Ask A Simple Question [on DR Thursday]

It’s existential. What you see changes depending upon where you stand. That’s true when engaging any piece of sculpture. It’s true when engaging anything in life. Point-of-view is fluid and relational. This sculptural reminder is Olafur Eliasson’s Rainbow Bridge.

In another era of my life facilitating diversity and inclusion workshops, the same surprisingly simple concept was usually a revelation to people. What you call “normal” is merely a point-of-view. Most importantly, it’s not everyone’s point-of-view. Your “normal” is unique to you, not universal. Most hopeful: it’s not fixed in stone. It’s changeable. Relational. Capable of growth. A mature point-of-view recognizes that it need not, it cannot, be the center of the universe. A mature point-of-view necessarily asks an all important question: “What do you see?”

It’s not only possible to look at the same sculpture and see a myriad of differences, it’s necessary. It’s human. Sharing what we see is how we, together, create community. A common center is created by a circle of differing points of view. A common experience is borne of sharing disparate points-of-view of the same event. A common center is made functional when everyone in the circle is capable of asking with sincerity a simple question: What do you see? It is made vibrant when everyone in the circle expects the answers to be different than their answer.

Art is one way of responding to the simple question.

Instrument of Peace, 48x91IN, mixed media

read Kerri’s blogpost about RAINBOW BRIDGE

instrument of peace © 2017 david robinson

Cross The County Line [on Not So Flawed Wednesday]

Drive west from our house near the lake for a few miles and you’ll come to the interstate freeway that runs north to Milwaukee and south to Chicago. Cross under the freeway, continuing west and you enter what we call “the county.” Rich farmland. The freeway serves as a dividing line from urban to rural.

Sometimes it feels like crossing the line into another culture. Blue to red. The county redness puzzles me but that’s a topic for another post. We drive into the foreign culture with the same curiosity we might bring to Tunisia or India. “I wonder what they see…” is a common refrain.

Sometimes crossing the freeway line feels like an escape into open space and a breath of fresh air. Once upon a time we took Sunday drives; the point was to go get lost in the county. “Left or right?” Kerri would ask. Both choices leading to the unknown.

We are avid freeway avoiders. It doesn’t bother us to take extra time traveling to Chicago or Milwaukee on the backroads. Less aggression. We relax and enjoy the ride. Often, especially during rush hour, our backroads travel proves faster than the traffic jam.

Last week, en route to the hand specialist in Milwaukee, we traveled our usual backroad path, winding through the county. There was no snow at our house when we left. We crossed the freeway into another landscape, blanketed with white. It was as if we crossed the line into another season. We entered an alternate reality.

“That’s so odd,” I said.

“No,” Kerri replied. “That’s the county.”

read Kerri’s blogpost about THE COUNTY

Be Different [on Merely A Thought Monday]

Inadvertently, 20 did me a great favor. On the day Kerri and I married, he carried a concealed camera and captured conversations and special moments of our ceremony. In his footage is a short exchange he had with my dad. My dad said of me, “He’s his own man.”

To that point in my life I’d wondered what he thought of me, my winding career path, my free-form seeming-feral existence. “He’s his own man,” brought me peace.

Once, during a conference that we led, Alan told me I should dress differently. “People would have more respect for you,” he said. Once, trying to fit in, I wore a suit to a facilitation and Rich told me I should dump the suit and dress as myself. I’ve awarded him the blue ribbon for best advice.

In my consulting life I wore clogs. I hated shoes with strings. The first thing I did at every job was kick off my clogs. You’d be surprised how invested people in power suits are in their footwear. You’d be heartened how human they become when they unlace and kick off their shoes. It’s like removing a mask.

People hire me because I am different. Because I see differently. My difference is my gift, the epicenter of what I bring to the world – and that is true of all people.

In a culture that prides itself on its individualism, it’s always been amusing to me how invested we are to “fit in.” Shopping at the right store, wearing the right clothes, we gush about our wild nature while synching tight the corporate tie. To “dress for success” means to fit a prescription, to NOT stand out. Business casual. The real real. All houses must look the same. Revealing behavior betrays the swaggering rhetoric.

Our individualism is at best a thin veneer. In truth, we fear difference. I dare the court of Supremes to uphold a coach’s right to pray before the big game on the 50 yard line if he’s Sikh. Or Muslim. Or Hindu. Or Buddhist. My son is gay. He lives a constant, never-ending battle to defend his difference. Why?

“But the truth is, I am different,” I said to Kerri who was red-faced with anger at the email from the concrete sub-contractor. He turned down the job to replace our bit of sidewalk, broken out during the waterline repair. Among his reasons, “…and he seems a little different.” He was referring to me.

“I’ve dealt with that my whole life,” I said as she furiously typed a reply. “It’s not a big deal. I’m an artist.”

“It is a big deal,” she snarled, typing harder, faster.

Listening to her ferocious key-pounding, I had a sweet wave of appreciation for her. In a lifetime of “different”, it is a rare and precious moment that someone vigorously defends your difference. Rather than hammer you into creased dockers, lace-up shoes or the right haircut, a furious defender was unfamiliar. She, too, is different and knows the bruise of the shame-hammer. I suspect we’ve all experienced its sting.

