” place of flow when it feels like a dance of giving and receiving and you have no need to distinguish which side of the dance you are on. Both/and. Give/receive.

Kerri calls this morsel “Slow Motion Rain.” It comes from a moment of dance. Or, as we like to say in our house, “Woo Wee!”

 

 

 

 

 

 

 

 

 

slow motion rain product box BAR jpeg copySLOW MOTION RAIN gifts and cool products

EarthInterrupted4 copy

earth interrupted IV ~ mixed media, 48 x 36IN

 

read Kerri’s blog Post on SLOW MOTION RAIN

www.kerrianddavid.com

slow motion rain designs and products ©️ 2018 david robinson & kerri sherwood

earth interrupted iv ©️ 2018 david robinson

(Y)Our Earth [It’s Two Artists Tuesday]

Take a moment to take a look around you. A thought to ponder and share from the melange.

our earth FRAMED ART PRINT copy

Tibetan monks have been in residence this week at a local technical college. They are creating a mandala sand painting. For the monks, creating the mandala is a spiritual practice, a meditation. As they construct the design they contemplate the meaning of the symbols within the design. In other words, they are in a constant state of prayer while they create. They invite the community to enter the prayerful space and contemplate with them; the “space” is, of course, the essential part of their creation. More to the point, the shared space of peace, an intentional communal tranquility, is the creation. And, to make sure we grasp the point, the final step in their creative process is to blow the design away. Nothing is permanent. Beauty is passing and so are you and me. It is, we are, energy in motion. The process, rather than the product, is the meditation.

our earth SQ PILLOW copyWhen Kerri drew this design it immediately reminded me of the Earth’s currents, a perfect sentiment for the coming Earth Day celebrations. The essential convection currents that create our wind, our weather. The currents in the earth moving layers of magma, the transfer of energy in the heating and cooling of the ocean. Motion creates life, tosses up forms and pulls them down again. Motion is life, life is motion. And, in this mandala we call Earth, there is a deeper meditation found within the sand and the impermanence: it’s all connected. We are all connected. Blowing sands. The process, the quality of our participation in impermanence, is the art.

From studio melange, an earth day meditation: this is your/our earth.

THIS IS (Y)OUR EARTH reminders/merchandise

society 6 info jpeg copy

our earth TOTE BAG copy

OUR EARTH MUG copy

our earth IPHONE CASE copy

iphone cases

OUR EARTH BEACH TOWEL copy

a beach towel!

our earth LEGGINGS copy

(Y)Our Earth Leggings

read kerri’s blog post on (Y)Our Earth

melange button jpeg copy

kerrianddavid.com

 

this is (y)our earth ©️ 2016 kerri sherwood & david robinson

KS Friday

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Always With Us (track 14)

Kerri and I had a few days off. I’d never seen Door County so we jumped in the car and headed, as the folks around here like to say, “up north.” On our way back we stopped to say hello to Hans the music producer. Kerri and Hans have been for years dancing around producing an album together. Hans is also an amazing cellist. He gave us a tour through his recording studio and invited Kerri to give his studio piano a try. She sat and began to play. He sat at his cello and joined her. My mouth dropped open and I started to cry. Artistry, when it is pure, does that to me. I found myself standing in a sacred space created by two consummate musicians who were simply doing what they were born to do. They had no idea I was stunned to tears. They were playing around. They were having fun. They played together for about an hour, Hans dashing in and out to get different instruments to noodle around with, Kerri playing whatever came through the channel. I sat in the corner and tried to keep breathing.

AWU v1 jacket copy 2

Always With Us [solo piano version, track 2]

No recording exists of that day. I would listen to it every day if it did. It was spontaneous and as holy and temporary as a sand painting. On the drive home I tried to describe my experience to Kerri and asked her why she and Hans had never recorded together. “It costs a lot of money to record, ” she said, adding, “and, nowadays, with people streaming music instead of buying it, there’s almost no way to recoup the investment. It’s better to enjoy the process, to have fun playing with someone like Hans.”

I remembered that day with Hans when we chose Always With Us for this week’s melange. It turns out that our melange conversation this week has been all about artistic process: stepping blindly, having faith, landing in pot holes, making bold offers, capturing moments, and most importantly, treasuring the relationship with “something bigger” that comes through when the artist(s) step out of the way and something sacred happens.

ALWAYS WITH US from the album AS IT IS (track 14) iTunes

ALWAYS WITH US from the album AS IT IS (track 14) CDBaby

ALWAYS WITH US from the album ALWAYS WITH US (track 2) iTunes

ALWAYS WITH US from the album ALWAYS WITH US (track 2) CDBaby

PURCHASE THE PHYSICAL CD: ALWAYS WITH US v. 1

 

KS DESIGNS on society6.com

society 6 info jpeg copy

always with us LEGGINGS copy

always with us FRAMED ART copy

always with us COFFEE MUG copy

always with us TOTE BAG copy

read Kerri’s thoughts on ALWAYS WITH US

melange button jpeg copy

kerrianddavid.com

ALWAYS WITH US from AS IT IS, ALWAYS WITH US v.1 ©️ 2004 kerri sherwood

 

DR Thursday

cropped II earth interrupted with frame metal square WALL ART jpeg copy 3There is a lesson for me in this week’s morsel. It is a lesson I’ve learned over and over again. It is a basic, a fundamental and perhaps that is why I am once again revisiting this lesson: Focus (perception) is like a narrow flashlight in the night. Where you point it will determine what you see. And, most important, you choose where you point it. And, even more important, what you see is narrow, what you don’t see is vast.

Kerri chose this morsel. I marvel at what she sees and what she chooses for our melange and how it blows back and impacts what I see. This morsel, she calls it, “held in process,’ is a snippet of a painting-in-process. At Skip’s prompting a few years ago I started taking process shots and nowadays Kerri regularly dashes into the studio to make sure I’m taking my shots (“What do you have for me?” she asks, striding down the stairs). I delight in this particular morsel because, when seen in the greater context of the finished piece, it captures perfectly the lesson. It is like a popcorn trail of perception, an exercise in focus-choosing. Enjoy this morsel from the melange.  Follow the trail to the final piece. Have fun shining your light on the morsel, Held in Process and on Earth Interrupted II.

 

real1

the beginning layer, the under painting.

real2

the second layer

pix#1   pix#2

#3

this one

next layers – my favorite: paper sack!

#4

EarthInterrupted2 copy

the finished painting: Earth Interrupted II, mixed media 48×34.5 in

 

HELD IN PROCESS merchandise

society 6 info jpeg copy

II earth interrupted FRAMED ART PRINT copy

wall art

II earth interrupted LEGGINGS copy

kerri designs all of our leggings and apparel

II earth interrupted IPHONE CASE copy

okay, so, kerri designs ALL of our products. Cool iphone cases…

II earth interrupted RECT PILLOW copy

…and throw pillows! and more….

 

read Kerri’s thoughts on Held In Process

melange button jpeg copy

kerrianddavid.com

held in process/earth interrupted II ©️ 2018 david robinson, kerri sherwood