In my head, I heard my dad say, “He’s his own man.” Peace. I am what I am and the people who love me wouldn’t have me any other way. That makes a difference. All the difference.

This I know: it’s nice – so nice – not to be alone in my difference.

read Kerri’s blogpost about DIFFERENCE

Honor Difference [on DR Thursday]

A Double Haiku:

Honor Difference.

A mural in Milwaukee.

Heart of the ideal.

Infinite palette,

Many hands, many painters,

Eyes that choose to see.

Read Kerri’s blog post about Honoring Difference

helping hands ©️ 2012 david robinson

Contrast [on Two Artists Tuesday]

contrast principle copy

It is the ultimate cliche’: we only know light because of dark. 20 calls this the contrast principle. Images juxtaposed illuminate. It’s how stories are told in film. Once. Upon. A. Time. It is how images pop off the canvas, blue next to orange, green meets purple. Contrast makes the eye move. Contrast makes shapes emerge. Movement has no meaning without stillness.

It’s relative. Related. Relationship. Without relativity, without contrast, nothing makes sense. Or, more to the point, nothing is sensed. Difference, in fact, is the secret sauce necessary for knowing anything. Category. Class. Classification. Group. What is like what? What is related? What is unrelated? Cubicle. Caste. Lines on a map.

Contrast can be wielded like a sword. They are not us. Division.

Or, contrast can be used to unify. A crossroads of diverse perspectives, innovation.

Nature is dynamic at its edges. Water meets beach. Earth meets water. Air breathes fire. Hot meets cold. Convection current. Contrast. Changing energies. Creative movement.

Kerri stopped during our walk. “Look!” she exclaimed. Her eye was drawn to the lone daisy in the midst of the sea of black-eyed susans. “Beautiful,” she whispered as she approached with her camera. “Look at the contrast.”

So similar. So different. Yellow meets white. Black meets yellow.

 

read Kerri’s blog post about CONTRAST

 

tpacwebsitebox copy

 

daisy in the black-eyed susans ©️ 2019 kerri sherwood

DR Thursday

2mayyouBEpeace jpeg copy

Kerri calls them “morsels”: snapshots of a portion of one of my paintings. May You Be Peace is a morsel. I love watching her take the shots. I delight in how she helps me see my work anew. I appreciate how each morsel is a complete work of art in itself.

Shift the focus. Pull in the frame of reference. We live in a world of cameras and microscopes and telescopes and compartments; what we see and believe is very much determined by where we place our focus. Georgia O’Keeffe knew it; she was a master of the close-up.

A few years ago I began taking photographs of my paintings-in-process. The camera helps me sees aspects of the painting that would otherwise remain invisible. It’s odd. I stand before a canvas stapled to the wall and see one thing. I aim a camera at the canvas stapled to the wall and see a wholly different painting. Just imagine the infinite perceptions and perspectives at play in our world!

My photo-painting-practice is a constant reminder that my perspective, my perception is mine alone. You are most certainly looking through a different set of lenses.

Peace, I think, has nothing to do with sameness and everything to do with the celebration of  difference, the capacity to help each other see our lives anew.

MAY YOU BE PEACE merchandise

iphone  framed print  greeting card  MayYouBeToteBag

read Kerri’s thoughts on MAY YOU BE PEACE

photo

May You, 55″ x 36″

kerrianddavid.com

may you be peace and may you ©️ 2016, 2015 david robinson & kerri sherwood

 

 

 

Truly Powerful People (461)

461.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

In a recent post I used the phrase, “embracing your inner odd” and it filled the mailbag with letters of recognition. Apparently, my odd-tribe is much larger than I realized!

Secretly, I’ve believed for years that despite all appearances to the contrary, we really desire to be on the island of misfit toys. Despite all the suits and ties, all the career-track choices and ubiquitous McThought thoughts and pressuring peers, it is our square wheels that make us special. It is our missing buttons that make us unique. Too much similarity and we start to disappear. Therein lives the dragon. To appear, to be in view, we must show our oddity.

We want to fit in. It is among the strongest impulses in the human canon of desires. E.O. Wilson suggests that belonging sits atop the list. Banishment makes us food for lions; it is our pack-ness that makes us safe. Fit in or perish. Odd wrinkles brows and makes bystanders avert their eyes to prevent any embarrassing association. Therein lives the opportunity. To show the odd is to upset the norm.

Throughout history the centers of great innovation have been cultural crossroads. Where differences cross paths innovation thrives. Difference knocks us out of our comfortable assumptions. It’s the oddity that joggles new perspectives and opens the door to “what if?” Suppressing difference pours water on the fires of invention. Eliminate the odd and uniformity, stasis, and stagnation are your reward.

The inner odd provides the same service to your personal crossroads. Muting yourself, gagging your inner odd, stifles your possibilities. It limits your view. The comic, the eccentric, the alarming trickster within is meant to keep you from taking yourself too seriously so you can open. As someone once told me, “Humor is the path to confidence.” Your inner odd is a jester whose gift is to question your attachments and harass your assumptions so that you might put down your rulebook and see the possibilities.